William Blake's Art

INDIVIDUAL TITLES

BIBLE

609 Bible. English. Authorized. Selections. 1950.  The Home Bible Arranged for Family Reading from the King James Version by Ruth Hornblower Greenough With illustrations from designs by William Blake, Decorations by Rudolph Ruzicka (New York: Harper & Brothers, Publishers, 1950)
  Bible -- Job
610 Illustrations of THE BOOK OF JOB by William Blake:  Being all the Water-Colour Designs, Pencil Drawings and Engravings Reproduced in Facsimile With an Introduction by Laurence Binyon and Geoffrey Keynes (New York: The Pierpont Morgan Library, 1935) 6 parts in 1 portfolio.
610A [Job and his family restored to prosperity] (New York: Pierpont Morgan Library, 1935?) A facsimile reproduction of plate 21 of the Butts set of water-colour illustrations to the book of Job.
610B [The vision of Eliphaz] (New York: Pierpont Morgan Library, 1935?) A facsimile reproduction of plate 9 of the Butts set of water-colour illustrations to the book of Job.
610C [Job’s despair] and [When the morning stars sang together] (New York: Pierpont Morgan Library, 1935?) Facsimile reproductions of plates 8 & 14 of the Butts set of water-colour illustrations to the book of Job. The two illustrations are on either side of one sheet.
610D [Behemoth and Leviathan] (New York: Pierpont Morgan Library, 1935?) A facsimile reproduction of plate 15 of the New Zealand set of water-colour illustrations to the book of Job.
611 Illustrations of the Book of Job Reproduced in Facsimile from the original "New Zealand" set made about 1823-4, in the possession of Philip Hofer.  With a note by Philip Hofer (London: J.M. Dent & Sons Limited ; New York: E.P. Dutton & Co. Inc., 1937)
  BLAKE-VARLEY SKETCHBOOK
612 The Blake-Varley Sketchbook of 1819 in the Collection of M.D.E. Clayton-Stamm.  Introduction and Notes by Martin Butlin [2 vols.] (London: Heinemann, 1969)
  BUNYAN
613 Bunyan, John. The Pilgrim's Progress Illustrated with 29 watercolour paintings by William Blake now printed for the first time.  Edited by G.B. Harrison With a new introduction by Geoffrey Keynes (N.Y.: Printed at The Spiral Press for the members of The Limited Editions Club, 1941)
614 Bunyan, John. The Pilgrim's Progress from This World to That Which Is to Come Delivered Under the Similitude of a Dream.  Illustrated with Water-Colors by William Blake (New York: The Heritage Press, 1942)
  DANTE
615 Illustrations to the Divine Comedy of Dante.  (London:  Privately Printed for The National Art-Collections Fund and Issued to Subscribers Only, 1922)
616 Dante Alighieri.  The Divine Comedy of Dante Alighieri Translated into English Verse by Melville Best Anderson with Notes and Elucidations by the Translator, an Introduction by Arthur Livingston, and Thirty-Two Drawings by William Blake, Now Printed for the First Time (New York: The Heritage Press, 1944)
617 Blake's Illustrations for Dante:  Selections from the Originals in the National Gallery of Victoria, Melbourne, Australia and the Fogg Art Museum, Cambridge, Massachusetts (Cambridge, 1953) Fogg Picture Book No 2
618 The Melbourne Dante Illustrations.  Editor, Ursula Hoff (Melbourne: The National Gallery of Victoria, 1961)  Special Bulletin for the Centenary Year, 1961
619 Blake's Dante:  The Complete Illustrations to the Divine Comedy [edited] by Milton Klonsky (New York: Harmony Books, 1980)
620 Bindman, David.  The Divine Comedy, William Blake = William Blake, Die Göttliche Komödie = La Divine Comédie, William Blake Traduction en français: Nicholas Powell. Űbersetzung ins deutsche: Inge Hanneforth. (Paris: Bibliothèque de l’Image, 2000) ISBN: 2909808939
  GRAY, Thomas
621 Gray, Thomas.  POEMS. │ BY │ MR. GRAY. │ - │ A NEW EDITION. │ - │ LONDON: │ PRINTED FOR J. MURRAY, (No. 31,) FLEET-STREET. │ MCCLXXXX [1790].
12°, in ¾ calf over brownish-gray marbled boards; with the ticket of D.W. Carroll, Dublin Printer and Stationer, and signatures on the title page of C. Copinger and of Hercules Ellis St Stephen's Green.  The plates are curiously various.  This is the edition (but of course not the copy) Blake illustrated.
622 William Blake's Designs for Gray's Poems Reproduced Full-Size in Monochrome or Colour from the Unique Copy Belonging to His Grace the Duke of Hamilton With an Introduction by H.J.C. Grierson (London, Edinburgh, Glasgow, Copenhagen, N.Y., Toronto, Melbourne, Cape Town, Bombay, Calcutta, Madras, Shanghai, 1922)
With the book-plate of Roger Senhouse and a note:  "Read again 26 xii 66 │ lent Day Lewis".
623 William Blake's Water-Colour Designs for the Poems of Thomas Gray.  Introduction and Commentary by Geoffrey Keynes Kt.  (Boissia, Clairvaux, Jura: Trianon Press for the William Blake Trust, London ; London: Distributed by B. Quaritch,1972).
623A Announcing the first publication of William Blake's Water-Colour Designs for the Poems of Thomas Gray introduction and commentary by Geoffrey Keynes Kt. ([France]: Trianon Press, for the William Blake Trust, London, 1972) Prospectus. 2 copies.
624 Blake’s Water-Colours for the Poems of Thomas Gray With Complete Texts  (Mineola, New York: Dover Publications, Inc., 2000)
  Group Of Men Seated In A Circle
624A Seven figures seated [art reproduction] ([Washington, D.C.: National Gallery of Art, Rosenwald Collection, [19--]) Photograph of: Group of men seated in a circle, [between 1780 and 1785]. Original: pen and indian ink over pencil, b&w held in National Gallery of Art, Washington, D.C. (Lessing J. Rosenwald Collection).
  MILTON, John
  L'Allegro
625 Milton, John. L'Allegro, with the Paintings by William Blake, together with a Note upon the Poems by W.P. Trent. Il Penseroso [by] John Milton ; with the paintings by William Blake ; together with a note upon the paintings by Chauncey Brewster Tinker. (New York: The Heritage Press, 1954)
  Ode on the Morning of Christ's Nativity
626 Milton, John. On the Morning of Christ's Nativity:  Milton's Hymn with Illustrations by William Blake and a Note by Geoffrey Keynes (Cambridge: At the University Press, 1923)  2 copies.
  Paradise Lost
627 Milton, John. Paradise Lost:  Illustrations [in colour] by William Blake (Liverpool: Published by The Liverpool Booksellers’ Co., Limited, 1906)
628 Milton, John. Paradise Lost With the Illustrations by William Blake Printed in Color for the First Time [sic] and with Prefaces by Philip Hofer and John T. Winterich (New York: The Heritage Press, 1940)
629 Paradise Lost (New York ; London: Studio Publications, 1947) An American Studio Book
630 Milton, John. Paradise Lost With the Illustrations by William Blake and with Prefaces by Philip Hofer and John T. Winterich.  (Norwalk, Connecticut:  The Heritage Press, 1976)
631 Milton, John. Paradise Lost: A Poem in Twelve Books with a Preface by Peter Ackroyd, an Introduction by John Wain and Illustrations by William Blake.  (London: The Folio Society, 2003) 4°, no ISBN
Folio, in shot-silk? orange cloth over dark green spine with handsome slip-case.
631A Blake, William.  Christ offers to redeem man [art reproduction] (San Marino, California: Huntington Library, Art Gallery, and Botanical Gardens, [19--]). Photograph of original pen and watercolour, 1807. Held in Henry E. Huntington Library and Art Gallery.
631B Blake, William.  Rout of the rebel angels [art reproduction] (San Marino, California: Huntington Library, Art Gallery, and Botanical Gardens, [19--]). Photograph of original pen and watercolour, 1807. Held in Henry E. Huntington Library and Art Gallery.
  Paradise Regained
632 William Blake's Illustrations for John Milton's PARADISE REGAINED With an introduction by Joseph Anthony Wittreich, Jr.  A Rowfant Keepsake:  Christmas 1971 (Cleveland, Ohio: Case Western Reserve University, 1971)  Photocopy.
  Poems
633 Milton, John. Poems in English with Illustrations by William Blake [2 vols.] (London:  Nonesuch Press, 1926)
634 Milton, John.Poems in English with Illustrations by William Blake.  Miscellaneous Poems, Paradise Regain'd, & Samson Agonistes (London:  Nonesuch Press, 1926 [i.e., Temecula, California:  Reprint Services Corp, 1992])
This is one volume of the 1926 2-volume Keynes edition, silently reprinted in monochrome (not in two colours as on the 1926 title page).
  Sea Of Time And Space
634A The Sea of Time and Space [art reproduction] Photograph of art original, 1821. A pen, watercolour and gouache on gesso ground on paper held by The National Trust, Arlington Court, Devon.
            Also known as Blake’s Arlington Court Picture.
  Visionary Head
635 Head of a youth, possibly Henry VIII.
Pencil drawing on paper 33.0 x 20.5 cm, no watermark, described in The Blake Collection of W. Graham Robertson, ed. Kerrison Preston (London, 1952), #122, reproduced in Blake Records at p. 259.
First owned by John Varley.
  YOUNG, Edward
636 A series of watercolour designs by William Blake to illustrate Young's Night thoughts [slides] reproduced from the originals in the Department of Prints and Drawings, the British Museum.
Karen Mulhallen took the coloured microfilm which Bentley had lent her and had made from them a complete set of coloured slides (531), which labeled, put into 16 boxes. June 1977?
637 Illustrations to Young's Night Thoughts, Done in Water-Colour by William Blake:  Thirty pages, five reproduced in colour and twenty-five in monotone from the original water-colours in the Library of William Augustus White, with an introductory essay by Geoffrey Keynes (Cambridge [Massachusetts] & London: Printed for the Fogg Museum of Art ... by the Press at Harvard College, 1927)
638 William Blake's Designs for Edward Young's NIGHT THOUGHTS.  Edited with Commentary by John E. Grant, Edward J. Rose, Michael J. Tolley ; Co-Ordinating Editor David V.Erdman. A Complete Edition. Vol. I-II (Oxford:  Clarendon Press, 1980)
  COLLECTIONS AND SELECTIONS
639 Blake (1757-1827).  With an introduction and notes by Geoffrey Keynes (London: Faber and Faber, 1949)  The Faber Gallery
640 Blake (London: Knowledge Publications, 1965) The Masters 6
641 Blake 16 Art Stickers. (Mineola, New York: Dover Publications, Inc., 2003) Dover Fine Art Stickers. ISBN: 0-486-43068-5
642 Blake Art Tattoos.  Designed by Marty Noble.  (Mineola, New York: Dover Publications, Inc., 2002) 16°, 4 pp. (including covers and 4 removable “tattoos”); ISBN: 0-486-42199-6
643 Blake Hanga to Suisai [Blake's Engravings and Watercolours].  Ed. Kengiro Okamoto (Tokyo, 1986) Hanga to Sobyo 7 [Engravings and Drawings #7]  In Japanese
644 Blake's Pencil Drawings Second Series.  Edited by Geoffrey Keynes (London: The Nonesuch Press, 1956)
645 Keynes, Geoffrey. The Complete Portraiture of William & Catherine Blake with an Essay and an Iconography by Geoffrey Keynes Kt ([Boissia, Clairvaux, Jura, France]: Published by the Trianon Press for the William Blake Trust, London, 1977).
646 Binyon, Laurence.  The Drawings and Engravings of William Blake.  By Laurence Binyon. Edited by Geoffrey Holme.  (London: Published by The Studio, Limited, 1922) 
647 Drawings of William Blake:  92 Pencil Studies.  Selection, Introduction and Commentary by Sir Geoffrey Keynes (New York: Dover Publications, Inc., 1970)
648 The Heads of the Poets (Eighteen in number--of which seventeen have not hitherto been published)  With an Introduction by Thomas Wright. Second Edition, July, 1925 (Cowper School, Olney, Near Bedford [England]: Blake Society, 1925).
649 Lister, Raymond. The Paintings of William Blake. [By] Raymond Lister (Cambridge, London, New York, New Rochelle, Melbourne, Sydney:  Cambridge University Press, 1986)
650 Pencil Drawings by William Blake.  Edited by Geoffrey Keynes (London: The Nonesuch Press, 1927)
651 Twenty-Seven Drawings by William Blake being Illustrations for Paradise Lost, Comus and The Bible (McPherson, Kansas: Carl J. Smalley, 1925)
651A The Morning Stars Sang Together from the original watercolor drawing in the Pierpont Morgan Library (New York: Pierpont Morgan Library, ca. 1955]
            Collotype and stencil reproduction mounted in folder.
652 Bertram, Anthony. William Blake by Anthony Bertram (London & New York: The Studio Publications, 1948) The World's Masters--New Series
653 Butlin, Martin. William Blake by Martin Butlin (London: Tate Gallery, 1966) The Tate Gallery Little Book Series
654 Paley, Morton D. William Blake [by] Morton D. Paley (Oxford: Phaidon Press ; New York: E.P. Dutton, 1978)
655 Henry E. Huntington Library and Art Gallery. William Blake at The Huntington:  An Introduction to the William Blake Collection in The Henry E. Huntington Library and Art Gallery, San Marino, California [by] Robert N. Essick.  (New York:  Harry N. Abrams, Inc., Publishers In Association with The Henry E. Huntington Library and Art Gallery, 1994)
656 Scott, William Bell. William Blake:  Etchings from his Works by William Bell Scott With Descriptive Text (London: Chatto and Windus, 1878)
657 Klonsky, Milton. William Blake,  The Seer and His Visions.  [by] Milton Klonsky (London: Orbis Publishing, 1977)
658 William Blake, water-color drawings 1757-1827Peter A. Wick, editor ; Prepared by Helen D. Willard (Boston:  Museum of Fine Arts, 1957) Museum of Fine Arts Picture Books
            2 copies
659 Vaughan, William. William Blake With 46 colour plates. (New York, New York: Park South Books, 1985)
659A Coloured Prints by William Blake 15 pictorial cards printed in colours. British Museum Set C 13. ([London]: British Museum, [1927]).  Issued in envelope.  Included is a 2-page note by Campbell Dodgson describing the contents. Lacks 15th card.
659B Beatrice Addressing Blake. Postcard printed in colour. Tate Gallery card no. 3369. ([London]: Tate Gallery, [195-?]) Printed in England by Waterlow & Sons Limited, London.
659C Design for Edward Young’s, Night Thoughts, 1797 William Blake (1757-1827) Title page to Night VIII, The Beast of Revelation. ([London]: The British Museum, c1999). Printed by Blue Cube Ltd. Denham Uxbridge. Postcard.
659D God Judging Adam, 1795. Postcard printed in colour. Tate Gallery card no. 5063. ([London]: Tate Gallery, [197-?]) Printed in England by Balding & Mansell, London.
  Blake's Commercial Book Engravings
  INDIVIDUAL TITLES
  ALLEN, Charles
  History of England (1798) <BB #415>
660 Allen, Charles. A NEW AND IMPROVED │ HISTORY OF ENGLAND, │ FROM │ THE INVASION OF JULIUS CÆSAR TO THE END OF THE │ THIRTY-SEVENTH YEAR OF THE REIGN │ OF KING GEORGE THE THIRD [i.e., 1797]. │ - │ By CHARLES ALLEN, A.M. │ AUTHOR OF THE ROMAN HISTORY &c. │ - │ THE SECOND EDITION, │ EMBELLISHED WITH FOUR COPPER PLATES, AND A CHRONOLO- │ GICAL CHART OF THE REVOLUTIONS IN GREAT BRITAIN. │ - │ Concluding with a short but comprehensive Historical View │ of Europe, from the abolition of the Monarchical form of │ government in France; the military and naval operations, │ with the conquests and revolutions in Italy to the │ peace of Udina.  The changes and revolutions in the │ political state of the French Republic, and a more parti- │ cular detail of the British History during that period. │ = │ LONDON: │ PRINTED FOR J. JOHNSON, NO. 72, ST. PAUL'S │ CHURCH-YARD. │ - │ 1798.
12°, in apparently contemporary calf (quite fragile at the joints) with no lettering; the front paste-down (blank of course) has a printed catalogue on the verso, and a very obscure pale (?erased) old Brown ink signature which may conclude "August 7th │ 1805".  There is no free fly-leaf at front or back, and the back paste-down is so firmly affixed that one cannot see the verso. The library has copies of each of the four Blake plates cut out from another copy of the work.
  ALLEN, Charles
  Roman History (1798) <BB #416>
661 Allen, Charles. A NEW AND IMPROVED │ ROMAN HISTORY, │ FROM THE │ FOUNDATION OF THE CITY OF ROME, │ TO ITS FINAL │ DISSOLUTION AS THE SEAT OF EMPIRE, │ IN THE │ YEAR OF CHRIST 476, │ Including a Period of about 1228 Years, │ FROM ITS │ COMMENCEMENT UNDER ROMULUS. │ - │ BY CHARLES ALLEN, A.M. │ AUTHOR OF THE HISTORY OF ENGLAND, &C. │ - │ THE SECOND EDITION. │ EMBELLISHED WITH FOUR COPPER PLATES. │ = │ LONDON: │ PRINTED FOR J. JOHNSON, NO. 72, ST. PAUL'S │ CHURCH-YARD. │ - │ 1798.
12°, in full calf cracking at the hinges; signed on the front paste-down "Emma Badham │ July 21 1834".  At the back, bound in, is a 36-page list dated 1 December 1808 of Modern Publications and New Editions of Valuable Standard Works, Printed for Longman, Hurst, Rees, and Orme.
  ARIOSTO, Lodovico
  Orlando Furioso <BB 417>
  1783
662 Ariosto, Lodovico. ORLANDO FURIOSO: │ TRANSLATED FROM THE ITALIAN OF │ LODOVICO ARIOSTO; │ WITH NOTES: │ By JOHN HOOLE. │ - │ IN FIVE VOLUMES. │ VOL. I[-V]. │ - │ LONDON: │ Printed for the AUTHOR:  │ Sold by C. BATHURST; T. PAYNE and SON; │ J. DODSLEY; │ J. ROBSON; T. CADELL; T. NICOL; J. MURRAY; │ J. WALTER; T. and W. LOWNDES; J. SEWELL; J. STOCKDALE; and J. PHILLIPS. │ M.DCC.LXXXIII [1783].
Two copies. One copy with armorial book-plate of E.W. Wynne Pendarves. Second copy has book-plate 1967 from the Essex Institute.  There are 5 plates, one by Blake.
  1791
663 Ariosto, Lodovico. THE │ ORLANDO │ OF │ ARIOSTO. │ REDUCED TO XXIV BOOKS; │ THE NARRATIVE CONNECTED, │ AND THE │ STORIES DISPOSED IN A REGULAR SERIES: │ BY JOHN HOOLE, │ TRANSLATOR OF THE ORIGINAL WORK IN FORTY-SIX BOOKS. │ IN TWO VOLUMES. │ VOL. I[-II]. │ - │ LONDON: │ PRINTED FOR J. DODSLEY, PALL MALL. │ M.DCC.XCI [1791].
Bound in handsome contemporary tree calf.  It has the book-plate, blind-stamp, and borrower's-card-pocket of the Pottsville Free Public Library (Pottsville, Pennsylvania), and the signature of A. Russell Pollock, Greenhill, March 1849. There are 5 plates, one by Blake.
  1799
664 Ariosto, Lodovico. ORLANDO FURIOSO: │ TRANSLATED │ FROM THE ITALIAN │ OF │ LUDOVICO ARIOSTO; │ WITH │ NOTES: │ BY JOHN HOOLE. │ - │ IN FIVE VOLUMES. │ - │ VOL. I[-V]. │ - │ [Vignette of Ariosto on Vol. I only] │ LONDON: │ PRINTED FOR OTRIDGE AND SON; R. FAULDER; J. CUTHELL; J. WALKER; │ R. LEA; OGILVY AND SON; LACKINGTON, ALLEN, AND CO.; CADELL │ AND DAVIES; T.N. LONGMAN; W.I. AND J. RICHARDSON; │ AND VERNOR AND HOOD. │ - │ 1799.
The pages are still uncut.  There are advertisements for books in Vol. I, V.  On the title pages is the signature of Ann Fowler, and there is also the book-plate of Edward H.R. Tatham (perhaps Edward Tatham 1749-1834). Vol. II is “A New Edition”. There are 5 plates, one by Blake.
  BIBLE
665 Bible. English. Authorized. 1780.  THE │ Protestant’s Family Bible. │ CONTAINING THE │ Old and New Testaments. │ WITH THE │ APOCRYPHA, │ ILLUSTRATED BY │ EXPLANATORY NOTES. │ WITH │ A Complete Concordance, │ AND │ GENERAL INDEX. │ By a Society of Protestant Divines. │ I.H.S. │ LONDON: │ Printed for Harrison and C N 18, Paternoster-Row [1780-1781].
4°, in full suede.  On the front paste-down is the leather book-plate of "JOHN & MARGERY WHALE" and below it in old brown ink is "October 19th 1783".  On the next 2 fly-leaves are:
John Son of Jn & Margery Whale Born July 3rd 1783 25 Ms after 5 afternoon
Dyed Jno Son of Jn & Margery Whale 24th Dec 1785 -- Aged 18 months
Born Jn Son of Jn & Margery Whale 18 Sep 1786
Born William Draper son of John & Margery Whale August. 2d 1788
Dyed John Whale Son of Jn & Margery Whale 30h Dec 1841 Aged 56 Years
Ann Whale Wife of the above John Whale departed this life on the 29th day of April 1859 Aged 78 years.
John  Whale Son of the above named John And Ann Whale who was drown'd in the Brig 'Economy' in his passage from Riga to Shields on or about the 27th day of September 1860 aged 35 years.
Thomas Bowen and Margaret Whale were married by Banns at the Parish Church of Tynemouth by the Reverend Christopher Reed, Vicar on the 30th day of January 1850
Ann Bowen daughter of the above Thomas and Margaret Bowen was born the 24th day of July 1852 and Baptized in the parish church of Tynemouth
The above named Thomas Bowen was drowned in Hamburgh River whilst in the execution of his duties as mate of the Brig Hudgill[?] of Newcastle, on the 3rd day of September 1857, his Body was found and buried at Hamburgh
Eliza Jane Bowen second daughter of the above Thomas and Margaret Bowen was born on the 22d day of September 1857, and Baptized at the parish church of Tynmouth
666 Bible. English. Authorized. 1781. [Vol. I:]  THE │ ROYAL UNIVERSAL │ [in red:] FAMILY BIBLE; │ OR, A COMPLETE LIBRARY OF │ DIVINE KNOWLEDGE: │ CONTAINING THE SACRED TEXT OF THE │ [in red:] Old and New Testaments, │ WITH THE APOCRYPHA AT LARGE; │ ILLUSTRATED WITH │ [in red:] NOTES, CRITICAL, HISTORICAL, THEOLOGICAL AND PRACTICAL, │ WHEREIN │ The difficult Passages are explained, the seeming Contradictions reconciled, the Mis-translations corrected, │ the deistical Objections refuted, and the Sacred Scriptures represented in their original Purity, │ as the only Means of reconciling offending Man to his offended God. │ with │ [in red:] PRACTICAL REFLECTIONS ON EACH CHAPTER. │ The whole calculated to promote the Interest of Virtue and Piety, and make Men wise unto │ Salvation. │ [in red:]  TO WHICH IS ADDED │ I.  At the End of each Book a Connection between Civil and │ Sacred History. │ II.  An Account of the great Men who flourished in the Hea- │ then Nations in those Times, their Characters and Wri- │ tings. │ III.  The State of Religion in the Heathen Nations, before │ the Incarnation. │ Difference in the Names of Places since the Christian Æra. │ V.  An Explanation of the Duty of all the Officers mentioned │ in the Old and New Testaments. │ VI.  An Explanation of all the Scripture Terms, Names, and │ Phrases. │ VII.  The History of the Old and New Testaments connected. │ VIII.  An Explanation of the Divine Offices used in the Jewish │ Church, both before and after the Captivity. │ IX.  A Reconciliation of Sacred Chronology with the Records │ of the Heathens. │ X.  A complete Concordance to the Old and New Testaments. │ XI.  A Critical and Historical Account of all the English Translations of the Bible. │ XII.  A complete Index to the Bible. │ - │ [in red:] By the Reverend JOHN HERRIES, A.M. and Others. │ - │ [2 mottos] │ - │ VOL. I. │ - │ [in red:] LONDON: │ PRINTED FOR FIELDING & WALKER, PATER-NOSTER-ROW, │[in red:]  MDCCLXXX [1780, (i.e., 1781)].
[Vol. II:] ... │ [in red:] LONDON: │ PRINTED FOR J. FIELDING No. 23, PATERNOSTER-ROW, │ [in red:]  MDCCLXXXI [1781 (i.e., 1782)].
The fly-leaf of Vol. I is signed "Bailey Ipswich 1783" and bears the book-plate of "John Bailey".
  BIBLE
  Illustrations of The Book of Job (1826) <BB #421>
667 [Engraved title:] [Hebrew] │ = │ ILLUSTRATIONS of │ The │ Book │ of │ JOB │ Invented & Engraved │ by William Blake │ 1825 │ [Vignette of 7 angels] │ London Published as the Act directs March 8: 1825 by William Blake No 3 Fountain Court Strand [1826].
Plates loose, now all mounted.
Label, loose, with the prices left blank.
  c. 1902
668 [Engraved title:] [Hebrew] │ = │ ILLUSTRATIONS of │ The │ Book │ of │ JOB │ Invented & Engraved │ by William Blake │ 1825 │ [Vignette of 7 angels] │ London Published as the Act directs March 8: 1825 by William Blake No 3 Fountain Court Strand [1826].
A surprisingly persuasive facsimile.
Interleaved with tissue-paper and bound in late 19th Century $1° morocco, with gold marbled end-papers presumably at "THE KNICKERBOCKER PRESS BINDERY" (ticket on the last fly-leaf).  WATERMARK:  T H Sau[nders].  The first fly is stamped "G[?].P. Putnam's Sons", and the second is inscribed "Ursula Morgau │ Christmas 1907".  On the back fly is pasted a printed label:
ILLUSTRATIONS │ OF THE │ [Gothic:] Book of Job, │ IN TWENTY-ONE PLATES, INVENTED AND ENGRAVED BY │ WILLIAM BLAKE, │ Author of Designs to "Blair's Grave," "Young's Night Thoughts," &c. │ = │ [Gothic:] London: │ PUBLISHED BY THE AUTHOR, 3, FOUNTAIN COURT, STRAND, AND │ MR. J. LINNELL, 6, CIRENCESTER PLACE, FITZROY SQUARE. │ - │ MARCH, 1826. │ Prints £     Proofs £
  1903
669 Illustrations of the Book of Job Invented and Engraved by William Blake.  A New Edition (London: Methuen & Co., 1903) The Illustrated Library of Plain and Coloured Books.
            2 copies. 1 copy consists of leaves loose in a portfolio.
  1912
670 Illustrations of the Book of Job Reproduced in [greatly] reduced facsimile from impressions in the British Museum (London & Glasgow: Gowans & Gray, Ltd., 1912)
  1923
671 [Engraved title:] [Hebrew = | ILLUSTRATIONS of | The | Book | of | Job | Invented & Engraved | by William Blake | 1825 | London Published as the act directs March 8 1825 by William Blake No 3 Fountain Court, Strand. [on the front paste-down is a printed label: Printed and published by Frederick Hollyer, Pembroke square, London, 1923.] <BB #430>
4°, in publisher’s(?) quarter dark blue pebbled cloth over white cloth boards, spine gilt sideways with THE BOOK OF JOB.  WM. BLAKE.  The only integral type-set text is printed on the leaf before the designs: “This Edition is limited to 225 copies of which this is No. [in MS] 15”
The designs, printed on glossy paper which is pasted on quarto leaves,  are slightly reduced in size; of course there is no platemark, but Pl. 1 (the titlepage) is 13.5 x 17.7 cm, whereas the plate-mark of the original Pl. 1 is 16.5 x 21.3 cm.
  1927
672 Bible. O.T. Job. English. Authorized. 1927. The Book of Job:  The Eighteenth Book of the Old Testament with the Twenty-Two Engravings of William Blake.  (London:  Ernest Benn Ltd., 1927)
  1947
673 Job:  Invented & Engraved by William Blake.  Introductory Note by Kenneth Patchen (New York: United Book Guild, 1947)
  1966
674 Blake's Job:  William Blake's Illustrations of the Book of Job with an Introduction and Commentary by S. Foster Damon (New York: E.P. Dutton, Inc., 1969 [first published 1966])
  1975
675 The Book of Job: The Twenty-One Engravings of William Blake.  Arts in Virginia, XV (1975), 2-24.
            Includes “William Blake’s Illustrations of the Book of Job” by Pinkney L. Near.
  1976
676 Bible. O.T. Job. English. Authorized. 1976. The Book of Job. Illustrated by William Blake. With a new introduction by Michael Marqusee. (London ; New York: Paddington, 1976) Masterpieces of the Illustrated Book.
  1977
677 Illustrations of the Book of Job in Twenty-One Plates, Invented and Engraved by William Blake ([Boissia, Clairvaux: Trianon Press for the William Blake Trust, London, 1977])
The work consists exclusively of loose facsimiles of published "Proof" copies on chain-lined paper (evidently the same as for the Blake Trust Job facsimile [1987]) in a lavender paper folder bearing a facsimile of the original label and a note:  "This facsimile was produced in a limited edition by Trianon Press in Paris and is offered for sale only in museums and at Blake Trust exhibitions".
  1987
678 William Blake's Illustrations of the Book of Job: The Engravings and related material with Essays, Catalogue of states and printings, Commentary on the plates and Documentary record by David Bindman, Barbara Bryant, Robert Essick, Geoffrey Keynes and Bo Lindberg.  Edited by David Bindman (London: William Blake Trust, 1987)
            The slipcase contains a text volume (147 p. ; 40 cm.) and reproductions of the engravings with related material in a folder inside a separate case (43 cm.) The plates folder consists of 22 fascicules containing the title page and 21 plates of Blake's engraved Illustrations of the book of Job in facsimile of the proof copy lately in the collection of Sir Geoffrey Keynes.  Each fascicule also contains reproductions of related material together with a plate-by-plate commentary by Bo Lindberg. The fascicules are preceded by an introduction by Bo Lindberg.
  1987
678A William Blake Trust. Prospectus: William Blake’s Illustrations of the Book of Job: The Engravings and related material … (London: The William Blake Trust, 1987)
            2 copies with different specimen plates
  1987
679 Colour versions of William Blake's Book of Job designs from the circle of John Linnell:  Facsimiles of the New Zealand and Collins sets and the Fitzwilliam Plates with an essay by Bo Lindberg
           The text volume and 3 portfolios, each containing 1 set, are issued in a case (40 cm.)
There are three fascicles of loose plates of
            The Collins set [of 22 engravings, coloured probably by John Linnell]
            The New Zealand set [of 22 watercolour copies of the engravings, probably made by Albin Martin]
            The Fitzwilliam Plates [pl. 11, 15, 18, 20, coloured probably by John Linnell]
  1987
679A William Blake Trust. Prospectus: Colour versions of William Blake’s Book of Job designs from the circle of John Linnell … (London: The William Blake Trust, (1987)
            2 copies, each with same specimen plate
  197-?
679B When the morning stars sang together [art reproduction] : & all the Sons of God shouted for joy. (London: William Blake Trust, 197-?)
            A proof of plate 14 printed prior to the publication of Colour versions of William Blake’s Book of Job designs from the circle of John Linnell.
  197-?
679C With dreams upon my bed thou scarest me [art reproduction] : & allrightest me with visions. (London: William Blake Trust, 197-?)
            A proof of plate 11 printed prior to the publication of Colour versions of William Blake’s Book of Job designs from the circle of John Linnell.
  1995
680 Blake's Illustrations for the Book of Job (New York:  Dover Publications, Inc., 1995)
  BLAIR, Robert
  The Grave <BB #435>
  1808 Quarto
681 Blair, Robert. THE │ GRAVE, │ A POEM. │ BY │ ROBERT BLAIR. │ - │ ILLUSTRATED BY │ [Gothic:] Twelve Etchings │ EXECUTED FROM │ ORIGINAL DESIGNS. │ - │ LONDON: │ PRINTED BY T. BENSLEY, BOLT COURT, │ FOR THE PROPRIETOR, R.H. CROMEK, No 64. NEWMAN STREET; │ AND SOLD BY │ CADELL AND DAVIES, J. JOHNSON, T. PAYNE, J. WHITE, LONGMAN, HURST, REES, AND │ ORME, W. MILLER, J. MURRAY, AND CONSTABLE AND CO. EDINBURGH. │ 1808.  4°
                 4 copies.
Copy 1: Trimmed beyond the border of engraved title and frontispiece), in 19th-century calf over brown and orange marbled boards and end-papers (fly-leaves unwatermarked); book-plate of Joseph Holland using Songs pl. a (showing the heavy margins characteristic of posthumous printing) as its design on the front paste-down and Holland’s signature on the second fly-leaf.
Copy 2: Bound in three-quarter maroon morocco over pale red pebbled cloth.  This is the copy for which Robert Scott of Edinburgh subscribed, and its effect upon him is described in Autobiographical Notes of the Life of  William Bell Scott, ed. William Minto [1892], I, 21-22).  This copy has (1) a description of "1844" by his son David Scott (quoted somewhat approximately in Alexander Gilchrist, Life of William Blake, "Pictor Ignotus" [1863], I, 377), (2) the book-plate and signature of his other son William Bell Scott ("5 March 1849"), and (3) a sonnet by W.B. Scott (quoted in George Goyder, "An Unpublished Poem about Blake by William Bell Scott, 'On seeing again after many years William Blake's designs for "the Grave"'" Blake Newsletter, X [1976], 125).
Copy 3: Bound in old boards with a new spine and green marbled end-papers.
Copy 4: Bound in $1°brown morocco over green paper, the edges gilt.
  1813 [i.e. 1870]
682 Blair, Robert. THE │ GRAVE, │ A POEM. │ BY │ ROBERT BLAIR. │ - │ ILLUSTRATED BY │ [Gothic:] Twelve Etchings │ EXECUTED FROM │ ORIGINAL DESIGNS. │ - │ TO WHICH IS ADDED │ A LIFE OF THE AUTHOR. │ = │ LONDON: │ PRINTED BY T. BENSLEY, BOLT COURT, │ FOR THE PROPRIETOR, R. ACKERMANN, 101 STRAND; │ AND SOLD BY │ CADELL AND DAVIES, J. JOHNSON, T. PAYNE, J. WHITE, LONGMAN, HURST, REES, AND │ ORME, W. MILLER, J. MURRAY, AND CONSTABLE AND CO. EDINBURGH. │ 1813 [i.e. 1870].
Small folio.  On unwatermarked paper with “1813” title-page but with text completely reset line-for-line in type created in 1860, printed for John Camden Hotten in 1870, and bound in late Victorian stamped cloth; plates in the midst of the poem, not gathered at end as in 1813 and in different order than 1808 edition. Cf. Bentley.
  1847
683 Blair, Robert. [Engraved title:] THE │ GRAVE │ A Poem │ BY │ BLAIR, │ With Illustrations from DesignsBY │ W BLAKE. │ 1847 [Trumpeter plunging to a skeleton labeled "W Blake del.] A.L. Dick. sc.
[Type-set title:] THE GRAVE, │ A POEM. │ BY │ ROBERT BLAIR, │ WITH ILLUSTRATIONS, FROM DESIGNS │ BY │ WILLIAM BLAKE. │ - │ NEW YORK: │ A.L. DICK, 66 FULTON STREET. │ - │ 1847.
4°, in original boards with the same design recto and verso of flowers round THE │ GRAVE,  │ by │ ROBERT BLAIR.  Hinges perishing.  Ex libris of Pat Murray No. 2704.
  1858
684 Blair, Robert.  THE GRAVE, | A POEM. | BY | ROBERT BLAIR. | WITH ILLUSTRATIONS, FROM DESIGNS | BY | WILLIAM BLAKE. | [crest containing TNP]?] | [pro ecclesia dei] | NEW YORK: | STANFORD & DELLISSER, | 508 BROADWAY. | 1858.
4°,, in publisher’s brown pebbled cloth, spine mostly perished, boards elaborately blind-stamped and gilt with THE | GRAVE | BY | ROBERT BLAIR.  Bookplates of [scratched out] and G.E.B.; signature of Edwin D. Worrcester jr., | Nov., 1880.  “Christ Descending” pulled free of spine.
  1870
685 Blake, William. On cover, in gold lettering: BLAIR’S GRAVE, | ILLUSTRATED | IN TWELVE PLATES BY | BLAKE(London:Camden Hotten, 1870)
4°, 12 loose prints without stitching-holes on stiff, unwatermarked rather brittle paper, in “Original brown [pebbled] cloth portfolio lettered in gilt, rebacked, title browned, a few edges chipped not touching the images”.  The first and last leaves are darkened presumably with offsetting from the yellow paste-downs.  The lettering on the cover is visible from the verso.  There are small indentations on both sides of the front and back panels at top, bottom, and middle as if held together with clamps. The front and back covers are blind-stamped at the corners with two stamps, one the mirror opposite of the other, and in the centre is blind-stamping with a different tool, that on the front cover containing the title.
Printed and issued in conjunction with J.C. Hotten's 1870 type-facsimile edition of Robert Blair, The grave, which bears only the imprint of the 1813 edition published by R. Ackermann. Printed from the original plates, previously re-lettered for publication as illustrations to Jose Joaquin de Mora's Meditaciones poeticas (London : Ackermann, 1826), re-lettered yet again as for Ackermann, 1813. Plates include the engraved title-page with Ackermann imprint: THE | GRAVE, | A Poem | Illustrated by twelve Etchings | Executed | BY | LOUIS SCHIAVONETTI | from the Original | Inventions | OF | WILLIAM BLAKE. | 1808.
  1903
686 Blair, Robert. The Grave : a poem. By Robert Blair ; illustrated by twelve etchings executed by  L. Schiavonetti from the original inventions of William Blake. A new edition. (London: Methuen & Co., 1903).
Complete reprint of 1808 Grave. Reduced photographic reproductions. 2 copies.
  1906
687 Blair, Robert.  The Grave: A Poem. By Robert Blair. With Eleven Photogravures and One Half-Tone Reproduction after Designs by William Blake. A Photogravure Portrait after T. Phillips, R.A., and a Note on the Illustrations by Henry Fuseli. (London: George Rutledge & Sons, Limited ; New York: E. P. Dutton & Co., [1906]) The Photogravure and Colour Series.
Reprint of 1808 Grave excluding List of Subscribers, Prospectus for Stothard's "Canterbury Pilgrim". Reduced photographic reproductions lacking inscriptions.
  1963
688 Blake's Grave:  A Prophetic Book Being William Blake's Illustrations for Robert Blair's The Grave, arranged as Blake directed.  With a Commentary by S. Foster Damon (Providence, Rhode Island:  Brown University Press, 1963)  Brown University Bicentennial Publications. Studies in the Fields of General Scholarship
  1973
689 William Blake's Illustrations to The Grave (London: Wildwood House, 1973)  Double Elephant-San Vito Press series No. 3
  1982
690 Essick, Robert N. Robert Blair’s The Grave illustrated by William Blake A study with facsimile by Robert N. Essick and Morton D. Paley (London: Scolar Press, 1982)
  1983
691 Blair, Robert. The Grave, A Poem with Illustrations, from Designs by William Blake (New York:  Stanford & Delisser, 508 Broadway, 1858.  Reprinted 1983 by Albert Saifer Publisher, West Orange, New Jersey)
  BONNYCASTLE, John
  Mensuration <BB #436>
  1782
692 Bonnycastle, John. AN │ INTRODUCTION │ TO │ MENSURATION, │ AND │ PRACTICAL GEOMETRY. │ WITH NOTES, CONTAINING THE REASON OF EVERY │ RULE, CONCISELY AND CLEARLY DEMONSTRATED. │ By JOHN BONNYCASTLE, │ Author of the SCHOLAR'S GUIDE TO ARITHMETIC. │ [[Vignette of cherubs and geometrical shapes] │ LONDON:  Printed for J. JOHNSON, No 72, │ ST. PAUL'S CHURCH YARD.  1782.
12°, in rebacked ½ leather over old marbled boards.  On the verso of the last page (p. 285) is an advertisement (really the title) for Bonnycastle's Guide to Arithmetic, Third Edition, n.d., followed by Extracts from Reviews of it from July and September 1780.
It has one Blake plate.
  1798
693 Bonnycastle, John. A | INTRODUCTION | TO | MENSURATION, | AND | PRACTICAL GEOMETRY, | WITH NOTES, CONTAINING THE REASON OF EVERY RULE | By JOHN BONNYCASTLE, │ OF THE ROYAL MILITARY ACADEMY, WOOLWICH. │ The FIFTH EDITION, corrected and improved. │ [Vignette] │ LONDON: Printed for J. JOHNSON, N° 72, | ST. PAUL’S CHURCH YARD. 1798. │ [Printed] By Bye and Law, St. John's Square, Clerkenwell.
12°, in full brown leather, hinges weak, no label or fly-leaf.
  1819
694 Bonnycastle, John. AN | INTRODUCTION | TO | MENSURATION | AND | PRACTICAL GEOMETRY: | WITH NOTES, │ CONTAINING THE REASON OF EVERY RULE. │ BY JOHN BONNYCASTLE, │ PROFESSOR OF MATHEMATICS IN THE ROYAL MILITARY │ ACADEMY, WOOLWICH. │ The TWELFTH EDITION, corrected and greatly improved. │ [Vignette] │ [Gothic:] London: │ PRINTED FOR F.C. & J. RIVINGTON; J. NUNN; LONGMAN & CO.; │ CADELL & DAVIES; JOHN RICHARDSON; J. MAWMAN; BALD- │ WIN & CO.; SHERWOOD & CO.; G. & W.B. WHITTAKER; AND │ JOHN ROBINSON. │ - │ 1819.
12°, in full brown leather, hinges weak, no label, very like the 1798 edition.  The vignette is probably no longer Blake's, though the design is the same.
  BOYDELL, John
  Boydell's Graphic Illustrations of ... Shakspeare
  [?1803]
695 Boydell, John.  BOYDELL’S │ Graphic Illustrations │ of the │ DRAMATIC WORKS, │ [Gothic:] OF │ Shakspeare; │ CONSISTING OF │ [Gothic:] a │ SERIES OF PRINTS │ Forming an elegant and useful Companion to the Various Editions of his Works, │ Engraved from PICTURES, [Gothic:] purposely painted │ By the very first  [Gothic:] Artists, and lately exhibited at │ THE SHAKSPEARE GALLERY. │ = │ [Gothic:] London │ Published by MESSs BOYDELL & CO. Cheapside [?1803].  Tomkins Scrip Halliwell Sculp
Folio, rebound, with unwatermarked plates, though the Advertisement and Descriptive Index ff. 1, 4 are WATERMARKED 1812 │ W BALSTON, while Descriptive Index f. 2 is WATERMARKED J WHATMAN │ 1801.
There is one Blake plate, which also appears in the Shakspeare (Boydell, [?1803]).
  1852
696 Boydell, John. The | AMERICAN EDITION | of | BOYDELL’S | ILLUSTRATIONS OF THE DRAMATIC WORKS | of | SHAKSPEARE, | by the most | EMINENT ARTISTS OF GREAT BRITAIN. | New-York : | Restored and published with original descriptions of the plates | by Shearjashub Spooner, | 1852.
            Folio, 2 volume set rebound into 4 parts.  This edition did not include the Blake plate.
  1849
697 Spooner, Shearjashub.  Prospectus for publishing an American edition of Boydell’s Illustrations of Shakspeare. Third Edition. (New York: S. Spooner, 1849)
  1968
698 Boydell, John.  The Boydell Shakespeare Prints. With an Introduction by A. E. Santaniello. (New York and London: Benjamin Blom, Inc., 1968)
            “Contains all one hundred plates in the Collection of prints … as well as the one hundred separate engraved prints in the nine-volume edition of the plays.”  This edition does not include the plate by William Blake.
  BRYANT, Jacob
  A New System, or an Analysis of Ancient Mythology
  (1774, 1776)
699 Bryant, Jacob. [Vol. I-II:]  A │ NEW SYSTEM, │ OR AN │ ANALYSIS │ OF │ ANCIENT MYTHOLOGY: │ Wherein an Attempt is made to divest TRADITION of FABLE; │ AND TO REDUCE THE TRUTH to its Original Purity. │ In this WORK is given an HISTORY of the │ BABYLONIANS,│ CHALDEANS, │ EGYPTIANS, │ CANAANITES, │ HELLADIANS, │ IONIANS, │ LELLEGES, │ DORIANS, │ PELASGI: │ ALSO OF THE │ SCYTHÆ, │ INDO-SCYTHÆ, │ ETHIOPIANS, │ PHENICIANS. │ The Whole contains an Account of the principal Events in the first Ages, from the │ DELUGE to the DISPERSION:  Also of the various Migrations, which ensued, and │ the Settlements made afterwards in different Parts:  Circumstances of great Conse- │ quence, which were subsequent to the GENTILE HISTORY of MOSES. │ - │ VOL. I [II]. │ - │ BY JACOB BRYANT, │ Formerly of KING'S COLLEGE, CAMBRIDGE; and Secretary to his Grace the │ late Duke of MARLBOROUGH, during his Command abroad; and Secretary │ to him as Master General of his Majesty's Ordnance. │ LONDON: │ Printed for T. PAYNE, MEWS-GATE; P. ELMSLY, in the │ STRAND; B. WHITE, in FLEET-STREET; AND │ J. WALTER, CHARING-CROSS.  M.DCC.LXXXIV [1774].
[Vol. III:] ... M.DCC.LXXVI [1776].
The plates are signed by Blake's master James Basire, but it seems likely that Blake had a hand in some of them.
  SECOND EDITION (1775, 1776)
700 Bryant, Jacob. [Vol. I-II:]  A │ NEW SYSTEM, │ OR AN │ ANALYSIS │ OF │ ANCIENT MYTHOLOGY: │ Wherein an Attempt is made to divest TRADITION of FABLE; │ AND TO REDUCE THE TRUTH to its Original Purity. │ In this WORK is given an HISTORY of the │ BABYLONIANS,│ CHALDEANS, │ EGYPTIANS, │ CANAANITES, │ HELLADIANS, │ IONIANS, │ LELLEGES, │ DORIANS, │ PELASGI: │ ALSO OF THE │ SCYTHÆ, │ INDO-SCYTHÆ, │ ETHIOPIANS, │ PHENICIANS. │ The Whole contains an Account of the principal Events in the first Ages, from the │ DELUGE to the DISPERSION:  Also of the various Migrations, which ensued, and │ the Settlements made afterwards in different Parts:  Circumstances of great Conse- │ quence, which were subsequent to the GENTILE HISTORY of MOSES. │ - │ VOL. I [II]. │ - │ BY JACOB BRYANT, │ Formerly of KING'S COLLEGE, CAMBRIDGE; and Secretary to his Grace the │ late Duke of MARLBOROUGH, during his Command abroad; and Secretary │ to him as Master General of his Majesty's Ordnance. │ LONDON: │ Printed for T. PAYNE, MEWS-GATE; P. ELMSLY, in the │ STRAND; B. WHITE, in FLEET-STREET; AND │ J. WALTER, CHARING-CROSS. │ THE SECOND EDITION. │ ... │ M.DCC.LXXV [1775].
[Vol. III:] ... M.DCC.LXXVI [1776].
Only Vol. I-II are the Second Edition; Vol. III (1775) is the same as in the first edition.
The plates are signed by Blake's master James Basire, but it seems likely that Blake had a hand in some of them.
  CATULLUS, Gaius Valerius
  The Poems (1795) <BB #441>
701 Catullus, Gaius Valerius. THE │ POEMS │ OF │ CAIUS VALERIUS │ CATULLUS, │ IN ENGLISH VERSE: │ WITH THE LATIN TEXT REVISED, AND CLASSICAL NOTES [by John Nott]. │ PREFIXED ARE ENGRAVINGS OF │ CATULLUS, AND HIS FRIEND CORNELIUS NEPOS. │ IN TWO VOLUMES │ - │ [4-line motto] │ - │ LONDON: │ PRINTED FOR J. JOHNSON, ST. PAUL'S CHURCH-YARD. │ M DCC XCV [1795].
8°, in handsome, sound old calf; pasted-in leaf in each volume marked "H = l =".  Between p. 232 and p. 233 of the Index are bound in pp. 225-235 of “Copies of original letters from the army of General Bonaparte in Egypt, intercepted by the fleet under the command of Admiral Lord Nelson : with an English translation”; followed by 4 pp. of NEW PUBLICATIONS PRINTED FOR J. WRIGHT.
This set lacks the imprint beneath the 2 Blake prints.
  CHAUCER, Geoffrey
  Canterbury Pilgrims
701A CHAUCERS CANTERBURY PILGRIMS │ Painted in Fresco by William Blake & by him Engraved & Published October 8. 1810. Ye gon to Canterbury God mote you spede.
[At bottom of print:] V. BLAKE. ENGRAVING. “CANTERBURY PILGRIMS.” 1810.
            A photo lithograph reprint of the 4th state of Blake’s engraving produced between 1820 and 1823.  Reproduced from the original in the Henry E. Huntington Library and Art Gallery. 2 copies.
  Poetical Works (1782) <BB #442>
702 Chaucer, Geoffrey. THE │ POETICAL WORKS │ OF │ GEOFF. CHAUCER. │ IN FOURTEEN VOLUMES. │ THE MISCELLANEOUS PIECES │ from Urry's Edition 1721, │ THE CANTERBURY TALES │  from Tyrwhitt's Edition 1775. │ = │ [30 lines of verse] │ = │ VOL. I[-XIV]. │ EDINBURG: │ AT THE Apollo Press, BY THE MARTINS. │ Anno 1782 [i.e., 1783].
[Duplicate title:] THE │ POETICAL WORKS │ OF │ GEOFFREY CHAUCER. │ VOL. I[-XIV]. │ CONTAINING HIS │ [description, in 2 columns] │ = │ [Many different mottos] │ = │ Edinburg: │ AT THE [Gothic:] Apollo Press, BY THE MARTINS. │ Anno 1782. [Frontispiece:] BELL'S EDITION. │ The POETS of GREAT BRITAIN │ COMPLETE FROM │ CHAUCER to CHURCHILL
16°
            Copy 1: In full polished tree calf, some joints frail or perished, spine-labels missing (or perhaps merely illegible); each volume has the book-plate of HKL surmounted by a crown.
            Copy 2: The plate in Vol. XIII is engraved by Cook (1787), not by Blake 1783 (as in some other copies).
  COSWAY, Richard
  Venus dissuades Adonis from Hunting
702A Blake, William.  Venus dissuades Adonis from Hunting. Rdus. Cosway RA et Primarius Pictor Serinissimi Walliæ Principis, Pinxt.  Guliels. Blake sculp. ([London, Published June 2nd. 1823 by H. Gibbs 23 Gt. Newport St.)  Imprint cut off – supplied by Essick.
            Art print engraving after a Richard Cosway painting.
  CUMBERLAND, George, Card
703 12°; a leaf (9.9 x 16.0 cm) of paper with strong vertical chain lines and, at the bottom left, a fragment of a Britannia watermark under a crown.  The lightly-inked but deeply embossed plate bears Blake's design surrounding "M Cumberland."  It is in a handsome dark blue quarter morocco box lined with very dark blue shot silk.  In R.N. Essick, The Separate Plates of William Blake:  A Catalogue (1983), 113, this is copy M, with a history beginning in 1938. Steve Nachmanovich designed for Bentley (March 1996) a book plate from this, with G.E. Bentley, Jr.’s name replacing Cumberland's.
  CUMBERLAND, George
  An Attempt to Describe Hafod (1796) <BB #445>
704 Cumberland, George. An Attempt to Describe Hafod. Edited and introduced by Jennifer Macve & Andrew Sclater ; Illustrated with drawings from a sketchbook of Thomas Jones of Pencerrig ; Introduced by Donald Moore. A Bicentenary Edition. (Aberystwyth:  Ymddiriedolaeth Yr Hafod -- Hafod Trust, 1996)
A facsimile.
  CUMBERLAND, George
  Outlines from the Antients (1829) <BB #446>
705 Cumberland, George. OUTLINES FROM THE ANTIENTS │ EXHIBITING THEIR PRINCIPLES OF COM- │ POSITION IN FIGURES AND BASSO RELIEVOS │ TAKEN CHIEFLY FROM INEDITED MONU- │ MENTS OF GREEK AND ROMAN SCULPTURE │ WITH AN INTRODUCTORY ESSAY │ BY GEORGE CUMBERLAND, ESQ. │ - │ LONDON │ SEPTIMUS PROWETT │ MDCCCXXIX [1829].
4°, in contemporary? cloth.
Four Blake plates are reprinted from his Thoughts on Outline (1796).
  Thoughts on Outline (1796) <BB #447>
706 Cumberland, George.  THOUGHTS ON OUTLINE, SCULPTURE, AND THE SYSTEM  |  THAT GUIDED THE ANCIENT ARTISTS IN COMPOSING THEIR  |  FIGURES AND GROUPES:  |  ACCOMPANIED WITH FREE REMARKS ON THE PRACTICE OF  |  THE MODERNS, AND LIBERAL HINTS CORDIALLY INTENDED  |  FOR THEIR ADVANTAGE.  |  TO WHICH ARE ANNEXED TWENTY-FOUR DESIGNS OF  |  CLASSICAL SUBJECTS INVENTED ON THE PRINCIPLES RE-  |  COMMENDED IN THE ESSAY BY GEORGE CUMBERLAND  | - | Anch’io son pittore. | - |  London.  Printed by W. Wilson, St. Peter’s-Hill, Doctor’-Commons; and sold  |  by Messrs. Robinson, Paternoster-Row; and T. Egerton, Whitehall.  MDCCXCVI [1796].
            Of the 24 plates, 15 are engraved by Cumberland, 8 are engraved by Blake, 1 (frontispiece) is unsigned.
  DANTE
  BLAKE'S ILLUSTRATIONS OF DANTE <BB #448>
707 [BLAKE'S ILLUSTRATIONS OF DANTE. │ Seven Plates, designed and engraved by W. BLAKE, Author of "Illustrations ofthe Book of Job," &c. &c. │ Price £2. 2s.  India Paper. │ - │ PLATE I. │ ... and like a corse fell to the ground. │ HELL; Canto v. line 137. │ PLATE II. │ .... seiz'd on his arm, │ And mangled bore away the sinewy part. │ HELL; Canto xxii, line 70. │ PLATE III. │ ..... so turn'd │ His talons on his comrade. │ HELL; Canto xxii, line 135. │ PLATE V. │ He ey'd the serpent and the serpent him. │ HELL; Canto xxv. line 82. │ PLATE VI. │ ... Then two I mark'd, that sat │ Propp'd 'gainst each other, │ HELL;  Canto xxix. line 71. │ PLATE VII. │ "Wherefore dost bruise me?" weeping he │ exclaim'd. │ HELL;  Canto xxxii. line 79. │ CARY'S DANTE] (from label) (Hoehn imp. 1968}
7 loose plates printed in 1968 by Harry Hoehn on heavy, smooth, thick, soft Japanese Koji laid paper, inscribed with the date and his name by Lessing J. Rosenwald. Restruck from the original copper plates in Rosenwald’s possession. My set of the 1968 mounted pulls was sent to me in October 1968 by Lessing J. Rosenwald, each with a MS imprint by Rosenwald. 
  1837/38
707A [Label from] BLAKE’S ILLUSTRATIONS OF DANTE. │ Seven Plates, designed and engraved by W. BLAKE, Author of "Illustrations ofthe Book of Job," &c. &c. │ Price £2. 2s.  India Paper. Label printed on gray paper within double-ruled border. Paper has watermark: T. Edmon 1837.
On 19 August 1985 Roger Gaskell of Pickering & Chatto (London) sent G.E. Bentley, Jr. "with our compliments" copies of the Dante and Job labels.
  1931
708 Dante Alighieri. THE INFERNO from LA DIVINA COMMEDIA of Dante Alighieri as Translated by the Reverend Henry Francis Cary and Illustrated with Seven Engravings of William Blake (New York:  Printed by Richard W Ellis for Cheshire House, 1931)
Tall folio. Bound in full leather; stamped in blind; red leather label on spine, stamped in gold; top edges gilt.
  1978
709 Blake's Illustrations of Dante:  Seven Plates designed and engraved by W. Blake, Author of "Illustrations of the Book of Job," &c. &c. ([Boissia, Clairvaux: Published by the Trianon Press for the William Blake Trust, London, 1978])
A collotype reproduction, accompanied by 3 facsimile proofs, 8 reduced monochrome reproductions of drawings, and essays.
709A Trianon Press. This facsimile of Blake’s Illustrations Of Dante is published by The Trianon Press for The William Blake Trust, London 1978 : Prospectus. (Clairvaux, Jura, France: Trianon Press, [1977?])
  DARWIN, Erasmus
  Botanic Garden <BB #450>
  1791
710 Darwin, Erasmus.  THE │ BOTANIC GARDEN; │ = │ A Poem, in Two Parts. │ = │ PART I. │ CONTAINING │ THE ECONOMY OF VEGETATION. │ - │ PART II. │ THE LOVES OF THE PLANTS. │ WITH │ Philosophical Notes. │ = │ LONDON, │ PRINTED FOR J. JOHNSON, ST. PAUL'S CHURCH-YARD. │ - │ MDCCXCI [1791]. │ Entered at Stationers Hall.
[Duplicate title:] THE │ BOTANIC GARDEN. │ PART I. │ CONTAINING │ THE ECONOMY OF VEGETATION. │ A POEM. │ WITH │ Philosophical Notes. │ = │ [4-line motto from LUCRET.] │ = │ LONDON, │ PRINTED FOR J. JOHNSON, ST. PAUL's CHURCH-YARD. │ - │ MDCCXCI [1791].
[Duplicate title, Part II:] THE  |  BOTANIC GARDEN.  |  PART II.  |  CONTAINING  |  THE LOVES OF THE PLANTS.  |  A POEM.  |  WITH  |  Philosophical Notes.  |  =  |  [4-line epitaph from CLAUD.]  |  =  |  =   |  THE THIRD EDITION.  |  =  |  LONDON,  |  PRINTED FOR J. JOHNSON, ST. PAUL’s CHURCH-YARD.  |  -  |  MDCCXCI [1791]. Entered at Stationers Hall.
4°.  Five of the ten plates in Part I are engraved by William Blake.
  1795
711 Darwin, Erasmus.  THE │ BOTANIC GARDEN. │ A POEM, │ IN TWO PARTS. │ = │ PART I. │ CONTAINING │ THE ECONOMY OF VEGETATION. │ - │ PART II. │ THE LOVES OF THE PLANTS. │ WITH │   PHILOSOPHICAL NOTES. │ = │ THE THIRD EDITION. │ = │ LONDON: │ PRINTED FOR J. JOHNSON, ST. PAUL'S CHURCH-YARD.  | - |  MDCCXCV [1795]. │ ENTERED AT STATIONERS' HALL.
4°, in original paste-board covers, uncut, lacking Part II.
  1799
712 Darwin, Erasmus. THE │ BOTANIC GARDEN, │ A POEM. │ IN TWO PARTS. │ = │ PART I. │ CONTAINING │ THE ECONOMY OF VEGETATION. │ = │ PART II. │ THE LOVES OF THE PLANTS. │ = │ WITH │ PHILOSOPHICAL NOTES. │ = │ THE FOURTH EDITION. │ = │ LONDON: │ PRINTED FOR J. JOHNSON, ST. PAUL'S CHURCH-YARD. │ - │ 1799.
Two vols. (with identical titles) 8°, in remarkably well-preserved original half-parchment over blue-grey paste-boards, some of the leaves uncut, in remarkably good condition, with clean labels:  "DARWIN's │ Botanic Garden │ - │ Part I [II]".
  ENFIELD, William
  The Speaker <BB #453>
  1781
713 Enfield, William.  THE │ SPEAKER: │ OR, │ MISCELLANEOUS PIECES, │ SELECTED FROM THE │ BEST ENGLISH WRITERS, │ AND DISPOSED UNDER PROPER HEADS, │ WITH A VIEW TO FACILITATE THE │ IMPROVEMENT OF YOUTH │ IN │ READING AND SPEAKING. │ TO WHICH IS PREFIXED, │ AN ESSAY ON │ ELOCUTION. │ BY WILLIAM ENFIELD, LL.D. │ LECTURER ON THE BELLES LETTRES IN THE │ ACADEMY AT WARRINGTON. │ THE SIXTH EDITION, CORRECTED. │ [3-line motto from] │ OVID. │ LONDON: │ PRINTED FOR JOSEPH JOHNSON, ST. PAUL'S CHURCH-YARD. │ MDCCLXXXI [1781].
8°, handsome tree-calf, the front board almost off.  Book-plate and signature of James Turner.  On the verso of the last page (p. 405) are advertisements for sequels to The Speaker.  Signed by GEB in Chicago 21 April 1958.
The Blake plate after Stothard, opposite p. 289, is dated 1 Aug 1780.
  1785
714 Enfield, William.  THE │ SPEAKER: │ OR, │ MISCELLANEOUS PIECES, │ SELECTED FROM THE │ BEST ENGLISH WRITERS, │ AND DISPOSED UNDER PROPER HEADS, │ WITH A VIEW TO FACILITATE THE │ IMPROVEMENT OF YOUTH │ IN │ READING AND SPEAKING. │ TO WHICH IS PREFIXED│ AN ESSAY ON │ ELOCUTION. │ BY WILLIAM ENFIELD, LL.D. │ LECTURER ON THE BELLES LETTRES IN THE │ ACADEMY AT WARRINGTON. │ A NEW EDITION, CORRECTED. │ [3-line motto from] │ OVID. │ LONDON: │ PRINTED FOR J. JOHNSON, ST. PAUL’s CHURCH-YARD. │ MDCCLXXXV [1785].
8°     The Blake plate after Stothard, opposite p. 289, is dated 1 Aug 1780. A different advertisement for sequel on the verso of p. 405.
Copy 1:  In full calf. 
Copy 2:  In full calf, front cover detached, with the book-plate of Philip Beaver on front paste-down; signature on title page:  Bowles 1847.
  1799
715 Enfield, William.  THE │ SPEAKER: │ OR, │ MISCELLANEOUS PIECES, │ SELECTED FROM THE │ BEST ENGLISH WRITERS, │ AND DISPOSED UNDER PROPER HEADS, │ WITH A VIEW TO FACILITATE THE │ IMPROVEMENT OF YOUTH │ IN │ READING AND SPEAKING |  A NEW EDITION, CORRECTED AND ENLARGED. |  TO WHICH IS PREFIXED  |  TWO ESSAYS: │ I.  ON ELOCUTION. II.  ON READING WORKS OF TASTE. │ BY WILLIAM ENFIELD, LL.D. │ EMBELLISHED WITH FOUR COPPER PLATES. │  [3-line motto from] │ OVID. │  LONDON: │ PRINTED FOR J. JOHNSON, ST. PAUL’S CHURCH-YARD; │ By whom only the genuine and complete Edition is published. │ - │ 1799.
12°, in old | cloth over buff paste-board.  After the last page (p. 394) are two pp. of advertisements.  At the top of the title page is neatly lettered:  "Miss C Chesterton. 1799."
  1800
716 Enfield, William.  THE │ SPEAKER: │ OR, │ MISCELLANEOUS PIECES, │ SELECTED FROM THE │ BEST ENGLISH WRITERS, | AND DISPOSED UNDER PROPER HEADS, │ With a View to facilitate the IMPROVEMENT of │ YOUTH │ IN READING AND SPEAKING. │ To which is prefixed an ESSAY on │ ELOCUTION. │ - │ BY W. ENFIELD, LL.D. │ - │ [3-line motto from] OVID│ - │ A NEW EDITION CORRECTED. │ - │ [Gothic:] London: │ Published and sold by all the BOOKSELLERS; and by │ T. WILSON and R. SPENCE, High Ouse-gate, York. │ Anno 1800.
12°, in pleasant full calf.  Colophon on the last page (p. 420):  Printed at the Office of Thomas Wilson and Robert Spence, High Ousegate, York, 1800.  The poor anonymously re-engraved plates were published July 1799 by H. & G. Mozley, Gainsborough.  On the front paste-down is the oval ticket:  Sold by │ Donaldson & Wilkes, │ Marine Library │ Brighton; first fly-leaf signed J Fuller.
  FLAXMAN, John
  Hesiod (1817) <BB #456>
717 Flaxman, John. THE│THEOGONY WORKS & DAYS & THE│DAYS OF HESIOD│ENGRAVED FROM THE COMPOSITIONS │ OF IOHN FLAXMAN R.A. SCVLPTOR, │ LONDON.
[Title on Plate 1:] COMPOSITIONS FROM THE │ WORKS DAYS AND THEOGONY OF HESIOD. │ [Vignette] │ DESIGNED BY JOHN FLAXMAN, R.A. P.S. │ ENGRAVED BY WILLIAM BLAKE. │ = │ THERE, LET ME BOAST, THAT VICTOR IN THE LAY, │ I BORE A TRIPOD, EAR'D, MY PRIZE AWAY │ Works--Elton's Hesiod. │ Published by Longman, Hurst, Rees, Orme & Brown, London, Jan. 1, 1817.
 [Label on paste-board cover:]  THE │ THEOGONY WORKS & DAYS & THE │ DAYS OF HESIOD │ ENGRAVED FROM THE COMPOSITIONS │ OF IOHN FLAXMAN R.A. SCVLPTOR, │ LONDON.
2 copies with the label.
  1881
718 Flaxman, John. COMPOSITIONS │ FROM THE │ "WORKS AND DAYS" AND "THEOGONY" │ OF │ HESIOD. │ DESIGNED BY JOHN FLAXMAN, R.A. SCULPTOR. │ ENGRAVED BY WILLIAM BLAKE. │ LONDON: │ GEORGE BELL AND SONS, YORK STREET, │ COVENT GARDEN. │ 1881.
Oblong 16° (20 x 13 cm); the size indicates that the claim that these plates were "ENGRAVED BY WILLIAM BLAKE" is false. 
Bound with:
Flaxman, John.  COMPOSITIONS │ FROM THE │ TRAGEDIES OF AESCHYLUS, │ DESIGNED BY JOHN FLAXMAN, R.A., SCULPTOR. │ ENGRAVED BY THOMAS PIROLI, MOSES AND HOWARD. │ LONDON: │ GEORGE BELL AND SONS, YORK STREET, │ COVENT GARDEN. │ 1881.
The size, 20 x 13 cm, indicates that this is a greatly reduced facsimile. 
  FLAXMAN, John
  The Iliad <BB #457>
  1805
719 Flaxman, John. THE │ ILIAD OF HOMER │ ENGRAVED FROM THE COMPOSITIONS │ OF IOHN FLAXMAN R.A. SCVLPTOR, │ LONDON. │ [Vignette] │ LONDON:  Printed for LONGMAN, HURST, REES, AND ORME, Paternoster Row, R.H. EVANS, Pall Mall, W. MILLER, Albemarle Street, & I & A. ARCH, Cornhill, March 1. 1805.
Oblong folio .
Blake engraved 3 of the 5 new plates added in 1805 to those of 1793.
Copy 1: Bound in original boards with engraved paper label.
Copy 2: Rebound in new boards with original engraved paper label.
Copies 3 & 4: Bound together with the following 3 works:
Flaxman, John.  [Engraved title:]  THE │ ODYSSEY OF HOMER │ ENGRAVED FROM THE COMPOSITIONS │ OF IOHN FLAXMAN R.A. SCVLPTOR, │ LONDON. │ [Head of Homer within a wreath] │ LONDON:  Printed for LONGMAN, HURST, REES & ORME, Paternoster Row, R.H. EVANS, Pall Mall, W. MILLER, Albemarle Street, & I & A. ARCH, Cornhill, March 1t 1805.
            Flaxman, John. THE│THEOGONY WORKS & DAYS & THE│DAYS OF HESIOD│ENGRAVED FROM THE COMPOSITIONS │ OF IOHN FLAXMAN R.A. SCVLPTOR, │ LONDON.
[Title on Plate 1:] COMPOSITIONS FROM THE │ WORKS DAYS AND THEOGONY OF HESIOD. │ [Vignette] │ DESIGNED BY JOHN FLAXMAN, R.A. P.S. │ ENGRAVED BY WILLIAM BLAKE. │ = │ THERE, LET ME BOAST, THAT VICTOR IN THE LAY, │ I BORE A TRIPOD, EAR'D, MY PRIZE AWAY │ Works--Elton's Hesiod. │ Published by Longman, Hurst, Rees, Orme & Brown, London, Jan. 1, 1817.
            Flaxman, John.  [Engraved title:]  COMPOSITIONS │ FROM THE │ TRAGEDIES OF ÆSCHYLUS, │ DESIGNED BY JOHN FLAXMAN, │ ENGRAVED BY THOMAS PIROLI, │ AND FRANK HOWARD. │ [Vignette] │ London, Publish'd April 15h 1831, by Miss Flaxman, & Miss Maria Denman, 74, Upper Norton Street, Fitzroy Square.
[Spine Title:] FLAXMAN’S CLASSICAL COMPOSITIONS.
  c. 1890
720 Flaxman, John.  THE |  ILIAD OF HOMER  |  ENGRAVED FROM THE COMPOSITIONS │ OF   IOHN FLAXMAN, R.A. SCVLPTOR, │ LONDON. London: Seeley, Jackson & Halliday. 54 Fleet Street [ca. 1890].
Reduced in size to c. 20 x 27 cm.
Given by A.N. Butterworth to Thomas Wright in 1912, whose son sold it to G.E. Bentley, Jr.
  1977
721 Flaxman, John. Flaxman's Illustrations to Homer Engraved by William Blake and Others.  Edited, With an Introduction and Commentary by Robert Essick and Jenijoy La Belle (NewYork: Dover Publications, Inc., 1977) Dover Art Collections.
A reproduction slightly reduced in size (leaf-size 30.5 x 23 cm).
  FUSELI, John Henry
  Lectures on Painting (1801) <BB 454>
722 Fuseli, John Henry. LECTURES │ ON │ PAINTING, │ DELIVERED AT THE ROYAL ACADEMY │ MARCH 1801, │ BY HENRY FUSELI, P.P. │ WITH ADDITIONAL OBSERVATIONS AND NOTES. │ [Vignette engraved by F. Legat] │ LONDON: │ PRINTED FOR J. JOHNSON, ST. PAUL'S CHURCH-YARD. │ 1801. │ - │ Luke Hansard, Printer, near Lincoln's-Inn Fields.
Blake engraved the only plate (aside from the title page vignette) after Michael Angelo.
Bound with:
Svenska akademien.  Select orations, and other important papers, relative to the Swedish Academy, founded by His Present Majesty Gustavus III. March 20th, 1786, translated from the Swedish language by N. G. Agander. (London: Printed by T. Davison ... for J. Johnson ..., 1791)
  GAY, John
  Fables <BB #460>
  1793
723 Gay, John. FABLES │ By │ JOHN GAY, │ With a Life of the Author │ AND │ embellished with Seventy Plates. │ [Vignette] │ Vol. I[-II]. │ - │ LONDON │ PRINTED FOR JOHN STOCKDALE, PICCADILLY │ 1793.
12 of the 70 plates are engraved by Blake.
  1793 [i.e., 1811]
724 Gay, John. FABLES │ By │ JOHN GAY, │ With a Life of the Author │ AND │ embellished with Seventy Plates. │ [Vignette] │ Vol. I[-II]. │ - │ LONDON │ PRINTED FOR JOHN STOCKDALE, PICCADILLY │ 1793 [i.e. 1811]. [Colophon:] T. Bensley, Printer, Bolt Court, Fleet Street, London.
            A reprint of the 1793 edition with all the same plates (including the title-pages) used at the same places, but the type entirely reset, using a short "s" instead of the long "s" of the 1793 edition.  The reprint edition does not included the list of subscribers, and is about an inch shorter than the 1793 edition.
  HAMILTON, G.
  The English School (1833) <BB #463>
725 Hamilton, George, writer on art. [Ornamental:] THE │ ENGLISH SCHOOL │ A SERIES OF │ THE MOST APPROVED PRODUCTIONS │ IN │ PAINTING AND SCULPTURE, │ Executed by British Artists │ FROM THE DAYS OF HOGARTH TO THE PRESENT TIME; │ SELECTED, ARRANGED, AND ACCOMPANIED WITH DESCRIPTIVE AND │ EXPLANATORY NOTICES IN ENGLISH AND FRENCH. │ [Gothic:] By G. Hamilton, │ Engraved in Outline upon Steel. │ - │ Vol. 1[-4]. │ - │ LONDON, │ CHARLES TILT, 86, FLEET STREET. │ - │ [Vol. I-II] 1833, [Vol. III-IV] 1832.
12°, 4 vols. in original blind-stamped faded dark green cloth.
  HARTLEY, David
  Observations on Man (1791) <BB #464>
726 Hartley, David.  OBSERVATIONS │ ON │ MAN, │ HIS FRAME, HIS DUTY, │ AND HIS │ EXPECTATIONS. │ In TWO PARTS. │ PART THE FIRST: │ CONTAINING │ OBSERVATIONS ON THE FRAME OF THE │ HUMAN BODY AND MIND, │ AND ON THEIR │ MUTUAL CONNEXIONS AND INFLUENCES. │ [PART THE SECOND: │ CONTAINING OBSERVATIONS ON THE │ DUTY AND EXPECTATIONS OF │ MANKIND.] │ = │ BY DAVID HARTLEY, M.A. │ = │ LONDON: │ FIRST PRINTED IN MDCCXLIX. │ Reprinted by J. JOHNSON, ST. PAUL'S CHURCH-YARD, │ MDCCXCI [1791].
8°, 2 vols., in  handsomely gilt red morocco.  Signed on the third fly-leaf of Vol. I:  "Isabella St[?] John".  The one engraving, a frontispiece portrait of David Hartley, is engraved by Blake.
  HAYLEY, William
  Ballads (1805) <BB #465>
727 Hayley, William.  BALLADS, │ BY │ WILLIAM HAYLEY, ESQ. │ FOUNDED ON │ ANECDOTES RELATING TO ANIMALS │ WITH │ PRINTS, │ DESIGNED AND ENGRAVED │ BY WILLIAM BLAKE. │ = │ Chichester:  Printed by J. Seagrave;  │ FOR RICHARD PHILLIPS, BRIDGE-STREET, │ BLACKFRIARS, LONDON. │ - │ 1805.
In handsome late full leather.
  Illustrations to Hayley’s Ballads (1805)
728 Blake, William. Illustrations to │ Hayley's Ballads │ Drawn & Engraved │ by │ W. Blake │ 1802(?) [i.e., 1805] Five prints from Hayley's Ballads (1805) mounted on 6 conjugate leaves of good UNWATERMARKED rather flimsy wove paper (including a kind of fly-leaf), slightly smaller than that in published copies, all stitched into good quality heavy paper (cardboard) somewhat dirty pale beige covers.  The inside of the front cover bears the handsome book-plate of Greville Matheson Macdonald based on Blake's design of the old man entering the caverns of the grave and the risen man above; on the facing page is George Goyder's pleasant red bookplate.
Pl. 1-3 ("The Dog", "The Eagle", and "The Lion") are in earlier states than in my copy of the Ballads with text and are apparently unusual.  Bought by Beth at the Christie sale of 26 November 1997, #103 (with Scott's copy of Blair's Grave [1808]).
  HAYLEY, William
  Designs to a Series of Ballads (1802) <BB #466>
729 Hayle, William.  DESIGNS │ TO │ A SERIES OF BALLADS, │ By WILLIAM HAYLEY, Esq. │ And founded on │ ANECDOTES RELATING TO ANIMALS, │ Drawn, Engraved, and Published, │ BY │ WILLIAM BLAKE. │ With the Ballads annexed, by the Author's Permission. │ - │ Chichester: │ Printed by J. SEAGRAVE, and sold by him and P. HUMPHRY; and by R. H. EVANS, │ Pall-Mall, London, for W. BLAKE, Felpham. │ 1802.
Parts 1 and 2 of the 4 parts.
  HAYLEY, William
  Essay on Sculpture (1800) <BB #467>
730 Hayley, William.  AN │ ESSAY │ ON │ SCULPTURE: │ IN A SERIES OF EPISTLES │ TO JOHN FLAXMAN, ESQ. R.A. │ WITH NOTES. │ [5-line motto] │ = │ By WILLIAM HAYLEY, Esq. │ - │ LONDON: │ Printed by A. Strahan, Printers Street; │  FOR T. CADELL JUN. AND W. DAVIES, IN THE STRAND. │ 1800.
Blake engraved 3 plates for it.
  HAYLEY, William
  Life ... of William Cowper <BB #468>
731 Hayley, William.  THE │ LIFE, │ AND │ POSTHUMOUS WRITINGS, │ OF │ WILLIAM COWPER, ESQR. │ WITH AN │ INTRODUCTORY LETTER, │ TO THE │ RIGHT HONOURABLE EARL COWPER. │ = │ BY WILLIAM HAYLEY, ESQR. │ [5-line motto] │ = │ VOL. I[-III]. │ = │ Chichester: │ Printed by J. Seagrave; │ FOR J. JOHNSON, ST. PAUL'S CHURCH-YARD, LONDON. │ - │ [Vol. I-II:] 1803 [Vol. III:  1804].
4°   Blake engraved 6 plates designed, inter alia, by Romney, Lawrence, Flaxman, and Blake.
            3 copies
            Copy 1: missing p. 415-416 of vol. 2 (including Blake’s 4th plate)
            Copy 3: Victoria University Library copy 3 is extra-illustrated with many more plates, including the Storer & Greig plates for their Cowper (1803), the text of which is bound at the end of vol. III; many other illustrations cut from various other works published around the same time are pasted on leaves of stiff paper with inset borders and interspersed throughout the three volumes; individual plates from various other works are bound throughout the three volumes.
Bound with:
Hayley, William.  Supplementary pages to The life of Cowper: containing the additions made to that work, on reprinting it in octavo. (Chichester: Printed by J. Seagrave, for J. Johnson ..., London, 1806).
And
Brayley, E. W. (Edward Wedlake).  Cowper, illustrated by a series of views, in, or near, the park of Weston-Underwood, Bucks : accompanied with descriptions. (London: Printed by J. Swan ..., and published by Vernor and Hood ...; James Storer and John Greig, Engravers ..., Pentonville, 1803).
  SECOND EDITION (1803)
732 Hayley, William.  THE │ LIFE, │ AND │ POSTHUMOUS WRITINGS, │ OF │ WILLIAM COWPER, ESQR. │ WITH AN │ INTRODUCTORY LETTER, │ TO THE │ RIGHT HONOURABLE EARL COWPER. │ = │ BY WILLIAM HAYLEY, ESQR. │ [5-line motto] │ = │ SECOND EDITION [of Vol. I-II]. │ = │ Chichester: │ PRINTED BY J. SEAGRAVE; │ FOR J. JOHNSON, ST. PAUL'S CHURCH-YARD, LONDON. │ - │ 1803 [Vol. III: 1804].

  ANOTHER EDITION (N.Y., 1803)
733 Hayley, William.  THE │ LIFE │ AND │ POSTHUMOUS WRITINGS │ OF │ WILLIAM COWPER, ESQ. │ WITH AN │ INTRODUCTORY LETTER │ TO THE │ RIGHT HONOURABLE EARL COWPER. │ - │ BY WILLIAM HAYLEY, ESQ. │ - │ [6-line motto] │ VOL. I[-II]. │ - │ NEW-YORK: │ PRINTED AND SOLD BY T. AND J. SWORD, No. 160, Pearl-Street. │ - │ 1803.
8°, 2 volumes in 1, in defective calf.  At the end is a 2-page list of books sold by Sword.  On the | title is the signature of "Thomas Wright", and there are 1 or 2 annotations.
Blake's plates for the frontispieces of Vol. I-II and his own design of "The Peasant's Nest" are crudely copied here, the frontispieces by F. Maverick.
  HAYLEY, William
  Life of George Romney (1809) <BB #469>
734 Hayley, William.  THE │ LIFE │ OF │ GEORGE ROMNEY, ESQ. │ [10-line motto] │ - │ BY WILLIAM HAYLEY, ESQ. │ = │ [Gothic:] Chichester: │ PRINTED BY W. MASON, │ FOR T. PAYNE, PALL-MALL, LONDON. │ - │ 1809.
4° -  1 of the 12 plates is engraved by Blake.
  HAYLEY, William
  Triumphs of Temper <BB #471>
  1803
735 Hayley, William.  THE │ TRIUMPHS OF TEMPER. │ A POEM: │ IN SIX CANTOS. │ - │ BY WILLIAM HAYLEY, ESQ. │ - │ [4-line quotation from Dante] │ THE TWELFTH EDITION, CORRECTED, │ With New Original Designs,  │ BY MARIA FLAXMAN. │ = │ CHICHESTER: │ Printed by J. Seagrave; │ FOR T. CADELL AND W. DAVIES, STRAND, │ LONDON. │ - │ 1803.
8°, there are 6 Blake plates after Maria Flaxman.
Copy 1:  in contemporary black  morocco over dark green marbled boards.  With a hexagonal ticket on the first end-paper of BARRATT, BINDER │ Oxford.  Signed below this G E Bentley Jr │ Oxford, 1953.
            Copy 2: in somewhat fragile contemporary calf, with brown marbled end-papers.  Inscribed in old brown ink in an 18th Century hand on the title page F[?] Garroway.
            Copy 3: Large paper copy ( x ), "BOUND BY RIVIERE & SON" in full calf, gilt, handsomely tooled on the spine and dentelles, with the book-plate of James W. Ellsworth, with an inserted catalogue description #15.  Inserted is a draft of Hayley's letter to "Dear Poet & Philosopher" (probably Erasmus Darwin) on the occasion of the death (1795) of Josiah Wedgwood.
736 Henry, Thomas.  MEMOIRS │ OF │ ALBERT DE HALLER, M.D. │ MEMBER OF THE │ SOVEREIGN COUNCIL OF BERNE; │ PRESIDENT OF THE UNIVERSITY, │ AND OF │ THE ROYAL SOCIETY OF GOTTINGEN; │ FELLOW of the ROYAL SOCIETY of LONDON, &c. │ Compiled, chiefly from the EULOGIUM spoken before the │ ROYAL ACADEMY OF SCIENCES AT PARIS, And from the Tributes paid to his Memory │ BY OTHER FOREIGN SOCIETIES. │ By THOMAS HENRY, │ Fellow of the Royal Society, Member of the Medical Society │ of London, and of the Literary and Philosophical Society of Manchester.  │ - │ WARRINGTON, │ Printed by W. EYRES, for J. JOHNSON, No. 72, │ St. Paul's Church-Yard, LONDON. │ MDCCLXXXIII [1783].
12°, in sound speckled calf; the last page (p. [162]), the first leaf of a new gathering (M), bears a 2 lines of ERRATA and an advertisement for a book by Henry, followed by another leaf of advertisement for Henry books.  The only plate was engraved by Blake.
  HOARE, Prince
  Arts of Design (1806) <BB #473>
737 Hoare, Prince.  AN │ INQUIRY │ INTO THE │ REQUISITE CULTIVATION │ AND │ PRESENT STATE │ OF THE │ ARTS OF DESIGN │ IN │ ENGLAND. │ - │ BY │ PRINCE HOARE. │ - │ LONDON: │ PRINTED FOR RICHARD PHILLIPS, NO. 6, BRIDGE- │ STREET, BLACKFRIARS, │ BY B. McMILLAN, BOW-STREET, COVENT-GARDEN. │ - │ 1806. │ [Price 7s. in Boards.]
8°, in intact but very fragile and perishing original pale pink paste-boards with dirty blue paper spine.  Inscribed on the fly-leaf "C Moody".  At the end is a one-page list of books Recently Published by Richard Phillips.  The Blake plate is present (frontispiece).
  HOGARTH, William
  Works (1822) <BB #475>
738 Hogarth, William. THE WORKS │ OF │ WILLIAM HOGARTH, │ FROM THE │ ORIGINAL PLATES RESTORED │ BY JAMES HEATH, ESQ. RA; │ WITH │ THE ADDITION OF MANY SUBJECTS NOT BEFORE COLLECTED: │ TO WHICH ARE PREFIXED, │ A BIOGRAPHICAL ESSAY ON │ [Gothic:] The Genius and Productions of Hogarth, │ AND │ EXPLANATIONS OF THE SUBJECTS OF THE PLATES, │ BY JOHN NICHOLS, ESQ. FSA. │ - │ [Gothic:] London: │ PRINTED FOR BALDWIN, CRADOCK, AND JOY, PATERNOSTER ROW, │ BY J. NICHOLS AND SON, PARLIAMENT STREET. │ - │ 1822.
Elephant folio. Blake's plate for Gay's Beggar's Opera was first issued separately (1790) and then collected with Hogarth's other designs (1790, [?1795], 1822, 1822); by 1822 there were 119 plates.
738A Beggar's opera, Act III. : "When my hero in court appears, &c." painted by Wm. Hogarth ; engraved by Wm. Blake. (London, 1822 or 1838?). 
            2 copies of Blake’s plate for Gay’s Beggar’s Opera after the Hogarth painting.
739 Hogarth, William.  "The Beggar's Opera" by Hogarth and Blake:  A Portfolio Compiled by Wilmarth Sheldon Lewis and Philip Hofer (Cambridge [Massachusetts]: Harvard University Press ; New Haven, & London: Yale University Press, 1965)
Elephant portfolio; it consists of the loose plates plus a small gathering of explanations.
The folio plates includes reproductions of Hogarth's 7 drawings and paintings of the scene and of the  first and fourth states of Blake's plates, plus a "Modern restrike of the original copper plate".
  Mrs. Q
740A Huet, Francois.  Mrs Q Drawn by Huet Villiers. Engraved by W Blake. London, Published 1st. June 1820. by I Barrow, Weston Place, St. Pancras. ([London: Kegan, Paul, Trench, Trübner, 1906]) Photographic chromolithograph reprint of Blake’s original engraving.
  HUNTER, John
  Historical Journal (1793) <BB #476B>
740 Hunter, John. [Engraved title:AN │ HISTORICAL JOURNAL │ of the Transactions atPORT JACKSON, AND NORFOLK ISLAND Including the Journals of Governors │ PHILLIP AND KING, │ Since the Publication of Phillip's Voyage, With an Abridged Account of the New Discoveries In the South Seas, BY IOHN HUNTER, ESQ Post Captain in His Majesty's Navy. │ [Vignette Stothard-Hall] │ To which is prefixed A Life of the Author, │ and Illustrated with a Map of the Country, by Lieu Dawes. │ And other Embellishments. │ London, Printed for John Stockdale, Piccadilly, Jan 1. 1793
Tall 8°, in original paste-boards with paper spine lettered only in manuscript, crudely reinforced on the inner leaves.  At the end, beginning on the verso of the last leaf, are 3 pages of advertisements for Stockdale publications ("This day is published").  This is a condensation of the quarto edition, with 1 Blake plate (apparently lacking three non-Blake plates).
  JOSEPHUS, Flavius
  Works #477
  [1785-1787?]
741 Josephus, Flavius.  THE GENUINE AND COMPLETE │ WORKS │ OF │ FLAVIUS JOSEPHUS, │ The celebrated Warlike, Learned and Authentic │ JEWISH HISTORIAN. │ CONTAINING │ [Two columns separated by two vertical rules; Column 1:] I.  The Antiquities of the Jews in Twenty Books; with │ their Wars, memorable Transactions, authentic and │ remarkable Occurrences, their various Turns of │ Glory and Misery, of Prosperity and Adversity, &c. │ from the Creation of the World. │ II.  The Wars of the Jews with the Romans, from their │ Commencement to the final destruction of Jeru- │ salem by Titus in the Reign of Vespasian.  In Seven │ Books. │ [Column 2:] III. The Book of Josephus against Apion, in Defence │ of the Jewish Antiquities.  In Two Parts. │ IV.  The Martyrdoms of the Maccabees. │ V.  The Embassy of Philo from the Jews of Alex- │ andria to the Emperor Caius Caligula. │ VI.  The Life of Flavius Josephus, written by himself. │ VII.  The Testimonies of Josephus concerning Our │ Blessed Saviour, St. John the Baptist, &c. clearly │ vindicated. │ [End of columns.] The Whole translated from the Original in the Greek Language, and diligently revised and compared with the Writings of │ cotemporary Authors of different Nations on the Subject; all tending to prove the Authenticity of the Work. │ To which will be now first added, │ A CONTINUATION of the HISTORY of the JEWS, │ From Josephus down to the present Time, including a Period of more than 1700 Years. │ Containing an Account of their Dispersion into the various Parts of Europe, Asia, Africa and America, their different │ Persecutions, Transactions, various Occurrences, and present State throughout the known World. │ ALSO │ Various Useful INDEXES, particularly of the Countries, Cities, Towns, Villages, Seas, │ Rivers, Mountains, Lakes, &c. │ Likewise TABLES of the Jewish Coins, Weights, Measures, &c. used in the time of the AUTHOR. │ With a great Variety of other interesting and authentic Particulars never given in any Work of the like Kind │ either in the English or any other Language. │ - │ By GEORGE HENRY MAYNARD, LL.D. │ Illustrated with MARGINAL REFERENCES, and Notes Historical, Biographical, Classical, Critical, │ Geographical and Explanatory, │ By the Rev. EDWARD KIMPTON, Vicar of Rogate in Sussex, │ And Author of the Compleat UNIVERSAL HISTORY of the HOLY BIBLE. │ - │ Embellished with a great Number of beautiful Copper Plates, descriptive of the most distinguished Transactions related in the Work, from │ original Drawings of the ingenious Messrs. Metz, Stothard, and Corbould, Members of the Royal Academy, and other eminent Artists. │ The Whole engraved by the most capital Performers, particularly Grignion, Collier, Heath, Tookey, Taylor, &c. │ = │ LONDON:  Printed for J. COOKE, No. 17, Pater-noster-Row [?1785-87].
Folio, in full calf (hinges barely holding).  Of the 61 plates, 3 are by Blake.
  [1789-1790?]
742 Josephus, Flavius.  [Gothic:]  By the King's Royal License and Authority. │ - │ THE WHOLE GENUINE AND COMPLETE │ WORKS │OF │ FLAVIUS JOSEPHUS, │ The celebrated Warlike, Learned and Authentic │ JEWISH HISTORIAN. │ CONTAINING │ [Two columns separated by two vertical rules; Column 1:] I.  The Antiquities of the Jews in Twenty Books; with │ their Wars, memorable Transactions, authentic and │ remarkable Occurrences, their various Turns of │ Glory and Misery, of Prosperity and Adversity, &c. │ from the Creation of the World. │ II.  The Wars of the Jews with the Romans, from their │ Commencement to the final destruction of Jeru- │ salem by Titus in the Reign of Vespasian.  In Seven │ Books. │ [Column 2:] III. The Book of Josephus against Apion, in Defence │ of the Jewish Antiquities.  In Two Parts. │ IV.  The Martyrdoms of the Maccabees. │ V.  The Embassy of Philo from the Jews of Alex- │ andria to the Emperor Caius Caligula. │ VI.  The Life of Flavius Josephus, written by himself. │ VII.  The Testimonies of Josephus concerning Our │ Blessed Saviour, St. John the Baptist, &c. clearly │ vindicated. │ [End of columns.] The Whole translated from the Original in the Greek Language, and diligently revised and compared with the Writings of │ cotemporary Authors of different Nations on the Subject; all tending to prove the Authenticity of the Work. │ To which will be now first added, │ A CONTINUATION of the HISTORY of the JEWS, │ From Josephus down to the present Time, including a Period of more than 1700 Years. │ Containing an Account of their Dispersion into the various Parts of Europe, Asia, Africa and America, their different │ Persecutions, Transactions, various Occurrences, and present State throughout the known World. │ ALSO │ Various Useful INDEXES, particularly of the Countries, Cities, Towns, Villages, Seas, │ Rivers, Mountains, Lakes, &c. │ Likewise TABLES of the Jewish Coins, Weights, Measures, &c. used in the time of the AUTHOR. │ With a great Variety of other interesting and authentic Particulars never given in any Work of the like Kind │ either in the English or any other Language. │ - │ By GEORGE HENRY MAYNARD, LL.D. │ Illustrated with MARGINAL REFERENCES, and Notes Historical, Biographical, Classical, Critical, │ Geographical and Explanatory, │ By the Rev. EDWARD KIMPTON, Vicar of Rogate in Sussex, │ And Author of the Compleat UNIVERSAL HISTORY of the HOLY BIBLE. │ - │ Embellished with a great Number of beautiful Copper Plates, descriptive of the most distinguished Transactions related in the Work, from │ original Drawings of the ingenious Messrs. Metz, Stothard, and Corbould, Members of the Royal Academy, and other eminent Artists. │ The Whole engraved by the most capital Performers, particularly Grignion, Collier, Heath, Tookey, Taylor, &c. │ = │ LONDON:  Printed for J. COOKE, No. 17, Pater-noster-Row [?1789-1790].
Folio, in full leather, the back board detached; with a label saying that it is "From the Library of John Masefield O.M., Poet Laureate".  Of the 61 plates, 3 are by Blake.   
  [1791-1792?]
743 Josephus, Flavius.  [Gothic:]  By the King's Royal License and Authority. │ - │ THE WHOLE GENUINE AND COMPLETE │ WORKS │OF │ FLAVIUS JOSEPHUS, │ The celebrated Warlike, Learned and Authentic │ JEWISH HISTORIAN. │ CONTAINING │ [Two columns separated by two vertical rules; Column 1:] I.  The Antiquities of the Jews in Twenty Books; with │ their Wars, memorable Transactions, authentic and │ remarkable Occurrences, their various Turns of │ Glory and Misery, of Prosperity and Adversity, &c. │ from the Creation of the World. │ II.  The Wars of the Jews with the Romans, from their │ Commencement to the final destruction of Jeru- │ salem by Titus in the Reign of Vespasian.  In Seven │ Books. │ [Column 2:] III. The Book of Josephus against Apion, in Defence │ of the Jewish Antiquities.  In Two Parts. │ IV.  The Martyrdoms of the Maccabees. │ V.  The Embassy of Philo from the Jews of Alex- │ andria to the Emperor Caius Caligula. │ VI.  The Life of Flavius Josephus, written by himself. │ VII.  The Testimonies of Josephus concerning Our │ Blessed Saviour, St. John the Baptist, &c. clearly │ vindicated. │ [End of columns.] The Whole translated from the Original in the Greek Language, and diligently revised and compared with the Writings of │ cotemporary Authors of different Nations on the Subject; all tending to prove the Authenticity of the Work. │ To which is now first added, │ A CONTINUATION of the HISTORY of the JEWS, │ From Josephus down to the present Time, including a Period of more than 1700 Years. │ Containing an Account of their Dispersion into the various Parts of Europe, Asia, Africa and America, their different │ Persecutions, Transactions, various Occurrences, and present State throughout the known World. │ ALSO │ Various Useful INDEXES, particularly of the Countries, Cities, Towns, Villages, Seas, │ Rivers, Mountains, Lakes, &c. │ Likewise TABLES of the Jewish Coins, Weights, Measures, &c. used in the time of the AUTHOR. │ With a great Variety of other interesting and authentic Particulars never given in any Work of the like Kind │ either in the English or any other Language. │ - │ By GEORGE HENRY MAYNARD, LL.D. │ Illustrated with MARGINAL REFERENCES, and Notes Historical, Biographical, Classical, Critical, │ Geographical and Explanatory, │ By the Rev. EDWARD KIMPTON, Vicar of Rogate in Sussex, │ And Author of the Compleat UNIVERSAL HISTORY of the HOLY BIBLE. │ - │ Embellished with a great Number of beautiful Copper Plates, descriptive of the most distinguished Transactions related in the Work, from │ original Drawings of the ingenious Messrs. Metz, Stothard, and Corbould, Members of the Royal Academy, and other eminent Artists. │ The Whole engraved by the most capital Performers, particularly Grignion, Collier, Heath, Tookey, Taylor, &c. │ = │  ... │ LONDON:  Printed for C. COOKE, No. 17, PATERNOSTER-ROW [?1791-1792].
            Of the 61 plates, 3 are by Blake.
  [1792-1793?]
744 Josephus. Flavius.  THE │ WHOLE GENUINE AND COMPLETE │ WORKS │ OF │ FLAVIUS JOSEPHUS, │ THE LEARNED AND AUTHENTIC │ JEWISH HISTORIAN, │ AND │ CELEBRATED WARRIOR. │ CONTAINING │ I.  The Antiquities of the Jews, in Twenty Books; with their Wars, memorable Transactions, remarkable Occurrences, │ their various Turns of Glory and Misery, Prosperity and Adversity, from the Creation of the World. │ II.  The Wars of the Jews with the Romans, from their Commencement to the final Destruction of Jerusalem by │ Titus, in the Reign of Vespasian.  In Seven Books. │ III.  The Book of Josephus against Apion, in Defence of the Jewish Antiquities.  In Two Parts. │ IV.  The Martyrdoms of the Maccabees. │ V.  The Embassy of Philo, from the Jews of Alexandria, to the Emperor Caius Caligula. │ VI.  The Life of Flavius Josephus, written by himself. │ VII.  The Testimonies of Josephus concerning Our Blessed Saviour, St. John the Baptist, &c. clearly vindicated. │ Translated from the Original in the Greek Language, │ And diligently revised and compared with the Writings of cotemporary Authors, of different Nations, on the Subject. │ All tending to prove the Authenticity of the Work. │ TO WHICH IS ADDED │ VARIOUS USEFUL INDEXES, │ Particularly of the COUNTRIES, CITIES, TOWNS, VILLAGES, SEAS, RIVERS, MOUNTAINS, LAKES, &c. │ which are related in the HISTORY. │ ALSO A │ CONTINUATION │ OF THE │ HISTORY OF THE JEWS, │ From JOSEPHUS down to the present Time, │ INCLUDING A PERIOD OF MORE THAN ONE THOUSAND SEVEN HUNDRED YEARS. │ CONTAINING │ An account of their Dispersion into the various Parts of Europe, Asia, Africa, and America; their different │ Persecutions, Transactions, various Occurrences, and present State throughout the known World. │ WITH │ A great Variety of other interesting and authentic Particulars, collected from various valuable Works, recording │ the principal Transactions of the Jews since the Time of JOSEPHUS. │ - │ By GEORGE HENRY MAYNARD, LL.D.  │ - │ Illustrated with MARGINAL REFERENCES, and NOTES, Historical, Biographical, Classical, Critical, │ Geographical, and Explanatory, │ By the Rev. EDWARD KIMPTON, │ Vicar of ROGATE, in SUSSEX, and Morning Preacher at ST. MATTHEW'S, BETHNAL-GREEN, │ And Author of the Compleat UNIVERSAL HISTORY of the HOLY BIBLE. │ - │ Embellished with upwards of Sixty beautiful Engravings, taken from original Drawings of Messrs. Metz, Stothard, and Corbould, Members of the Royal Academy, and │ other eminent Artists; and engraved by Grignion, Collier, Heath, Tookey, Taylor, &c. │ = │ LONDON:  PRINTED FOR C. COOKE, No. 17, PATER-NOSTER ROW; AND SOLD BY THE BOOKSELLERS OF │ BATH, BRISTOL, BIRMINGHAM, CANTERBURY, CAMBRIDGE, COVENTRY, CHESTER, DERBY │ EXETER, GLOUCESTER, HEREFORD, HULL, IPSWICH, LEEDS, LIVERPOOL, │ LEICESTER, MANCHESTER, NEWCASTLE, NORWICH, NOTTINGHAM, │ NORTHAMPTON, OXFORD, READING, SALISBURY, SHERBORN, │ SHEFFIELD, SHREWSBURY, WORCESTER, WINCHESTER, │ YORK; AND BY ALL OTHER BOOKSELLERS │ IN ENGLAND, SCOTLAND, │ AND IRELAND [?1792-1793]
With the book-plate of the "Spring Hill College Library". Of the 61 plates, 3 are by Blake.
  KIMPTON, EDWARD
  Universal History #478
  [1781-1782?]
745 Kimpton, Edward.  A NEW AND COMPLETE  |  UNIVERSAL HISTORY  |  OF THE  |  HOLY BIBLE,  |  INCLUDING THE  |  OLD AND NEW TESTAMENT;  |  AND COMPRISING  |  All the TRANSACTIONS recorded in the SACRED WRITINGS,  |  FROM THE  |  CREATION OF THE WORLD,  |  TO THE  |  Full Establishment of Christianity.  |  IN WHICH  |  The several Parts of Scripture are pleasingly related, and satisfactorily illustrated; Obscure  |  Passages rendered clear ; Seeming Inconsistences reconciled ; the various Significations of the  |  most expressive Appellatives elucidated ; False Translations amended ; Former Errors corrected ;  |  and Difficult Texts made clear to every Capacity.  |  TO WHICH ARE ADDED  |  An ample and comprehensive Display of the Connection between the  |  SACRED WRITERS and PROFANE AUTHORS : Also  |  Particular Accounts of the LIVES and TRANSACTIONS of the most eminent PATRIARCHS,  |  PROPHETS, and other Servants of GOD, who, by an inspired Grace, have distinguished  |  themselves in the Display of Divine Wisdom.  |  ILLUSTRATED WITH NOTES  |  [Four columns separated by two vertical rules; Column 1:] Historical   |  Theological  |  Civil  |  Commercial  |  Geographical  |  [Column 2:] Literal  |  Critical  |  Natural  |  Military  |  Political  |  [Column 3:] Systematical  |  Chronological  |  Argumentative  |  Philological  |  Explanatory  |  [Column 4:] Reconciliatory  |  Biographical  |  Practical  |  AND  |  Moral  |  The Whole calculated to enlighten the Understanding, purify the Heart, and promote the Knowledge of  |  those SACRED SCRIPTURES, by which we may obtain Happiness here, and eternal Salvation hereafter.  |  -  |  By the Reverend EDWARD KIMPTON,  |  Vicar of ROGATE in Sussex, Morning Preacher of St. Matthew’s, Bethnal-Green, and late of  |  CHRIST’S COLLEGE, Cambridge ;  |  Assisted by many learned GENTLEMEN, who have made the Sacred Writings their peculiar Study.  |  -  |  Embellished with a great Number of beautiful COPPER-PLATES, descriptive of the most distinguished Transactions related in  |  the SACRED WRITINGS ; From Original Drawings of the ingenious Messrs. METZ, STOTHARD and SAUNDERS,  |   Members of the Royal Academy ; and other eminent Artists. The Whole engraved by the most Capital Performers,  |  particularly GRIGNION, COLLIER, HEATH, COOK, BLAKE, WHITE, TAYLOR,  |  -  |  [Verse]  |  =  |  LONDON:  |  Printed for J. COOKE, No. 17, PATER-NOSTER ROW. [?1781-1782]
            Of the 61 plates, 3 are by Blake.
  LAVATER PORTRAIT
  1801
746 [Rev. John Caspar Lavater. Blake sculpt. Zurich. Born 1741. Died. 1801. (Pubd. May 1. 1800 by J. Johnson, in Saint Paul’s Church Yard, London, from a drawing in his possession, taken in 1787)].
Trimmed to design (no imprint), edges and especially corners bent and repaired, paste-marks at the back coves, no watermark, wove paper, third state, Essick copy N. The engraving is very fine.
  LAVATER, J.C.
  Aphorisms on Man <BB 480>
  1788
747 Lavater, Johann Caspar. APHORISMS ON MAN: │ TRANSLATED │ FROM THE ORIGINAL MANUSCRIPT │ OF │ THE REV. JOHN CASPAR LAVATER, │ CITIZEN OF ZURIC. │ - │ [1-line from Juv.] │ - │ LONDON: │ PRINTED FOR J. JOHNSON, │ ST. PAUL'S CHURCH-YARD. │ - │ MDCCLXXXVIII [1788].
In contemporary full calf; signed in blue ink on the first fly-leaf "G E Bentley Jr │ April 1957".  Blake’s plate is the frontispiece; the copy Blake owned is in the Huntington. Lacks half-title.
Bound with:
Fitzherbert, William.  MAXIMS │ AND │ REFLEXIONS. │ [1-line Latin unattributed] │ LONDON: │ Printed for T. and J.Egerton, Whitehall. │ = │ M.DCC.LXXXIV [1784]. │ [Price ONE SHILLING.]
  1789
748 Lavater, Johann Caspar.  APHORISMS ON MAN. │ TRANSLATED │ FROM THE ORIGINAL MANUSCRIPT │ OF │ THE REV. JOHN CASPAR LAVATER, │ CITIZEN OF ZURIC. │ - │ [1-line from Juv.] │ -  │  SECOND EDITION. │ = │ [Gothic:] London,  │ PRINTED BY T. BENSLEY, │ FOR J. JOHNSON, ST. PAUL'S CHURCH-YARD. │ - │ M,DCC,LXXXIX [1789].
In somewhat worn contemporary | calf over blue and black marbled boards.  Blake's plate is the frontispiece.
  1794
749 Lavater, Johann Caspar.  APHORISMS ON MAN. │ TRANSLATED │ FROM THE ORIGINAL MANUSCRIPT │ OF │ THE REV. JOHN CASPAR LAVATER, │ CITIZEN OF ZURIC. │ - │ [1-line from Juv.] │ -  │  THIRD EDITION. │ = │ [Gothic:] l London, │ PRINTED FOR J. JOHNSON, ST. PAUL'S CHURCH- │ YARD. │ - │ M,DCC,XCIV [1794].
In contemporary ¾ calf over orange marbled boards.  The half-title calls it "VOL. I", anticipating Fuseli's aphorisms, which were never published.
  LAVATER, J.C.
  Essays on Physiognomy <BB #481>
  1789-1798
750 Lavater, Johann Caspar.  [Vol. I title:]  ESSAYS │ ON │ PHYSIOGNOMY, │ DESIGNED TO PROMOTE │ THE KNOWLEDGE AND THE LOVE OF MANKIND. │ BY │ JOHN CASPAR LAVATER, │ CITIZEN OF ZURICH, AND MINISTER OF THE GOSPEL. │ ILLUSTRATED BY MORE THAN │ EIGHT HUNDRED ENGRAVINGS ACCURATELY COPIED; │ AND SOME DUPLICATES ADDED FROM ORIGINALS. │ EXECUTED BY, OR UNDER THE INSPECTION OF, │ THOMAS HOLLOWAY. │ TRANSLATED FROM THE FRENCH │ BY │ HENRY HUNTER, D.D. │ MINISTER OF THE SCOTS CHURCH, LONDON-WALL. │ - │ GOD CREATED MAN AFTER HIS OWN IMAGE. │ - │ VOLUME I. │ [Vignette] │ LONDON:  PRINTED FOR JOHN MURRAY, No. 32, FLEET-STREET; M. HUNTER, D.D. CHARLES'S- │ SQUARE; AND T. HOLLOWAY, NO. 11, BACHE'S-ROW, HOXTON. M.DCC.L,XXXIX [1789].
[Vol. II title:]  VOLUME II. │ ... │ H. HUNTER, D.D. BETHNAL- │ GREEN ROAD; AND T. HOLLOWAY, NO. 11, BACHE'S-ROW, HOXTON. MDCCXCII [1792].
[Vol. III:]  ... │ [Vignette] │ LONDON:  PRINTED FOR MURRAY AND HIGHLEY, NO. 32, FLEET-STREET; H. HUNTER, D.D. │ BETHNAL-GREEN ROAD ... MDCCXCVIII [1798, i.e., 1799].
5 vols.; Vol. II-III are bound in 2 parts each.  WATERMARK:  LEPARD and 17 and 95 (i.e., LEPARD 1795).
Includes 5 engravings by Blake.
  1810
751 Lavater, Johann Caspar.  ESSAYS │ ON │ PHYSIOGNOMY, │ DESIGNED TO PROMOTE │ THE KNOWLEDGE AND THE LOVE OF MANKIND. │ BY │ JOHN CASPAR LAVATER, │ CITIZEN OF ZURICH, AND MINISTER OF THE GOSPEL. │ ILLUSTRATED BY │ ENGRAVINGS, ACCURATELY COPIED; │ AND SOME DUPLICATES ADDED FROM ORIGINALS. │ EXECUTED BY, OR UNDER THE INSPECTION OF, │ THOMAS HOLLOWAY. │ TRANSLATED FROM THE FRENCH │ BY │ HENRY HUNTER, D.D. │ MINISTER OF THE SCOTS CHURCH, LONDON-WALL. │ - │ GOD CREATED MAN AFTER HIS OWN IMAGE. │ VOLUME I[-III].│ [Vignette] │ LONDON:  PRINTED BY T. BENSLEY, BOLT COURT, FLEET STREET, │ FOR JOHN STOCKDALE, PICCADILLY. │ 1810.
5 volumes bound c. 1814 in old diaper russia, one board each in Vol. I-II detached, and the Vol. I back board is loose; WATERMARK:  1806 plus occasionally 11 on text, none on plates; 1814 on end-papers.  With the elaborate armorial book-plate of "James Darbishire". 
  LINTON, W.J.
  Thirty Pictures by Deceased British Artists (1830) <BBS pp. 236-237>
752 Linton, W. J. (William James)  Thirty Pictures by Deceased British Artists Engraved Expressly for The Art-Union of London by W.J. Linton ([London], 1860)
[Cover Title (in gold)] ENGRAVINGS FROM WORKS OF DECEASED BRITISH ARTISTS.
In its original cover, but the plates are loose.  Pl. x is Blake's "Death's Door" for The Grave.
  MACKLIN, Benjamin Heath
  A Father's Memoirs of His Child (1806) <BB #482>
753 Macklin, Benjamin Heath.  A │ FATHER'S MEMOIRS │ OF │ HIS CHILD. │ BY │ BENJ. HEATH MALKIN, ESQ. │ M.A. F.A.S. │ = │ [Two lines from Astrophel] │  = │ LONDON: │ PRINTED FOR LONGMAN, HURST, REES, AND ORME, │ PATERNOSTER ROW; │ BY T. BENSLEY, BOLT COURT, FLEET STREET. │ 1806.
8°, in original paste-board.
  Monthly magazine, and British register (1797) <BB #483>
754 THE │ MONTHLY │ MAGAZINE, │ AND │ BRITISH REGISTER, │ FOR │ 1797. │ FROM JULY TO DECEMBER, INCLUSIVE. │ = │ VOL. IV. │ = │ LONDON: │ PRINTED FOR R. PHILLIPS; │ AND │ SOLD BY J. JOHNSON, NO. 72, ST PAUL'S CHURCH-YARD. │ 1798.
8°, in worn contemporary half-calf over lemon-brown boards.  On the front paste-down is the elaborate armorial book-plate of "Bateman of Hartington in Derbyshire William Bateman."  On the first fly-leaf is the signature of "F M Harris". 
Blake's plate (opposite p. [165]) illustrates a life of Joseph Wright of Derby (pp. 289-294).
  MORA, Jose Joaquin de
  Meditaciones Poeticas (1826) <BB #484>
755 Mora, José Joaquín de. MEDITACIONES │ POETICAS. │ - │ POR │ JOSE JOAQUIN DE MORA. │ - │ LONDRES: │ LO PUBLICA R. ACKERMANN, No. 101, STRAND; │ EN SU ESTABLECIMIENTO EN MEGICO: │ ASIMISMO │ EN COLOMBIA, EN BUENOS AYRES, CHILE, PERU, & GUATEMALA. │ 1826.
4°, marbled boards, a rather modern leather label reading "Meditaciones Poeticas".  The colophon (title page verso) reads:  "Londres; impreso por Carlos Wood, Poppin's Court, Fleet Street."  The title page is cut down at the top (parts of the diver's toes are missing) and at the bottom.  The fly-leaf is signed "F. Elliot Blackstone 1860".  The 12 plates are printed from Blake's plates for Blair's Grave (1808, 1813).  The poem interprets the designs.
  NICHOLSON, William
  Natural Philosophy <BBS pp. 237, 240>
  1782
756 Nicholson, William.  AN │ INTRODUCTION │ TO │ NATURAL PHILOSOPHY. │ ILLUSTRATED WITH COPPER PLATES; │ By WILLIAM NICHOLSON. │ [3 lines from Seneca] │ IN TWO VOLUMES. │ VOL. I[-II]. │ [Vignette by Blake] │ LONDON: │ PRINTED FOR J. JOHNSON, NO. 72, ST. PAUL'S CHURCH YARD. │ M DCC LXXXII [1782].
8°, 2 vols. in full, very rough calf, hinges perishing, scuffed.  Vols. I-II have the stamp of "R H" beneath a cock on the first paste-down. Vol. II adds the signature on the first fly-leaf of "Chas. E.R. Bruce".
  1787
757 Nicholson, William.  AN │ INTRODUCTION │ TO │ NATURAL PHILOSOPHY. │ ILLUSTRATED WITH COPPER PLATES; │ By WILLIAM NICHOLSON. │ [3 lines from Seneca] │  THE SECOND EDITION, WITH IMPROVEMENTS. │ IN TWO VOLUMES. │  VOL. I[-II]. │ [Vignette by Blake] │ LONDON: │ PRINTED FOR J. JOHNSON, NO. 72, ST. PAUL'S CHURCH YARD. │ M DCC LXXXVII [1787].
Bound in contemporary speckled calf, boards perilous.
  Novelist's Magazine, Vol. VIII <BB #485>
  1782
758 Cervantes Saavedra, Miguel de. [Typeset title:] THE │ HISTORY │ AND │ ADVENTURES │ OF THE RENOWNED │ DON QUIXOTE. │ TRANSLATED FROM THE SPANISH │ OF │ MIGUEL DE CERVANTES SAAVEDRA. │ TO WHICH IS PREFIXED, │ SOME ACCOUNT OF THE AUTHOR'S LIFE, │ BY DR. SMOLLETT. │ IN FOUR VOLUMES. │ [Ornament] │ LONDON: │ Printed for HARRISON and Co. No 18, Paternoster Row. │ M DCC LXXXII [1782].
[Engraved series title:]  THE │ [Gothic:] Novelist's Magazine. │ --- VOL. VIII. --- │ CONTAINING │ Don Quixote. │ [Vignette] │ LONDON: │ Printed for Harrison and C │ N 18, Paternoster Row. │ 1782.
            8°. There are 2 Blake plates.
Copy 1: In sound calf, with the very elaborate armorial book-plate of "SUIVEZ RAISON │ WESTPORT HOUSE │ CASE [u] SHELF [3]".
Copy 2: In handsome tree calf with typed label on the gilt spine.  On the green marbled front end-paper is the book plate of "Ham Hill Library [in MS:] 1924 N 18".
  1784
759 Cervantes Saavedra, Miguel de. [Typeset title:] THE │ HISTORY │ AND │ ADVENTURES │ OF THE RENOWNED │ DON QUIXOTE. │ TRANSLATED FROM THE SPANISH │ OF │ MIGUEL DE CERVANTES SAAVEDRA. │ TO WHICH IS PREFIXED, │ SOME ACCOUNT OF THE AUTHOR'S LIFE, │ BY DR. SMOLLETT. │ IN FOUR VOLUMES. │ [Ornament] │ LONDON: │ Printed for HARRISON and Co. No 18, Paternoster Row. │ M DCC LXXXIV [1784]
[Engraved series title:]  THE │ [Gothic:] Novelist's Magazine. │ --- VOL. VIII. --- │ CONTAINING │ Don Quixote. │ [Vignette] │ LONDON: │ Printed for Harrison and C │ N 18, Paternoster Row. │ 1782.
8°, In sound rebacked calf, typed label on plain new spine, with the signature on the type-set title of P[?] Browning[?].
  1792
760 Cervantes Saavedra, Miguel de. [Typeset title:] THE │ HISTORY │ AND │ ADVENTURES │ OF THE RENOWNED │ DON QUIXOTE. │ TRANSLATED FROM THE SPANISH │ OF │ MIGUEL DE CERVANTES SAAVEDRA. │ TO WHICH IS PREFIXED, │ SOME ACCOUNT OF THE AUTHOR'S LIFE, │ BY DR. SMOLLETT. │ IN FOUR VOLUMES. │ [Ornament] │ LONDON: │ Printed for HARRISON and Co. No 18, Paternoster Row. │  M DCC XCII. [1792]
[Engraved series title:]  THE │ [Gothic:] Novelist's Magazine. │ --- VOL. VIII. --- │ CONTAINING │ Don Quixote. │ [Vignette] │ LONDON: │ Printed for Harrison and C. │ N. 18, Paternoster Row. │ 1792.
8°, in sound full calf. 
  Novelist's Magazine, Vol. IX <BB #486>
  1782
761 Sterne, Laurence.  [1st type-set title:] A │ SENTIMENTAL JOURNEY │ THROUGH FRANCE AND ITALY, │ BY │ MR. YORICK. │ IN TWO VOLUMES. │ BY THE REV. MR STERNE. │ [Ornament] │ LONDON: │ Printed for HARRISON and Co. No. 18, Paternoster-Row. │ M DCC LXXXII [1782]
Bound with:
Swift, Jonathan.  [2nd type-set title:]  TRAVELS │ INTO SEVERAL│ REMOTE NATIONS │ OF THE │ WORLD. │ BY │ LEMUEL GULLIVER, │ FIRST A SURGEON, AND THEN A CAPTAIN OF SEVERAL SHIPS. │ IN TWO VOLUMES. │ BY DEAN SWIFT. │ [Ornament] │ LONDON: │ Printed for Harrison and C. │ N 18. Paternoster-Row │ M DCC LXXXII. [1782].
And
Fielding, Sarah. [3rd type-set title:]  THE │ ADVENTURES │ OF │ DAVID SIMPLE: │ CONTAINING │ AN ACCOUNT OF HIS TRAVELS │ THROUGH │ THE CITIES OF LONDON AND WESTMINSTER, │ IN THE │ SEARCH OF A REAL FRIEND. │ BY MISS FIELDING. │ IN TWO VOLUMES. │ [Ornament] │ LONDON: │ Printed for Harrison and C. │ N. 18, Paternoster-Row │ M DCC LXXXII [1782].
And
Smollett, Tobias George. [4th type-set title:] THE │ ADVENTURES │ OF │ SIR LAUNCELOT GREAVES. │ BY DR. SMOLLETT. │ IN TWO VOLUMES. │ [Ornament] │ LONDON: │ Printed for HARRISON and Co. │ No. 18, Paternoster-Row │ M DCC LXXXII [1782].
And
Grafigny, Mme de (Françoise d'Issembourg d'Happoncourt) [5th type-set title:]  LETTERS │ OF │ A PERUVIAN PRINCESS: │ WITH │ THE SEQUEL. │ TRANSLATED FROM │ THE FRENCH OF MADAME DE GRAFIGNY, │ BY FRANCIS ASHWORTH, ESQ. │ IN TWO VOLUMES. │ [Ornament] │ LONDON: │ Printed for HARRISON and Co. No. 18, Paternoster-Row. │ M DCC LXXXII [1782].
And
Fielding, Henry.  [6th type-set title:]  THE │ HISTORY │ OF │ JONATHAN WILD THE GREAT. │ BY HENRY FIELDING, ESQ. │ LONDON: │ Printed for HARRISON and Co. │ No. 18, Paternoster-Row │ M DCC LXXXII [1782].
[Engraved title:] THE │ [Gothic:] Novelist's Magazine. │ --- VOL. IX. --- │CONTAINING │ Sentimental Journey, │ Gulliver's Travels, │ David Simple, │ Sir Launcelot Greaves, │ The Peruvian Princess, │ and Jonathan Wild. │ [Vignette] │ LONDON: │ Printed for Harrison and C. │ N. 18 Paternoster Row │ 1782.

4°, bound in full speckled calf with elaborately gilt spine. There is one Stothard-Blake plate each for Sentimental Journey, David Simple and Sir Launcelot Greaves.
  1785
762 Sterne, Laurence.  [1st type-set title:] A │ SENTIMENTAL JOURNEY │ THROUGH FRANCE AND ITALY, │ BY │ MR. YORICK. │ IN TWO VOLUMES. │ BY THE REV. MR STERNE. │ [Ornament] │ LONDON: │ Printed for HARRISON and Co. No. 18, Paternoster-Row. │ M DCC LXXXV [1785]
Bound with:
Swift, Jonathan[2nd type-set title:]  TRAVELS │ INTO SEVERAL│ REMOTE NATIONS │ OF THE │ WORLD. │ BY │ LEMUEL GULLIVER, │ FIRST A SURGEON, AND THEN A CAPTAIN OF SEVERAL SHIPS. │ IN TWO VOLUMES. │ BY DEAN SWIFT. │ [Ornament] │ LONDON: │ Printed for Harrison and C. │ N 18. Paternoster-Row │ M DCC LXXXII. [1782].
And
Fielding, Sarah. [3rd type-set title:]  THE │ ADVENTURES │ OF │ DAVID SIMPLE: │ CONTAINING │ AN ACCOUNT OF HIS TRAVELS │ THROUGH │ THE CITIES OF LONDON AND WESTMINSTER, │ IN THE │ SEARCH OF A REAL FRIEND. │ BY MISS FIELDING. │ IN TWO VOLUMES. │ [Ornament] │ LONDON: │ Printed for Harrison and C. │ N. 18, Paternoster-Row │ M DCC LXXXII [1782].
And
Smollett, Tobias George. [4th type-set title:] THE │ ADVENTURES │ OF │ SIR LAUNCELOT GREAVES. │ BY DR. SMOLLETT. │ IN TWO VOLUMES. │ [Ornament] │ LONDON: │ Printed for HARRISON and Co. │ No. 18, Paternoster-Row │ M DCC LXXXII [1782].
And
Grafigny, Mme de (Françoise d'Issembourg d'Happoncourt) [5th type-set title:]  LETTERS │ OF │ A PERUVIAN PRINCESS: │ WITH │ THE SEQUEL. │ TRANSLATED FROM │ THE FRENCH OF MADAME DE GRAFIGNY, │ BY FRANCIS ASHWORTH, ESQ. │ IN TWO VOLUMES. │ [Ornament] │ LONDON: │ Printed for HARRISON and Co. No. 18, Paternoster-Row. │ M DCC LXXXII [1782].
And
Fielding, Henry.  [6th type-set title:]  THE │ HISTORY │ OF │ JONATHAN WILD THE GREAT. │ BY HENRY FIELDING, ESQ. │ LONDON: │ Printed for HARRISON and Co. │ No. 18, Paternoster-Row │ M DCC LXXXII [1782].
[Engraved title:] THE │ [Gothic:] Novelist's Magazine. │ --- VOL. IX. --- │CONTAINING │ Sentimental Journey, │ Gulliver's Travels, │ David Simple, │ Sir Launcelot Greaves, │ The Peruvian Princess, │ and Jonathan Wild. │ [Vignette] │ LONDON: │ Printed for Harrison and C. │ N. 18 Paternoster Row │ 1782.
4°, in full calf, rebacked and now sound; inscribed on the first type-set title page in old brown ink in an 18th Century hand "P[?] Browning[?]".  There is one Stothard-Blake plate each for Sentimental Journey, David Simple and Sir Launcelot Greaves.
  Novelist's Magazine Vol. X-XI
  1783
763 Richardson, Samuel. [Type-set title:] THE │ HISTORY │ OF │ SIR CHARLES GRANDISON. │ IN  │  A SERIES OF LETTERS.  │  BY MR. SAMUEL RICHARDSON. │ IN SEVEN VOLUMES. │ [Ornament] │ LONDON: │ Printed for HARRISON and Co. No. 18, Paternoster-Row. │ M DCC LXXXIII [1783].
[Engraved general title:]  │ [Gothic:] Novelist's Magazine. │ --- VOL. X. --- │ CONTAINING │ The First, Second, Third, │ and Fourth Volumes [and VOL. XI. │ The Fifth, Sixth, and │ Seventh Volumes], │ of │ Sir Charles Grandison. │ [Vignette] │ LONDON: │ Printed for Harrison and C. │ No 18, Paternoster-Row. │ 1783.
4°, 2 vols. in worn and faded ¾ calf over faded red and blue marbled boards.  There are 3 Blake plates.      
  1793
764 Richardson, Samuel. [Type-set title:] THE │ HISTORY │ OF │ SIR CHARLES GRANDISON. . │ IN  │  A SERIES OF LETTERS.  │   BY MR. SAMUEL RICHARDSON. │ IN SEVEN VOLUMES. │ [Ornament] │ LONDON: │ Printed for HARRISON and Co. No. 18, Paternoster-Row. │ M DCC XCIII [1793].
[Engraved general title:]  │ [Gothic:] Novelist's Magazine. │ --- VOL. X. --- │ CONTAINING │ The First, Second, Third, │ and Fourth Volumes [and VOL. XI. │ The Fifth, Sixth, and │ Seventh Volumes], │ of │ Sir Charles Grandison. │ [Vignette] │ LONDON: │ Printed for Harrison and C. │ No. 18, Paternoster-Row. │ 1783.
4°, 2 vols. bound in ¾ calf over brown marbled boards, the hinges perishing; with the ambitious book-plate of JOHN HERBERT BANKES in each volume. There are 3 Blake plates.
  1811
765 Richardson, Samuel. THE │ HISTORY │ OF │ SIR CHARLES GRANDISON, │ AND │ THE HON. MISS BYRON; │ IN │ A SERIES OF LETTERS. │ BY MR. SAMUEL RICHARDSON, │ AUTHOR OF THE HISTORIES OF PAMELA │ AND CLARISSA HARLOWE. │ - │ FORMERLY PUBLISHED IN SEVEN VOLUMES; THE WHOLE NOW │ COMPRISED IN TWO. │ VOL. I[-II]. │ = │ [Gothic:] Cooke's Edition. │ = │ [Ornament] │ = │ EMBELLISHED WITH FIFTEEN SUPERB ENGRAVINGS.  │ = │ LONDON; │ STEREOTYPED AND PRINTED FOR C. COOKE, │ 17, PATERNOSTER ROW; │ BY D. COCK, AND CO. DEAN STREET, SOHO; │ And sold by all Booksellers in the │ United Kingdom [1811].
4°, in ¾ calf over green marbled boards, the joints rather tender; with an unlettered elaborate armorial book-plate with grey-hounds, griffins, moons, &c.
  OLIVIER, J.
  Fencing Familiarized (1780) <BB #488>
766 Olivier, J.  [English title:] FENCING │ FAMILIARIZED: │ OR │ A NEW TREATISE │ON THE │ ART of SMALL SWORD. │ ILLUSTRATED BY ELEGANT ENGRAVINGS, │ Representing all the different Attitudes on which the │ Principles and Grace of the Art depend; │ Painted from Life, and executed in a most elegant and │ masterly Manner. │ A NEW EDITION, │ Revised, Corrected, and Augmented by an original Set of Prints. │ BY MR. OLIVIER, │ Educated at the Royal Academy of Paris, and Professor │ of Fencing, No 8, Serle-street, Lincoln's Inn Fields. │ Sine Regula, sine Delectatione.. [sic] │ LONDON: │ Printed for JOHN BELL, at the British Library, Strand. │ M DCC LXXX [1780].
[French title:]  L'ART DES ARMES │ SIMPLIFIÉ: │ OU │ Nouveau Traité sur la Maniere de │ Se servir de l'Epée. │ ENRICHI DE FIGURES EN TAILLE DOUCE, │ Représentant toutes les differentes Attitudes d'où dependent │ les Principes et la Grace de cet Art, peintes d'après Nature; │ Executée superieurement et de la Maniere la plus élégante. │ NOUVELLE EDITION, │ Revue, Corrigée, et Augmentée de plusieurs Planches. │ PAR MR. OLIVIER, │ Eléve de l'Academie Royal de Paris, et Maitre en fait │ d'Armes, No 8, Serle-street, Lincoln's Inn Fields. │ Sine Regula, sine Delectatione. │ A LONDRES: │ Chez J. BELL, Libraire, près d'Exeter Change dans le Strand. │ M DCC LXXX [1780].
8°, in ¾ calf, joints weak, over brown marbled paper; signed on the first, second, and last fly-leaves in modern blue ink James B. Macleod and, upsidedown on the verso of the first fly-leaf "G E Bentley Jr │ London │ 1959".  There is one Blake plate.
  REES, Abraham
  Cyclopaedia (1820) <BB #489>
767 [Rees, Abraham.  THE │ CYCLOPÆDIA; │ OR, │ UNIVERSAL DICTIONARY │ OF │ Arts, Sciences, and Literature. │ BY │ ABRAHAM REES, D.D. F.R.S. F.L.S. S. Amer. Soc. │ WITH THE ASSITANCE OF │ EMINENT PROFESSIONAL GENTLEMEN. │ - │ ILLUSTRATED WITH NUMEROUS ENGRAVINGS, │ BY THE MOST DISTINGUISHED ARTISTS. │ - │ PLATES. │ … │ LONDON: │ PRINTED FOR LONGMAN, HURST, REES, ORME, & BROWN, SCATCHERD AND LETTERMAN, J. CUTHELL, │ CLARKE AND SONS, LACKINGTON HUGHES HARDING MAVOR AND JONES, J. AND A. ARCH, │ CADELL AND DAVIES, S. BAGSTER, J. MAWMAN, BLACK KINGSBURY PARBURY AND ALLEN, │ R. SCHOLEY, J. BOOTH, J. BOOKER, SUTTABY EVANCE AND FOX, BALDWIN CRADOCK AND JOY, │ SHERWOOD NEELY AND JONES, OGLE DUNCAN AND CO., R. SAUNDERS, HURST ROBINSON AND CO., │ J. DICKINSON, J. PATERSON, E WHITESIDE, WILSON AND SONS, AND BRODIE AND DOWDING. │ 1820].
Includes 7 Blake prints, of which Victoria University Library has 5, here disbound from a complete set. Plate “IV & V”, Armour (vol. 1) & Plates I-IV, Sculpture (vol. 4).
  [RITSON, Joseph, ed.]
  A Select Collection of English Songs (1783) <BB #491>
768 A │ SELECT │ COLLECTION │ OF │ ENGLISH SONGS. │ IN THREE VOLUMES. │ VOLUME THE FIRST[-THIRD]. │ [Vignette of flowers] │ ---- APIS MATINÆ │ MORE MODOQUE │ GRATA CARPENTIS THYMA PER LABOREM │ PLURIMUM. │ HOR. │ LONDON: │ Printed for J. JOHNSON in St. Pauls Church-yard. │ MDCCLXXXIII [1783].
3 vols. in pleasant brown gilt morocco with marbled end-papers.  A hand of the late 18th or early 19th Century has written on the Vol. I front fly-leaf:  "Ritsons Eng. Songs │ plates by Stothard. │ mor. g.l. by C. Lewis".  Blake engraved 9 of the 16 plates after Stothard.
768A Stothard, Thomas.  [Cupid playing on the lute before Venus and three attendants] Stothard d. Blake Sc.  (7 x 9 cm.)
            Unfinished proof, with signatures in ink, of the third plate engraved by William Blake for Ritson’s A select collection of English songs, published in 1783.
  SALZMANN, C.G.
  Elements of Morality <BB #492; BBS pp. 247-251>
  1791
769 Salzmann, Christian Gotthilf. ELEMENTS │ OF │ MORALITY, │ FOR THE │ USE OF CHILDREN; │ WITH AN │ INTRODUCTORY ADDRESS TO PARENTS. │ = │ Translated  from the GERMAN of the │ Rev. C. G. SALZMANN. │ = │ ILLUSTRATED WITH FIFTY COPPER PLATES. │ IN THREE VOLUMES. │ - │ VOL. III [only]. │ - │ LONDON: │ PRINTED BY J. CROWDER, │ FOR J. JOHNSON IN ST. PAUL'S CHURCH-YARD. │ - │ M,DCC,XCI [1791].
        12°, with modern spines over grey marbled boards.  The top of title page is torn off and "ELEMENTS │ OF" added by hand..  Signed on the paste-down and title page "J G Lansdown".
Blake is believed to have engraved 45 of Chodowiecki's 51 plates in Vol. I-III (see BBS pp. 248-251).
Copy 2: Vol. III, Plates only (Disbound) - Plates 33-35, 38, 40-42, 44-50.
Copy 3: Vol. III, Plate 49 only (Disbound)
  1792
770 Salzmann, Christian Gotthilf. ELEMENTS │ OF │ MORALITY, │ FOR THE │ USE OF CHILDREN; │ WITH AN │ INTRODUCTORY ADDRESS TO PARENTS. │ = │ Translated  from the GERMAN of the │ Rev. C. G. SALZMANN. │ = │ ILLUSTRATED WITH FIFTY COPPER PLATES. │ IN THREE VOLUMES. │ - │ VOL. I[-III]. │  THE THIRD EDITION. │ = │ LONDON: │ PRINTED BY J. CROWDER, │ FOR J. JOHNSON IN ST. PAUL'S CHURCH-YARD. │ - │ M,DCC,XCII [1792].
12°.
Copy 1: In ¾ calf over dark green marbled boards; on the last paste-down is a rudimentary pencil drawing of a hand.  Beginning on the verso of the Directions for placing the Plates (Vol. III) is a 3-page Catalogue of Books for Young Persons published by Johnson. 
            Copy 2: Vol. II only. Bound in full calf with perishing spine.
            Copy 3: Plate 39 (Vol. III) only. Disbound, trimmed to image.
  1805
771 Salzmann, Christian Gotthilf. ELEMENTS │ OF │ MORALITY, │ FOR THE │ USE OF CHILDREN; │ WITH AN │ INTRODUCTORY ADDRESS TO PARENTS. │ Translated  from the GERMAN of the │ Rev. C. G. SALZMANN. │ A NEW EDITION. │ IN THREE VOLUMES. │ ILLUSTRATED WITH PLATES. │ VOL. I.[Only] │ LONDON: │ PRINTED FOR J. JOHNSON, IN ST. PAUL'S │ CHURCH-YARD. │ - │ 1805.
12°, in modern calf spine over contemporary grey marbled boards.  Signed on the Vol. I paste-down and title page "J G Lansdown".
  1815
772 Salzmann, Christian Gotthilf. ELEMENTS OF MORALITY, │ FOR THE │ USE OF CHILDREN. │ - │ ILLUSTRATED WITH ENGRAVINGS. │ = │ IN TWO VOLUMES. │ VOL. I[-II]. │ = │ LONDON: │ PRINTED FOR JOHN SHARPE, JUVENILE LIBRARY, │ LONDON MUSEUM, PICCADILLY [?1815].
12°, two volumes, in late 19th-Century | Red morocco over brownish red marbled boards; the half-title says:  "Elements of Morality. │ WITH │ FIFTY PLATES."  In each volume is a book-plate of a leopard above a crest of a lion above "EQUAM SERVARE MENTEM"; Vol. I first fly-leaf inscribed in pencil "drawing room 2"; second fly-leaf inscribed in old brown ink "Worsley--│ 26. Chester Terrace"; second fly-leaf verso inscribed in pencil about what edition it is; third fly-leaf inscribed in old brown ink:  "A Christmas offering │ from Aunt Reeve │ to her Nieces & Nephews │ at Stratford. │ 1817"; Vol. II fly-leaf inscribed "Worsley--".
  SCOTT, John
  Poetical Works <BB #494>
  1782
774 Scott, John. [Engraved title:] THE │ POETICAL WORKS │ OF │ JOHN SCOTT ESQ. │ [Oval portrait] │ LONDON │ Printed for J. Buckland, │ MDCCLXXXII [1782].
8° Blake engraved 2 of the 9 plates after Stothard; and 2 of 5 other illustrations.
Copy 1: In recent handsome full calf.  On the verso of the last leaf (p. 341) is an advertisement for two other books "by the same AUTHOR" printed for Dilly, suggesting that he is the publisher of this book as well. 
Copy 2: 4 loose engravings by Blake cut from another copy.
  1786
775 Scott, John. [Engraved title:] THE │ POETICAL WORKS │ OF │ JOHN SCOTT ESQ. │ THE SECOND EDITION. │ [Oval portrait] │ Printed for J. Buckland, │ MDCCLXXXVI [1786].
Bound in contemporary full calf, joints a little tender; inscribed in much-faded pencil on the first fly-leaf:  "Mrs Woolston │ [illeg]". 
  1795
776 Scott, John. THE │ POETICAL WORKS │ OF │ JOHN SCOTT, ESQ. │ = │ The Second Edition. │ = │ LONDON: │ Printed for ALEXANDER CLEUGH, 14, Ratcliff-Highway; │ AND │ JOHN DOLFEE, 19, John-Street, Minories. │ 1795.
8°, bound in 19th century ¾ black leather over black cloth boards.  This is simply a re-issue of the 1786 sheets; p. 322 is still mis-numbered.
  SEALLY, John, & Israel LYONS
  A Complete Geographical Dictionary <BB #495>
777 Seally, John.  A COMPLETE │ Geographical Dictionary, │ OR │ UNIVERSAL GAZETTEER; │ OF │ ANCIENT and MODERN GEOGRAPHY: │ CONTAINING A FULL, PARTICULAR, AND ACCURATE │ Description of the known World; │ IN │ EUROPE, ASIA, AFRICA, and AMERICA; │ COMPRISING │ A COMPLETE SYSTEM OF GEOGRAPHY, │ ILLUSTRATED WITH CORRECT MAPS AND BEAUTIFUL VIEWS OF THE PRINCIPAL CITIES, &c. │ AND CHRONOLOGICAL TABLES OF THE SOVEREIGNS OF EUROPE. │ - │ THE GEOGRAPHICAL PARTS │ By JOHN SEALLY, A.M. │ MEMBER OF THE ROMAN ACADEMY; AUTHOR OF THE HISTOIRE CHRONOLOGIQUE SACRÉE ET PROFANE; │ ELEMENTS OF GEOGRAPHY AND ASTRONOMY, &c. &c. │ Interspersed with Extracts from the private Manuscripts of one of the Officers who accompanied Captain Cook in his Voyage to the │ SOUTHERN HEMISPHERE. │ THE ASTRONOMICAL PARTS FROM THE PAPERS │ Of the late Mr. ISRAEL LYONS, of CAMBRIDGE; │ ASTRONOMER IN LORD MULGRAVE'S VOYAGE TO THE NORTHERN HEMISPHERE. │ - │ VOL. I[-II].  │ - │ By the King's Royal License and Authority. │ - │ LONDON: │ Printed for JOHN FIELDING, Numb. 23, Pater-noster-Row. [1781-1783?].
Folio; with the book-plate of "Hellier R. H. Gosselin.  Benges Hall No. 745".
Blake engraved 3 of the 66 plates, all Views (all in vol. 2).  Library has vol. 1 only.
  1787
778 Seally, John.  A COMPLETE │ Geographical Dictionary, │ OR │ UNIVERSAL GAZETTEER; │ OF │ ANCIENT and MODERN GEOGRAPHY: │ CONTAINING A FULL, PARTICULAR, AND ACCURATE │ Description of the known World; │ IN │ EUROPE, ASIA, AFRICA, and AMERICA; │ COMPRISING │ A COMPLETE SYSTEM OF GEOGRAPHY, │ ILLUSTRATED WITH CORRECT MAPS AND BEAUTIFUL VIEWS OF THE PRINCIPAL CITIES, &c. │ AND CHRONOLOGICAL TABLES OF THE SOVEREIGNS OF EUROPE. │ - │ THE GEOGRAPHICAL PARTS │ By JOHN SEALLY, A.M. │ MEMBER OF THE ROMAN ACADEMY; AUTHOR OF THE HISTOIRE CHRONOLOGIQUE SACRÉE ET PROFANE; │ ELEMENTS OF GEOGRAPHY AND ASTRONOMY, &c. &c. │ Interspersed with Extracts from the private Manuscripts of one of the Officers who accompanied Captain Cook in his Voyage to the │ SOUTHERN HEMISPHERE. │ THE ASTRONOMICAL PARTS FROM THE PAPERS │ Of the late Mr. ISRAEL LYONS, of CAMBRIDGE; │ ASTRONOMER IN LORD MULGRAVE'S VOYAGE TO THE NORTHERN HEMISPHERE. │ - │ VOL. I[-II].  │ - │ By the King's Royal License and Authority. │ - │ LONDON: │ Printed for SCATCHERD AND WHITAKER, Ave-mary Lane. MDCCLXXXVII. [1787].
Folio; with the book-plate of "Hellier R. H. Gosselin.  Benges Hall No. 745".
Blake engraved 3 of the 66 plates, all Views (all in vol. 2).  Library has vol. 2 only.
  SHAKESPEARE, William
  Dramatic Works (1802) <BB #497>
779 Shakespeare, William. THE │ DRAMATIC WORKS │ OF │ SHAKSPEARE │ REVISED │ BY GEORGE STEEVENS. │ VOL. I[-IX]. │ LONDON: │ PRINTED BY W. BULMER AND CO. │ [Gothic:] Shakspeare Printing-Office, │ FOR JOHN AND JOSIAH BOYDELL, GEORGE AND W. NICOL; │ FROM THE TYPES OF W. MARTIN. │ MDCCCII [1802, i.e., 1803].
Folio, Blake engraved 1 of 100 plates (vol. IX)
  SHAKESPEARE, William
  Plays <BB #498>
780 Shakespeare, William. THE │ PLAYS │ OF │ WILLIAM SHAKSPEARE, │ Accurately printed from the Text of the corrected Copy left by the late │ GEORGE STEEVENS, ESQ. │ WITH │ A SERIES OF ENGRAVINGS, │ FROM ORIGINAL DESIGNS OF │ HENRY FUSELI, ESQ. R.A. PROFESSOR OF PAINTING: │AND A SELECTION │ OF EXPLANATORY AND HISTORICAL NOTES, │ From the most eminent Commentators; │ A History of the Stage, a Life of Shakspeare, &c. │ BY ALEXANDER CHALMERS, A.M. │ = │ IN NINE VOLUMES. │ = │ VOLUME I[-IX]. │ CONTAINING │ [contents volume-by-volume] │ - │ LONDON: │ Printed for F.C. and J. Rivington; J. Johnson; R. Baldwin; H.L. │ Gardner; W.J. and J. Richardson; J. Nichols and Son; T. Payne; R. │ Faulder; G. and J. Robinson; W. Lowndes; G. Wilkie; Scatcherd and │ Letterman; T. Egerton; J. Walker; W. Clarke and Son; J. Barker and Son; │ D. Ogilvy and Son; Cuthell and Martin; R. Lea; P. Macqueen; Lackington, │ Allen and Co.; T. Kay; J. Deighton; J. White; W. Miller; Vernor and │ Hood; D. Walker; C. Law; B. Crosby and Co.; R. Pheney; Longman, Hurst, │ Rees, and Orme; Cadell and Davies; J. Harding; R.H. Evans; S. Bagster; │ J. Mawman; Blacks and Parry; J. Badcock; J. Asperne; and T. Ostell. │ - │ 1805.
8°, in full maroon calf with diaper blind-stamping on the panels, orange marbled end-papers. Two plates by Blake.
  STEDMAN, J.G.
  Narrative
  1796
781 Stedman, John Gabriel.  [Engraved title:] NARRATIVE, │ of a five years' expedition, against the │ [Gothic:] Revolted Negroes of Surinam, │ in GUIANA, on the WILD COAST OF │ SOUTH AMERICA; │ from the year 1772, to 1777:elucidating the History of that Country, and │ describing its Productions, Viz. Quadrupedes, Birds, Fishes, Reptiles, Trees, Shrubs, Fruits, & Roots; with an account of the INDIANS OF Guiana, & NEGROES of Guinea. │ [Gothic word:] By CAPT J.G. STEDMAN. │ Illustrated with 80 elegant Engravings, from Drawings made by the Author. │ VOL. I. │ [Vignette] │ [6-line latin motto from] │ Valerius Flaccus. │ [Gothic word:] London.  Printed for J. Johnson, S Paul's Church Yard, & J. Edwards, Pall Mall. 1796.
4°, in calf, rebacked. 16 of the 86 plates are engraved by Blake.
  1806
782 Stedman, John Gabriel.  [Engraved title:] NARRATIVE, │ of a five years' expedition, against the │ [Gothic:] Revolted Negroes of Surinam, │ in GUIANA, on the WILD COAST OF │ SOUTH AMERICA; │ from the year 1772, to 1777:elucidating the History of that Country, and │ describing its Productions, Viz. Quadrupedes, Birds, Fishes, Reptiles, Trees, Shrubs, Fruits, & Roots; with an account of the INDIANS OF Guiana, & NEGROES of Guinea. │ [Gothic word:] By CAPT J.G. STEDMAN. │ Illustrated with 80 elegant Engravings, from Drawings made by the Author. │ VOL. I. │ Second Edition, corrected. │ [Vignette] │ [6-line latin motto from] │ Valerius Flaccus. │ [Gothic word:] London.  Printed for J. Johnson, S Paul's Church Yard, & Th. Payne, Pall Mall. 1806.
Vol. I only, in full calf, hinges perishing, frontispiece torn and mended with cellotape, piece torn from title page.  Front paste-down inscribed in old brown ink "Oakerley[?]".
  1988
783 Stedman, John GabrielNarrative of a Five Years Expedition against the Revolted Negroes of Surinam.  Transcribed for the First Time from the Original 1790 Manuscript.  Edited, and with an introduction and notes by Richard Price & Sally Price (Baltimore & London:  The Johns Hopkins University Press, 1988)
  1989
784 Price, Richard.  Representations of Slavery:  John Gabriel Stedman's "Minnesota" Manuscripts ([Minneapolis:]  The Associates of the James Ford Bell Library, University of Minnesota, 1989) The James Ford Bell Lectures Number 26.
  STUART, James, & NICHOLAS REVETT
  The Antiquities of Athens  (1762-1816) <BB #500>
785 Stuart, James and Nicholas Revett.  THE ANTIQVITIES OF │ MEASVRED AND DELINEATED │ BY JAMES STVART F.R.S. AND F.S.A. │ AND NICHOLAS REVETT │ PAINTERS AND ARCHITECTS. │ - │ VOLVME THE FIRST [-THIRD] │ - │ [Vignette] │ LONDON │ PRINTED BY J. HABERKORN MDCCLXII [1762] – MDCCCXVI [1816].
Folio. Blake made 4 plates (1791) for Vol. III (1794), of which the library has pl. 1-3, disbound..
  1922
786 Stuart, James and Nicholas Revett.   The Antiquities of Athens Measured and Drawn by James Stuart and N. Revett (1762-1794):  A Selection of 116 plates As Edited By Cornelius Gurlitt (London: John Tiranti & Company, Reprinted 1922)
Does not reproduce Blake's plates.
  VIRGIL
  Pastorals  (1821)<BB #504>
787 Virgil.  Bucoloica. English & Latin. THE │ PASTORALS │ OF │ VIRGIL, │ WITH A COURSE │ OF │ ENGLISH READING, │ ADAPTED FOR SCHOOLS: │ IN WHICH ALL │ THE PROPER FACILITIES │ ARE GIVEN, ENABLING YOUTM [sic] TO ACQUIRE │ THE LATIN LANGUAGE, │ IN │ THE SHORTEST PERIOD OF TIME. │ Illustrated by 230 Engravings. │ = │ BY │ ROBERT JOHN THORNTON, M.D. │ MEMBER OF THE UNIVERSITY OF CAMBRIDGE, &c. &c. │ - │ THIRD EDITION. │ VOL. I[-II] │ LONDON: │ Stereotyped and Printed by J. M'Gowan, Great Windmill Street. │ Published by F.C. & J. Rivington; Longman and Co.; Sherwood │ and Co.; Whittaker and Co.; Cadell and Co.; Arch and Co.; Black │ and Co.; J. Richardson; Asperne; Souter; Sir Richard Phillips and │ Co.; Rodwell and Co.; Gosling; Cox; Highly; Bumpus; or of Mr. │ Harrison, 13, Little Tower Street, Agent for Dr. Thornton. │ 1821. │ N.B.  The Price of Thornton's Pastorals of Virgil, is 15s. bound. │ A full Allowance to the Trade and Schoolmasters.
12°, Blake had a hand in 27 of the 232 plates in the two volumes.
Copy 1: In modern dark blue ¾ calf over blue marbled boards, the top edge gilt; lacking the Blake plates of Eclogue I and all the Blake woodcuts (vol. 1). 
Copy 2: Bound in original pink calf, the front board loose but present.  It has the 25 Blake plates in Vol. I but lacks Vol. II.
  1899
788 Blake, William.  XVII Designs to Thornton's Virgil Reproduced from the Original Woodcuts of MDCCCXXI (Portland, Maine:  Thomas B. Mosher, 1899)
4°, title printed in black, red, and orange, in original boards, rebacked, with printed paper label.
  1903
789 Blake, William. William Blake:  Being All His Woodcuts Photographically Reproduced in Facsimile with an Introduction by Laurence Binyon.  (New York:  Longmans, Green & Co. ; London: At the Unicorn, 1903)  Little Engravings Classical & Contemporary Number II
4°, in original covers, dated 1902.
  1937
790 Blake, William. The Illustrations of William Blake for Thornton's Virgil with the First Eclogue and the Imitation by Ambrose Philips.  The Introduction by Geoffrey Keynes.  (London:  The Nonesuch Press, 1937)
4°, in original covers.  At the end is a pocket with duplicates of the prints.
  1977
791 Blake, William.  The Wood Engravings of William Blake:  Seventeen subjects commissioned by Dr Robert Thornton for his Virgil of 1821 newly printed from the original blocks now in the British Museum with an Introduction by Andrew Wilton.  (London:  Published for the Trustees of the British Museum by British Museum Publications Ltd., 1977)
4°, with an inserted letter to GEB from Ian Bain, 31 March 1978, enclosing "some loose leaves of Thorntons prints--which should have been destroyed to prevent their getting into the hands of 'the trade' & those who know 'the price of everything & the value of nothing'." (in pocket at back).  This is the booklet only. Does not include the seventeen plates in folders to which the booklet is a guide.
791A Clark, Kenneth. The Wood Engravings of William Blake: Seventeen subjects commissioned by Dr Robert Thornton for his Virgil of 1821 newly printed from the original blocks now in the British Museum : A Prospectus.  ([London]: Published for the Trustees of the British Museum by British Museum Publications Ltd., 1977)
Two copies of an oblong 16° Prospectus by Kenneth Clark (1977).
  WHITAKER, John
  The Seraph <BB #512>
  (ca. 1825)
792 [Engraved title:]  [Gothic:] Vol. 1[-2]. │ THE SERAPH, │ A Collection of │ SACRED MUSIC, │ Suitable to Public or Private Devotion │ Consisting of the most celebrated │ [Gothic:] Psalm and Hymn Tunes, │ With Selections from the Works of │ HANDEL, HAYDN, MOZART, PLEYEL, │ AND FAVORITE ENGLISH AND ITALIAN COMPOSERS, │ adapted to [Gothic word:] Words, from │ Milton, Young, Watts, Wesley, Merrick, Cowper, Henry Kirke White, D Collyer, &c. │ To which are added │ Many Original Pieces, │ Composed and the Whole arranged for │ Four Voices, │ With an Accompaniment for the │ Piano Forte, Organ, and Violoncello. │ [Gothic:] By │ JOHN WHITAKER. │ Ent. Sta. Hall PRINTED FOR JONES & C │ 3, ACTON PLACE, KINGSLAND ROAD [ca. 1825].
8° in contemporary | maroon morocco over Grey marbled boards with similar paste-downs.  Book-plate in each volume of Windmill House, Linton, Cambridge, Pamela and Raymond Lister. Engraved border of volume II title-page drawn by Blake.
  [1819-28]
793 [Engraved title:]  [Gothic:] Vol. 1[-2]. │ THE SERAPH, │ A Collection of │ SACRED MUSIC, │ Suitable to Public or Private Devotion │ Consisting of the most celebrated │ [Gothic:] Psalm and Hymn Tunes, │ With Selections from the Works of │ HANDEL, HAYDN, MOZART, PLEYEL, │ AND FAVORITE ENGLISH AND ITALIAN COMPOSERS, │ adapted to [Gothic word:] Words, from │ Milton, Young, Watts, Wesley, Merrick, Cowper, Henry Kirke White, D Collyer, &c. │ To which are added │ Many Original Pieces, │ Composed and the Whole arranged for │ Four Voices, │ With an Accompaniment for the │ Piano Forte, Organ, and Violoncello. │ [Gothic:] By │ JOHN WHITAKER. │ London Printed by Whitaker and Compy 75, S Paul's Church Yard [1819-28?] │ Ent. Sta. Hall Price ... each Vol.
4°, Vol. I in full calf with blind-stamped cross-hatch pattern with a harp stamped on the front cover; Vol. II in ¾ brown calf over brown marbled boards, hinges weak, one cover loose; Vol. II second fly-leaf inscribed "Mrs A. Thammdelly[?] │ 1837."  WATERMARK:  ROMRES[?] & CRAWFORD │ 1821 (Vol. I, 3-4); 1817 (I, 3); 1819 (I, 2); 1823 (II, 3); 1825 (II, 1); 1827 (II, 3); 1828 (II, 4). Engraved border of volume II title-page drawn by Blake.
  Wit's Magazine <BB #513>
794 THE │ WIT'S MAGAZINE; │ OR, │ LIBRARY OF MOMUS. │ BEING A │ COMPLEAT REPOSITORY │ OF │ MIRTH, HUMOUR, AND ENTERTAINMENT. │ MIRTH!  WITH THEE I MEAN TO LIVE. │ MILTON. │ VOL. I[-II]. │ [Ornament] │ LONDON: │ Printed for HARRISON and Co. No 18, Paternoster-Row. │ [Vol. I] M DCC LXXXIV [1784] [Vol. II M DCC LXXXV (1785)].
8°, in ¾ calf over brown marbled boards, hinges perishing; Vol. I has 5 Blake plates; 3 of the other plates are missing.  The frontispiece is tattered and torn.  The verso of the first fly-leaf is signed "John Waddell │ 1888 │ Newry[?] Ireland"; the title is signed "Chas Smyth May 1805".
  WOLLSTONECRAFT, Mary
  Original Stories from Real Life <BB #514>
795 Wollstonecraft, Mary. ORIGINAL STORIES │ FROM │ REAL LIFE; │ WITH │ CONVERSATIONS, │ CALCULATED TO │ REGULATE THE AFFECTIONS, │ AND │ FORM THE MIND TO TRUTH AND │ GOODNESS. │ BY MARY WOLLSTONECRAFT. │ - │ A NEW EDITION. │ - │ LONDON: │ PRINTED FOR J. JOHNSON, NO. 72, ST. PAUL'S │ CHURCH-YARD.  - │ 1796.
12°, in full calf, the front cover loose but present.  On the verso of the last page (p. 155) is a list of 6 "BOOKS written by the same Author".  Blake designed and engraved the 6 plates.
  YOUNG, Edward
796 Young, Edward. THE COMPLAINT, │ AND │ THE CONSOLATION; │ OR, │ NIGHT THOUGHTS, │ BY │ EDWARD YOUNG, LL.D. │ = │ ---fatis contraria fata respondens. │ VIRG. │ = │ LONDON: │ PRINTED BY R. NOBLE, │ FOR R. EDWARDS, No. 142, BOND STREET, │ MDCCXCVII [1797].
The publication contains only Nights I-IV. The illustrations surrounding the text on each page and on the four half-title pages are all designed and engraved by Blake. Folio.
797 Young, Edward. THE COMPLAINT, │ AND │ THE CONSOLATION; │ OR, │ NIGHT THOUGHTS, │ BY │ EDWARD YOUNG, LL.D. │ = │ ---fatis contraria fata respondens. │ VIRG. │ = │ LONDON: │ PRINTED BY R. NOBLE, │ FOR R. EDWARDS, No. 142, BOND STREET, │ MDCCXCVII [1797].
            In original pale green paste-boards (now much faded) covered with green paper in the same shade, with a leather label on the spine reading "YOUNG'S │ NIGHTS".  The first and last fly-leaves (conjugate with the paste-downs) are WATERMARKED J WHATMAN 1794, and the text has 1794 │ J WHATMAN (as usual).  The top left and bottom right corners of the inner front board says in pencil "J │ E" (for James Edwards?).
The remarkable feature of this copy is that it lacks all the prints. See GEB, "Young's Night Thoughts (London:  R. Edwards, 1797):  A New Unillustrated State", Blake:  An Illustrated Quarterly, XIV (1980), p. 34-35.
  1975
798 Young, Edward.  Night Thoughts or The Complaint and The Consolation Illustrated by William Blake. Text by Edward Young. Edited, with an Introduction and Commentary, by Robert Essick, Jenijoy La Belle (New York: Dover Publications, Inc., 1975)
            The 1797 edition is reproduced at 65% of original size.
  COLLECTIONS OF BLAKE'S ENGRAVINGS
799 Butterworth, Adeline M.  William Blake, Mystic:  A Study, Together with Young's Night Thoughts:  Nights I & II, with Illustrations by William Blake and frontispiece Death's Door, from Blair's "The Grave" (Liverpool: The Liverpool Booksellers Co., Ltd. ; London: Simpkin, Marshall, Hamilton, Kent & Co., Ltd., 1911)
800 William Blake's Engravings.  Edited with an introduction by Geoffrey Keynes (London: Faber and Faber, 1950)
801 Selected Engravings.  [Edited by] Carolyn Keay (London: Academy Editions ; New York : St. Martin’s Press, 1975)
  BOOKS WITH ENGRAVINGS WRONGLY ATTRIBUTED TO WILLIAM BLAKE
  FRYER, George
  The Poetry of Various Glees, (1798) <BB p. 510; BBS p. 277>
802 THE │ POETRY │ OF VARIOUS │ GLEES, SONGS, &c. │ AS PERFORMED AT THE │ [Gothic:] Harmonists. │ [vignette of harp, &c.] │ LONDON: │ Printed at the Philanthropic Reform, London-Road, │ St. George's Fields, │ = │ 1798.
4°. Compiled by George Fryer. With a frontispiece signed "Blake sc. Change Alley", i.e., by William Staden Blake, writing engraver.
Copy 1:  Lacking both boards.  The leaf following the title says that it is "PRESENTED │ TO THE │ [Gothic:] Harmonists, │ BY │ GEORGE FRYER. │ = │ 1798
Copy 2: Rebound in handsome calf over marbled boards.  The frontispiece is the same design withouth a signature.  Inscribed on the fly-leaf:  "Presented to the Harmon[ists] │ by James Glennie Junr │ 10 December 1813."
Bound with:
THE │ POETRY │ OF VARIOUS │ GLEES, SONGS, &c. │ AS PERFORMED AT THE │ [Gothic:] Harmonists. │ [vignette of harp, &c.] │ LONDON: │ PRINTED BY THE PHILANTHROPIC SOCIETY, │ ST. GEORGE'S FIELDS. │ = │ 1813.
  GUTS MUTHS, J.C.F.
  Gymnastics for Youth <BB 493; BBS pp. 280-281>
803 Guts Muths, Johann Christoph Friedrich.  GYMNASTICS │ FOR │ YOUTH: │ OR A │ PRACTICAL GUIDE │ TO │ HEALTHFUL AND AMUSING EXERCISES │ FOR THE USE OF SCHOOLS. │ AN ESSAY TOWARD THE NECESSARY IMPROVEMENT │ OF │ EDUCATION, │ CHIEFLY AS IT RELATES TO THE BODY; │ FREELY TRANSLATED FROM THE GERMAN │ OF │ C.G. SALZMANN, │ MASTER OF THE ACADEMY AT SCHNEPFENTHAL, │ AND AUTHOR OF ELEMENTS OF MORALITY. │ - │ ILLUSTRATED WITH COPPER PLATES. │ - │ [Gothic:] London: │ PRINTED FOR J. JOHNSON, ST. PAUL'S CHURCH-YARD, │ By Bye and Law, St. John's Square, Clerkenwell. │ = │ 1800.
8°, in full tree calf (the joints tender) in a blue cloth box made for it.  An elegant early-19th century book-plate of JS[?] on the front paste-down is partially covered by the book-plate from Songs pl. a of Joseph Holland, and the last paste-down has a pencil note:  "From Vincent [Newton]--Xmas 1988".
The misattribution of the 10 anonymous plates to Blake in Blake Books and preceding scholarship was corrected by R.N. Essick.
  1800
803A
-
803C
[Proofs of Plates 2, 4 & 7 for an English translation by J.C.F. Guts Muths(Gymnastics for Youth, or A Practical Guide to Healthful and Amusing Exercises for the Use of Schools an essay toward the necessary improvement of education, chiefly as it relates to the body) of C.G. Salzmann’s Gymnastik für die Jugend]
            Pl. 2, p. 196. “The Leap in Height, with & without a Pole.”
            Pl. 4, p. 226, “Running, & Leap-frog.”
            Pl. 7, p. 264, “Climbing.”
All three have imprint: Publish’d by J. Johnson, in St. Pauls Church Yard London. Feby. I. 1800.  The misattribution of the plates to Blake in Blake Books and preceding scholarship was corrected by R.N. Essick.
  BOOKS OWNED BY WILLIAM BLAKE
  (Of course not Blake's own copies)
  Aeschylus, Tragedies <BB #711>
804 Aeschylus.  THE │ TRAGEDIES │ OF │ ÆSCHYLUS │ TRANSLATED │ By R. POTTER. │ THE SECOND EDITION, CORRECTED, │ WITH NOTES. │ IN TWO VOLUMES. │ VOL. I [II]. │ LONDON: │ PRINTED FOR W. STRAHAN; AND T. CADELL, │ IN THE STRAND. │ MDCCLXXIX [1779].
In old leather, with the book-plate of Mansfield College, Oxford.
  BERKELEY, George, Siris <BB #715>
805 Berkeley, George.  SIRIS: │ A CHAIN OF │ Philosophical Reflexions │ AND │ INQUIRIES │ Concerning the VIRTUES of │ TAR WATER, │ And divers other Subjects connected together │ and arising one from another. │ - │ By G.L.B.O.C. [George Lord Bishop of Cloyne] │ - │ [2 lines each from Galatians and Horace] │ - │ = │ DUBLIN: │ Printed by MARGT. RHAMES, │ For R. GUNNE, Bookseller in Capel-street, │ M DCC XLIV [1744].
8°, in full calf, the front cover loose but present; signed on the title page "Francis[?] Boswell".
  BYSSHE, Edward, Art of English Poetry <BB p. 681>
806 Bysshe, Edward.  THE │ ART │ OF │ ENGLISH POETRY │ CONTAINING │ I. Rules for making VERSES. │ II.  A Collections of the most Natural, │ Agreeable, and Sublime THOUHGTS [sic], Viz. │ Allusions, Similes, Descriptions and Characters, │ of Persons and Things; that are to be found │ in the best ENGLISH POETS. │ III.  A Dictionary of RHYMES. │ - │ By EDW. BYSSHE. Gent. │ - │ The Third Edition, with large Improvements. │ [Large intricate monogram including E B, perhaps for Edward Bysshe] │ LONDON │ Printed for SAM. BUCKLEY, at the Dolphin in │ Little Britain; M DCC VIII [1708]
8°, in sound contemporary calf; on the front paste-down is the typed name "HARRY ESCOTT", below is a printed "EX LIBRIS │ REV. HARRY ESCOTT", and this is pasted over an armorial book-plate obscuring the name.  The first and last fly-leaves are covered recto and verso with "A Table of the Subjects contained in the Collection of the most Natural & sublime thoughts, &c." apparently copied "from Mr Da Freebairn Edr 24. Dec. 1708."  An inserted note in an early 18th Century hand talks about an English grammar book.
  CHATTERTON, Thomas, Poems <BB #718>
807 Chatterton, Thomas.  POEMS, │ SUPPOSED TO HAVE BEEN WRITTEN AT BRISTOL, │ BY THOMAS ROWLEY, AND OTHERS,│ IN THE FIFTEENTH CENTURY. │ THE THIRD EDITION; │ TO WHICH IS ADDED │ AN APPENDIX, │ CONTAINING SOME OBSERVATIONS UPON THE │ LANGUAGE OF THESE POEMS; │ TENDING TO PROVE │ THAT THEY WERE WRITTEN, NOT BY ANY ANCIENT │ AUTHOR, │ BUT ENTIRELY BY THOMAS CHATTERTON. │ LONDON: │ Printed for T. PAYNE and SON, │ at the MEWS-GATE. │ - │ M DCC LXXVIII [1778].
8° in full calf with armorial gilt stamp on the front cover; inscribed on the second fly-leaf "G. Bentley, Jr │ 20 Dec. 1954 │ Oxford"; on the half-title and title page are signed "Ed: Phelips [sic] │ 1781".
  CHEVRIER, François Antoine, Duke of Belleisle <BB #719>
808 Chevrier, M. de (François Antoine) THE POLITICAL │ TESTAMENT │ OF THE │ MARSHAL DUKE │ OF │ BELLEISLE. │ [4-lines from Voltaire] │ - │ [Ornament] │ = │ LONDON: │ Printed for P. VAILLANT, and D. WILSON, in │ the Strand. │ MDCCLXII [1762].
12°, in full calf, joints very tender, front cover almost detached; on the front paste-down is the armorial book-plate of "WILLIAM H. SMITH", and on the title page is the signature of "Wm R[?] Smith". 
  DUCHÉ, Jacob, Discourses <BB #722>
809 Duché, Jacob.  DISCOURSES │ ON │ VARIOUS SUBJECTS, │ BY JACOB DUCHÉ, M.A. │ RECTOR of CHRIST-CHURCH and │ St. PETER'S, in PHILADELPHIA; │ AND FORMERLY OF │ CLARE-HALL, CAMBRIDGE. │ VOL. I[-II]. │ PRINTED BY J. PHILLIPS, GEORGE-YARD, │ LOMBARD-STREET; │ And Sold by T. CADELL, in the Strand; H. PAYNE, │ Pall-Mall; C. DILLY, in the Poultry; and J. PHILLIPS. │ M.DCC.LXXIX [1779].
8°, 2 vols. in contemporary rather worn full calf.  In the subscription list is "Mr.William Blake", but his copy is untraced. Lacks frontispieces.
  FALCONER, William, The Shipwreck <BB 723>
810 Falconer, WilliamThe Shipwreck, A Poem.  The Text Illustrated by Additional Notes, and Corrected from the First and Second Editions, with A Life of the Author, by James Stanier Clarke (London:  Printed for William Miller, Old Bond Street, By T. Bensley, Bolt Court, 1804).
  HOMER, Iliad and Odyssey <BB #732>
811 Homer.  THE │ ILIAD AND ODYSSEY │ OF │ HOMER, │ TRANSLATED INTO │ ENGLISH BLANK VERSE, │ BY W. COWPER, │ OF THE INNER TEMPLE, ESQ. │ IN TWO VOLUMES. │ VOL. I [II]. │ CONTAINING THE ILIAD [Vol. II adds ODYSSEY, AND │ THE BATTLE OF THE FROGS AND MICE]. │ LONDON: │ PRINTED FOR J. JOHNSON, No 72, ST. PAUL'S CHURCH-YARD. │ M DCC XCI [1791].
Flaxman's designs for The Iliad (1805) and The Odyssey (1805) are mounted on stubs in the middle of the leaf and interleaved into the text.
  LA MOTTE FOUQUÉ, Baron de, Sintram <BB #734>
812 La Motte-Fouqué, Friedrich Heinrich Karl, Freiherr de.  SINTRAM │ AND HIS COMPANIONS: │ A ROMANCE. │ FROM THE GERMAN │ OF │ FREDERIC │ BARON DE LA MOTTE FOUQUÉ, │ AUTHOR OF UNDINE, &c. │ LONDON: │ C. AND J. OLLIER, VERE STREET, BOND STREET; │ AND WILLIAM BLACKWOOD, EDINBURGH. │ 1820.
12°, Blake’s copy is untraced.
Copy 1: in ¾ calf over blue marbled boards.  The second fly-leaf inscribed "E J Rose. Trin. Coll Cam. │ March. 3d 1840." 
Copy 2: in ¾ black morocco over brown marbled boards, head of spine chipped.  On the paste-down is an armorial book-plate of ALDERHAM HOUSE HERTS; the first fly-leaf signed "Henry H Gibbs │ Frognal 1850".
  LAVATER, J.C., Aphorisms (1788) <BB #735>
  1980
813 Lavater, Johann Caspar.  Aphorisms on Man (1788)  A Facsimile Reproduction of William Blake's Copy of the First English Edition with an Introduction by R.J. Shroyer.  (Delmar, New York: Scholars’ Facsimiles & Reprints, 1980)  Scholars Facsimiles & Reprints Volume 336.
  REYNOLDS, Joshua
814 Reynolds, Joshua, Sir.  THE │ WORKS │ OF │ SIR JOSHUA REYNOLDS, KNIGHT; │ LATE PRESIDENT OF THE ROYAL ACADEMY: │ CONTAINING │ HIS DISCOURSES, IDLERS, │ A JOURNEY TO FLANDERS AND HOLLAND, │ AND HIS COMMENTARY ON DU FRESNOY'S ART OF │ PAINTING; │ PRINTED FROM HIS REVISED COPIES, │ (WITH HIS LAST CORRECTIONS AND ADDITIONS,) │ IN THREE VOLUMES. │ TO WHICH IS PREFIXED │ AN ACCOUNT OF THE LIFE AND WRITINGS OF THE │ AUTHOR, │ BY EDMOND MALONE, ESQ. │ ONE OF HIS EXECUTORS. │ THE SECOND EDITION CORRECTED. │ [One-line motto from CICERO] │ - │ VOLUME THE FIRST[-THIRD]. │ - │ LONDON: │ PRINTED FOR T. CADELL, JUN. AND W. DAVIES, IN THE STRAND. │ 1798.
8°, in very handsome red morocco, with the armorial book-plate of Abraham Wildey Robart, signed on the verso of the first fly-leaf in pencil:  "G E Bentley Jr │ London │ May 1959".
  SHENSTONE, Will
815 Shenstone, William. [1st  title:] THE │ POETICAL WORKS │ OF │ WILLIAM SHENSTONE. │ WITH THE LIFE OF THE AUTHOR, │ AND │ A DESCRIPTION OF THE LEASOWES. │ = │ [Gothic:]  Cooke's Edition. │ = │ [6 lines of different verse] │ - │ [14 more] │ = │ EMBELLISHED WITH SUPERB ENGRAVINGS. │ = │ [Gothic:] London: │ Printed for C. COOKE, No. 17, Paternoster-Row; │ And sold by all the Booksellers in │ Great Britain and │ Ireland. [1795].
[2nd title:]  THE │ POETICAL WORKS │ OF │ WILLIAM SHENSTONE. │ CONTAINING HIS │ [2 columns, divided by a vertical rule; Column 1] ELEGIES, │ LEVITIES, OR PIECES │ OF HUMOUR, │ [Column 2:] PASTORALS, │ ODES, │ SONGS AND BALLADS, [end of columns] │ MORAL PIECES, &c. &c. │ = │ [16 lines from Elegy III] │ = │ [Gothic:] London: │ PRINTED AND EMBELLISHED │ Under the Direction of │ C. COOKE. [1795].
6°, bound in attractive tree-calf with grey marbled end-papers.  The shorter title page is signed "Richard Rocke │ Novr 1807", and the verso is inscribed in the same hand:  "Novr │ 1807 Bequeathed (with the rest of his Books) by Richard Rocke of Treffnancy Esqre to his Nephew & God=son Richard Rocke".  There are 3 fairly good plates dated 1794 and 1795. The copy signed "Wm Blake │ 1799" <BB #738> is in Cambridge University Library.
816 Shenstone, William. [1st  title:] THE │ POETICAL WORKS │ OF │ WILL. SHENSTONE. │ CONTAINING HIS │ [2 columns, divided by a vertical rule; Column 1] ELEGIES, │ LEVITIES, OR PIECES │ OF HUMOUR, │ [Column 2:] PASTORALS, │ ODES, │ SONGS AND BALLADS, [end of columns] │ MORAL PIECES, &c. &c. │ = │ [16 lines from Elegy III] │ = │ [Gothic:] London: │ PRINTED AND EMBELLISHED │ Under the Direction of │ C. COOKE. [1795].
[2nd title:]  THE │ POETICAL WORKS │ OF │ WILL. SHENSTONE. │ WITH │ THE LIFE OF THE AUTHOR, │ AND │ A DESCRIPTION OF THE LEASOWES. │ = │ [Gothic:]  Cooke's Edition. │ = │ [6 lines of different verse] │ - │ [14 more] │ = │ EMBELLISHED WITH SUPERB ENGRAVINGS. │ = │ [Gothic:] London: │ Printed for C. COOKE, No. 17, Paternoster-Row; │ And sold by all the Booksellers in │ Great Britain and │ Ireland. [1795].
6°, bound in attractive tree-calf.  Vol. I fly-leaf is signed "H Marsh", with scribbled over and erased old brown writing below it.  At the end of Vol. I are 12 pages of Plan and Catalogue of Cooke's Uniform, Cheap, and Elegant Pocket Library.  There are 3 fairly good plates dated 1794 and 1795.
  SWEDENBORG, Emanuel
817 Swedenborg, Emanuel.  A │ TREATISE │ CONCERNING │ HEAVEN AND HELL, │ AND OF THE │ Wonderful Things therein, │ AS │ HEARD AND SEEN, │ BY THE HONOURABLE AND LEARNED│ EMANUEL SWEDENBORG, │ Of the SENATORIAL ORDER of NOBLES in the Kingdom │ of SWEDEN. │ - │ TRANSLATED FROM THE ORIGINAL LATIN. │ - │ THE SECOND EDITION. │ - │ Where there is no Vision, the people perish.  Prov. xxix. 18. │ The invisible things of Him from the creation of the world are clearly │ seen, being understood by the things that are made.  Rom. i. 20. │ He that hath ears to hear, let him hear. Luke xiv. 35. │ = │ LONDON: │ Printed by R. HINDMARSH, No. 32, Clerkenwell-Close; │ And sold by T. EVANS, and T. BUCKLAND, Paternoster-Row; │ J. DENIS, and SON, New-Bridge- Street, Fleet-Street; │ I. CLARK, Manchester; T. MILLS, Wine-Street, Bristol; │ S. HAZARD, Bath; and by all other Booksellers in Town │ and Country. │ M.DCC.LXXXIV [1784].
8°, in very sound full polished Brown calf, recently skillfully rehinged.  The front paste-down is signed in old Brown ink "Will. Norton"(?), and there are pencil notes on pp. 195, 315.
  WALPOLE, Horace
818 Walpole, Horace. A │ CATALOGUE │ OF THE │ ROYAL AND NOBLE │ AUTHORS OF ENGLAND, │ WITH │ LISTS OF THEIR WORKS. │ IN TWO VOLUMES. │ [2-line motto] │ = │ A NEW EDITION. │ = │ VOL. FIRST [SECOND]. │ - │ EDINBURGH: │ PRINTED FOR LAWRIE AND SYMINGTON, │ PARLIAMENT-SQUARE. │ = │ 1792. │ =
Bound in full contemporary handsome tree calf, joints weak, edges trimmed but not gilt; Vol. I label upsidedown.  There are book-plates in each volume of "Elizabeth M. Stalker" and another of an ostrich eating a worm(?) above a crescent enclosing the letters "E F".
  WATSON, Richard
819 Annotations to Richard Watson:  An Apology for the Bible in a Series of Letters Addressed to Thomas Paine 8th ed. 1797.  Edited with an Introduction by G. Ingli  James (Cardiff: University College Cardiff Press, 1984) Regency Reprints III
  WORDSWORTH, William
820 Wordsworth, William. THE EXCURSION │ BEING A PORTION OF │ THE RECLUSE, │ A POEM. │ = │ BY │ WILLIAM WORDSWORTH. │ = │ LONDON: │ PRINTED FOR LONGMAN, HURST, REES, ORME, AND BROWN, PATERNOSTER-ROW. │ 1814.
Rebound.  It lacks the half-title, errata leaf, summary of contents.
  Books Owned by the WRONG William Blake
  MONTAIGNE, Michael, Essays <BBS p. 326>
821 Montaigne, Michael. THE │ ESSAYS │ OF │ Michael Seigneur de Montaigne, │ Translated into ENGLISH. │ THE EIGHTH EDITION, │ With very considerable │ AMENDMENTS and IMPROVEMENTS, │ From the most accurate and elegant French Edition of │ PETER COSTE. │ - │ IN THREE VOLUMES. │ - │ VOL. I[-III]. │ = │ LONDON, │ Printed for J. POTE, E. BALLARD, C. BATHURST, T. DAVIES, │ T. PAYNE, J.F. and C. RIVINGTON, S. CROWDER, │ T. LONGMAN, B. LAW, T. CASLON, J. ROBSON, │ W. GINGER, T. EVANS, and E. JOHNSTON. │ MDCC LXXVI [1776].
8°, in contemporary full speckled calf, the front boards of Vol. I-II off but present.  Vol. I, N2-8 lacking.  On the front pastedown of each volume is the very elaborate armorial book-plate of ERNEST EVERARD GATES; on each title page is the signature of "W Blake" [the lawyer of Bedford Row].  Inserted is a reproduction from Bloomsbury Book Auctions, 28 August 1986,8 in which this is #206.
  TOLLER, Samuel, Law of Tithes
822 Toller, Samuel.  A │ TREATISE │ OF THE │ LAW OF TITHES; │ COMPILED IN PART │ FROM SOME NOTES │ BY │ RICHARD WOODDESON, ESQ. D.C.L. │ - │ BY SAMUEL TOLLER, ESQ. │ OF LINCOLN'S INN, BARRISTER AT LAW. │ - │ Ornari res ipsa negat, contenta doceri. │ MANIL. │ LONDON: │ PRINTED BY A. STRAHAN, │ LAW PRINTER TO THE KING'S MOST EXCELLENT MAJESTY; │ FOR J. BUTTERWORTH, LAW BOOKSELLER, FLEET STREET, │ AND J. COOKE, ORMOND QUAY, DUBLIN. │ 1808.
8°, in unlabeled blue-gray cardboard with unlabeled buff paper spine, hinges somewhat tender.  On the title page is the authentic signature of "Wm Blake │ Trull", the lawyer of Bedford Row, whose signature appears on a letter of 12 May 1806 (in the Collection of Robert N. Essick) and on an edition of Montaigne's Essays (1786) (Collection of GEB).