BLAKE SCHOLARSHIP AND CRITICISM
  A
1516 Ackroyd, Peter.  Blake (London:  Sinclair-Stevenson, 1995)
1517 Ackroyd, Peter.  Blake  1st Ballantine Books edition. (N.Y.:  Ballantine Books, 1997)
1517A Ackroyd's Blake [videorecording] produced and directed by David Thomas ; edited and presented by Melvyn Bragg ; a LWT Production. September 17, 1995 episode of The South Bank Show.
54 minutes.
1518 Adams, Hazard.  Blake and Yeats: The Contrary Vision (Ithaca, New York: Cornell University Press, 1955) Cornell Studies in English ; vol. 40.
1519 Adams, Hazard.  "Reading Blake's Lyrics:  'The Tyger'."  Texas Studies in Literature and Language, Vol. II, No. 1 (Spring 1960), pp. 18-37, offprint.
1520 Adams, Hazard.  William Blake:  A Reading of the Shorter Poems (Seattle:  University of Washington Press, 1963)
1521 Adlard, John.  "Mr. Blake's Fairies."  Neuphilologisches Mitteilungen, LXV, [no.] 2 (1964), pp. [144]-160, reprint.
1522 Adlard, John.  The Sports of Cruelty:  Fairies, Folk-Songs, Charms and Other Country Matters in the Work of William Blake (London: Cecil & Amelia Woolf, 1972)
1523 Allentuck, Marcia.  “Haydon’s “Christ’s Triumphant Entry Into Jerusalem”: An Unpublished Letter.” The Art Bulletin, March 1962, Volume XLIV, Number One, pp. [53]-59, reprint.
1524 Allsup, James O.  [REVIEW of] Stephen C. Behrendt, Reading William Blake, pp. 219-221.
And
Paley, Morton D.  [REVIEW of] Joseph Viscomi, Blake and the Art of the Book, pp. 198-199.
9052901818 263
In Wordsworth Circle, Volume XXV, Number 4 (Autumn 1994).
1525 Altizer, Thomas J. J. The New Apocalypse: The Radical Christian Vision of William Blake.  ([East Lansing]: Michigan State University Press, 1967).
1526 Altizer, Thomas J. J. The New Apocalypse: The Radical Christian Vision of William Blake.  (Aurora, Colorado: Davies Group Publishers, 2000) Philosophical and Cultural Studies in Religion ISBN: 1-088570-56-3
According to Altizer’s new “Afterword” (pp. 201-209), the chief changes needed in the book are taking into account (1) the “proliferating” Blake scholarship and criticism, (2) the integral relationship of “Blake’s vision and the Christian epic tradition”, and (3) the “extraordinarily complex” nature of “Blake’s relationship to Gnosticism” (pp. 201, 204).
1527 Ananda, Dharmachari.  “A Grain of Sand in Lambeth: [REVIEW of] Blake by Peter Ackroyd,” Urthona A Journal For Rousing The Imagination, Issue 5, pp. 43-46.
1528 Ankarsjö, Magnus.  Bring Me My Arrows of Desire: Gender Utopia in Blake’s The Four Zoas. (Göteborg, Sweden: Acta Universitatis Gothoburgensis, 2004) Gothenburg Studies in English ; 87.  ISBN: 9173465054
1529 Annwn, David.  Hear the Voice of the Bard! Who Present, Past, & Future Sees:  Three Cores of Bardic Attenton; the Early Bards, William Blake & Robert Duncan (Hay-on Wye [England]:  West House Books, 1995)
1530 Ansari, Asloob Ahmad.  Arrows Of Intellect: A Study In William Blake’s Gospel Of The Imagination. (Aligarh, India: Naya Kitabghar, 1965)
1531 Ansari, Asloob Ahmad.  "Blake's 'French Revolution'," Aligarh Critical Miscellany, Volume 3, Number 1 (1990), pp. 31-46.
1532 Ansari, Asloob Ahmad.  “Obituary [of Kathleen Raine]”, pp. i-x.
And
Cama, Shernaz.  Book Review [of] The Stranger from Paradise a Biography of William Blake By G.E. Bentley Jr., pp. [201]-208.
In Aligarh Critical Miscellany, Volume XIII, Number 2 (2000).
1533 Ansari, Asloob Ahmad.  William Blake's Minor Prophecies.  (Lewiston-Queenston-Lampeter:  Edwin Mellen Press, 2001)  Studies in British Literature Volume 58. ISBN:  0-7734-7432-3
Inscribed on the fly-leaf "To │ Professor G.E. Bentley │ with Compliments from │ A.A.Ansari │ 26.6.2002".
1534 Aoyama, Keiko.  “[Blake no ‘London’ ni taisuru hitotsu no Yomi no Kanosei]” (Possibility for a New Reading of Blake’s ‘London’) [Igirisu Romanha Kenkyu] (Essays in English Romanticism), No. 13 (1989), pp. 1-10, Offprint. In Japanese.
1535 Aoyama, Keiko.  “Point of view approach to Songs of Innocence and of Experience” [Gakushuin Joshi Tanki Daigaku Kiyo], XXV, 1987, Offprint.
1536 Aoyama, Keiko.  “William Blake: Prophet against the impersonal deity,” in Kritikos, 5 (July 1987), pp. 1-17.  In Japanese.
1537 Aoyama, Keiko.  "William Blake's philosophical, religious and intellectual milieu."  M.A. thesis in English at Gakushuin University, Tokyo, January 1986
1538 Aubrey, Bryan.  Watchman of Eternity:  Blake's Debt to Jacob Boehme (Lanham ; New York ; London: University Press of America, 1986)
1539 Ault, Donald D.  Narrative Unbound:  Re-Visioning William Blake's The Four Zoas.  Foreword by George Quasha. 1st ed. (Barrytown, N.Y.: Station Hill Press, 1987) The Clinamen Studies Series
1540 Ault, Donald D. [REVIEW of] Peter Otto, Constructive Vision and Visionary Deconstruction: Los, Eternity, and the Productions of Time in the Later Poetry of William Blake, pp. 212-215.
And
Fischer, Michael.  [REVIEW of] Lorraine Clark, Blake, Kierkegaard, and the Spectre of Dialectic, pp. 230-232.
And
Gay, David.  [REVIEW of] J.M.Q. Davies, Blake’s Milton Designs: The Dynamics of Meaning, pp. 210-212.
And
Viscomi, Joseph. [REVIEW of] The Counter-Arts Conspiracy: Art and Industry in the Age of Blake, pp. 205-210.
In Wordsworth Circle, Volume XXIV, Number 4 (Autumn 1993).
1541 Avens, Roberts.  Blake, Swedenborg & the Neo-Platonic Tradition.  Introduction by Dr. George F. Dole (N.Y.:  The Swedenborg Foundation [1983])
  B
1542 Baine, Rodney M.  "Blake’s Sons of Los."  Philological Quarterly, Volume LXIII (1984), pp. 239-254, offprint.
1543 Baine, Rodney M.  "Thel's Northern Gate."  Philological Quarterly, Volume LI, Number 4 (Ocotber 1972), pp. 957-961, offprint.
1544 Baine, Rodney M. and Mary R. Baine.  "Blake's 'Blossom'.", pp. 22-27.
            And
            Mulhallen, Karen G.  "William Blake's Milton Portraiture and Eighteenth Century Milton Iconography.", pp. 7-21.
In Colby Library Quarterly, Volume XIV, Number 1 (March 1978).
1545 Baine, Rodney M.  The Scattered Portions:  William Blake's Biological Symbolism. With the assistance of Mary R. Baine (Athens, Georgia:  Distributed by the Author, 1986)
1546 Baird, John D.  "Blake's Painting at the Royal Academy, 1784:  A Reference."  Notes and Queries, Vol. 238 of the continuous serise [New Series, Vol. 40]. No. 4 (December 1993), p. 458, offprint.
1547 Baker, Marcia.  If Only You Imagine!  The Wondrous World of William Blake.  Illustrated by Todd Hermann (London:  Minerva Press, 1996)
1548 Bandy, Melanie.  Mind Forg'd Manacles:  Evil in the Poetry of Blake and Shelley (University, Alabama:  University of Alabama Press, 1981)
1549 Barber, Giles.  “Books from the old world and for the new: the British international trade in books in the eighteenth century.” Studies on Voltaire and the Eighteenth Century, Volume CLI (1976), pp. 185-224, offprint.
1550 Barrett, Francis.  The Magus. With a New Introduction by Timothy d’Arch Smith (Secaucus, N.J.: The Citadel Press, 1967)
1551 Batten, Guinn. The Orphaned Imagination:  Melancholy and Commodity Culture in English Romanticism.  (Durham ; London:  Duke University Press, 1988)
            Blake is focus of Chapter 2 (pp. 72-118), "Spectral Generation in The Four Zoas:  'Indolence and Mourning Sit Hovring'."
1552 Battersea Parish Church: History and Guide Book. Fourth Edition (Dorking, Surrey: Parochial Church Council, 1975)
1553 Beer, John B.  "Blake at the Fitzwilliam.", pp. 110-113.
            And
            Bindman, David.  "William Blake and the Victorians.", pp. 113-115.
In Cambridge Review, Volume 92, Number 2200 (29 January 1971).
1554 Beer, John B.  Blake's Humanism (Manchester: Manchester University Press ; New York: Barnes & Noble Inc., 1968)
1555 Beer, John B.  Blake's Visionary Universe (Manchester: Manchester University Press ; New York: Barnes & Noble Inc., 1969)
1556 Beer, John B.  William Blake 1757-1827 (Windsor, Berkshire, England: Profile Books Ltd., 1982) Writers and their Work ; 277
1557 Behrendt, Stephen C.  The Moment of Explosion:  Blake and the Illustration of Milton (Lincoln ; London:  University of Nebraska Press, 1983)
1558 Behrendt, Stephen C.  Reading William Blake (Basingstoke ; London:  Macmillan, 1992)
1559 Blake and Swedenborg:  Opposition Is True Friendship:  The Sources of William Blake's Arts in the Writing of Emanuel Swedenborg:  An Anthology Compiled and Edited by Harvey F. Bellin and Darrell Ruhl in conjunction with George F. Dole, Tom Kieffer, and Nancy Crompton With an Introduction by George F. Dole (New York:  Swedenborg Foundation, Inc., 1985)
1559A Bentley, Gerald Eades.  “Records of Players in the Parish of St. Giles, Cripplegate.” P.M.L.A, Volume XIV, No. 3 (September, 1929), pp. 789-826, offprint.
1560 Henry E. Huntington Library and Art Gallery.  Calendar. July/August 1983 (San Marino, Calif.: The Library, 1983)
            Includes article: Bennett, Shelley M.  A Newly Discovered Blake in the Huntington, pp. 3-4.
  BENTLEY, G.E., Jr.
1561 Bentley, G. E. (Gerald Eades)  "Blake and the Antients:  A Prophet with Honour Among the Sons of God."  Huntington Library Quarterly, Volume XIV (1983), pp. 1-17, offprint.
1562 Bentley, G. E. (Gerald Eades) "Blake's Seven Golden Candlesticks and the Engraver's Craft."  Bibliographical Society of Australia and New Zealand Bulletin, Volume Thirteen, Number Three (Third Quarter, 1990), pp. 81-100, offprint.
1563 Bentley, G. E. (Gerald Eades) "The Holy Pirates: Legal Enforcement in England of the Patent in the Authorized Version of the Bible Ca. 1800."  Studies in Bibliography Papers of the Bibliographical Society of the University of Virginia, Volume Fifty (1997), pp. 372-389, reprint.
1564 Bentley, G. E. (Gerald Eades) "Laohu he gaoyang ‑‑ Wenti qianzian, da na nan suo:  'The Tyger' and 'The Lamb' ‑‑ An Introduction to W. Blake:  Easy Questions and Impossible Answers,"  Tr. Feng Guozhong.   Guo Wai Wen Xue, No. 3 (General No. 15) (1984), pp. 86‑113.  In Chinese.
1565 Bentley, G. E. (Gerald Eades) "The Spirits of Romanticism:  The Supernatural in Coleridge's 'Ancient Mariner', Wordsworth's 'Intimations Ode', and Blake's Book of Urizen."  Dibrugarh University Journal of English Studies, No. 6 (1987), pp. 19-37, offprint.
1566 Bentley, G. E. (Gerald Eades) "The Vicissitudes of Vision:  The First Account of William Blake in Russian (1834)."  Journal of the University Poona, Humanities Section, No. 43 (1978), pp. 43‑64, offprint.
The Russian [account] translated by Christine Moisan
1566A Bentley, G. E. (Gerald Eades)  “What Is the Price of Experience? William Blake and the Economics of Illuminated Painting.” University of Toronto Quarterly, Volume 68, Number 2 (Spring 1999), pp. [617]-641, offprint.
1567 Bentley, G. E. (Gerald Eades) "William Blake:  Craftsman of Eternity."  [Igirisu Romanha Kenkyu] (Essays in English Romanticism), No. 15 (1991), pp. 3-22, Offprint.
  * ** *** ** *
1568 Berger, P. (Pierre).  William Blake Poet and Mystic.  Authorized Translation from the French by Daniel H. Conner (New York, N.Y.:  Haskell House Publishers Ltd., 1968)
1569 Berry, Amanda. [REVIEW of] Christopher Z. Hobson, Blake and Homosexuality, pp. 183-184.
And
Lussier, Mark S. [REVIEW of] G. E. Bentley, Jr., The Stranger from Paradise: A Biography of William Blake, pp. 182-183.
In Wordsworth Circle, Volume XXXII, Number 4 (Autumn 2001).
1570 William Blake and the Moderns Robert J. Bertholf and Annette S. Levitt, Editors (Albany: State University of New York Press, 1982)
1571 Bhattacharya, Biswanath.  Blake’s Songs A Critical Study (Calcutta: Firma KLM Private Limited, 1980)
1572 Bidney, Martin.  Blake and Goethe Psychology, Ontology, Imagination (Columbia: University of Missouri Press, 1988)
1573 Bidwell, John.  “Joshua Gilpin and Lord Stanhope’s Improvements in Printing,” The Papers of the Bibliographical Society of America, Vol. 76, No. 2, 1982, pp. 143-158.
1574 Billigheimer, Rachel V.  Wheels of Eternity A Comparative Study of William Blake and William Butler Yeats (Dublin: Gill and Macmillan, 1990)
1575 Bindman, David.  Blake as an artist (Oxford:  Phaidon ; New York: E.P. Dutton, 1977)
1576 Reflections of Revolution:  Images of Romanticism.  Edited by Alison Yarrington and Kelvin Everest (London ; New York:  Routledge, 1993)
            Includes article: Bindman, David.  "'My own mind is my own church':  Blake, Paine and the French Revolution."  Chapter 9 (pp. 112-133).
1577 Bindman, David. "William Blake and popular religious imagery."  The Burlington Magazine,Volume CXXVIII, Number 1003, October 1986, pp. 712-718, offprint.
1578 Binyon, Laurence.  English Water-Colours. Second Edition. First Schocken Paperback Edition. Schocken Paperbacks SB218 (New York: Schocken Books, 1969)
            Chapter VII is about Blake.
1579 Binyon, Laurence.  The Followers of William Blake:  Edward Calvert, Samuel Palmer, George Richmond & their Circle (New York ; London: Benjamin Blom, 1968 [first published 1925])
1579A A │ BIOGRAPHICAL DICTIONARY │ OF THE │ LIVING AUTHORS │ OF │ GREAT BRITAIN AND IRELAND; │ COMPRISING │ [Gothic:] Literary Memoirs and Anecdotes of their Lives;  │ AND │ A CHRONOLOGICAL REGISTER OF THEIR PUBLICATIONS, │ WITH THE NUMBER OF EDITIONS PRINTED; │ INCLUDING │ NOTICES OF SOME FOREIGN WRITERS WHOSE WORKS HAVE BEEN │ OCCASIONALLY PUBLISHED IN ENGLAND. │ [Gothic:] Illustrated by │ A VARIETY OF COMMUNICATIONS │ FROM PERSONS OF THE FIRST EMINENCE IN THE │ WORLD OF LETTERS. │ = │ LONDON: │ PRINTED FOR HENRY COLBURN; │ PUBLIC LIBRARY, CONDUIT STREET, HANOVER SQUARE. │ 1816.
Small 4°, in contemporary reddish brown pebble-grain cloth, the front board pulling free.  On the front paste-down is the book-plate of G. Almack; on the verso of the first fly-leaf in oldish brown ink is "E. Almack"; and the verso of the second fly-leaf is inscribed in pencil "This volume belonged to │ Nicholls the     ".  Pp. 407-448 are a Supplement of Additions and Corrections".  The volume is stuffed with printed and manuscript notes, apparently by John Bowyer Nichols (1779-1863), for there are printed forms of J.B. Nichols & Son, Printers and Booksellers, 25 Parliament Street, Westminster (at pp. 321, 404), letters of 1838 and 1840  to J.B. Nichols (at pp. 232, 358), and a proof from the Gentleman's Magazine (at p. 249), which J.B. Nichols edited.
1580 Birenbaum, Harvey.  Between Blake and Nietzsche:  The Reality of Culture (Lewisburg:  Bucknell University Press; London ; Toronto:  Associated University Presses, 1992)
1581 Bishop, Evelyn Morchard.  Blake's Hayley:  The Life, Works, and Friendships of William Hayley (London: Victor Gollancz Ltd, 1951)
1582 Bishop, Evelyn Morchard.  “The Poet and the Attorney: The Story of a Legacy.” The Book Collector, Volume 21, No. 2, Summer 1972, pp. 245-254, offprint.
1583 Blackstone, Bernard.  English Blake (Cambridge: At the University Press, 1949)
1584 Blake & criticism (1982 : University of California, Santa Cruz)  Blake & Criticism:  Santa Cruz May 20-21-22, 1982.
            Conference proceedings.
1584A Blake Society. Meeting (1st : 1912 : Hampstead, London, England)  The First Meeting of The Blake Society:  Papers Read before The Blake Society at the First Annual Meeting, 12th August, 1912 (Olney [England]: Thomas Wright, [1913?])
            Edited by Secretary of the Society, Thomas Wright.
1584B Blake Society at St. James's.  William Blake at the Piccadilly Festival [programme] May 27 to June 7 1987 St. James's Church, Piccadilly presented by the Blake Society in association with Egon Zehnder International.
1585 Blakey, Dorothy.  The Minerva Press 1790-1820. (London: Printed for the Bibliographial Society at the University Press, Oxford, 1939 (for 1935))
1586 Romantisme Anglais et Eros.  Centre du Romantisme anglais de l'Université; de Clermont-Ferrand II, Nouvelle Série, Fascicule 14 ([Clermont-Ferrand]: Association des publications de la Faculté des lettres et sciences humaines de Clermont-Ferrand,1982)
Includes 2 articles:  Blondel, Jacques.  L’Éros Blakien, pp. 7-16.
And
Piquet, Francois.  Quelques Aspects de l'Éros chez Blake, pp. 17-28.
1587 Blondel, Jacques.  William Blake Émerveillement et Profanation (Paris: Lettres modernes, 1968) Archives des Lettres Modernes ; no 95. Archives Anglo-Américaines ; no 13.
1588 Bloom, Harold.  Blake’s Apocalypse A Study in Poetic Argument (London: Victor Gollancz Ltd., 1963)
1589 Bloom, Harold.  "Blake's Jerusalem:  The Bard of Sensibility and the Form of Prophecy."  Eighteenth-Century Studies, Volume 4, Number 1 (Fall 1970), pp. 6-20.
1590 William Blake Edited with an introduction by Harold Bloom. Modern Critical Views (New York: Chelsea House Publishers, 1985)
1592 Blunt, Anthony.  The Art of William Blake  Bampton Lectures in America ; no. 12 (Morningside Heights, New York: Columbia University Press, 1959)
1593 Blunt, Anthony.  Wiriamu Bureiku no Geijutsu [The Art of William Blake].  Translated by Koichi Okazaki (Tokyo: Shobun-sha, 1982)
1594 Boas, Louise Schutz.  “Thomas Taylor, Platonist (1758-1835), at the Society of Arts.” Journal of the Royal Society of Arts, Aug., Sept., Oct., 1967, pp. 743-746, 818-823, 901-905, offprint.
1595 Bogan, James.  Blake On A Bike Following the Footsteps of Los’ Epic Ramble in Jerusalem (199-?)
1596 Bogan, James.  “Blake’s City of Golgonooza in Jerusalem: Metaphor and Mandala,” Colby Library Quarterly, Volume XVII, Number 2 (June 1981), pp. 85-98.
1597 Bogan, James.  "From Hackwork to Prophetic Vision:  Blake's Delineation of the Laocoon Group,"  Publications of the Arkansas Philological Association, Volume VI, Number 1 (Spring 1980), pp. 33-51.
            Library copy disbound from journal.
1598 Bogan, James.  "A Guidebook to William Blake's Jerusalem."  Kansas Ph.D., 1979.
1599 Sparks of Fire Blake in a New Age. Edited by James Bogan & Fred Goss. (Richmond, California: North Atlantic Books, 1982)
1600 Württembergisches Staatsorchester.  4. Sinfoniekonzert 1983/84 [Programmheft] (Stuttgart: Württembergischen Staatstheater, 1983)
            Programme for the performance of William Bolcom's Lieder der Unschuld und Erfahrung Musikalische Illumination von William Blakes “Songs of Innocence and of Experience”, January 8-9, 1984.  Includes all 55 plates of copy T reproduced in colour from the 1975 facsimile, and all the poems are translated by W. Wilhelm.
1601 The Book Collector, Volume 28, No. 1 (Spring 1979)
            Issue almost entirely devoted to William Blake and Samuel Palmer.
1602 Borkowska, Ewa.  "Iconography and Iconology:  A Study of William Blake's Illuminated Poetry."  Kwartalnik Neofilologiczny, Volume XXXIII, No. 2 (1986), pp. 165-174, offprint.
1603 Boston, Noel.  Dereham Parish Church A Pictorial Guide (East Dereham, England: St. Nicholas Church, 196-?)
1604 William Blake:  Songs of Innocence and Experience:  A Casebook. Edited by Margaret Bottrall (London:  Macmillan, 1970)
Small excerpts from writings by Blake. B.H. Malkin, Crabb Robinson, S.T. Coleridge, Charles Lamb, John Linnell, Allan Cunningham, Caroline Bowles, Robert Southey, Anon. (?C.A. Tulke), Frederick Tatham, J.J. Garth Wilkinson, Edward Quillinan (pp. 25-54) plus somewhat more substantial fragments (those before 1920 untitled).
1605 Bowden, Betsy.  “Canterbury Pilgrims and Their Horses in the Eighteenth Century.” Harvard Library Bulletin, New Series, Volume 3, Number 4 (Winter 1992-1993), pp. 18-34, offprint.
1606 Bowden, Betsy.  “Transportation to Canterbury: The Rival Envisionings by Stothard and Blake.” Studies in Medievalism, Volume XI (2001), pp. [73]-111, Extracted (spiral bound).
1607 Bracher, Mark.  Being Form’d Thinking Through Blake’s Milton. Clinamen Studies(Barrytown, New York: Station Hill Press, 1985)
1608 Bronowski, Jacob.  William Blake, 1757-1827:  A Man Without a Mask. [Revised Edition]. Pelican Books, A317 (Harmondsworth, Middlesex: Penguin Books, 1954)
1609 Bruce, Harold Lawton.  William Blake in This  World (New York: Harcourt, Brace and Company, 1925)
1610 Bruder, Helen P.  William Blake and the Daughters of Albion.  (Houndmills, Basingstoke, Hampshire ; London: Macmillan Press Ltd. ; New York, N.Y.:  St. Martin's Press, Inc., 1997)
1611 Women Reading William Blake Edited by Helen P. Bruder.  (Houndmills, Basingstoke, Hampshire ; New York, N.Y.: Palgrave Macmillan, 2007)
1612 New York Public Library. Bulletin of the New York Public Library, Volume 85, Number 2 (Summer 1982). Three essays on Blake.
1613 Burdett, Osbert.  William Blake (London: Macmillan and Co., Limited, 1926)  English Men of Letters
1614 Burness, Edwina.  “Reviews” [of] William Blake (The Oxford Authors) edited by Michael Mason ... A Blake dictionary: the ideas and symbols of William Blake by S. Foster Damon, Revised edition ... Blake records supplement edited by G.E. Bentley Jr. ... Blake's heroic argument by David Fuller.  English Studies, Volume 71, Number 5 (October 1990), pp. 455-462, Offprint.
1615 Burns, Robert.  RELIQUES │ OF │ ROBERT BURNS; │ CONSISTING CHIEFLY OF │ ORIGINAL LETTERS, POEMS,│ AND │ CRITICAL OBSERVATIONS │ ON │ SCOTTISH SONGS. │ - │ COLLECTED AND PUBLISHED BY │ R.H. CROMEK. │ - │ [5-line motto] │ = │ LONDON: │ PRINTED BY J. M'CREERY, │ FOR T. CADELL, AND W. DAVIES, STRAND. │ - │ 1808.
1616 Burwick, Frederick. Poetic Madness and the Romantic Imagination (University Park:  The Pennsylvania State University Press, 1996)
            Includes: "Blake and the Blighted Corn."  Chapter 6 (pp. 180-200).
1617 Buryn, Ed.  The William Blake Tarot of the Creative Imagination.  Created by Ed. Buryn.  Based on the Works of William Blake.  Edited by Mary K. Greer (London:  Thorsons, 1995)
            Book + 80 tarot cards in box.
1618 Buryn, Ed.  William Blake Tarot Triumphs:  Interpretive Book.  (Nevada City, California:  T.A.R.O.T.:  Tools And Rites of Transformation, December 1991)
1619 Butlin, Martin.  The Blake Collection of Mrs. William T. Tonner,  Bulletin (Philadelphia Museum of Art), Volume LXVII, Number 307, July-September 1972 (Philadelphia, Pa.: Philadelphia Museum of Art, 1972)
1620 Butlin, Martin.  “Blake’s ‘God Judging Adam’ rediscovered.”  Burlington Magazine, Volume 107, Number 743 (February 1965), pp. 86-89, offprint.
  C
1621 Cama, Shernaz.  “Book review [of] William Blake's minor prophecies by A.A. Ansari,”The Aligarh Critical Miscellany,  Volume 14, Number 1 (2001), pp. [99]-104.
1622 Cantor, Paul A. (Paul Arthur) Creature and Creator:  Myth-making and English Romanticism. Cambridge Paperback Library (Cambridge ; London ; New York ; New Rochelle ; Melbourne ; Sydney: Cambridge University Press, 1985, c1984) First paperback edition.
Part One: Paradise Lost and Paradise Regained, pp. 29-74 – Talks about Blake.
1623 Carey, William.  CRITICAL DESCRIPTION │ OF THE │ PROCESSION │ OF │ CHAUCER'S PILGRIMS │ TO │ CANTERBURY, │ PAINTED BY │ THOMAS STOTHARD, ESQ. R.A. │ RESPECTFULLY ADDRESSED, BY PERMISSION, │ TO │ JOHN LEIGH PHILIPS, ESQ. │ - │ "I have known many gentlemen, in whom the wish to see │ nothing but beauties in the Ancients, was accompanied │ by something like a resolution to discover nothing in the │ Moderns but defects."--Page 45. │ - │ BY WILLIAM CAREY. │ = │ LONDON, │ PUBLISHED BY T. CADELL AND W. DAVIES, FOR │ R.H. CROMEK, 64, NEWMAN-STREET. │ 1808. │ PRICE TWO SHILLINGS.
8°. In early 19th century boards with new leather back and corners. The title page is inscribed "To Sir John S Aubyn, with the Author's respects", and, below the printed name of the author "35 Marylebone Street.  Piccadilly, London".  The facing fly leaf has miscellaneous pencil notes, as does the first fly leaf, which has at the top in ink "J.H.A. │ 11 Jany 57", and the front paste-down has an ornamental book-plate with "A", presumably for Sir John Aubyn (1758-1839), Opie's patron. Bound in at end Victoria University Library copy has six leaves of writings by or related to William Carey extracted from unidentified works. The writings include: two pages of correspondence between John Bird and William Carey; a letter from W. Roscoe to Robert Butler, Printer, Blackburne, dated 1st. December, 1805; poems by William Carey entitled: Maria, or, The mother's dirge: the eve before the funeral; Maria, or, The mother's dirge: the departure; Maria, or, The father's recollections; and an address spoken by W. Carey to the Chichester Volunteers and printed in the Chester Chronicle.
Bound with:
Carey, William.  LETTER │ TO │ I*** A*****, ESQ. │ A │ CONNOISSEUR, │ IN │ LONDON, │ BY WILLIAM CAREY. │ = │ PRINTED FOR PRIVATE DISTRIBUTION IN AN AMATEUR CIRCLE. │ = │ MANCHESTER, │ Printed by R. & W. Dean, 33, Market-streeet-lane. │ - │ 1809.
4°, This is the set given to John St Aubyn, who is surely the I*** A***** of the title.  At the top of the title page in old brown ink is:  "There are many & amusing anecdotes of British artists with some good critical remarks in this especially upon Wilson & Wright [of Derby]".  There are incidental MS marks in the text.
And
Carey, William.  [Gothic:] Cursory Thoughts, │ ON THE │ PRESENT STATE │ OF │ THE FINE ARTS; │ occasioned │ BY THE FOUNDING │ OF THE │ LIVERPOOL ACADEMY; │ RESPECTFULLY ADDRESSED │ (by Permission) │ To THOMAS WALKER, Esq. │ OF LEEDS, │ PRESIDENT OF THE NORTHERN SOCIETY, FOR THE │ ENCOURAGEMENT OF THE ARTS. │ - │ BY WILLIAM CAREY. │ [Quotation from p. 48] │ - │ LIVERPOOL, │ PRINTED BY JAMES SMITH; │ Published by W. Robinson, and T. Kaye, Booksellers, Castle-street; │ J. Peeling, Church-street; E. Willan, Bold-street; │ And, in LONDON, │ By T. Dodd, Printseller, 101, St. Martin's Lane, and the other Book │ and Printsellers. │ - │ Price 2s. 6d.
Dedication dated 1810.
1624 Carey, William.  CRITICAL DESCRIPTION │ OF THE │ PROCESSION │ OF │ CHAUCER'S PILGRIMS │ TO │ CANTERBURY, │ PAINTED BY │ THOMAS STOTHARD, ESQ. R.A. │ RESPECTFULLY ADDRESSED, BY PERMISSION, │ TO │ GENERAL DOWDESWELL. │ - │ SECOND EDITION WITH ADDITIONS: │ - │ "I have known many gentlemen, in whom the wish to see │ nothing but beauties in the Ancients, was accompanied │ by something like a resolution to discover nothing in the │ Moderns but defects."--Page 45. 1ST. Edition.│ - │ BY WILLIAM CAREY. │ = │ LONDON: │ PUBLISHED AT 35, MARY-LA-BONNE STREET, │ PICCADILLY. │ 1818. │ PRICE THREE SHILLINGS.
8°, bound at the beginning is an 8-page group of printed "Documents" printed by "Clarke, Printer, Dublin", chiefly letters and testimonials (1809-1823) in defence of Carey, including the letter of December 1820 signed by Blake and others first given in Carey's Variae (1822). Inscribed on the title page:  "To William Becher Esq. M.P. with the Author's respects │ Cork. Augt. 19. 1823".
1625 Cernuda, Luis.  Pensamiento poético en la lírica inglesa del siglo XIX.  2a ediciόn. Neometrόpolis ; 5 ([Madrid]: Tecnos ; Alianza Editorial, 2002)
1626 Chambers, Leslie.  "Two Background Articles:  A.  Law and Swedenborg.  B.  Blake and Swedenborg," New Church Magazine, Volume 96, Number 679 (Summer 1977), pp. 35-48.
1627 Chang, Ŭn-myŏng.  "William Blake ŭi si e nat’anan sigong ŭi segye wa yŏngwŏn."  Doctoral Dissertation (Kyŏngsang-pukto: Yŏngnam Taehakkyo, 1987).  In Korean, with an English abstract.
1627A Chatto, William Andrew.  A TREATISE │ ON │ WOOD ENGRAVING, │ HISTORICAL AND PRACTICAL. │ - │ WITH UPWARDS OF THREE HUNDRED ILLUSTRATIONS, │ ENGRAVED ON WOOD, │ BY JOHN JACKSON. │ LONDON: │ CHARLES KNIGHT AND CO. LUDGATE STREET. │ 1839.
8°, bound in contemporary brownish-Red morocco, both boards off.  Colophon on title page verso:  "LONDON: PRINTED BY SAMUEL BENTLEY, Bangor House, Shoe Lane."  Fly-leaf signed in pencil:  "M.S. Slocum │ Pasadena".
1628 Chatwin, Deryn.  Notes on Blake's Poetry (London: Methuen Paperbacks Ltd., 1979)  Methuen Notes Study-Aid Series
1629 Chesterton, G. K. (Gilbert Keith)  William Blake (London: Duckworth & Co., 1920 [first edition 1910]) The Popular Library of Art
1630 New Romanticisms:  Theory and Critical Practice.  Edited by David L. Clark and Donald C. Goellnicht.  (Toronto ; Buffalo ; London:  University of Toronto Press, 1994)  Theory/Culture
            Includes “Against Theological Technology: Blake’s ‘Equivocal Worlds’” by David L. Clark, pp. 164-222.
1631 Clark, Kenneth.  The Romantic Rebellion:  Romantic versus Classic Art (Don Mills, Ontario: Longman Canada Limited, 1973)
            "Blake."  Chapter 6 (pp. 146-176)
1631A Clark, Lorna.  [REVIEW of] Keith Maslen, An Early London Printing House at Work: Studies in the Bowyer Ledgers, pp. 411-415 of Text An Interdisciplinary Annual of Textual Studies, [Vol.] 10, offprint.
1632 Clark, Lorraine.  Blake, Kierkegaard, and the Spectre of Dialectic (Cambridge ; New York ; Port Chester ; Melbourne ; Sydney: Cambridge University Press, 1991)
1633 Clark, Stephanie Brown.  “Behaviour, Biology and William Blake: the History of a Paradigm Shift,” Humane Medicine, Volume 9, Number 3 (July 1993), pp. 189-200.
1634 Blake in the Nineties. Edited by Steve Clark and David Worrall (Houndmills, Basingstoke, Hampshire:  Macmillan Press Ltd ; New York, N.Y.: St. Martin’s Press, Inc., 1999)
1635 Blake, Nation and Empire. Edited by Steve Clark and David Worrall (Houndmills, Basingstoke, Hampshire ; New York, N.Y.: Palgrave Macmillan, 2006)
1636 The Reception of Blake in the Orient. Edited by Steve Clark and Masashi Suzuki (London ; New York: Continuum, 2006) Continuum Reception Studies Series
1637 Clarke, John Henry.  From Copernicus to William Blake (Folcroft, Pa.: The Folcroft Press, Inc., 1969)
First published 1928 by Hermes Press, Holborn, England.
1638 Clarke, John Henry.  The God of Shelley and Blake (New York: Haskell House, 1966)
First published 1930 by J.M. Watkins, London, England.
1639 Clarke, John Henry.  William Blake (1757-1827) on The Lord's Prayer (New York, N.Y.: Haskell House Publishers Ltd., 1971)
First published 1927.
1640 Clutton-Brock, Alan.  Blake (London: Duckworth, 1933) Great Lives
1641 Colby Library Quarterly, Volume XIII, Number 2 (June 1977):  Special Issue on William Blake
            Library has 2 copies.
1642 Cole, William.  "An Unknown Fragment by William Blake:  Text, Discovery, and Interpretation."  Modern Philology, Volume 96, Number 4 (May 1999), pp. 485-497, offprint
1643 Imagining Romanticism:  Essays on English and Australian Romanticisms. Edited by Deirdre Coleman and Peter Otto (West Cornwall, CT:  Locust Hill Press, 1992) Locust Hill Literary Studies No. 10.
Three essays on Blake.
1644 Comfort, Alex.  Tetrarch (Boulder: Shambhala, 1980)
An erotic novel based on Blake.
1645 Connolly, Thomas E. and George R. Levine.  “Pictorial and Poetic Design in Two Songs of Innocence,” Publications of the Modern Language Association of America, Volume LXXXII, Number 2 (May 1967), pp. 257-264.
1645A Cooper, Robin.  “William Blake & the Buddha,” Urthona: Arts and Buddhism, Issue 14 (Spring 2000), pp. 36-38.
1646 Corti, Claudia.  Il primo Blake:  Testo e sistema (Ravenna:  Longo Editore, 1980) Il portico bibliotheca di lettere ed arti ; 70
1647 Cowie, Leonard W.  “Holy Thursday and Charity Schools,” History Today, Volume XXVII, Number 8, August 1977, pp. 513-519.
1648 Cox, Judy.  William Blake, Flagelo de tiranos Traducciόn: Gemma Galdόn ([Matarό]: El Viejo Topo, 2004) Retratos del Viejo Topo. Spanish.
            Translation of: William Blake, the scourge of tyrants.
1649 Cox, Stephen D.  Love and Logic The Evolution of Blake’s Thought (Ann Arbor: The University of Michigan Press, 1992)
1650 Crafton, Lisa Plummer.  “Blake’s Swinish Multitude: The Response to Burke in Blake’s The French Revolution,” Friend (Ridgewood, N.J.), Volume II, Number 1 (April 1993), pp. 1-12.
1650A Crawford, David Lindsay, Earl of.  Blake Memorial in St. Paul’s Cathedral by Henry Poole, R.A. ([London], 1927)
            Includes the address given by Lord Crawford at the July 6, 1927 unveiling ceremony for the Blake Memorial designed by Henry Poole.
1651 Crehan, Stewart.  Blake in Context (Dublin: Gill and Macmillan ; Atlantic Highlands, N.J.: Humanities Press, 1984)
1652 El Critico: Revista Mensual de Literatura Critica, Segunda Época, Año I, No 2 (Noviembre 2002) This issue devoted entirely to Blake.
This curious publication is a 14-page  accordion fold-out with one essay running parallel to and above another across two or more pages.
1652A Crosby, Mark Christopher. "William Hayley's Benevolent Gift: The Triumphs of Temper," in The Bodleian Library Record, Volume 22, Number 1 (April 2009), pp. 101-108.
1652B Crosby, Mark Christopher. "William Blake in Westminster Abbey, 1774-1777," in The Bodleian Library Record, Volume 22, Number 2 (October 2009), pp. 162-180.
1652C Crosby, Mark Christopher. "Sparks of fire": William Blake in Felpham, 1800-1803. 2 vols. Thesis (D.Phil)--University of Oxford, 2008.
1653 Csikós, Dóra Janzer. “Four Mighty Ones Are in Every Man”: The Development of the Fourfold in Blake.   (Budapest:  Akadémiai Kiadó; Distributed by International Specialized Book Services, Portland, Oregon, 2003) Philosophiae Doctores [No. 15] ISBN: 9630579367
1654 Csikós, Dóra Janzer.  “Is He the Divine Image? Blake’s Luvah and Vala,” The AnaChronist, 1996, pp. 162-184.
1655 Csikós, Dóra Janzer.  “Narrative Techniques in The Four Zoas,” The AnaChronist, 1997, pp. 29-38.
1656 Cunningham, Allan.  [Engraved title, all but the imprint within a very elaborate scroll border:]  ALLAN CUNNINGHAM'S │ GALLERY │ OF │ PICTURES │ BY THE FIRST MASTERS │ of the │ ENGLISH AND FOREIGN SCHOOLS │ LONDON │ GEORGE VIRTUE, IVY LANE
[Type-set title:]  THE │ GALLERY OF PICTURES │ BY │ THE FIRST MASTERS │ OF │ THE ENGLISH AND FOREIGN SCHOOLS, │ WITH │ BIOGRAPHICAL AND CRITICAL DISSERTATIONS │ BY │ ALLAN CUNNINGHAM. │ VOL. I[-II]. │ - │ LONDON: │ GEORGE VIRTUE, IVY LANE [1836?].
4°, in ¾ calf over brown marbled boards, the hinges perishing; on the second fly-leaf is the signature of "Lady G S Stanley".  It was first published as The Cabinet Gallery of Pictures (1833-1834).
1657 Cunningham, Allan.  THE LIVES │ OF │ THE MOST EMINENT │ BRITISH │ PAINTERS, SCULPTORS, │ AND │ ARCHITECTS. │ - │ BY ALLAN CUNNINGHAM. │ - │ [In Vol. I only:] THREE VOLUMES. │ VOL. I[-VI]. │ LONDON: │ JOHN MURRAY, ALBEMARLE STREET │ [Vol. I:] MDCCCXXIX [1829] [Vol. II & III: MDCCCXXX (1830)] [Vol. IV:  MDCCCXXXI (1831)] [Vol. V: MDCCCXXXII (1832)] [Vol. VI: MDCCCXXXIII (1833)].
8°, in uniform neat contemporary ¾ calf over brown and orange marbled boards with similar paste-downs and end-papers.  Vol. I fly-leaf inscribed in old brown ink "Fanny Sterry[?] │ 1857"; beneath it in pencil is "Frances Holden │ 1905"; and beneath it in new brown in is "GE Bentley Jr │ Oxford │ May 7, 1956"
            Library has vols. 1, 3-4, & 6 only.
1658 Cunningham, Allan.  THE LIVES │ OF │ THE MOST EMINENT │ BRITISH │ PAINTERS, SCULPTORS, │ AND │ ARCHITECTS. │ - │ BY ALLAN CUNNINGHAM. │ VOL. I[-VI]. │ THE SECOND EDITION. │ LONDON: │ JOHN MURRAY, ALBEMARLE STREET [Vol. V adds: AND │ SOLD BY THOMAS TEGG AND SON, CHEAPSIDE.]. │ [Vols. I-III:] MDCCCXXX [1830] [Vol. IV:  MDCCCXXXI (1831)] [Vol. V: MDCCCXXXVII (1837)] [Vol. VI: MDCCCXXXVIII (1838)].
            Library has vols. 2 & 5 only. Vol. II includes biography and engraved portrait of William Blake, pp. 140-179.
1659 Blake's Sublime Allegory:  Essays on The Four Zoas, Milton, Jerusalem Edited by Stuart Curran and Joseph Anthony Wittreich, Jr. (Madison:  University of Wisconsin Press, 1973)
  D
1660 Damon, S. Foster (Samuel Foster)  A Blake Dictionary:  The Ideas and Symbols of William Blake.  Revised Edition with a new foreword and annotated bibliography by Morris Eaves (Hanover ; London: Published for Brown University Press by University Press of New England, 1988)
1661 Damon, S. Foster (Samuel Foster)  “How I Came to Discover Blake,” Faith and Freedom, Volume 9, Part III, Number 27 (Summer 1956), pp. [137]-144.
1662 Damon, S. Foster (Samuel Foster)  A Note on the Discovery of a New Page of Poetry in William Blake's Milton (Folcroft: Folcroft Library Editions, 1972)
1663 Damon, S. Foster (Samuel Foster)  "S. Foster Damon (1893-1971):  Selections from his Personal Journal edited by Catherine Brown,"  Books at Brown, Volume XXVIII (1981), pp. 1-57, offprint.
1664 Damon, S. Foster (Samuel Foster)  William Blake, His Philosophy and Symbols (London ; Bombay ; Sydney: Constable and Company Ltd, 1924)
1665 Damrosch, Leopold.  Symbol and Truth in Blake's Myth (Princeton, New Jersey:  Princeton University Press, 1980)
1666 Davies, J. M. Q.  Blake's Milton Designs:  The Dynamics of Meaning (West Cornwall, CT:  Locust Hill Press, 1993) Locust Hill Literary Studies No. 7
1667 Davies, Peter.  William Blake (London:  Greenwich Exchange, 1996)  Greenwich Exchange Student guide
1668 Davis, Michael Justin.  William Blake:  A new kind of man (London: Paul Elek, 1977)
1669 Day, Aidan  Romanticism (London ; New York:  Routledge, 1996) The New Critical Idiom
Pp. 17-26 refer to Blake.
1670 Deen, Leonard W.  Conversing in Paradise:  Poetic Genius and Identity-as-Community in Blake's Los (Columbia ; London:  University of Missouri Press, 1983)
1671 De Groot, H. B.  "The Ouroboros and the Romantic Poets:  A Renaissance Emblem in Blake, Coleridge and Shelley."  English Studies, [Vol.] L, [No.] 6,  (December 1969). Reprint.
1672 De Groot, H. B.  [REVIEW of] Blake in the Nineteenth Century: His Reputation as a Poet from Gilchrist to Yeats. By Deborah Dorfman … [and] Blake Records. By G. E. Bentley, Jr. …, English Studies, Volume 54, Number 4 (August 1973), pp. 398-400, offprint.
1673 De Groot, H. B.  [REVIEW of] Angel of Apocalypse. Blake’s Idea of Milton. [By] Joseph Anthony Wittreich, Jr. …, English Studies, Volume 60, Number 5 (October 1979), pp. 670-672, offprint.
1674 De Luca, V. A.  "Ariston’s Immortal Palace: Icon and Allegory in Blake’s Prophecies."  Criticism, Vol. XII, No. 1 (Winter, 1970), offprint.
1675 De Luca, V. A.  Words of Eternity:  Blake and the Poetics of the Sublime (Princeton, New Jersey:  Princeton University Press, 1991)
1676 Dendy, Walter Cooper.  ON THE │ PHENOMENA OF │ DREAMS, │ AND OTHER │ [Gothic:] TRANSIENT ILLUSIONS. │ BY │ WALTER C. DENDY, │ MEMBER OF THE ROYAL COLLEGE OF SURGEONS IN LONDON; │ FELLOW AND HONORARY SECRETARY OF THE MEDICAL │ SOCIETY OF LONDON; │ SURGEON TO THE ROYAL │ INFIRMARY FOR THE DISEASES OF │ CHILDREN, &c. &c. │ - │ LONDON: │ WHITTAKER, TREACHER & Co. │ AVE-MARIA-LANE. │ - │ 1832.
Bound in original brown cloth over buff boards.
1677 De Selincourt, Basil.  William Blake (New York:  Cooper Square Publishers, Inc., 1971)
1678 Dhar, Subir.  Burning Bright: William Blake and the Poetry of Imagination.  (Kolkata (Calcutta) India: G.J. Book Society, 2001)
1679 Dibdin, Thomas Frognall.  THE │ Library Companion; │ OR, │ THE YOUNG MAN'S GUIDE, │ AND │ THE OLD MAN'S COMFORT, │ IN THE │ CHOICE OF A LIBRARY. │ - │ BY THE │ REV. T. F. DIBDIN, F.R.S., A.S. │ [Vignette inscribed: BOOK OPENETH BOOK. │ LONDON:  PRINTED FOR │ HARDING, TRIPHOOK, AND LEPARD, FINSBURY-SQUARE; │ AND J. MAJOR, FLEET-STREET. │ MDCCCXXIV [1824].
First edition, ordinary paper issue.
1680 Dibdin, Thomas Frognall.  THE │ Library Companion; │ OR, │ THE YOUNG MAN'S GUIDE, │ AND │ THE OLD MAN'S COMFORT, │ IN THE │ CHOICE OF A LIBRARY. │ - │ BY THE │ REV. T. F. DIBDIN, M.A., F.R.S., │ Member of the Academies of Rouen and Utrecht. │ - │ SECOND EDITION. │ [Vignette inscribed: BOOK OPENETH BOOK. │ LONDON:  PRINTED FOR │ HARDING, TRIPHOOK, AND LEPARD, FINSBURY-SQUARE; │ AND J. MAJOR, FLEET-STREET. │ MDCCCXXV [1825].
1681 Dickinson, Kate Letitia.  William Blake's Anticipation of the Individualistic Revolution (Folcroft, Pa.: The Folcroft Press, Inc., 1969)
            Originally presented as the author's thesis, New York University, 1915.
1682 Dilworth, Thomas.  "The Hands of Milton:  Blake's Multistable Image of Self-Annihilation."  Mosaic, Volume XIV, Number 3 (Summer 1983), pp. [11]-27, Offprint.
1683 DiSalvo, Jackie.  War of Titans:  Blake's Critique of Milton and the Politics of Religion (Pittsburgh: University of Pittsburgh Press, 1983)
1684 Dominik, Mark.  Black Suns & Moons In Works of Daniel Andreev, William Blake, & Stanislav Grof (Beaverton, Oregon: Mark Dominik, 2000)
1685 Dorfman, Deborah.  Blake in the Nineteenth Century:  His Reputation as a Poet From Gilchrist to Yeats (New Haven ; London:  Yale University Press, 1969) Yale Studies in English Volume 170
1686 Dörrbecker, Detlef W.  "Separatdruck der Artikel zu Catherine, Robert und William Blake," pp. 353-366 of Allgemeines Künstler-Lexikon:  Die Bildenden Künstler aller Zeiten und Völker, Band 11 Bīklār - Bobrov (München-Leipzig:  K.G. Saur, 1995), offprint
1687 Dörrbecker, Detlef W.  Konvention und Innovation:  Eigenes und Entliehenes in der Bildform bei William Blake und in der britischen Kunst seiner Zeit.  (Berlin:  Kommissionsvertrieb Wasmuth Buchhandlung und Antiquariat, 1992)
1688 Dörrbecker, Detlef W.  “Schriftbilder und Bildzeichen. William Blakes Experimente.” Paragrana. Beiheft 1 (2005), pp. [41]-70, offprint.
            2 copies.
1689 Dörrbecker, Detlef W.  “The Song of Los: The Munich Copy and a New Attempt to Understand Blake’s Images,” extracted from Huntington Library Quarterly, Volume 52 (1989), pp. 43-73.
1690 Dörrbecker, Detlef W.  "That Man Be Separate from Man:  Überlegungen zu einer Zeichnung William Blakes."  Jahrbuch der Hamburger Kunstsammlungen, Band 22 (1977), pp. 101-126, offprint.
1691 Dortort, Fred.  The Dialectic of Vision:  A Contrary Reading of William Blake's Jerusalem.  Foreword by Donald Ault.  (Barrytown, New York:  Station Hill Arts, 1998)  The Clinamen Studies Series
1692 Dortort, Fred.  The Dialectic of Vision:  A Contrary Reading of William Blake's Jerusalem.  Foreword by Donald Ault.  ([Barrytown, New York]:  Station Hill Arts, [1998])
            “Galley” proof. Incomplete. 
1693 Doskow, Minna.  William Blake's JERUSALEM:  Structure and Meaning in Poetry and Picture (Rutherford ; Madison ; Teaneck: Fairleigh Dickinson University Press ; London ; Toronto: Associated University Presses, 1982)
1694 Dotson, Esther Gordon.  Shakespeare Illustrated, 1770-1820 (Ann Arbor, Michigan, U.S.A. ; London, England: University Microfilms International, 1978)
            Microfilm-xerography reprint of a dissertation produced in 1973.
1695 Drake, Dee.  Searing Apparent Surfaces: Infernal Females in Four Early Works of William Blake (Stockholm, Sweden: Almquist & Wiksell International, 2000) Acta Universitatis Stockholmiensis = Stockholm Studies in English ; XC
1695A Drechsler, Maximiliane. "Geister und Damonen aus dem Jenseits: William Blakes 'Pitt' und 'Nelson'", pp. 103-107, 178-179 of Zwischen Kunst und Kommerz. Munchen : Deutscher Kunsterverlag, 1996. Photocopy.
1696 Dumbaugh, Winnifred.  William Blake's Vision of America (Pacific Grove, California: The Boxwood Press, 1971)
1697 Dunbar, Pamela.  William Blake's Illustrations to the Poetry of Milton (Oxford: Clarendon Press, 1980)