E | |
1698 | Easson, Roger R. “William Blake and His Reader in Jerusalem,” pp. 309-327. Reprinted for private distribution from Blake’s Sublime Allegory: Essays on The Four Zoas, Milton, and Jerusalem, edited by Stuart Curran and Joseph Anthony Wittreich, Jr. |
1699 | Eaves, Morris. "Blake and the Artistic Machine: An Essay in Decorum and Technology." PMLA, Publications of the Modern Language Association of America, Volume 92, Number 5 (October 1977), pp. 903-927, offprint. |
1700 | The Cambridge Companion to William Blake. Edited by Morris Eaves (Cambridge: Cambridge University Press, 2003) Cambridge Companions to Literature |
1701 | Eaves, Morris. The Counter-Arts Conspiracy: Art and Industry in the Age of Blake (Ithaca ; London: Cornell University Press, 1992) |
1702 | Eaves, Morris. “A Reading of Blake’s Marriage of Heaven and Hell, Plates 17-20: On and Under the Estate of the West.” Blake Studies, Volume 4, Number 2 (Spring 1972), pp. 81-116, offprint. |
1703 | Eaves, Morris. “Review of John Howard, Blake’s “Milton”: A Study in the Selfhood.” Studies in Romanticism, Volume 16, Number 2 (Spring 1977), pp. 251-260, offprint. |
1704 | Eaves, Morris. "Romantic Expressive Theory and Blake's Idea of the Audience." PMLA, Publications of the Modern Language Association of America, Volume 95, Number 5 (October 1980), pp. 784-801, offprint. |
1705 | Eaves, Morris. William Blake's Theory of Art (Princeton, N.J.: Princeton University Press, 1982) Princeton Essays on the Arts |
1706 | Eaves, Morris. "What is the 'History of Publishing'": REVIEW of Raymond Lister, Infernal Methods, in Publishing History, Volume II (1977), pp. 58-77, offprint. |
1707 | Edinger, Edward F. Encounter with the Self: A Jungian Commentary on William Blake's Illustrations of the Book of Job (Toronto, Canada: Inner City Books, 1988) Studies in Jungian Psychology by Jungian Analysts ; 22 |
1708 | Ehrstine, John W. William Blake's Poetical Sketches ([Pullman, Washington]: Washington State University Press, 1967) |
1708A | [Eigo Seinen] = The Rising Generation (Tokyo, Japan: Kenkyusha) Library has Vol. CIII, No. 10 (October 1, 1957) with Special Section on William Blake Edited by Dr. Bunsho Jugaku. |
1709 | Eldridge, AEthelred. Albion Awake (Millfield, Ohio: Published by Golgonooza: The Church of William Blake, 1977) |
1710 | Eldridge, AEthelred. Albion Awake! (Millfield, Ohio: Golgonooza, Church of William Blake, 1982-1983) #1 (June 1982) - #9 (Feb. 1983?) |
1711 | Eldridge, AEthelred. An Ancient Understanding Useful in Distinguishing Regnal Art from that Claimant of Art which Gratifies the Vain & Rankly Vulgar in the Complacency of their Mean Nativities plus A Priceless Method for Removing Scruples Remorselessly Encrusted (Athens, Ohio: Asylum for the Resumption of Art, 1965) Library has 2 copies. |
1712 | Eldridge, AEthelred. [Collection of plates] Eight leaves with printed illustrations and printed longhand text and within a line border. |
1713 | Eldridge, AEthelred. Decoramaniamachia, part 1: for the play-going publik : some vainglorious replies to rhetorical questions put by poseurs attitudinized, or, The bread we eat, or, Down tripping stairs dew-drop-toes come trickling being art, contrary & signal, from the flap of an apron string : also being Eidola (pale-graphia sacra pictoria) to hang pendants from and outlines to colour within (Athens, Ohio: J.E.L. Eldridge, 1963) |
1714 | Eldridge, AEthelred. Golgonooza “… where Graves run deep in Thunderous Ohio” (Millfield, Ohio: Golgonooza, 197-?) |
1715 | Eldridge, AEthelred. The Golgonooza Organ (Millfield, Ohio: The Author, 1970) Library has #1. No more published? |
1716 | News from Golgonooza (Millfield, Ohio: AEthelred Eldridge, 1973-1976) Published semi-monthly. Library has v. 1, nos. 1, 3-16; v. 2, no. 1; Dec. 1974; May 1976; August 1976; unnumbered and undated issue (“Dear seated readers”) |
1717 | Eldridge, AEthelred. Vision out of Golgonooza The Siegfred Hall Mural (Athens, Ohio: College of Arts, Ohio University, 197-?) |
1718 | Eldridge, Alexandra. Animal Forms of Wisdom: A William Blake Bestiary Designed, lettered, silk-screened, & hand-coloured by the author. (Athens, Ohio: Published by Golgonooza: The Church and School of Wm. Blake, 1977) |
1719 | Elfenbein, Andrew. “Cowper, Blake, and the Figure of the Invader,” pp. 10-19 And Rosen, Steven J. “Canettian Crowd Symbols in Blake’s and Wordsworth’s Nature Poetry,” pp. 20-28, in Friend (Ridgewood, N.J.), Volume I, Number 4 (October 1992). |
1720 | Eliot, T. S. (Thomas Stearns) The Sacred Wood: Essays on Poetry and Criticism. Fourth Edition (London: Methuen & Co., Ltd., 1934) The Fountain library Includes essay on “Blake”. |
1720A | Elliot, Clare.'A backward glance o'er' the (dis)United States: William Blake, Ralph Waldo Emerson and the 'authentic American religion. Printout of article in electronic journal, European journal of American culture, Volume 28, Number 1, 2009. |
1720B | Elliot, Clare. William Blake and American: freedom and violence in the Atlantic world. Printout of article in electronic journal, Comparative American studies, Volume 7, Number 3, September 2009. |
1721 | Ellis, Edwin John. The Real Blake: A Portrait Biography (London: Chatto & Windus, 1907) |
1722 | England, Martha Winburn. "Blake and the Hymns of Charles Wesley (Part I: Wesley's Hymns for Children and Blake's Songs of Innocence and of Experience),” pp. 7-26 And Paley, Morton D. “Method and Meaning in Blake’s Book of Ahania,” pp. 27-33, in Bulletin of the New York Public Library, Volume 70, Number 1 (January 1966) |
1723 | England, Martha Winburn. “Blake and the Hymns of Charles Wesley (Part II) Wesley's Hymns for the Nation and Blake's Milton,” Bulletin of the New York Public Library, Volume 70, Number 2 (February 1966), pp. 93-112. |
1724 | England, Martha Winburn. “Blake and the Hymns of Charles Wesley (Part III): Enthusiasm without Mysticism,” Bulletin of the New York Public Library, Volume 70, Number 3 (March 1966), pp. 153-168. |
1725 | England, Martha Winburn. “Blake and the Hymns of Charles Wesley (Part IV: Conclusion): Short Hymns and Jerusalem," Bulletin of the New York Public Library, Volume 70, Number 4 (April 1966), pp. 251-264. |
1726 | England, Martha Winburn, & John Hanbury Angus Sparrow. Hymns Unbidden: Donne, Herbert, Blake, Emily Dickinson and the Hymnographers (New York: The New York Public Library, 1966) |
1727 | Erdman, David V. "The Binding (et cetera) of Vala," The Library, Fifth Series, Volume XIX, pp. 113-129. |
1728 | Erdman, David V. "The Binding (et cetera) of Vala." The Library, Fifth Series, Volume XIX, pp. 113-129, offprint. |
1729 | Blake and His Bibles Edited by David V. Erdman with an Introduction by Mark Trevor Smith (West Cornwall, CT: Locust Hill Press, 1990) Locust Hill Literary Studies ; no. 1 |
1730 | Erdman, David V. "Blake, Flaxman, and the £100," in the section Brief Articles and Notes, Philological Quarterly, Volume XXVII, Number 3 (July, 1948), pp. 279-281, offprint. |
1731 | Erdman, David V. Blake: Prophet Against Empire: A Poet's Interpretation of the History of his Own Times. Revised Edition (Garden City, New York: Anchor Books, Doubleday & Company, Inc., 1969) |
1732 | Erdman, David V. Blake: Prophet Against Empire: A Poet's Interpretation of the History of his Own Times. Third Edition (Princeton, New Jersey: Princeton University Press, 1977) |
1733 | Erdman, David V. “Blake’s Early Swedenborgianism: a Twentieth-Century Legend.” Comparative Literature, Volume V, Number 3 (Summer 1953), pp. 247-257, offprint. |
1734 | Erdman, David V. “Blake’s Jerusalem: Plate 3 Fully Restored.” Studies in Bibliography Papers of the Bibliographical Society of the University of Virginia, Volume Eighteen (1965), pp. 281-282, offprint. |
1735 | Erdman, David V. "Blake's Landlord," Bulletin of the New York Public Library, Volume 63, Number 2 (February 1959), p. 61. |
1736 | Erdman, David V. “Blake’s “Nest of Villains.” Keats-Shelley Journal, Volume II (January 1953), pp. 61-71, offprint. |
1737 | Erdman, David V. "Blake's Vision of Slavery." Journal of the Warburg and Courtauld Institute, Vol. XV, Nos. 3-4 (1952), pp. 242-252, offprint. |
1738 | Erdman, David V. "The Dating of William Blake's Engravings." Philological Quarterly, Volume XXXI, Number 3 (July, 1952), pp. 337-343, offprint. |
1739 | Erdman, David V. "Lambeth and Bethlehem in Blake's Jerusalem." Modern Philology, Vol. XLVIII, No. 3 (February 1951), pp. 184-192, offprint. |
1740 | Erdman, David V. "The Suppressed and Altered Passages in Blake's Jerusalem." Studies in Bibliography, Volume Seventeen (1964), pp. 1-54, offprint. |
1741 | Erdman, David V. "'Terrible Blake in His Pride': An Essay on The Everlasting Gospel," in From Sensibility to Romanticism: Essays Presented to Frederick A. Pottle. Edited by Frederick W. Hilles and Harold Bloom (New York: Oxford University Press, 1965), pp. 331-356, offprint. |
1742 | Erdman, David V. "William Blake's Debt to Joel Barlow." American Literature, Vol. XXVI, No. 1 (March, 1954), pp. 94-98, offprint. |
1743 | Erdman, David V. "William Blake's Exactness in Dates." Philological Quarterly, Volume XXVIII, Number 4 (October, 1949), pp. 465-470, offprint. |
1744 | Blake’s Visionary Forms Dramatic. Edited by David V. Erdman and John E. Grant. (Princeton, N.J.: Princeton University Press, 1970) |
1744A | Erle, Sibylle. "Leaving their mark: Lavater, Fuseli and Blake's imprint on Aphorisms on man." Comparative Critical Studies, Volume 3, Number 3 (2006), pp. 347-369, offprint. |
1745 | Essick, Robert N. The Art of William Blake's Early Illuminated Books (1969) Thesis (Ph. D.--English and American Literature)--University of California, San Diego, 1969. |
1746 | Essick, Robert N. "Blake, Hayley, and Edward Garrard Marsh: 'An Insect of Parnassus'." Explorations, Special Series, Volume I: The Age of Enlightenment (1987), pp. 54-84, offprint. |
1747 | Essick, Robert N. "Dante Gabriel Rossetti, Frederic Shields, and the Spirit of William Blake." Victorian Poetry, Volume 24, Number 2 (Summer 1986), pp. 163-172, offprint. |
1747A | Essick, Robert N. “Forum: William Blake’s “The Mourners”,” Drawing, Vol. X, No. 4 (November-December 1988), p. 81. |
1748 | Essick, Robert N. "A 'New' William Blake Engraving?" Print Quarterly, Volume II (1985), pp. 42-47, offprint. |
1749 | Essick, Robert N. “A Question of Attribution: The “Felpham Rummer” and William Blake’s Graphic Inventions,” in Journal of Glass Studies, Volume 31, 1989, pp. 90-100. |
1750 | Essick, Robert N. “A Question of Attribution: The “Felpham Rummer” and William Blake’s Graphic Inventions.” Journal of Glass Studies, Volume 31, 1989, pp. 90-100, offprint. |
1751 | Essick, Robert N. “Representation, Anxiety, and the Bibliographic Sublime,” pp. 503-528 And Cantor, Paul A. (Paul Arthur) “William Blake: Printer’s Devil,” pp. 557-570 Reviews William Blake: The Early Illuminated Books edited by Morris Eaves, Robert N. Essick, and Joseph Viscomi; William Blake: Milton and Poem and the Final Illuminated Works edited by Robert N. Essick and Joseph Viscomi; and Blake and the Idea of the Book by Joseph Viscomi. And Matheson, C. S. (C. Suzanne) “Prints and Engraved Illustrations by and after Henry Fuseli, by D. H. Weinglass Reviewed,” in Huntington Library Quarterly, Volume 59, Number 4 (1998), pp. 571-575. |
1752 | Essick, Robert N. A Troubled Paradise: William Blake's Virgil Wood Engravings. With an afterword on collecting William Blake by John Windle. (San Francisco: John Windle Antiquarian Bookseller, 1999) Library copy is number 33 of an edition limited to 513 copies. |
1753 | Essick, Robert N. "Variation, Accident, and Intention in William Blake's The Book of Urizen." Studies in Bibliography, Volume Thirty-nine (1986), pp. 230-235, offprint. |
1754 | Essick, Robert N. William Blake, Adam's Tongue, and the Uses of Specialization (Riverside, Calif.: Academic Senate (University of California, Riverside), 1991) Fortieth Annual Faculty Research Lecture. Presented April 4, 1991. |
1755 | Essick, Robert N. "William Blake and Sir Thomas Lawrence," pp. 211-213 And Lincoln, Andrew W. J. "Blake's 'Europe'": An Early Version?" Notes and Queries, Volume CCXXIII [N.S., XXV] (June, 1978), p. 213, offprint. |
1756 | Essick, Robert N. William Blake and the Language of Adam (Oxford: Clarendon Press, 1989) |
1757 | Henry E. Huntington Library and Art Gallery. Calendar. November/December 1987 (San Marino, Calif.: The Library, 1987) Includes article: Essick, Robert N. "William Blake: Essick on the exhibition," p. 2. |
1758 | Essick, Robert N. William Blake Printmaker Manuscript with corrections and annotations. 2 volumes. |
1759 | Essick, Robert N. “William Blake, Thomas Paine, and Biblical Revolution.” Studies in Romanticism, Volume 30 (Summer 1991), pp. 189-212, offprint. 2 copies. |
1760 | Essick, Robert N. "William Blake, William Hamilton, and the Materials of Graphic Meaning." ELH, Volume 52 (1985), pp. 833-872, offprint. |
1761 | Essick, Robert N. “William Blake’s “Female Will” and its Biographical Context.” SEL, [Volume] 31 (1991), pp. [615]-630, offprint. |
1762 | Essick, Robert N. William Blake's Relief Inventions (Los Angeles: Printed for William & Victoria Dailey [by] The Press of the Pegacycle Lady, 1978) |
1763 | Essick, Robert N. "William Blake's The Death of Hector." Studies in Romanticism, Volume 27 (Spring 1988), pp. 97-107, offprint. |
1764 | Essick, Robert N. "William Blake's 'The Phoenix': A Problem in Attribution." Philological Quarterly, Volume 67 (1988), pp. 365-384, offprint. |
1765 | Essick, Robert N. & Morton D. Paley. “The Printings of Blake’s Designs for Blair’s Grave.” The Book Collector, Volume 24, No. 4 (Winter 1975), pp. 535-552, offprint. |
1766 | Essick, Robert N. & Donald Pearce. Blake in his Time (Bloomington ; London: Indiana University Press, 1978) |
1767 | Esterhammer, Angela. Creating States: Studies in the Performative Language of John Milton and William Blake (Toronto ; Buffalo ; London: University of Toronto Press, 1994) |
F | |
1767A | F., C. "Notable accessions: Letters of Samuel Palmer," in The Bodleian Library record, Volume 21, Number 2 (Oct. 2008), pp. 236-237. |
1768 | Fairchild, B. H. Such Holy Song: Music as Idea, Form, and Image in the Poetry of William Blake (Kent, Ohio: The Kent State University Press, 1980) |
1769 | Farington, Joseph. The Diary of Joseph Farington. Edited by Kenneth Garlick and Angus Macintyre. (New Haven ; London: Published for the Paul Mellon Centre for Studies in British Art by Yale University Press, 1978-1984) 16 volumes. Vols. 7-16 edited by Kathryn Cave. |
1769 | Newby, Evelyn. The Diary of Joseph Farington : Index (New Haven ; London: Published for the Paul Mellon Centre for Studies in British Art by Yale University Press, 1998) Studies in British Art |
1770 | Fawcus, Arnold. "Blake: Lost and Found: Horizon presents, for the first time in America, one of the major art rediscoveries of recent years: Blake's illustrations for the poems of Thomas Gray," pp. 112-120 And Grunfeld, Frederic V. "Quotations from Chairman Blake," Horizon, Volume XIV, Number 4 (Autumn, 1972), pp. 106-111. |
1771 | Ferber, Michael. “Blake’s Idea of Brotherhood,” PMLA, Publications of the Modern Language Association of America, Volume 93, Number 3 (May 1978), pp. 438-447. |
1772 | Ferber, Michael. The Poetry of William Blake (London, Eng. ; New York, N.Y.: Penguin Books, 1991) Penguin Critical Studies |
1773 | Ferber, Michael. The Social Vision of William Blake (Princeton, New Jersey: Princeton University Press, 1985) |
1774 | Fischer, Kevin. Converse in the Spirit William Blake, Jacob Boehme, and the Creative Spirit (Madison ; Teaneck: Fairleigh Dickinson University Press, 2004) |
1775 | Fisher, Peter F. (Peter Francis) "Blake and the Druids." JEGP, Journal of English and Germanic Philology, Vol. LVIII, No. 4 (October 1959), pp. 589-612 |
1776 | Fisher, Peter F. (Peter Francis) The Valley of Vision: Blake as Prophet and Revolutionary. Edited by Northrop Frye (Toronto: University of Toronto Press, 1971) University of Toronto Department of English Studies and Texts, No. 9 |
1777 | Fiske, Irving. Bernard Shaw's Debt to William Blake With Foreword and Notes by G.B.S. (London: Shaw Society ; Quarry Hill : Irving Fiske, 1979) |
1778 | Foley, Matthew Joseph. English Printing & Book Illustration 1780-1820. Microfilm-xerography reprint. (Ann Arbor, Michigan, U.S.A. ; London, England: University Microfilms International, 1979) 2 vols. |
1779 | Forbes, Greg. William Blake’s Songs of Innocence & of Experience A Companion to the New Musical Settings by Gregory Forbes (Kingston, Ontario: Quarry Press, [1983], c1982) The booklet is designed to be issued with an album of records and slides. Library copy lacks records and slides. |
1780 | Fox, Susan. Poetic Form in Blake's MILTON (Princeton, New Jersey: Princeton University Press, 1976) |
1781 | Freed, Eugenie R. "'Building the Stubborn Structure of the Language': The Dynamic of Blake's Poetic Art," English Studies in Africa, Volume 41, Number 1 (1998), pp. 11-28. |
1782 | Freed, Eugenie R. “'This Free Born Joy': William Blake’s Vision of Emancipation,” The English Academy Review, Volume 17 (December 2000), pp. 111-130. |
1783 | Freed, Eugenie R. "A Portion of His Life": William Blake's Miltonic Vision of Woman (Lewisburg: Bucknell University Press ; London ; Toronto: Associated University Presses,1994) |
1784 | Freeman, Kathryn S. Blake’s Nostos: Fragmentation and Nondualism in The Four Zoas (Albany, NY: State University of New York Press, 1997) |
1785 | Frosch, Thomas R. The Awakening of Albion: The Renovation of the Body in the Poetry of William Blake (Ithaca ; London: Cornell University Press, 1974) |
1786 | Fry, Roger. Vision and Design (Harmondsworth, Middlesex, England: Published by Penguin Books Limited, 1937) Pelican Books ; A20 Includes article: “Three Pictures in Tempera by William Blake”. |
1787 | Blake: A Collection of Critical Essays. Edited by Northrop Frye (Englewood Cliffs, N.J.: Prentice-Hall, Inc, 1966) Twentieth Century Views. A Spectrum Book. |
1788 | Frye, Northrop. “Blake After Two Centuries.” University of Toronto Quarterly, Volume 27, 1957, pp. 10-21, offprint. |
1789 | Frye, Northrop. Fearful Symmetry: A Study of William Blake. (Princeton, NJ: Princeton University Press, 1947) 8°, in green cloth. Dustjacket. Signed on half-title page: Northrop Frye │ Nov. 30/87. Pencil marks throughout. |
1790 | Frye, Northrop. Fearful Symmetry: A Study of William Blake. (Princeton, NJ: Princeton University Press, 1947) Second printing, 1949. 8°, in green cloth. Book-plate of George Goyder; signed "George Goyder 1985"; inscribed n the half-title "With best wishes to │ George Goyder, │ Northrop Frye │ Oct 1, 1985". |
1791 | Romanticism and Consciousness Essays in Criticism. Edited by Harold Bloom (New York: W.W. Norton & Company, Inc., 1970) Includes: Frye, Northrop. “The Keys to the Gates,” p. 233-254. And Price, Martin. “The Standard of Energy,” p. 255-272. |
1792 | Romanticism and Contemporary Criticism. Edited by Morris Eaves & Michael Fischer (Ithaca ; London: Cornell University Press, 1986) Includes: Frye, Northrop. "The Survival of Eros in Poetry." Pp. 15-29 And Mitchell, W. J. Thomas. "Visible Language: Blake's Wond'rous Art of Writing." Pp. 46-86. |
1793 | Fuller, David. "Blake as an Illustrator." REVIEW Article on Robert N. Essick, William Blake's Commercial Book Illustrations (1991) and Blake and his Bibles, ed. D.V. Erdman (1990). Durham University Journal, Vol. LXXXV, No. 1 (January, 1993), pp. 115-119, offprint. |
1794 | Fuller, David. Blake’s Heroic Argument (London ; New York ; Sydney: Croom Helm, 1988) |
1795 | Madness and Creativity in Literature and Culture. Edited by Corinne Saunders and Jane Macnaughton (Houndmills, Basingstoke, Hampshire ; New York, N.Y.: Palgrave Macmillan, 2005) Includes: Fuller, David, 1947- “Mad as a Refuge From Unbelief: Blake and the Sanity of Dissidence,” pp. 121-143. |
G | |
1796 | Gallant, Christine. Blake and the Assimilation of Chaos (Princeton, N.J.: Princeton University Press, 1978) |
1797 | Galt, Maginel. “William Blake: A Man For All Time Foundation’s Latest Film,” Logos, the Swedenborg Foundation Newsletter, (Summer 1983), pp. [1]-3. |
1798 | Gandy, Edward. “Some Passages” in the Life, &c. of Egomet Bonmot, Esq. a pseudonymous poem first published in 1825 generally ascribed to Thomas Griffiths Wainewright but probably the work of Edward Gandy. Edited by Marc Vaulbert de Chantilly (London: The Vanity Press of Bethnal Green, 2000) Library copy, “the fifty-eighth of a hundred, was printed on June 10 2001.” |
1799 | Gardner, Charles. Vision & Vesture: A Study of William Blake in Modern Thought (New York: E.P. Dutton & Co. Inc., 1929) Revised Edition. |
1800 | Gardner, Charles. William Blake the Man (London: J.M. Dent & Sons Limited ; New York: E.P. Dutton & Co., 1919) |
1801 | Gardner, Stanley. Blake (New York: Arco, 1969) Arco Literary Critiques |
1802 | Gardner, Stanley Blake's INNOCENCE and EXPERIENCE Retraced (London: The Athlone Press ; New York: St. Martin’s Press, 1986) |
1803 | Gardner, Stanley. Some Notes on Blake's SONGS OF INNOCENCE AND OF EXPERIENCE ([Colchester:] University of Essex, 1987) First draft. Library has 2 copies. |
1804 | Gardner, Stanley. Some Notes on Blake's SONGS OF INNOCENCE AND OF EXPERIENCE ([Colchester:] University of Essex, 1988) |
1805 | Gardner, Stanley. The Tyger, the Lamb, and the Terrible Desart: Songs of Innocence and of Experience in its times and circumstances Including Facsimiles of two copies [I, b] (London: Cygnus Arts ; Madison ; Teaneck: Fairleigh Dickinson University Press, 1998) |
1806 | Garnett, Richard. William Blake, Painter and Poet (London: Seeley and Co. Limited ; New York: Macmillan and Co., 1895) The Portfolio Artistic Monographs [No. 22] Bound with: Destrée, Olivier Georges. The Renaissance of Sculpture in Belgium (London: Seeley and Co. Limited ; New York: Macmillan and Co., 1895) The Portfolio Artistic Monographs [No. 23] And Weale, W. H. James. Gerard David, Painter and Illuminator (London: Seeley and Co. Limited ; New York: Macmillan and Co., 1895) The Portfolio Artistic Monographs [No. 24] |
1806C | Garrido, Luis & Carol Garrido. William Blake’s Final Resting Place (Southall, Middlesex, 200-?) First draft of unpublished manuscript with computer disk. |
1806D | Garrido, Luis & Carol Garrido. William Blake’s Final Resting Place (Southall, Middlesex, 2005) Second draft of unpublished manuscript with computer disk. |
1807 | Gaull, Marilyn. English Romanticism: The Human Context (New York ; London: W.W. Norton & Company, 1988) Includes: "William Blake" Pp. 232-327 in Chapter XII: Painting and Other Visual Arts. |
1808 | George, Diana Hume. Blake and Freud (Ithaca ; London: Cornell University Press, 1980) |
1809 | Ghose, Aurobindo. The Future Poetry (Pondicherry: Sri Aurobindo Ashram, 1985) Second Edition. |
1810 | Gilchrist, Alexander. Life of William Blake, "Pictor Ignotus": With Selections from his Poems and Other Writings. Illustrated from Blake's Own Works, in Facsimile by J.W. Linton, and in Photolithography; with A Few of Blake's Original Plates. In Two Volumes (London ; Cambridge: Macmillan, 1863) Copy 1 Copy 2: In the standard rust red binding, gilt on the front and blind-stamped on the back with the same design, but rebacked. Vol. I half-title is inscribed "Clarence Cook │ from Julia Sept 8th 1867", with a typed letter to Clarence Cook from L.C.L. Jordan, Assistant Secretary of Cooper Union, 10 January 1894, about a lecture by Herbert H. Gilchrist on "Early English Art". In each volume there is the simple armorial book-plate of Ganson Goodyear Depew. There is also pasted in an undated obituary of Anne Gilchrist [1885] and a letter from Herbert H. Gilchrist to Mr Cook, 28 April 1893 about dispersing my collection of drawings & engravings by William Blake ... I have many beautiful things left, and I am not asking fancy prices at all .... I sold my proof copy of the "Book of Job" to Mansfield the other day--it was a superb copy. Messrs Sotheby W[ilkinson] & Hodge sold my "Thel" in London a month ago [i.e., 17 March 1893, #1811]. |
1811 | Gilchrist, Alexander. The Life of William Blake. Edited with an Introduction by W. Graham Robertson and Numerous Reproductions from Blake's Pictures Many Hitherto Unpublished (London: John Lane The Bodley Head ; New York: John Lane Company, 1907) It contains: Christie, Manson & Woods. Catalogue of the John Linnell Collection of Highly Important Works by William Blake Obtained direct from the artist Also Numerous Prints, Books in Colour, Autographs, &c The Remaining Pictures & Drawings by John Linnell, Senr. and Pictures by Old Masters Which (by Order of the Trustees) Will be Sold by Auction by Messrs. Christie, Manson & Woods (L. Hannen, W. B. Anderson, and V. C. W. Agnew) at Their Great Rooms, 8 King Street, St. James's Square, London on Friday, March 15, 1918 at One O'Clock Precisely (London: Christie, Manson & Woods, 1918) And Blake Society. Meeting. [Report of the] Sixth Annual Meeting, 11 Sept. 1917. 1 leaf. |
1812 | Gilchrist, Alexander. Life of William Blake. Edited by Ruthven Todd (London: J. M. Dent & Sons Ltd ; New York: E. P. Dutton & Co. Inc., 1942) Everyman's Library 971 |
1813 | Gilchrist, Anne. Anne Gilchrist: Her Life and Writings. Edited by Herbert Harlakenden Gilchrist With a Prefatory Notice by William Michael Rossetti. Second Edition. (London: T. Fisher Unwin, 1887) 4°, in handsome dark blue(?) cloth with a gilt representation of Blake’s “Hope” on the cover. |
1814 | Gilchrist, Herbert Harlakenden. “The Ballad of Little Tom the Sailor," Century Guild Hobby Horse, Volume I (1886), pp. 159-160. |
1815 | Gillham, D. G. William Blake (London: Cambridge University Press, 1973) British Authors: Introductory Critical Series |
1816 | Gilson, Ambrose. “Blake and the Elemental,” pp. 36-40, And Vishvapani. “A Way of Breaking Free: [REVIEW of] Witness Against the Beast: William Blake and the Moral Law by E.P. Thompson, Urthona A Magazine For Rousing The Imagination, Issue 3, Spring 1995, pp. 12-14. |
1816A | Gimeno, Francisco. “William Blake, vidente de este cielo,” Caracteres Literarios Ensayos Sobre la Ética de la Literatura, Año VI, número 7 (Otoño 2003), pp. 43-80. |
1817 | Givone, Sergio. William Blake Arte e religione (Milano: Mursia, 1978) Saggi di Estetica e di Poetica 20. Italian. |
1818 | Glausser, Wayne. Locke and Blake A Conversation across the Eighteenth Century (Gainesville: University Press of Florida, 1998) |
1819 | Gleckner, Robert F. "Antithetical Structure in Blake's Poetical Sketches." Studies in Romanticism, Volume 20 (Summer 1981), pp. 143-162, offprint. |
1820 | Gleckner, Robert F. Blake and Spenser (Baltimore ; London: The Johns Hopkins University Press, 1985) |
1821 | Gleckner, Robert F. "Blake and the Senses." Studies in Romanticism, Volume V, Number 1 (Autumn 1965), pp. 1-15, offprint. |
1822 | Gleckner, Robert F. "Blake, Bacon, Dante, and Sir Geoffrey Keynes." [REVIEW of] The Complete Writings of William Blake, ed. Geoffrey Keynes (1957) Criticism, Volume I, No. 3 (Summer, 1959), pp. 265-270, offprint. |
1823 | Gleckner, Robert F. "Blake, Bickerstaff, and Eighteenth-Century Theater." Essays in Literature, Volume VII (1980), pp. 247-253, offprint. |
1824 | Gleckner, Robert F. Blake's Prelude: Poetical Sketches (Baltimore ; London: The Johns Hopkins University Press, 1982) |
1825 | Gleckner, Robert F. "Blake's Seasons." Studies in English Literature 1500-1900, Volume V, Number 3 (Summer 1965), pp. 533-551, offprint. |
1826 | Gleckner, Robert F. “Edmund Spenser and Blake’s Printing House in Hell.” The South Atlantic Quarterly, Volume 81 (1982), pp. 311-322, offprint. |
1827 | Gleckner, Robert F. The Piper & The Bard: a study of William Blake (Detroit: Wayne State University Press, 1959) |
1828 | Gleckner, Robert F. “The Strange Odyssey of Blake’s ‘The Voice of the Ancient Bard’.” Romanticism Past and Present, Volume 6, Number 1 (1982), pp. 1-25, offprint. |
1829 | Approaches to Teaching Blake's SONGS OF INNOCENCE AND OF EXPERIENCE Edited by Robert F. Gleckner and Mark L. Greenberg (New York: The Modern Language Association of America, 1989) Approaches to Teaching World Literature [No.] 21 |
1830 | Glen, Heather. Vision and Disenchantment: Blake's Songs and Wordsworth's Lyrical Ballads (Cambridge [England] ; London ; New York ; New Rochelle ; Melbourne ; Sydney: Cambridge University Press, 1983) |
1831 | Goddard, Harold Clarke. Blake's Fourfold Vision (Wallingford, Pennsylvania: Pendle Hill, 1973, c1956) Pendle Hill Pamphlet #86 Library copy is “Third printing, June, 1973”. |
1832 | Goldsmith, Steven. Unbuilding Jerusalem: Apocalypse and Romantic Representation (Ithaca ; London: Cornell University Press, 1993) Includes Chapter 3, "Apocalypse and Representation: Blake, Paine, and the Logic of Democracy." |
1833 | Gorely, Jean. "William Blake's Engravings for a Wedgwood Catalogue," Old Wedgwood, Number 4 (August 1937), pp. 60-65. |
1834 | Goslee, Nancy Moore. Uriel's Eye: Miltonic Stationing and Statuary in Blake, Keats, and Shelley (University, Alabama: University of Alabama Press, 1985) Includes Chapter 2, "Blake's Milton: From Marble Landscape to Living Form." |
1835 | Gourlay, Alexander S. "What Was Blake’s Chaucer?" Studies in Bibliography, Volume Forty-two (1989), pp. 272-283, offprint. |
1836 | Prophetic Character: Essays on William Blake in Honor of John E. Grant. Edited by Alexander S. Gourlay (West Cornwall, CT: Locust Hill Press, 2002) Locust Hill Literary Studies No. 33. ISBN: 0-933951-96-5 |
1837 | Gourlay, Alexander S. and John E. (John Ernest) Grant. “The Melancholy Shepherdess in Prospect of Love and Death in Reynolds and Blake.” Bulletin of Research in the Humanities, [Volume 85, Number 2] (Summer 1982), pp. 169-189, offprint. |
1838 | Goyder, George. Signs of Grace with Additional Chapters by Rosemary Goyder (London: The Cygnet Press, 1993) Includes Chapter XXI (pp. 84-86), "Geoffrey Keynes & William Blake" and Chapter XXII (pp. 87-88), "The Great Blake Sale -- 22 July 1949". |
1839 | Graham, John. “Lavater’s Physiognomy in England.” Journal of the History of Ideas, Vol. XXII, No. 4 (Oct.-Dec., 1961), pp. 561-572, offprint. |
1840 | Grant, John E. (John Ernest) "Blake Original and New." Modern Language Quarterly, Vol. 25, No. 3 (September, 1964), pp. 356-364, offprint. A review of S.F. Damon, Blake's Grave (1963), Hazard Adams, William Blake: A Reading of the Shorter Poems (1963), and Vala (1963) edited by G.E. Bentley, Jr. |
1840A | Grant, John E. (John Ernest) “Review Article: Who Shall Bind the Infinite and Arrange It in Libraries? William Blake’s Writings and Blake Books.” Philological Quarterly, Vol. 61 (Summer 1982), pp. 277-304, offprint. |
1841 | Discussions of William Blake Edited with an Introduction by John E. Grant (Boston: D.C. Heath and Company, 1961) Discussions of Literature |
1842 | Greenberg, Mark L. "The Rossettis' Transcription of Blake's Notebook." Library, Sixth Series, Volume 4, Number 3 (September 1982), pp. 249-272. |
1843 | Speak Silence: Rhetoric and Culture in Blake's Poetical Sketches Edited by Mark L. Greenberg (Detroit: Wayne State University Press, 1996) |
1844 | Greenberg, Mark L. "William Michael Rossetti's Transcription and William Bell Scott's Tracings from Blake's Notebook." Library, Sixth Series, Volume 6, Number 3 (September 1984), pp. 254-270. |
1844A | Gurbhagat Singh. Poetry as Metaconsciousness: Readings in William Blake (Delhi: Ajanta Publications, 1983) |
1844B | |
H | |
1845 | Hacket, J. T. (James Thomas) THE │ STUDENT'S ASSISTANT │ IN │ [Gothic:] Astronomy and Astrology, │ CONTAINING │ OBSERVATIONS ON THE REAL AND APPARENT MOTIONS OF THE │ SUPERIOR PLANETS.--THE GEOCENTRIC LONGITUDE OF THE │ SUN AND SUPERIOR PLANETS, │ CALCULATED FOR 44 YEARS TO COME. │ Geocentric Longitude of the Planet Herschel for 100 years during │ the 18th Century. The Moon's Node on the first day of │ every month, from 1836 to 1880. Heliocentric │ and Geocentric Longitude of all the │ PLANETS' ASCENDING AND DESCENDING │ NODES. │ LONGITUDE, LATITUDE, AND MAGNITUDE OF ONE HUNDRED AND │ FORTY-FOUR FIXED STARS, FOR PAST AND FUTURE YEARS. │ [Gothic:] Eclipses of the Sun visible in England. │ ALSO │ A DISCOURSE ON THE HARMONY │ OF │ PHRENOLOGY, ASTROLOGY, AND PHYSIOGNOMY. │ - │ BY J. T. HACKET. │ - │ LONDON: │ BRAY AND KING, 55, ST. MARTIN'S LANE, │ AND E. GRATTAN, 51, PATERNOSTER ROW. │ 1836. 6°, bound in original brown cloth, respined. Colophon (p. 170): MILTON PRESS: J. NICHOLS, 9, CHANDOS STREET, STRAND. At the end is a 9-page LIST OF A SMALL PORTION FROM A COLLECTION OF 3000 VOLUMES OF SCARCE, CURIOUS AND USEFUL BOOKS, Now on Sale, at the very Low Prices annexed, at 55, St. Martin's Lane [i.e., Bray and King], followed (p. 10) by a list of prices for their bindings. Stamped at the foot of the title page and on the end-paper: JOHN STORY, 152, CEMETARY ROAD, SHEFFIELD. "Mr. Blake, Nov. 28, 7h. 45' p.m. 1757" appears in "A List of a few Names of the Patrons and Admirers of the science and doctrine of Astrology" (pp. 118-120). |
1846 | Hagstrum, Jean H. “Babylon Revisited, or the Story of Luvah and Vala,” pp. 101-118. Reprinted for private distribution from Blake’s Sublime Allegory: Essays on The Four Zoas, Milton, and Jerusalem, edited by Stuart Curran and Joseph Anthony Wittreich, Jr. |
1847 | Hagstrum, Jean H. "Blake and British Art: The Gifts of Grace and Terror." Images of Romanticism: Verbal and Visual Affinities. Edited by Karl Kroeber and William Walling (New Haven ; London: Yale University Press, 1978), pp. 61-80, 253-260, offprint. |
1848 | Hagstrum, Jean H. "Blake's Blake." Essays in History and Literature Presented by Fellows of The Newberry Library to Stanley Pargellis. Edited by Heinz Bluhm (Chicago, 1965), pp. 169-178, offprint. |
1849 | Hagstrum, Jean H. “Pictures to the Heart The Psychological Picturesque in Ann Radcliffe’s The Mysteries of Udolpho.” Greene Centennial Studies Essays Presented to Honor Donald Greene in the Centennial Year of the University of Southern Carolina. Edited by Paul J. Korshin and Robert R. Allen (Charlottesville: University Press of Virginia, 1984), pp. 434-441, offprint. |
1850 | Hagstrum, Jean H. "'What Seems to Be: Is': Blake's Idea of God." Johnson and His Age. Edited by James Engell (Cambridge, Massachusetts ; London: Harvard University Press, 1984) Harvard English Studies 12, pp. 425-458, photocopy. |
1851 | Hagstrum, Jean H. William Blake Poet and Painter: An Introduction to the Illuminated Verse (Chicago ; London: The University of Chicago Press, 1964) |
1852 | Hagstrum, Jean H. "William Blake rejects the enlightenment." Studies on Voltaire and the Eighteenth Century. Edited by Theodore Besterman (Geneva, 1963) Vol. XXV [Transactions of the First International congress on the Enlightenment (Vol.) II], pp. 811-828, offprint. |
1853 | Hagstrum, Jean H. "William Blake's 'The Clod & the Pebble'." Restoration and Eighteenth-Century Literature: Essays in Honor of Alan Dugald McKillop. Edited by Carroll Camden (Chicago: Rice University, 1963) Rice University Semicentennial Publications, pp. 381-388, offprint. |
1854 | Hagstrum, Jean H. "'The Wrath of the Lamb': A Study of William Blake's Conversions." From Sensibility to Romanticism: Essays Presented to Frederick A. Pottle. Edited by Frederick W. Hilles & Harold Bloom (New York: Oxford University Press, 1965), pp. 311-330, offprint. |
1855 | Hall, Carol Louise. Blake and Fuseli: A Study in the Transmission of Ideas (New York ; London: Garland Publishing, Inc., 1985) Garland Publications in Comparative Literature |
1856 | Halliday, Robert. “Smart Swine,” Country Life, Vol. CLXXXIX, No. 1 (January 5, 1995), pp. 28-29. |
1857 | Halloran, William F. “William Blake’s The French Revolution: A Note on the Text and a Possible Emendation.” Bulletin of the New York Public Library, Volume 72, Number 1 (January 1968), pp. 3-18, offprint. |
1858 | Hamblen, Emily S. Interpretation of William Blake's Job Its Ancient Wisdom and Mystic Ways (New York, N.Y.: Occult Research Press, [193-?]) |
1859 | Hamblen, Emily S. On the Minor Prophecies of William Blake With an Introduction by S. Foster Damon (London ; Toronto: J.M. Dent & Sons Ltd. ; New York: E.P. Dutton & Co. Inc., 1930) |
1860 | Handley, Graham. Brodie's Notes on William Blake's Songs of Innocence and Experience (London ; Sydney: Pan Books, 1979) Pan Study Aids |
1861 | From Blake to Byron. Edited by Boris Ford (Harmondsworth, Middlesex: Penguin Books, 1957) The Pelican Guide to English Literature ; Volume 5 Includes: Harding, D. W. “The Character of Literature from Blake to Byron,” pp. 33-66. And Harding, D. W. "William Blake," pp. 67-84. And Grigson, Geoffrey. "English Painting from Blake to Byron," pp. 258-272. |
1862 | Harper, George Mills. "Apocalyptic Vision and Pastoral Dreams in Blake's Four Zoas." South Atlantic Quarterly, Vol. LXIV, No. 1 (Winter 1965), pp. 110-124, offprint. |
1863 | Harper, George Mills. "Blake's Lost Letter to Hayley, 4 December 1804." Studies in Philology, Volume LXI, No. 3 (July, 1964), pp. 573-585, offprint. |
1864 | Harper, George Mills. "Blake's Neo-Platonic Interpretation of Plato's Atlantis Myth." Journal of English and Germanic Philology, Vol. LIV, No. 1 (January, 1955), pp. 72-79, offprint. |
1865 | Harper, George Mills. The Neoplatonism of William Blake (Chapel Hill, North Carolina: University of North Carolina Press, 1961) |
1866 | Harper, George Mills. "Thomas Taylor and Blake's Drama of Persephone." Philological Quarterly, Volume XXXIV, Number 4 (October, 1955), pp. 378-394, offprint. |
1867 | Harris, Eugenie. The Poetry of William Blake (New York, N.Y.: Monarch Press, 1966) Monarch Notes 775. |
1868 | Hassell, J. (John). [Type-set title:] MEMOIRS │ OF THE │ LIFE │ OF THE LATE │ GEORGE MORLAND; │ WITH │ CRITICAL AND DESCRIPTIVE OBSERVATIONS │ ON THE │ WHOLE OF HIS WORKS │ HITHERTO BEFORE THE PUBLIC. │ = │ BY J. HASSELL. │ = │ ILLUSTRATED WITH ENGRAVINGS. │ - │ “HIS ART WAS NATURE.” │ - │ ALBION PRESS PRINTED. │ PUBLISHED BY JAMES CUNDEE, IVY-LANE, PATERNOSTER-ROW; │ AND C. CHAPPLE, PALL-MALL, LONDON. │ - │ 1806. [Engraved title:] [Gothic:] MEMOIRS │ of the │ Life │ of │ GEORGE MORLAND. │ [Vignette of a cow and cottage] │ Published by JAMES CUNDEE. Albion Press, London. 4°, in ¾ brown calf over brown marbled boards which may once have been the same colour as the green marbled end-papers; front board detached. On the top left corner of the inner board is a round red ticket: "Sold by │ G. SHADE │ BOOKSELLER │ Princes Street │ Cavendish Square", and there is also the handsome armorial book-plate of Henry Davidson. There are notes on Blake's chalk engravings of Morland's "Idle Laundress" and "Industrious Cottager" (pp. 78, 170-171). |
1869 | Hawkins, John. I am, my dear Sir ...: A Selection of Letters written mainly to and by John Hawkins, F.R.S., F.G.S. 1761-1841 of Bignor Park, Sussex, & Trewithen, Cornwall. Edited, with an Introduction by Francis W. Steer ([Chichester, England: Moore and Tillyer Ltd, Printers], 1959) A reference to Blake in a letter from Hayley to Hawkins of 11 August 1800 (p. 4). |
1870 | Hayes, Elliot. Blake: Innocence and Experience: A Play (Stratford, Ontario: Echo Hill Ltd., 1983) |
1871 | Hayley, William. MEMOIRS │ OF THE │ LIFE AND WRITINGS │ OF │ WILLIAM HAYLEY, ESQ. │ THE FRIEND AND BIOGRAPHER OF │ COWPER, │ WRITTEN BY HIMSELF. │ WITH EXTRACTS FROM HIS │ PRIVATE CORRESPONDENCE │ AND UNPUBLISHED POETRY. │ AND │ MEMOIRS OF HIS SON │ THOMAS ALPHONSO HAYLEY, │ THE YOUNG SCULPTOR. │ - │ EDITED BY JOHN JOHNSON, LL.D. │ RECTOR OF YAXHAM WITH WELBORNE, IN NORFOLK. │ - │ IN TWO VOLUMES. │ VOL. I[-II]. │ - │ LONDON │ PRINTED FOR HENRY COLBURN AND CO. CONDUIT-STREET, │ AND SIMPKIN AND MARSHALL, STATIONERS-HALL-COURT. │ 1823. The half-title is inscribed "Robert Southey. from the Editor. │ Keswick. 12 July 1823." and "Jane Jones │ The Gift of J. Cardswell Esq. │ July the 10th 1844". There are a number of important references to Blake. |
1872 | Hazen, Allen T. (Allen Tracy) A Bibliography of Horace Walpole (New York: Barnes & Noble Books ; Folkestone, England: Dawsons of Pall Mall, 1973) |
1873 | Hazen, Allen T. (Allen Tracy) A Bibliography of the Strawberry Hill Press With a Record of the Prices at Which Copies Have Been Sold Including a New Supplement. Together With a Bibliography and Census of the Detached Pieces by A. T. Hazen and J. P. Kirby. New Edition (New York: Barnes & Noble Books ; Folkestone, England: Dawsons of Pall Mall, 1973) |
1874 | Heath, T. J. A Tyger’s Tale = Tora-san no o-hanashi. Illustrated by Gerald Fitzgerald (London: House of William Blake, 2000?) English and Japanese on opposite sides of sheet. 1 folded sheet. |
1875 | Helms, Randel. "Proverbs of Heaven and Proverbs of Hell," in Paunch, No. 38 (March 1974), pp. 51-58. |
1876 | Heppner, Christopher. “Blake as Humpty Dumpty: The Verbal Specification of Visual Meaning.” Word and Visual Imagination: Sutides in the Interaction of English Literature and the Visual Arts. Edited by Karl Josef Höltgen, Peter M. Daly and Wolfgang Lottes. (Erlangen, 1988), pp. 223-240, offprint. |
1877 | Heppner, Christopher. “A Collection of Wood Blocks and Related Material at McGill University.” The Book Collector, [Vol. 35] (Spring 1986), pp. 53-66, offprint. |
1878 | Heppner, Christopher. Reading Blake's Designs. (Cambridge: Cambridge University Press, 1995) |
1879 | Hilles, Frederick Whiley. “A “New” Blake Letter.” Yale Review, Autumn, 1967, pp. 85-89, offprint. |
1880 | Symposium on Romanticism. Edited by Deirdre Coleman, Petter Otto (Adelaide: Centre for British Studies, The University of Adelaide, 1990) Occasional Papers (University of Adelaide. Centre for British Studies) No. 1 Includes: Hilton, Nelson. "'I' Sings Blake's Songs," pp. 25-48. And Tolley, Michael J. “Marriages in Heaven and Hell: Blake’s Enigmatic Title-Page,” pp. 8-24. |
1881 | Hilton, Nelson. Literal Imagination: Blake's Vision of Words (Berkeley ; Los Angeles ; London: University of California Press, 1983) |
1882 | Essential Articles for the Study of William Blake, 1970-1984. Edited by Nelson Hilton (Hamden, Connecticut: Archon Books, 1986) Essential Articles Series |
1883 | Unnam'd Forms: Blake and Textuality. Edited by Nelson Hilton and Thomas A. Vogler (Berkeley ; Los Angeles ; London: University of California Press, 1986) |
1884 | Hirsch, E. D. (Eric Donald) Innocence and Experience: An Introduction to Blake (New Haven ; London: Yale University Press, 1964) |
1885 | Hirst, Desirée. “New Light on William Blake,” The Month New Series, Vol. 19, No. 1 (January 1958), pp. 33-37. |
1886 | Hirst, Désirée. "On the Aesthetics of Prophetic Art." British Journal of Aesthetics, Volume 4, No. 3 (July 1964), pp. 248-252, offprint. |
1886A | Hirst, Désirée. “Die Heimlichen Schätze = William Blakes Genius.” Antaios, Band VIII, No 4 (November 1966), pp. 319-342, offprint. |
1887 | Hoagwood, Terence Allan. Prophecy and the Philosophy of Mind: Traditions of Blake and Shelley (University, Alabama: University of Alabama Press, 1985) |
1888 | Hobson, Christopher Z. Blake and Homosexuality (New York ; Houndmills: Palgrave, 2000) |
1889 | Hobson, Christopher Z. The Chained Boy: Orc and Blake's Idea of Revolution (Lewisburg: Bucknell University Press ; London: Associated University Presses, 1999) |
1890 | Holloway, John. Blake: The Lyric Poetry (London: Edward Arnold (Publishers) Ltd., 1968) Studies in English Literature No. 34 |
1891 | Holloway, John. Blake. Prepared for the Course Team (Milton Keynes: The Open University Press, 1984) Arts, A Third Level Course. Romantic Poetry Units 2-3. |
1892 | Frederick Hollyer (Firm : London, England). SOME REPRODUCTIONS │ FROM THE WORKS OF │ WILLIAM BLAKE │ BY │ FREDK. HOLLYER │ 9 PEMBROKE SQUARE, KENSINGTON │ LONDON, W.8. [c. 1926] A folded flyer. |
1893 | Hone, William. THE │ EVERY-DAY BOOK; │ OR, │ [Gothic:] Everlasting Calendar │ OF │ POPULAR AMUSEMENTS, │ SPORTS, PASTIMES, CEREMONIES, │ MANNERS, CUSTOMS, AND EVENTS, INCIDENT TO │ EACH OF THE THREE HUNDRED AND SIXTY-FIVE DAYS, │ IN PAST AND PRESENT TIMES; │ FORMING A COMPLETE │ HISTORY OF THE YEAR, MONTHS, & SEASONS, │ AND A │ PERPETUAL KEY TO THE ALMANACK; │ INCLUDING │ ACCOUNTS OF THE WEATHER, RULES FOR HEALTH AND CONDUCT, REMARKABLE │ AND IMPORTANT ANECDOTES, FACTS, AND NOTICES, IN CHRONOLOGY, │ ANTIQUITIES, TOPOGRAPHY, BIOGRAPHY, NATURAL HISTORY, ART, SCIENCE, │ AND GENERAL LITERATURE; DERIVED FROM THE MOST AUTHENTIC SOURCES, │ AND VALUABLE ORIGINAL COMMUNICATIONS, WITH POETICAL ELUCIDATIONS, │ FOR DAILY USE AND DIVERSION. │ - │ BY WILLIAM HONE. │ With An Introduction By │ Leslie Shepard │ IN TWO VOLUMES. │ WITH THREE HUNDRED AND TWENTY ENGRAVINGS. │ VOLUME I[-II]. │ = │ LONDON: │ PUBLISHED FOR WILLIAM HONE │ 1827. (Detroit: Republished by Gale Research Company, 1967) The essay on "The Last Chimney Sweeper" reprints Blake's "The Chimney Sweeper" (Innocence) from Montgomery's Chimney Sweeper's Friend (1824). |
1894 | Hori, Keiko. “America [to] Europe [ni okeru] “nameless shadowy female” [Kōsatsu].” Ōsaka Kyōiku Daigaku Kiyō. Dai 1-bumon, dai 35-Kan dai 1-gō (1986-hen 8gatsu), pp. 15-24, offprint. In Japanese. |
1895 | Hori, Keiko. “Innocence[to] Experience [no hazama de -] The Book of Thel [shōron].” Ōsaka Kyōiku Daigaku Kiyō. Dai 1-bumon, dai 33-Kan dai 1-gō (1984-hen 9-gatsu), pp. 51-56, offprint. In Japanese. |
1896 | Hori, Keiko. “William Blake [to] Mary Wollstonecraft - Blake [no] Mary [o meg utte].” Ōsaka Kyōiku Daigaku Kiyō. Dai 1-bumon, dai 34-Kan dai 1-gō (1985-hen 8gatsu), pp. 15-24, offprint. In Japanese. |
1897 | Howard, John. Blake's MILTON: A Study in the Selfhood (Rutherford ; Madison ; Teaneck: Fairleigh Dickinson University Press ; London: Associated University Presses, 1976) |
1898 | Howard, John. Infernal Poetics: Poetic Structures in Blake's Lambeth Prophecies (Rutherford ; Madison ; Teaneck: Fairleigh Dickinson University Press ; London ; Toronto: Associated University Presses, 1984) |
1899 | Howard, Seymour. "Blake: Classicism, Gothicism, and Nationalism," Colby Library Quarterly, Volume XXI, Number 4 (December 1985), pp. 165-187. |
1900 | Howard, Seymour. “The Revival of Ancient Archaic Art in the Late Eighteenth Century and the Use of Archaising Postures and Modes in Drama and Living Sculpture.” Studies on Voltaire and the Eighteenth Century 192 (Oxford: Voltaire Foundation, 1980), pp. 1453-1460, offprint. 2 copies. |
1901 | Howard, Seymour. "William Blake: The Antique, Nudity, and Nakedness: A Study in Idealism and Regression." artibus et historiae: rivista internazionale di arti visive e cinema, nr 6 (1982), pp. 117-149, offprint. |
1902 | Howell, Heather. William Blake 1757-1827 A brief history to mark the 250th anniversary of his birth (Littlehampton: Bayprint, 2007) |
1903 | Humphrey, Stephen C. The Story of Rotherhithe. New Edition (London: Southwark Local Studies Library, 1997) London Borough of Southwark Neighbourhood History No. 6 |
1904 | Huntington Library Quarterly, Volume XXI, Number 1 (November 1957): Blake Bicentennial Issue Includes: Raine, Kathleen. “Some Sources of Tiriel” Roe, Albert S. “A Drawing of the Last Judgment” Frye, Northrop. “Blake’s Introduction to Experience” Colie, Roslie L. “Thomas Traherne and the Infinite: The Ethical Compromise” Wark, Robert R. “A Minor Blake Conundrum” |
1905 | Huntington Library Quarterly, Volume 58, Nos. 3 & 4 (1997): "William Blake: Images and Texts" Includes: Essick, Robert N. “Introduction” Viscomi, Joseph. “The Evolution of The Marriage of Heaven and Hell” Mellor, Anne K. “Sex, Violence, and Slavery: Blake and Wollstonecraft” Bindman, David. “Blake’s Vision of Slavery Revisited” Rajan, Tilottama. “(Dis)figuring the System: Vision, History, and Trauma in Blake’s Lambeth Books” Eaves, Morris. “On Blakes We Want and Blakes We Don’t” Mitchell, W. J. T. “Chaosthetics: Blake’s Sense of Form” |
1906 | William Blake: Images and Texts (San Marino, California: Huntington Library, 1997) Published also as v. 58, no. 3 and 4 of the Huntington Library quarterly. See above for contents. |
I | |
1907 | International Blake Conference (2003 : Kyoto, Japan) The International Blake Conference “Blake in the Orient” Organized by Masashi Suzuki & Steve Clark (Kyoto: The Blake Conference Committee, 2003) Programme [29-30 November 2003] Organized by Masashi Suzuki & Steve Clark The contents are proposals for 20-minute papers. In English. And The Glad Days in the Reception of Blake in Japan: A Concurrent Exhibition [27 November-27 December 2003 at Kyoto University Museum] Organized by Masashi Suzuki & Steve Clark. In English and Japanese. Masashi Suzuki & Steve Clark, “Preface.” Pp. 1-2, 55. Sori Yanagi, “Message.” Pp. 3, 56. About his father. Anon. “The Glad Days in the Reception of Blake in Japan.” Pp. 5-6, 57-59. Kozo Shioe, “On the ‘Nagasaki Collection’.” Pp. 7-9, 60-63. The catalogue entries, first in English and then in Japanese, are by Kozo Shioe & Yumiko Goto. Each section begins with a short essay. Part I consists of “Japan’s Encounter with Blake”, subdivided into “1 Master Writers of the Meiji Period and Blake” (pp. 11-14, 65), “2 The Introduction of Blake’s Art by Soetsu Yanagi and the Shirakaba Group” (pp. 15-20, 66-68), “3 Blake Exhibitions Organized by Shirakaba” (pp. 21-25, 69-70), and “4 The Development of Blake Reception and the 100th Anniversary of the Death of Blake” (pp. 26-37, 71-77).. Part II, “Japanese Blakeans”, consists of “1 Ryuuisei Kishida and the Artists of the Shirakaba Group” (pp. 38-45, 78-80), “2 Kagaku Murakami and Kokuga Sosaku Kyokai” (pp. 46-5081-82), and “3 Blake Collector: Taro Nagasaki” (pp. 52-53, 83-84). 2 volumes together in case. |
J | |
1908 | Jackson, J. R. de J. (James Robert de Jager) Poetry of the Romantic Period (London ; Boston ; Henley: Routledge & Kegan Paul, 1980) The Routledge History of English Poetry Volume 4 Includes: "Jerusalem" (pp. 220-225) and "Milton" (pp. 235-245), Parts I and III of Chapter 9: "Allegorical Alternatives". |
1909 | James, David E. “Blake’s Laocoön: A Degree Zero of Literary Production,” PMLA, Publications of the Modern Language Association of America, Volume 98, Number 2 (March 1983), pp. 226-236. |
1910 | James, David E. Written Within and Without: A Study of Blake's Milton (Frankfurt am Main ; Bern ; Las Vegas: Peter Lang, 1977) Europäische Hochsculschriften Angelsächsische Sprache und Literatur Reihe XIV Publications Universitaires Européenes Langue et Litérature françaises Série XIV European University Papers Anglo-Saxon language and literature Series XIV, Bd./Vol. 54 |
1911 | James, Laura DeWitt. William Blake & the Tree of Life (Berkeley ; London: Shambala, 1971) |
1912 | Jay, Ricky. Learned Pigs & Fireproof Women (New York: Villard Books, 1986) |
1913 | Jenkins, Herbert George. William Blake Studies of His Life and Personality. Edited with an Introduction by C. E. Lawrence (London: Herbert Jenkins Limited, 1925) |
1913A | John, Donald. “Romantic Regeneration: Blake, Creation, and the Constitutive Imagination,” pp. 189-206, And Keeble, Brian. “William Blake: Art as Divine Vision,” in Temenos Academy Review, 9, 2006, pp. 176-188. |
1913B | John Murray (Firm). John Murray (London: John Murray (Publishers) Ltd., 1996) |
1914 | The English Romantic Poets: A Review of Research and Criticism. Fourth Edition. Edited by Frank Jordan (New York: The Modern Language Association of America, 1985) Includes: Johnson, Mary Lynn. "William Blake," pp. 113-252. |
1915 | Jose, Chiramel P. "Blake Decoding The Book of Job," Aligarh Journal of English Studies, Volume 19, Number 2 (October 1997), pp. 1-24. |
1916 | Blake, William. A Bibliographical Study of William Blake's Note-Book by Bunsho Jugaku (Tokyo: The Hokuseido Press, 1953) |
K | |
1917 | Centre and Circumference: Essays in English Romanticism [by members of the] Association of English Romanticism in Japan. Kenkichi Kamijima, Chief of the Editorial Board (Tokyo: Kirihara Shoten, 1995) |
1918 | Kang, Sun Koo. "William Blake [eui] Jerusalem," Journal of English Language and Literature, Volume XX (1984), pp. 701-721, in Korean, with an English abstract. Photocopy. |
1919 | Kang, Sun Koo. "William Blake [eui] The Four Zoas," Journal of English Language and Literature, Volume XXXVIII (1992), pp. 453-476, in Korean, with an English abstract. Photocopy. |
1920 | Katsura, Fumiko. “Blake no Ucho-Sozo-Shinwa: The Book of Urizen wo Chushin ni,” Shikai, 13 (1970), pp. 16-28. In Japanese. English translation: “Blake’s Myth of the Creation of the Universe: Especially in The Book of Urizen,”in The Outlook, 13 (1970). |
1921 | Katsura, Fumiko. “Blake Shinwa Oboegaki The Four Zoas wo megutte,” Shitennōji Joshi Daigaku kiyō, Dai 2-gō (1970), pp. 32-46. In Japanese. English translation: “Notes on Blake’s Mythology: On The four Zoas,” in Review of Shitennoji Women’s College, No. 2 (1970). |
1922 | Kaufman, Andrew Frederick. "Authority and Vision: A Study of William Blake's Songs of Innocence and of Experience." Toronto Ph.D., 1985 |
1923 | Kauvar, Elaine M. (Elaine Mozer) "Blake's Interpretation of Dreams: 'Mental Forms Creating'," American Imago, Vol. 41, No. 1 (Spring 1984), pp. 19-45. |
1924 | Keogh, J. G. and Thomas E. Connolly and George R. Levine. “Two Songs of Innocence,” PMLA, Publications of the Modern Language Association of America, Volume 84, Number 1 (January 1969), pp. 137-140. |
1925 | Keynes, Geoffrey. "A Blake Engraving in Bonnycastle's Mensuration, 1982." Book Collector, Volume XII (Summer 1963), pp. 205-206, offprint. |
1926 | Keynes, Geoffrey. Blake Studies: Notes on his Life and Works in Seventeen Chapters (London: Rupert Hart-Davis, 1949) |
1927 | Keynes, Geoffrey. Blake Studies: Essays on his life and work. Second Edition Revised and Enlarged (Oxford: At the Clarendon Press, 1971) |
1928 | Keynes, Geoffrey. "Blake’s Engravings For Gay’s Fables." Book Collector, Volume XXI (Spring 1972), pp. 59-64, offprint. |
1929 | To Geoffrey Keynes Articles Contributed to The Book Collector To Commemorate His Eighty-Fifth Birthday (London: The Book Collector, 1972) Includes: Keynes, Geoffrey. "Blake’s Engravings For Gay’s Fables," pp. 59-64, And Fletcher, Ian. “The Ellis-Yeats-Blake Manuscript Cluster,” pp. 90-112. |
1930 | Keynes, Geoffrey. "'Blake's Own' Copy of Songs of Innocence and of Experience," Book Collector, Volume 29, No. 2 (Summer 1980), pp. 203-207. |
1931 | Studies in Art and Literature for Belle Da Costa Greene. Edited by Dorothy Miner (Princeton, New Jersey: Princeton University Press, 1954) Includes: Keynes, Geoffrey. "Blake's Vision of the Circle of the Life of Man," pp. 202-208. |
1932 | Keynes, Geoffrey. The Gates of Memory (Oxford: Clarendon Press, 1981) |
1933 | Keynes, Geoffrey. "On Editing Blake." English Studies Today. Third Series (Edinburgh: At the University Press, 1964), pp. 137-153, offprint. |
1934 | Keynes, Geoffrey. "Some Uncollected Authors XLIV: George Cumberland 1754-1848." Book Collector, Volume XIX (Spring 1970), pp. 31-65, offprint. |
1935 | Keynes, Geoffrey. William Blake's 'Laughing Song' A New Version : A Note (Edinburgh: National Library of Scotland, 1969) Reprinted from Volume CXXII (24 Sept. 1910) of Notes and Queries. Library has 2 copies. |
1936 | King, James. “Cowper’s Adelphi Restored: The Excisions to Cowper’s Narrative.” Review of English Studies, New Series, Volume XXX, Number 119 (August 1979), pp. 291-305, offprint. |
1936A | King, James. “An Unlikely Alliance: Fuseli as Revisor of Cowper’s Homer.” Neophilologus, Volume 67 (1983), pp. 468-479, offprint. |
1937 | King, James. “The Meredith Family, Thomas Taylor, and William Blake,” Studies in Romanticism, Volume 11, Number 2 (Spring 1972), pp. 153-157. |
1938 | King, James. “The Meredith Family, Thomas Taylor, and William Blake.” Studies in Romanticism, Volume 11, Number 2 (Spring 1972), pp. 153-157, offprint. |
1939 | King, James. “Thomas Taylor, the Meredith Family, and the Society (ii).” Journal of the Royal Society of Arts (April 1973), pp. 326-328, offprint. |
1940 | King, James. William Blake His Life (London: Weidenfeld and Nicolson, 1991) |
1941 | Kingston, Beryl. Gates of Paradise (London: Allison & Busby, 2006) |
1942 | Kiralis, Karl. "Joyce and Blake: Basic Source for 'Finnegans Wake'." Modern Fiction Studies, Volume IV (1958/59), pp. 329-334, offprint. |
1943 | Kiralis, Karl. “The Theme and Structure of William Blake’s Jerusalem.” ELH, A Journal of English Literary History, Vol. 23, No. 2 (June, 1956), pp. 127-143, offprint. |
1944 | Kiralis, Karl. “William Blake as an Intellectual and Spiritual Guide to Chaucer’s Canterbury Pilgrims.” Blake Studies, Vol. 1, No. 2 (Spring, 1969), pp. 139-190, offprint. |
1945 | Knoblauch, Adolf. William Blake: Ein Umriss seines Lebens und seiner Geschichte. Mit 26 Abbildungen (Berlin: Furche-Kunstverlag, 1925) Schöpfung Beiträge zu einer Weltgeschichte religiöser Kunst Band 7 |
1946 | Fuseli, Henry. THE LIFE │ AND │ WRITINGS │ OF │ HENRY FUSELI, ESQ. M.A. R.A. │ KEEPER AND PROFESSOR OF PAINTING TO THE │ ROYAL ACADEMY IN LONDON; MEMBER OF THE FIRST CLASS │ OF THE ACADEMY OF ST. LUKE AT ROME. │ THE FORMER WRITTEN, AND THE LATTER EDITED BY │ JOHN KNOWLES, F.R.S. │ CORRESPONDING MEMBER OF THE PHILOSOPHICAL SOCIETY OF ROTTERDAM, │ HIS EXECUTOR. │ - │ [2-line motto] │ - │ IN THREE VOLUMES. │ VOL. I[-III]. │ LONDON: │ HENRY COLBURN AND RICHARD BENTLEY, │ NEW BURLINGTON STREET. │ MDCCCXXXI [1831]. 8°, in brown cloth over green marbled boards, with the original leather spine re-affixed. Colophon (Vol. I last page): "LONDON │ PRINTED BY SAMUEL BENTLEY, │ Dorset Street, Fleet Street." |
1947 | Kodama, Hisao. “Blake’s Innocence and Experience: A Reconsideration.” Collected Essays by the Members of the Faculty (Kyoritsu Women’s Junior College), Number 4 (December, 1960), pp. 69-84, offprint. |
1948 | Kodama, Hisao. “Bureiku yogensho no inritsu.” The Annual Collection of Essays and Studies, Faculty of Letters, Gakushuin University, Vol. XXVIII (1981), pp. 1-22, offprint. |
1949 | Komáromy, Zsolt. “Echoing Innocence: The Figures of Memory and Echo in Blakean Pastoral,” pp. 75-118, And Mácsok, Márta. “Dante Revisited: The Vision of Paolo and Francesca in Blake’s and D. G. Rossetti’s Interpretation,” in The AnaChronist, 1998, pp. 119-132. |
1950 | Kono, Rikyū. Bureiku no “yobu-ki” ([Tokyo]: Kirihara Shuten, 1985) |
1951 | Korteling Jacomina. Mysticism in Blake and Wordsworth (New York: Haskell House, 1966) |
1951A | Kovel, Joel. "Dark satanic mills: William Blake and the critique of war". Printout of article in electronic journal, Capitalism, nature, socialism, Volume 21, Number 2 (June 2010). |
1952 | Kremen, Kathryn R. The Imagination of the Resurrection: The Poetic Continuity of a Religious Motif in Donne, Blake, and Keats (Lewisburg [Pennsylvania]: Bucknell University Press, 1972) Includes: "Blake's Fourfold Resurrection and Christianity of the Imagination," Chapter 3, pp. 139-259. |
L | |
1953 | La Belle, Jenijoy. "William Blake's Reputation in the 1830s: Some Unrecorded Documents," Modern Philology, Volume 84, Number 3 (February 1987), pp. 302-307. |
1954 | La Belle, Jenijoy. "William Blake's Reputation in the 1830s: Some Unrecorded Documents." Modern Philology, Volume 84, Number 3 (February 1987), pp. 302-307, offprint. |
1955 | Lamb, Jonathan. "Research Reports VII--Job, Epitaphs, and Blake's Illustrations," Clark Newsletter: Bulletin of the UCLA Center for 17th and 18th-Century Studies, No. 16 (Spring 1989), pp. 4-7. |
1956 | Langridge, Irene. William Blake A Study of His Life and Art Work (London: George Bell and Sons, 1904) |
1957 | Lansverk, Marvin D. L. The Wisdom of Many, The Vision of One: The Proverbs of William Blake (New York ; Washington, D.C. ; Baltimore ; San Francisco ; Bern ; Frankfurt am Main ; Berlin ; Vienna ; Paris: Peter Lang, 1994) American University Studies Series IV: English Language and Literature Vol. 142 |
1958 | Larrissy, Edward. Blake and Modern Literature (Houndmills, Basingstoke, Hampshire ; New York, N.Y.: Palgrave Macmillan, 2006) |
1959 | Larrissy, Edward. William Blake (Oxford, UK ; New York, NY: Basil Blackwell, 1985) Rereading Literature |
1960 | Leader, Zachary. Reading Blake's SONGS (Boston ; London ; Henley: Routledge & Kegan Paul, 1981) |
1961 | Leavis, F. R. (Frank Raymond) “Justifying One’s Valuation of Blake,” The Aligarh Critical Miscellany, Volume 12, Number 1 (1999), pp. 60-94. |
1962 | Leckie, Steve. “Heaven and Hell in a Proverb,” p. 40, And Prakasha. “A Memorable Fancy,” p. 41, And Ananda. “William Blake the Revolutionary Spirit,” in Urthona A Magazine For Rousing The Imagination, Issue Two, Spring 1994, pp. 42-55. |
1963 | Lee, Elizabeth. "William Blake," University of Adelaide Library News, Volume 3, Number 1 (March 1981), pp. 1-3. |
1964 | Lefcowitz, Barbara F. "Blake and the Natural World." PMLA, Publications of the Modern Language Association of America, Volume 89, Number 1 (January 1974), pp. 131-131. |
1965 | LETTERS │ FROM AN │ IRISH STUDENT │ IN ENGLAND │ TO HIS FATHER │ IN │ IRELAND. │ = │ "Il y a encore de quoi glaner." │ = │ VOL. I[-II]. │ - │ [Gothic:] London: │ Printed by W. Lewis, Paternoster-Row; │ FOR │ C. CRADOCK & W. JOY, 32, PATERNOSTER-ROW. │ - │ 1809. 8°, 2 vols., in remarkable sound but dirty grey boards with paper spine reading: THE │ IRISH STUDENT'S │ LETTERS │ FROM │ LONDON │ TO │ DUBLIN. │ - │ VOL. I[-II]. Untrimmed, the index pages in Vol. II uncut. |
1966 | Lewis, Linda M. The Promethean Politics of Milton, Blake, and Shelley (Columbia ; London: University of Missouri Press, 1992) Includes: "Blake's Orc as Promethean Rebel, Los as Promethean Imagination," Chapter 4 (pp. 111-153) |
1967 | Milton’s Legacy in the Arts. Edited by Albert C. Labriola and Edward Sichi, Jr. (University Park ; London: Pennsylvania State University Press, 1988) Includes: Lieb, Michael. “‘The Chariot of Paternal Deitie’: Some Visual Renderings,” pp. 21-58 And Sullivan, Ernest W. “Illustration as Interpretation: Paradise Lost from 1768 to 1807,” pp. 59-92. |
1967A | The Light Blue A Cambridge University Magazine (Cambridge ; London ; Oxford: Rivingtons, 1866-1870) Library has Vol. II (Jan.-June 1867) Includes: William Blake. I. Blake the author / P.M., pp. 146-151 (March 1867) -- The lawgiver's song (from an unpublished MS. by the late W. Blake) / William Blake, p. [162] (March 1867) -- William Blake. II. Blake the artist / P.M., pp. [216]-226 (April 1867) -- Songs (Never before published) / William Blake, p. [240] (April 1867) -- William Blake. III. Blake the artist (Concluded) / P.M., pp. [286]-294 (May 1867). |
1968 | Lincoln, Andrew. Spiritual History: A Reading of William Blake's Vala or The Four Zoas (Oxford: Clarendon Press, 1995) |
1969 | Lincoln, Andrew. “[Review of] The social vision of William Blake by Michael Ferber ... [and] Being form'd: thinking through Blake's Milton by Mark Bracher ...” The Review of English Studies, New Series, Volume XXXVIII, Number 149 (February 1987), pp. 85-87, offprint. |
1970 | Lindberg, Bo. "William Blake," in Finsk Tidskrift, T. 189-190, H. 10 (1971), pp. 424-439. In Swedish. Includes translation of Blake’s “The Mental Traveller”. |
1971 | Lindberg, Bo. William Blake's Illustrations to the Book of Job (Åbo: Åbo Akademi, 1973) Acta Academiae Aboensis, Ser. A: Humaniora: Humanistiska Vetenskaper, Socialvetenskaper och Juridik, Teologi, Vol. 46 The doctoral dissertation at Abo University for which GEB was the Opponent. |
1972 | Lindberg, Bo. “William Blakes Nebuchadnezzar och mänskodjuret.” Taidehistoriallisia Tutkimuksia = Konsthistoriska Studier, 1 (1974), pp. 9-18, Eripainos [Offprint]. |
1973 | Lindberg, Bo. "William Blake's Visions and the Unio Artistica." Mysticism: Based on Papers read at the Symposium on Mysticism held at Abo on the 7th-9th September, 1968. Edited by Sven S. Hartman and Carl-Martin Edsman (Stockholm: Almqvist & Wiksell, 1972) Scripta Instituti Donneriani Aboensis V, pp. 141-167, offprint. |
1974 | Lindsay, David W. Blake: Songs of Innocence and Experience (Houndmills, Basingstoke, Hampshire ; London: Macmillan, 1989) The Critics Debate |
1975 | Lindsay, Jack. William Blake: Creative Will and the Poetic Image. Second Edition, Enlarged (New York, N.Y.: Haskell House Publishers Ltd., 1971) |
1976 | Lindsay, Jack. William Blake: His Life and Work (New York: George Braziller, 1979) |
1977 | Linnell, David. Blake, Palmer, Linnell and Co.: The Life of John Linnell. ([Lewes, East] Sussex, England: The Book Guild Ltd, 1994) |
1978 | Lister, Raymond. “The Ancients and the Classics.” Studies in Romanticism, Volume 15, Number 3 (Summer 1976), pp. 395-404, offprint. |
1979 | Lister, Raymond. Beulah to Byzantium: A Study of Parallels in the Works of W.B. Yeats, William Blake, Samuel Palmer & Edward Calvert (Dublin: Printed and published at the Dolmen Press, 1965) Dolmen Press Yeats Centenary Papers No. II. |
1980 | Lister, Raymond. “The Book Illustrations of Samuel Palmer.” The Book Collector, Volume 28, No. 1 (Spring 1979), pp. 67-104, offprint. |
1981 | Lister, Raymond. British Romantic Art (London: G. Bell & Sons, 1973) |
1982 | Lister, Raymond. Edward Calvert (London: G. Bell & Sons, Ltd., 1962) Includes: "William Blake," pp. 13-21. |
1983 | Lister, Raymond. George Richmond: A Critical Biography (London: Robin Garton Ltd, 1981) |
1984 | Lister, Raymond. Infernal Methods A Study of William Blake’s Art Techniques (London: G. Bell & Sons Ltd., 1975) |
1985 | Lister, Raymond. “W. B. Yeats as an Editor of William Blake.” Blake Studies, Vol. 1, No. 2 (1969), pp. 123-138, offprint. |
1986 | Lister, Raymond, “Welby Sherman and Samuel Palmer’s The Shepherd.” The Connoisseur, Vol. 195, No. 785, July 1977, pp. 212-213, offprint. |
1987 | Lister, Raymond. William Blake: An Introduction to the Man and to his Work. With a Foreword by G.E. Bentley, Jr. (London: G. Bell and Sons Ltd, 1968) |
1988 | Lister, Raymond. With My Own Wings: The Memoirs of Raymond Lister. (Cambridge, England: The Oleander Press, 1994) Includes: "The Followers of William Blake," Chapter Thirteen (pp. 145-152). |
1989 | Lissim, Simon. The Art of Raymond Lister. With a Foreword by L. G. G. Ramsey (Cambridge: John P. Gray and Son Ltd., 1958) |
1990 | THE │ LITERARY GAZETTE; │ AND │ JOURNAL │ OF │ [Gothic:] Belles Lettres, Arts, Sciences, &c. │ FOR THE YEAR │ 1827. │ - │ COMPRISING │ ORIGINAL ESSAYS ON POLITE LITERATURE, THE ARTS AND SCIENCES; │ A REVIEW OF NEW PUBLICATIONS; │ POETRY; CRITICISMS ON THE FINE ARTS, THE DRAMA, &c.; │ BIOGRAPHY; │ CORRESPONDENCE OF DISTINGUISHED PERSONS; │ ANECDOTES, JEUX D’ESPRIT, &c.; │ SKETCHES OF SOCIETY AND MANNERS; │ PROCEEDINGS OF PUBLIC AND LITERARY SOCIETIES; │ POLITICAL SUMMARY, LITERARY INTELLIGENCE, &c. &c. │ - │ LONDON: │ PRINTED BY JAMES MOYES, TOOK’S COURT, CHANCERY LANE: │ PUBLISHED FOR THE PROPRIETORS, AT THE LITERARY GAZETTE OFFICE, WELLINGTON STREET, WATERLOO BRIDGE, STRAND; │ SOLD ALSO BY ADAM BLACK, EDINBURGH; SMITH AND SON, GLASGOW; JOHN CUMMING, DUBLIN; SAUTELET │ AND CO., PLACE DE LA BOURSE, PARIS; AND ALL OTHER BOOKSELLERS, NEWSMEN, &c. │ - │ 1827. 4°, in contemporary grey-green marbled boards with leather corners, back covered with cloth strip; first flyleaf inscribed “Anne Garten Jackson │ 1838”. Includes obituary of Blake in No. 552 (pp. 540-541). |
1991 | Löchle, Dieter. William Blake--Roof'd in from Eternity: Erschienen als Begleitheft zur Ausstellung vom 3. April bis zum, 25. Mai 1995 in der Universitätsbibliothek Tübingen (Tübingen: Universitätsbibliothek Tübingen, 1995) |
1992 | The Lonsdale The International Quarterly of The Romantic Six (Sydney, Australia: Vagabond Press, 1995- ) Library has Volume I, Issue IV, Volume II, Issues I-II. |
1993 | Lord, John. William Blake Private Printer (Wymondham, Melton Mowbray, Leicestershire, England: Brewhouse Press, 1972) [Brewhouse Press] Broadsheet Number Ten |
1994 | Lowery, Margaret Ruth. Windows of the Morning: A Critical Study of William Blake's Poetical Sketches, 1783 (New Haven: Yale University Press ; London: Humphrey Milford, Oxford University Press, 1940) Yale Studies in English Volume 93 |
1995 | A Petworth Posie Arranged by Lady Leconfield for the Petworth Park Fete, 5th August, 1918, in aid of the Sussex County Prisoners of War Fund (London: Burns & Oates, Limited, 1918) Includes: Lucas, E. V. (Edward Verrall) Blake at Felpham, pp. 15-18. |
1996 | Lundeen, Kathleen. Knight of the Living Dead: William Blake and the Problem of Ontology (Selinsgrove: Susquehanna University Press ; London: Associated University Presses, 2000) |
1997 | Mars Hill Audio Journal Volume 51 July/August 2001 A bimonthly audio magazine of contemporary culture & Christian conviction (Powhatan, Va. : Mars Hill Audio, 2001) 2 sound disc (106 min.) Includes: Lundin, Roger. On the Vision of William Blake (Disc 2) |
1998 | Lytton, Edward Bulwer Lytton, Baron. THE STUDENT │ A SERIES OF PAPERS, │ BY THE AUTHOR OF │ "EUGENE ARAM," "ENGLAND AND THE ENGLISH," │ &c. &c. │ [4-line motto] │ IN TWO VOLUMES. │ VOL. I[-II]. │ [Gothic:] Second Edition. │ LONDON: │ SAUNDERS AND OTLEY, CONDUIT STREET. │ 1835. In ¾ calf over blue marbled boards, spine elaborately gilt. The section referring to Blake was first published in 1830. |
M | |
1999 | Macdonald, Greville. The Sanity of William Blake With six illustrations of Blake's drawings (London: A.C. Fifield, 1908) Library has 2 copies. |
1999A | MacLean, Robert. "The methodology of night: William Blake and Edward Young's Night thoughts." Ritsumeikan Eibei Bungaku, Nos. 15 (2006) & 16 (2007), pp. 6-27, 16-38. Photocopy. |
2000 | Macve, Jennifer. The Hafod Landscape An illustrated history and guide (Pontrhydygroes, Ystrad-Meurig, Ceredigion: The Hafod Trust, 2004) |
2000A | Magno, Cettina Tramontano. “L'Imagery Poetico-Pittorica di W. Blake nei Romanzi di P. White.” L'Australia Negli Anni '80, Extracted. |
2001 | Maler Leben Werk und irhe Zeit: Abschnitt 1, Romantik und Impressionismus, Heft 15. Blake (Hamburg: Marshall Cavendish Ltd., 1984) |
2002 | Maps and Prints Aspects of the English Booktrade. Edited by Robin Myers and Michael Harris (Oxford: Oxford Polytechnic Press, 1984) Publishing Pathways |
2003 | St. James’s Church, Piccadilly (London, England) Parish Magazine, January, 1958 Includes: Margoliouth, H. M. (Herschel Maurice). "The Bicentenary of William Blake's Baptism. An Address given in St. James's Church by Mr. H.M. Margoliouth on December 11th, 1957," pp. 9-16. |
2004 | Margoliouth, H. M. (Herschel Maurice). “Blake’s Drawings for Young’s Night Thoughts.” The Review of English Studies, New Series, Volume V, Number 17 (January 1954), pp. 47-54, offprint. |
2005 | Margoliouth, H. M. (Herschel Maurice). “Blake’s Drawings for Young’s Night Thoughts.” Chapter 8 of Divine Vision, pp. 191-204, offprint. Library has 2 copies. |
2006 | Margoliouth, H. M. (Herschel Maurice). "Blake's Mr. Mathew," Notes and Queries for Readers and Writers, Collectors and Librarians, Vol. 196, No. 8 (April 14, 1951), pp. 162-163. Library copy has leaf of ms. notes by Margoliouth laid in. |
2007 | Margoliouth, H. M. (Herschel Maurice). "Blake's 'Sons of Albion'," Notes and Queries for Readers and Writers, Collectors and Librarians, Vol. 194, No. 5 (March 5, 1949), pp. 94-95. |
2008 | Margoliouth, H. M. (Herschel Maurice). "The Marriage of Blake's Parents," Notes and Queries for Readers and Writers, Collectors and Librarians, Vol. 192, No. 18 (September 6, 1947), pp. 380-381. |
2009 | Margoliouth, H. M. (Herschel Maurice). "Notes on Blake." Review of English Studies, Vol. XXIV, No. 96 (October 1948), pp. 303-316, offprint. |
2010 | Margoliouth, H. M. (Herschel Maurice). William Blake (London ; New York ; Toronto: Geoffrey Cumberlege, Oxford University Press, 1951) The Home University Library of Modern Knowledge |
2011 | Margoliouth, H. M. (Herschel Maurice). "William Blake: Historical Painter," The Studio, Vol. CLIII, No. 769 (April 1957), pp. 97-103. |
2012 | Margoliouth, H. M. (Herschel Maurice). "William Blake's Family," Notes and Queries for Readers and Writers, Collectors and Librarians, Vol. 193, No. 14 (July 10, 1948), pp. 296-298. |
2013 | Marsh of Chichester (1752-1828) Gentleman, Musician, Composer, Writer. Edited by Paul Foster (Chichester, West Sussex: University College Chichester, 2004) Otter Memorial Paper Number Nineteen |
2014 | Martin, Scott Robert. Blake & Jung Confronting the Archetypes (1992) Privately published and distributed through Ben Abraham Books. |
2015 | Matsushima, Masayuki. [Kokō no geizyutuka William Blake] ([Tōkyō : Hokuseidōshoten, 1984) |
2016 | Maunder, Samuel. [Type-set title:] THE │ BIOGRAPHICAL TREASURE. │ [Gothic:] A Dictionary │ OF │ UNIVERSAL BIOGRAPHY; │ INTENDED AS │ A COMPANION TO ‘THE TREASURY OF KNOWLEDGE.’ │ - │ BY SAMUEL MAUNDER. │ - │ LONDON: │ LONGMAN, ORME, BROWN, GREEN, & LONGMANS, │ PATERNOSTER ROW. │ - │ M.DCCC.XXXVIII [1838]. [Engraved title:] THE │ BIOGRAPHICAL TREASURY; │ CONSISTING OF │ Memoirs, Sketches, or brief Notices │ OF THE │ LIVES OF EMINENT PERSONS, │ of all Ages & Nations, │ From the earliest Periods of History │ [Gothic:] to the Present Time; │ Forming a │ New and Complete Dictionary │ OF │ UNIVERSAL BIOGRAPHY. │ The whole surrounded with Precepts & Maxims │ Original & Selected, │ - │ BY SAMUEL MAUNDER, │ AUTHOR OF │ "THE TREASURY OF KNOWLEDGE & LIBRARY OF REFERENCE" │ to which this Volume is designed as a Companion. │ - │ LONDON. │ LONGMAN, ORME, BROWN, GREEN & LONGMAN’S. │ 1838. 12°, in original frayed brown cloth, hinges splitting. At the end is a one-page advertisement for Maunder's Treasury of Knowledge, and on its versos is the colophon: "LONDON: │ PRINTED BY LEIGHTON AND MURPHY, │ Johnson's Court, Fleet Street." On the front paste-down is an octagonal ticket: "JAMES PHILIP │ Stationer; Printer; │ Bookbinder, &c. │ 29, Clare S BRISTOL", and on the front fly-leaf a piece of paper with a deleted name is pasted over an inscription. |
2017 | McCann, Timothy J. “Poems, Posters and Poll Books: Eighteenth Century Printing in Chichester.” Sussex Archaeological Collections Relating to the History and Antiquities of the County, Vol. 130 (1992), pp. 189-199, offprint. |
2018 | McFarland, Thomas. "Synecdochic Structure in Blake's Marginalia." European Romantic Review, Volume 1, Number 1 (summer 1990), pp. 75-90, photocopy. |
2019 | McGann, Jerome J. “The Aim of Blake’s Prophecies and the Uses of Blake Criticism,” pp. 3-21. Reprinted for private distribution from Blake’s Sublime Allegory: Essays on The Four Zoas, Milton, and Jerusalem, edited by Stuart Curran and Joseph Anthony Wittreich, Jr. |
2020 | McGann, Jerome J. "The Idea of an Indeterminate Text: Blake's Bible of Hell and Dr. Alexander Geddes." Studies in Romanticism, Volume 25 (Fall 1986), pp. 303-324, offprint. |
2021 | McGann, Jerome J. “Romanticism and the Embarrassments of Critical Tradition.” Modern Philology, Vol. 70, No. 3 (February 1973), pp. 243-257, offprint. |
2022 | McGill Literary Journal, Volume I, No. 1 (Spring 1979): Blake Issue |
2023 | McKenzie, D. F. (Donald Francis). "Blake's Poetical Sketches (1783)," pp. 4-8; And McKenzie, D. F. (Donald Francis). "William Allingham's Notebook of Poems by Blake," pp. 9-11, in The Turnbull Library Record, New Series, Volume I, Number 3 (March 1968) |
2024 | McMullin, B. J. “An Anatomy of the Foulis Press Duodecimo Ciceros of 1748 and 1749.” The Papers of the Bibliographical Society of America, Volume Seventy-Four (Third Quarter, 1980), pp. 177-200, offprint. |
2025 | McMullin, B. J. “The Bible and Continuous Reprinting in the Early Seventeenth Century.” The Library, Sixth Series, Vol. V, No. 3 (September 1983), pp. 256-263, offprint. |
2026 | McMullin, B. J. “The Book of Common Prayer and the Monarchy from the Restoration to the Reign of George I: Some Bibliographical Observations.” Bulletin / Bibliographical Society of Australia and New Zealand, Volume Five, Number Three (Third Quarter, 1981), pp. 81-92, offprint. |
2027 | McMullin, B. J. “The Immaculate Cicero: The Foulis Press De Officiis (1757).” The Papers of the Bibliographical Society of America, Volume Seventy-Two (Second Quarter, 1978), pp. 161-168, offprint. |
2028 | McMullin, B. J. “The Origins of Press Figures in English Printing 1629-1671.” The Library, Sixth Series, Vol. I, No. 4 (December 1979), pp. 307-335, offprint. |
2029 | McMullin, B. J. “Paper-Quality Marks and the Oxford Bible Press 1682-1717.” The Library, Sixth Series, Vol. VI, No. 1 (March 1984), pp. 39-49, offprint. |
2030 | McMullin, B. J. “The Vinegar Bible.” The Book Collector, (Spring 1984), pp. 53-65, offprint. |
2031 | Mee, Jon. Dangerous Enthusiasm: William Blake and the Culture of Radicalism in the 1790s (Oxford: Clarendon Press, 1992) |
2032 | Mee, Jon. "The 'insidious poison of secret Influence': A New Historical Context for Blake's 'The Sick Rose'." Eighteenth Century Life, Volume 22, n.s., I (February, 1998), pp. 111-122, offprint. |
2033 | Mertz, J. B. “A Contemporary Reference to William Blake in the Notebooks of Francis Douce.” Notes and Queries, Vol. 245, No. 3 (September 2000), pp. 306-308, offprint. |
2034 | Metzger, Bruce Manning. “Three Learned Printers and Their Unsung Contributions to Biblical Scholarship.” The Journal of Religion, Vol. XXXII, No. 4 (October 1952), pp. 254-262, offprint. |
2034A | Meurs, Jos van. "William Blake and His Gnostic Myths." Chapter 15 (pp. 269-309) of Gnosis and Hermeticism from Antiquity to Modern Times (Albany: State University of New York Press, 1998). Photocopy. |
2035 | Michael, Jennifer Davis. Blake and the City (Lewisburg: Bucknell University Press, 2006) |
2036 | Critical Paths: Blake and the Argument of Method. Edited by Dan Miller, Mark Bracher, and Donald Ault (Durham ; London: Duke University Press, 1987) |
2037 | Miner, Paul. "The Apprentice of Great Queen Street." Bulletin of the New York Public Library, Volume 67, Number 10 (December 1963), pp. 639-642, offprint. |
2038 | Miner, Paul. “Blake and the Sinful Arts of Forgiveness.” English Studies, Vol. 86, No. 5 (October 2005), pp. 399-423, offprint. |
2039 | Miner, Paul. "'Newton's Pantocrator'." Notes and Queries for Readers and Writers, Collectors and Librarians, Vol. 206, No. 1 (January, 1961), pp. 15-16. |
2040 | Miner, Paul. “The Polyp as a Symbol in the Poetry of William Blake.” Texas Studies in Literature and Language, Volume II, No. 2 (Summer 1960), pp. 198-205, offprint. |
2041 | Miner, Paul. "'The Tyger': Genesis & Evolution in the Poetry of William Blake." Criticism, Vol. IV, No. 1 (Winter, 1962), pp. 59-73, offprint. |
2042 | Miner, Paul. "William Blake's 'Divine Analogy'." Criticism, Vol. III, No. 1 (Winter, 1961), pp. 46-61, offprint. |
2043 | Miner, Paul. "William Blake's London Residences," Bulletin of the New York Public Library, Volume 62, Number 11 (November 1958), pp. 535-550. |
2043A | Mingei (Tōkyō-to: Nihon Mingei Kyōkai) No. 453 (September 1990) devoted to William Blake. |
2044 | Minney, Penelope. "Job's Gethsemane: Tradition and Imagination in William Blake's Illustrations for the Book of Job." Thesis (M.Litt.) – University of Durham, 1997. 2 vols. Text and Illustrations. |
2045 | Miśra, Śivaśańkara. Rise of William Blake (New Delhi, India: Mittal Publications, 1990) |
2046 | Mitchell, Adrian. Tyger: A Celebration based on the life and work of William Blake. Music by Mike Westbrook (London: Jonathan Cape, 1971) |
2047 | Mitchell, Adrian. Tyger: A Celebration of William Blake. Music by Mike Westbrook. The National Theatre at the New Theatre. First performance: 20 July 1971 (London: Published by Westby and Co. Ltd. in association with Theatreprint Ltd., 1971) Theatreprint Programme Vol. 1, No. 7 Theatre programme with "Quotes about Blake" and "Quotes by Blake". |
2048 | Mitchell, Jim. “Bible Publishing in Eighteenth-Century Britain,” Factotum Newsletter of the XVIIIth century STC, No. 20 (May 1985), pp. 11-19. |
2049 | Mitchell, W. J. Thomas. Blake's Composite Art: A Study of the Illuminated Poetry (Princeton, New Jersey: Princeton University Press, 1978) |
2050 | Blake’s Visions of the Last Judgment MLA Blake Seminar, December 28, 1975, Continental Room, Hilton Hotel, San Francisco. Discussion Leader, Morton D. Paley (Albuquerque, N.M.: Blake Newsletter, Dept. of English, University of New Mexico, [1975]) Includes: Mitchell, W. J. Thomas. Blake’s Visions of the Last Judgment: Some Problems in Intepretation, pp. [8-10]. |
2051 | Mizue A Monthly Review of the Fine Arts, Vol. 9, No. 882 (September 1978) In Japanese There are 66 plates from the Tate exhibition, many of them splendid, large, and in colour. Includes 3 essays by Tadayasu Sakai, Kozo Shioe and G.E. Bentley, Jr. (translated). |
2051A | Morgan, Paige. The minute particular in the immensity of the Internet: what Coleridge, Hartley and Blake can teach us about digital editing (Edinburgh University Press, 2009). Printout of article in electronic journal, Romanticism, Volume 15, Number 3 (Oct 2009). |
2052 | Morgan, Peter F. "Poetic Pictorial Multivalency: Milton's 'L'Allegro' and Its Illustrators." Journal of Mental Images, Volume 10, Number 2 (1986), pp. 87-102, offprint |
2053 | Morton, A. L. (Arthur Leslie). The Everlasting Gospel: A study in the sources of William Blake (London: Lawrence & Wishart, 1958) |
2054 | Motion, Andrew. Wainewright the Poisoner (London: Faber and Faber, 2000) |
2055 | Muggeridge, Malcolm. A Third Testament A modern pilgrim explores the spiritual wanderings of Augustine, Blake, Pascal, Tolstoy, Bonhoeffer, Kierkegaard, and Dostoevsky (Farmington, PA: The Plough Publishing House, 2002) |
2056 | Mullhallen, Karen. “Night Thoughts: Blake’s Iconographic Ruminations (and Iconological Revelations),” in The AnaChronist, 2001, pp. 1-18. |
2057 | Mulhallen, Karen. "'For Friendships Sake': Some Additions to Blake's Sheets for Designs to a Series of Ballads (1802)." Studies in Bibliography Papers of the Bibliographical Society of the University of Virginia, Volume Twenty-nine (1976), pp. 331-341, offprint. |