C
935 THE │ CABINET OF GENIUS │ CONTAINING │ FRONTISPIECES and CHARACTERS │ adapted to │ the most POPULAR POEMS. &c. │ with the Poems &c at large. │ [Vignette] │ L O N D O N, │ Printed for C. Taylor N°. 10 near Castle Street, Holborn. │ 1787.
4°, originally two volumes Victoria University Library's copy consists of one volume of various numbers from volumes 1 and 2 and the supplementary numbers, miscellanies and landscapes with their corresponding plates.  The illustration for Pope's Daphne's tomb (No. XIII) is lacking.  The plate for Sterne's Maria (No. IV) is lacking, replaced by an original pencil drawing in an unknown hand. Lacks all preliminary paging and content notes. These volumes are illustrated with ninety-five fine stipple-engraved plates executed by Charles Taylor and John Ogborne mostly after designs by Samuel Shelley and Robert Smirke.
936 CALLIOPE │ a Selection of │ Ballads. │ LEGENDARY & PATHETIC. │ [Vignette, R.Cooke-A. Smith] │ LONDON. │ Published by Suttaby, Evance, & Fox, Stationers Court. │ & Baldwin, Craddock, & Joy, Paternoster Row. │ 1816. │ C. Corrall, Printer.
12°, in contemporary calf, gilt; on the title page are the  initials of E.H.L. Preface is dated 1807.
937 Campbell, Thomas.  THE │ PLEASURES OF HOPE; │ WITH OTHER │ POEMS. │ BY THOMAS CAMPBELL. │ = │ THE FOURTH EDITION, │ Corrected and Enlarged. │ = │ GLASGOW: │ AT THE UNIVERSITY PRESS, │ Printed by J. Mundell, Ayton Court, │ FOR MUNDELL AND SON, EDINBURGH, │ AND FOR LONGMAN AND REES, AND J. WRIGHT, LONDON. │ - │ 1800.
8°, bound in reddish-brown mottled calf, gilt, with grey marbled endpapers. There are four plates, three engraved by Neagle (2) and Heath (1), after designs by Burney.
938 Campbell, Thomas.  THE │ PLEASURES OF HOPE; │ WITH OTHER │ POEMS. │ BY THOMAS CAMPBELL. │ = │ THE SIXTH EDITION, │ Corrected and Enlarged. │ = │ EDINBURGH: │ PRINTED FOR MUNDELL & SON, │ AND FOR LONGMAN & REES, AND J. WRIGHT, LONDON. │ - │ 1802.
8°, bound in contemporary full polished calf. There are four plates engraved by Fittler (2) and Heath (2), after designs by Burney. At the end, continuously paginated, is a 20-page list of "BOOKS PRINTED FOR AND SOLD BY MUNDELL & SON, EDINBURGH, AND LONGMAN & REES, LONDON".
939 Campbell, Thomas.  THE │ PLEASURES OF HOPE, │ WITH │ OTHER POEMS. │ By THOMAS CAMPBELL. │ - │ The ninth edition. │ - │ EDINBURGH: │ PRINTED FOR MUNDELL & SON; │ AND FOR LONGMAN, HURST, REES, & ORME, AND THOMAS │ OSTELL, AVE-MARIA LANE, LONDON. │ - │ 1806.
8°. There are four plates engraved by Fittler (2) and Heath (2), after designs by Burney.
940 Carew, Thomas.  POEMS, │ SONGS, │ AND │ SONNETS: │ TOGETHER WITH A │ MASQUE. │ - │ By THOMAS CAREW, Esq; │ One of the Gentlemen of the Privy-Chamber, and │ Sewer in Ordinary to King Charles I. │ -  │ A NEW EDITION.  = │ LONDON: │ Printed for T. DAVIES, in Russel Street, │ Covent-Garden. │ M DCC LXXII [1772].
8°, in speckled calf, black marbled end-papers, crested book-plate of William Stevenson Owen, Judge, top left corner of fly-leaf verso has orange binder’s ticket: "Bound by │ C. KALTHOEBER, │ London".
  * ** *** ** *
  CAREY, William P.
941 Carey, William P.  THE NATIONAL OBSTACLE TO THE │ NATIONAL PUBLIC STYLE CONSIDERED. │ - │ OBSERVATIONS │ ON THE │ PROBABLE DECLINE OR EXTINCTION │ OF │ [Gothic:] British Historical Painting, │ FROM THE EFFECTS OF THE │ CHURCH EXCLUSION OF PAINTINGS. │ - │ RESPECTFULLY ADDRESSED TO │ HIS MAJESTY, │ AND TO THE RIGHT HONOURABLE AND HONOURABLE THE │ MEMBERS OF BOTH HOUSES OF PARLIAMENT: │ BY WILLIAM CAREY, │ HONORARY CORRESPONDENT OF THE ROYAL INSTITUTE OF FRANCE; │ HONORARY MEMBER OF THE ROYAL IRISH INSTITUTION │ FOR THE PROMOTION OF THE FINE ARTS; │ AND │ HONORARY MEMBER OF THE ROYAL CORK SOCIETY OF ARTS. │ - │ GRATUITOUS. │ - │ [Gothic:] London: │ PRINTED BY HOWLETT AND BRIMMER, FRITH STREET, SOHO. │ 1825.       
8°, in the original buff boards with a new leather spine.  Inscribed on the title page "Presented to the Revd Edward Edwards, King's Lynn Norfolk, with the author's best respects".
Bound with:
Carey, William.  PATRONAGE OF IRISH GENIUS. │ - │ TWO LETTERS, │ SHEWING THE UTTER │ UNFITNESS, INUTILITY, AND PUBLIC DISCREDIT │ OF │ ERECTING A BRIDGE OVER THE LIFFEY, │ BETWEEN THE │ Phœnix Park and the Royal Hospital, │ AS THE │ NATIONAL TESTIMONIAL │ OF │ HIS MAJESTY'S MOST GRACIOUS VISIT TO IRELAND, │ AUGUST THE 12th, 1821: │ ALSO, PROVING THE │ WISDOM, HONOR, and PERMANENT PUBLIC ADVANTAGE │ OF ERECTING A │ [Gothic:] National Gallery; │ FOR THE │ ENCOURAGEMENT OF THE FINE ARTS, │ UNDER THE │ Protection of the Royal Irish Institution, │ AS THE │ [Gothic:] Most Noble and Imperishable Testimony of Irish Gratitude, │ FOR THAT SIGNAL TOKEN OF │ OUR BELOVED SOVEREIGN, │ GEORGE THE FOURTH'S │ Personal Goodness to this Country. │ - │ C**** │ - │ [Quotation from the post-script] │ - │ SECOND EDITION. │ - │ - │ DUBLIN: │ BY HIS MAJESTY'S PRINTERS. │ 1823.
            And
            Royal Irish Institution for Promoting the Fine Arts.  TENTH │ ANNUAL REPORT │ OF THE │ COMMITTEE OF DIRECTORS │ OF THE │ [Gothic:] Royal Irish Institution. │ READ AT THE │ GENERAL MEETING │ OF │ MEMBERS OF THE INSTITUTION, │ THURSDAY, 24TH JUNE, 1824. │ = │ DUBLIN: │ PRINTED BY A. O’NEIL, │ At the Minerva Printing-Office, 17, Chancery-Lane. │ - │ 1824.
And
            Carey, William.  THIRTY YEARS’ FACTS │ AGAINST │ ONE REVIEWER’S OPINION, │ IN THE YEAR 1818; │ BEING │ AN AMICABLE ANTIDOTE, │ PROVING │ THE UTILITY OF THE PRESS, │ AS AN │ ADVOCATE OF BRITISH GENIUS—A VINDICATOR OF │ MODERN ART—AND A SUCCESSFUL OPPONENT │ OF │ ANTI-CONTEMPORARIAN PREJUDICE. │ - │ [Quotes from three reviews contained within] │ - │ GRATUITOUS. │ Printed for Private Distribution in an Amateur Circle. │ - DEC. 1825. (Howlett and Brimmer, Printers)
                                                               * ** *** ** *
942 Cartwright, F. D. (Frances Dorothy).  "The Oak in Penshurst Park" beneath an engraving of it signed "WB del Nov 16th 1809."
An engraving 21.1 x 32.8 cm, perhaps by Frances Dorothy Cartwright (1780-1863).  Extracted from a copy of Hayley's Romney (1809).  It was described, reproduced, and disassociated from William Blake in "Blakewell", Blake:  An Illustrated Quarterly, XIII:3 (1980), 152.
943 Cary, John.  CARY’S │ NEW and CORRECT │ ENGLISH ATLAS: │ BEING │ A New Set of County Maps │ FROM │ ACTUAL SURVEYS. │ EXHIBITING │ All the Direct & principal Cross Roads, Cities, Towns, and most considerable Villages, Parks, Rivers, │ NAVIGABLE CANALS &C. │ Preceded by a General MAP of South Britain, │ SHEWING │ The Connexion of one Map with another. │ ALSO │ A General Description of each County, │ AND │ Directions for the junction of the Roads from one County to │ ANOTHER. │ - │ LONDON: │ Printed for JOHN CARY, Engraver & Map-seller, N°. 181, near Norfolk Street, Strand. │ Published as the Act directs Jany. 1st. 1793 [i.e. 1804 or 1805]..
Date of publication is uncertain. Title-page is dated 1793.  Maps are dated variously 1787 to 1795.  However paper is watermarked, SMITH/1801, SMITH/1802 or simply 1804. Library copy has armorial bookplate of “T.D. Bland Esquire, Kippax Park.”
944 Catullus, Gaius Valerius.  CATULLUS │ TIBULLUS │ PROPERTIUS │ CUM GALLI FRAGMENTIS │ ET PERVIGILIO VENERIS │ PRÆMITTITUR NOTITIA LITERARIA │ STUDIIS SOCIETATIS BIPONTINÆ │ [Vignette] │ EDITIO ACCURATA │ - │ BIPONTI │ EX TYPOGRAPHIA SOCIETATIS │ MDCCLXXXIII [1783; the "M" formed by C, I, and backwards C, the D formed by I and backwards C]
8°. Rebound in white vellum, gilt with an elaborate crowned crest on each panel and the motto "TENTANDA VIA EST" and, at the bottom, "NEWSTEAD ABBEY".  It was issued in one volume; this set, with orange marbled end-papers, is interleaved and bound in three volumes. Library has volumes I and III (i.e. lacks p. 99-170).
945 Centlivre, Susanna.  THE BUSY BODY. │ A │ COMEDY. │ = │ BY MRS. CENTLIVRE. │ = │ ADAPTED FOR │ THEATRICAL REPRESENTATION, │ AS PERFORMED AT THE │ THEATRES-ROYAL, │ DRURY-LANE, AND COVENT-GARDEN. │ = │ REGULATED FROM THE PROMPT-BOOKS, │ By Permission of the Managers. │ = │ “The Lines distinguished by inverted Commas, are omitted in the Representation.” │ And those printed in Italics are the additions of the Theatres. │ = │ LONDON: │ = │ Printed for the Proprietors, under the Direction of │ JOHN BELL, [Gothic:] British Library, STRAND, │ Bookseller to His Royal Highness the Prince of Wales. │ - │ M DCC XCI [1791].
            Bound with:
            Congreve, William.  LOVE FOR LOVE.. │ A │ COMEDY. │ = │ BY WILLIAM CONGREVE, ESQ. │ = │ ADAPTED FOR │ THEATRICAL REPRESENTATION, │ AS PERFORMED AT THE │ THEATRES-ROYAL, │ DRURY-LANE, AND COVENT-GARDEN. │ = │ REGULATED FROM THE PROMPT-BOOKS, │ By Permission of the Managers. │ = │ “The Lines distinguished by inverted Commas, are omitted in the Representation.” │ = │ LONDON: │ = │ Printed for the Proprietors, under the Direction of │ JOHN BELL, [Gothic:] British Library, STRAND, │ Bookseller to His Royal Highness the Prince of Wales. │ - │ M DCC XCI [1791].
            And
            Cibber, Colley.  LOVE MAKES A MAN; │ OR, THE │ FOP’S FORTUNE. │  A │ COMEDY. │ = │ BY COLLEY CIBBER, ESQ. │ = │ ADAPTED FOR │ THEATRICAL REPRESENTATION, │ AS PERFORMED AT THE │ THEATRES-ROYAL, │ DRURY-LANE, AND COVENT-GARDEN. │ = │ REGULATED FROM THE PROMPT-BOOKS, │ By Permission of the Managers. │ = │ “The Lines distinguished by inverted Commas, are omitted in the Representation.” │ = │ LONDON: │ = │ Printed for the Proprietors, under the Direction of │ JOHN BELL, [Gothic:] British Library, STRAND, │ Bookseller to His Royal Highness the Prince of Wales. │ - │ M DCC XCI [1791].
            And
            Cumberland, Richard.  THE BROTHERS. │ = │ A │ COMEDY, │ BY RICHARD CUMBERLAND, ESQ. │ = │ ADAPTED FOR │ THEATRICAL REPRESENTATION, │ AS PERFORMED AT THE │ THEATRES-ROYAL, │ DRURY-LANE, AND COVENT-GARDEN. │ = │ REGULATED FROM THE PROMPT-BOOKS, │ By Permission of the Managers. │ = │ “The Lines distinguished by inverted Commas, are omitted in the Representation.” │ = │ LONDON: │ = │ Printed for the Proprietors, under the Direction of │ JOHN BELL, [Gothic:] British Library, STRAND, │ Bookseller to His Royal Highness the PRINCE of WALES. │ - │ M DCC XCII [1792].
946 Cervantes Saavedra, Miguel de.  THE │ LIFE AND EXPLOITS │ Of the Ingenious GENTLEMAN │ DON QUIXOTE │ DE LA MANCHA. │ Translated from the ORIGINAL SPANISH of │ MIGUEL CERVANTES DE SAAVEDRA. │ BY CHARLES JARVIS, Esq. │ - │ THIRD EDITION. │ - │ IN TWO VOLUMES. │ VOLUME THE FIRST [SECOND]. │ = │ LONDON: │ Printed for J. and R. TONSON and S. DRAPER, in the Strand, and R. and J. DODSLEY in Pall-Mall. │ - │ MDCCLVI [1756].
4°, 2 vols.  The title pages are inscribed H.C. Mangin and M Saxjhameslesse[?] H Bitancetrs[?] 1770. There are 69 plates mostly designed by Jno. Vanderbank and engraved by Gerrd  Vandergucht (or Vander Gucht).
947 Cervantes Saavedra, Miguel de.  DON QUIXOTE │ DE LA MANCHA. │ TRANSLATED │ FROM THE SPANISH │ OF │ MIGUEL DE CERVANTES │ SAAVEDRA. │ EMBELLISHED │ WITH ENGRAVINGS FROM PICTURES │ PAINTED BY │ ROBERT SMIRKE, ESQ. R.A. │ IN FOUR VOLUMES. │ VOL. I[-IV]. │ LONDON: │ PRINTED FOR │ T. CADELL AND W. DAVIES, STRAND; │ BY W. BULMER AND CO. CLEVELAND-ROW, ST. JAMES’S. │ 1818.
8°. There are 24 slight, not very interesting vignettes and 25 highly finished, quite appropriate, and rather fine full-page plates.
948 Chalmers, Alexander. A │ HISTORY │ OF THE │ COLLEGES, HALLS, │ AND │ PUBLIC BUILDINGS, │ ATTACHED TO THE │ UNIVERSITY OF OXFORD, │ INCLUDING THE │ LIVES OF THE FOUNDERS. │ - │ BY │ ALEX. CHALMERS, F.S.A. │ - │ [ILLUSTRATED BY A SERIES OF ENGRAVINGS] │ - │ OXFORD, │ PRINTED BY COLLINGWOOD AND CO. │ For J. COOKE and J. PARKER, Oxford; and Messrs. LONGMAN, HURST, │ REES, and ORME, London. │ 1810.
2 vols., 8°. Paper boards and contemporary canvas back but no plates (they should be Storer & Greig). Illustration statement erased from title-pages. Lacking added engraved title-page.
949 Chaucer, Geoffrey. THE │ CANTERBURY TALES │ OF │ CHAUCER. │ TO WHICH ARE ADDED │ AN ESSAY │ ON HIS │ LANGUAGE AND VERSIFICATION, │ AND AN │ INTRODUCTORY DISCOURSE │ TOGETHER WITH │ NOTES AND A GLOSSARY. │ = │ BY THE LATE │ THOMAS TYRWHITT, ESQ. F.R.S. │ = │ THE SECOND EDITION. │ - │ Vol. I [II]. │ - │ OXFORD: │ AT THE CLARENDON PRESS. MDCCXCVIII [1798].
2 vols., 4°. In contemporary blue boards and paper spine and label, in excellent condition, with the book-plate of William Thompson of Clements Essex and Weymouth. Frontispiece portrait of Tyrwhitt engraved by James Heath.
950 Churchill, Charles.   POEMS. │ BY │ C. CHURCHILL. │ [Vol. 1:] CONTAINING │[2 columns; column 1:] THE ROSCIAD. │ THE APOLOGY. │ NIGHT. │ THE PROPHECY OF │ FAMINE. │ [Column 2:] AN EPISTLE TO │ WILLIAM HOGARTH. │ AND │ THE GHOST, IN │ FOUR BOOKS. [End of columns] │ - │ THE SECOND EDITION. │ = │ LONDON: │ PRINTED FOR JOHN CHURCHILL, │ (Executor to the late C. CHURCHILL) and │ Sold by W. FLEXNEY, near Grey's – Inn - Gate, Holborn. │ M DCC LXV [1765].
            4°, in full calf, gilt. Vol. I only. Poems consecutively paginated.
            Bound with:
            Churchill, Charles.  POEMS. │ BY │ C. CHURCHILL. │ [Vol. 2:] CONTAINING │[2 columns; column 1:] THE CONFERENCE. │ THE AUTHOR. │ THE DUELLIST. │ GOTHAM, IN THREE │ BOOKS. │ THE CANDIDATE. │ [Column 2:] THE FAREWELL. │ THE TIMES. │ INDEPENDENCE. │ AND │ FRAGMENT OF │ JOURNEY. [End of columns] │ VOLUME II. │  LONDON: │ Printed for JOHN CHURCHILL, (Executor to the late C. CHURCHILL) and │ W. FLEXNEY, near Gray’s-Inn-Gate, Holborn. │ MDCCLXV [1765].
Folio, in full calf, gilt.  Vol. I published in 1763 with imprint: London :  Printed for the author by D. Leach  The poems in Vol. II are individually paginated, with separate registers.  The last page of text is signed in old brown ink "J. Churchill".
951 Cibber, Colley.  SHE WOU’D AND SHE WOU’D NOT, │ OR, │ THE KIND IMPOSTOR. │ = │  A │ COMEDY, │ BY COLLEY CIBBER, ESQ. │ = │ ADAPTED FOR │ THEATRICAL REPRESENTATION, │ AS PERFORMED AT THE │ THEATRES-ROYAL, │ DRURY-LANE AND COVENT-GARDEN. │ = │ REGULATED FROM THE PROMPT-BOOKS, │ By Permission of the Managers. │ = │ “The Lines distinguished by inverted Commas, are omitted in the Representation.” │ = │ LONDON: │ = │ Printed for the Proprietors, under the Direction of │ JOHN BELL, [Gothic:] British-Library, STRAND, │ Bookseller to His Royal Highness the PRINCE of WALES. │ - │ M DCC XCII [1792].
Bound with:
            Cibber, Colley.  THE DOUBLE GALLANT; │ OR, │ THE SICK LADY’S CURE. │ = │ A │ COMEDY, │ BY COLLEY CIBBER, ESQ. │ = │ ADAPTED FOR │ THEATRICAL REPRESENTATION, │ AS PERFORMED AT THE │ THEATRES-ROYAL, │ DRURY-LANE AND COVENT-GARDEN. │ = │ REGULATED FROM THE PROMPT-BOOKS, │ By Permission of the Managers. │ = │ “The Lines distinguished by inverted Commas, are omitted in the Representation.” │ = │ LONDON: │ = │ Printed for the Proprietors, under the Direction of │ JOHN BELL, [Gothic:] British-Library, STRAND, │ Bookseller to His Royal Highness the PRINCE of WALES. │ - │ M DCC XCII [1792].
And
            Colman, George and David Garrick. THE │ CLANDESTINE MARRIAGE. │  A │ COMEDY, │ BY G. COLMAN AND D. GARRICK, ESQRS. │ = │ ADAPTED FOR │ THEATRICAL REPRESENTATION, │ AS PERFORMED AT THE │ THEATRES-ROYAL, │ DRURY-LANE AND COVENT-GARDEN. │ = │ REGULATED FROM THE PROMPT-BOOKS, │ By Permission of the Managers. │ = │ “The Lines distinguished by inverted Commas, are omitted in the Representation.” │ = │ LONDON: │ = │ Printed for the Proprietors, under the Direction of │ JOHN BELL, [Gothic:] British-Library, STRAND, │ Bookseller to His Royal Highness the PRINCE of WALES. │ - │ M DCC XCII [1792].
            And
            Cumberland, Richard.  THE │ CHOLERIC MAN. │ - │ A │ COMEDY, │ BY RICHARD CUMBERLAND, ESQ. │ = │ ADAPTED FOR │ THEATRICAL REPRESENTATION, │ AS PERFORMED AT THE │ THEATRES-ROYAL, │ DRURY-LANE AND COVENT-GARDEN. │ = │ REGULATED FROM THE PROMPT-BOOKS, │ By Permission of the Managers. │ = │ “The Lines distinguished by inverted Commas, are omitted in the Representation.” │ = │ LONDON: │ = │ Printed for the Proprietors, under the Direction of │ JOHN BELL, [Gothic:] British Library, STRAND, │ Bookseller to His Royal Highness the PRINCE of WALES. │ - │ M DCC XCIII [1793].
952 Clarke, H.  The Occurrances │ Accidents & Cassualties [sic] │ of │ [Letters following a winding track down the middle of the page:] A Voyage to and from Bengal commencing June 6th 1827 ending August 9 1828".
8°, in unlettered sound vellum.  230 numbered pages, but there are blanks at front and in the middle, and there are other MS on unnumbered pages.  WATERMARK: BATH 1825.  There is a sketch of a hill-side village. It is dedicated by H. Clarke to John Waters, Gent, of Tewkesbury, Gloucestershire.  Poems are interspersed and at the end.  He sails on the H.C. ship Thomas Grenville, Captain Shea.
953 Coleridge, Samuel Taylor.  Biographia Literaria or Biographical Sketches of My Literary Life and Opinions. Edited with an Introduction by George Watson. New Edition. (London: J.M. Dent & Sons Ltd. ; New York: E.P. Dutton & Co., Inc., 1956)
954 Coleridge, Samuel Taylor.  CHRISTABEL: │ - │ KUBLA KHAN, │ A VISION; │ - │ THE PAINS OF SLEEP. │ - │ BY │ S.T. COLERIDGE, ESQ. │ - │ LONDON: │ = │ PRINTED FOR JOHN MURRAY, ALBEMARLE-STREET, │ BY WILLIAM BULMER AND CO. CLEVELAND-ROW, │ ST. JAMES'S. │ 1816.
8°. Bound in old ¾ leather over marbled boards. The title page is inscribed in pencil "John Cleghorn │ 1838".
955 Coleridge, Samuel Taylor.  Coleridge’s Writings On Shakespeare: A Selection Of The Essays, Notes And Lectures Of Samuel Taylor Coleridge On The Poems And Plays Of Shakespeare.  Newly Edited and Arranged by Terence Hawkes … With an Introduction by Alfred Harbage … (New York: Capricorn Books, 1959) A Putnam Capricorn Book ; CAP 11.
956 Coleridge, Samuel Taylor. The Collected Works of Samuel Taylor Coleridge. Vol. 8:  Lectures 1818-1819:  On the History of Philosophy.  Edited by J.R. de J. Jackson.  (Princeton:  Princeton University Press, 2000)  Bollingen Series LXXV
8°, 2 vols., in undecorated dust-jackets. Inscribed by editor.
957 Coleridge, Samuel Taylor.  THE POETICAL │ AND DRAMATIC WORKS OF │ S. T. COLERIDGE │ [Vignette] │ VOL I[-III] │ LONDON │ WILLIAM PICKERING │ 1844.
8°, 3 vols., lacking half-titles.
958 Coleridge, Samuel Taylor.  The Poems Of Samuel Taylor Coleridge Including Poems And Versions Of Poems Herein Published For The First Time, Edited With Textual And Bibliographical Notes By Ernest Hartley Coleridge. (London ; New York ; Toronto: Oxford University Press, 1957)
959 Coleridge, Samuel Taylor.  SYBYLLINE LEAVES: │ A │ [Gothic:] Collection of Poems. │ - │ BY │ S.T. COLERIDGE, ESQ. │ - │ LONDON: │ REST FENNER, 23, PATERNOSTER ROW. │ - │ 1817.
8°. "Bound by Hennington, Ingram Court, Fenchurch St.", lacking the half-title.
960 Coleridge, Samuel Taylor.  Collected Letters Of Samuel Taylor Coleridge. Edited by Earl Leslie Griggs. (Oxford: At the Clarendon Press, 1956-1971)
            6 vols.
961 Coleridge The Critical Heritage. Edited by J.R. de J. Jackson. (London: Routledge & Kegan Paul, 1970) The Critical Heritage Series.
            Volume 1
961A De Groot, H. B.  [REVIEW of] Coleridge and the Pantheist Tradition. By Thomas McFarland …, English Studies, Volume 54, Number 6 (December 1973), pp. 600-602, offprint.
961B Paley, Morton D.  “Coleridge and the Annuals,” extracted from Huntington Library Quarterly, Volume 57 (1994), pp. 1-24.
961C Paley, Morton D.  “Coleridge’s Limbo Constellation,” Studies in Romanticism, Volume 34 (Summer 1995), pp. 189-209, offprint.
962 Paley, Morton D.  Coleridge’s Later Poetry. (Oxford: Clarendon Press, 1996)
962A A │ COLLECTION OF ADDRESSES │ TRANSMITTED BY CERTAIN │ ENGLISH CLUBS AND SOCIETIES │ TO THE │ NATIONAL CONVENTION OF FRANCE; │ THE DECREE OF THE EXECUTIVE COUNCIL RESPECTING THE SCHELDT; │ AND │ EXTRACTS FROM SEVERAL TREATIES, RESPECTING THE NAVIGATION │ OF THAT RIVER; │ AND ALSO, │ CERTAIN DECREES OF THE NATIONAL CONVENTION; │ LE BRUN'S REPORT; │ THE SPEECHES OF M.M. CAMBON, DUPONT, AND KERSAINT. │ WITH│ SEVERAL OTHER INTERESTING PAPERS, │ TENDING CHIEFLY TO SHEW THE GENERAL VIEWS OF FRANCE WITH RESPECT TO THIS AND │ OTHER COUNTRIES. │ TO WHICH ARE ADDED, │ EXTRACTS FROM THE SEDITIOUS RESOLUTIONS OF THE ENGLISH SOCIETIES; │ A LIST OF THOSE SOCIETIES. │ = │ LONDON: │ PRINTED FOR J. DEBRETT, PICCADILLY. │ - │ 1793.
Small folio, stabbed in original much tattered printed paper wrappers adding "[PRICE TWO SHILLINGS.]"
963 Collins, William.  THE │ POETICAL WORKS │ OF │ MR.. WILLIAM COLLINS: │ WITH A │ PREFATORY ESSAY. │ BY MRS. BARBAULD. │ = │ LONDON: │ PRINTED FOR T. CADELL, JUN. AND W. DAVIES, │ IN THE STRAND, │ BY W. FLINT, OLD BAILEY. │ = │ 1802.
8°, in sound polished and gilt brown calf. The 4 Stothard plates include 1 engraved by I. Parker; they bear the imprint of Cadell & Davies, 1 September 1797.
964 Collins, William.  THE │ POETICAL WORKS │ OF │ WILLIAM COLLINS; │ WITH THE │ COMMENTARY OF LANGHORNE. │ TO WHICH IS PREFIXED, │ SOME ACCOUNT OF THE LIFE OF COLLINS, │ WRITTEN BY │ DR. JOHNSON.│ - │ EMBELLISHED WITH ENGRAVINGS, │ FROM THE DESIGNS OF │ RICHARD WESTALL, ESQ. R.A. │ = │ LONDON: │ PRINTED BY CHARLES WHITTINGHAM, │ Dean Street: │ FOR JOHN SHARPE, OPPOSITE YORK HOUSE, PICCADILLY. │ - │ 1804.
8°, parchment(?) spine over old pike paste-boards, with, in MS on the spine, "Collins │ Poems".  There are 4 plates published December 1802 by John Sharp designed by Richard Westall and Henry Howard and engraved by, inter alia, Louis Schiavonetti and James Parker.
965 [Commonplace book of poems, stories, drawings, etc.]
It contains charades, poems, stories, 12 amusing drawings, and the like.  Appears to be late 18th-century, with the long "s".
8°, in sound vellum with 18th century marbled end-papers.  WATERMARK:  Horizontal chain lines with a crowned crest over GR.
965A Conder, Josiah.  EGYPT, NUBIA, AND ABYSSINIA. │ VOL. [I]-II. │ - │ LONDON: │ PRINTED FOR JAMES DUNCAN; │ OLIVER AND BOYD, EDINBURGH; M. OGLE, GLASGOW; │ AND R. M. TIMS, DUBLIN. │ 1827.
[At head of title-page is series title:] THE │ MODERN TRAVELLER. │ A │ POPULAR DESCRIPTION, │ GEOGRAPHICAL, HISTORICAL, AND TOPOGRAPHICAL, │ OF THE │ VARIOUS COUNTRIES OF THE GLOBE. │ - │
            Library has vol. II only.  Volume lacks fifth plate.
966 Congreve, William.  THE │ MOURNING BRIDE. │  A │ TRAGEDY. │ = │ BY MR. CONGREVE. │ = │ ADAPTED FOR │ THEATRICAL REPRESENTATION, │ AS PERFORMED AT THE │ THEATRES-ROYAL │ DRURY-LANE AND COVENT-GARDEN. │ = │ REGULATED FROM THE PROMPT-BOOKS, │ By Permission of the Managers. │ = │ “The Lines distinguished by inverted Commas, are omitted in the Representation.” │ = │ LONDON: │ = │ Printed for the Proprietors, under the Direction of │ JOHN BELL, [Gothic:] British-Library, STRAND, │ Bookseller to His Royal Highness the PRINCE of WALES. │ - │ M DCC XCI [1791].
Bound with:
Otway, Thomas.  THE │ ORPHAN; │ OR, THE │ UNHAPPY MARRIAGE. │ A │ TRAGEDY. │ = │ BY THOMAS OTWAY. │ = │ ADAPTED FOR │ THEATRICAL REPRESENTATION, │ AS PERFORMED AT THE │ THEATRES-ROYAL, │ DRURY-LANE AND COVENT-GARDEN. │ = │ REGULATED FROM THE PROMPT-BOOKS, │ By Permission of the Managers. │ = │ “The Lines distinguished by inverted Commas, are omitted in the Representation.” │ = │ LONDON: │ = │ Printed for the Proprietors, under the Direction of │ JOHN BELL, [Gothic:] British Library, STRAND, │ Bookseller to His Royal Highness the Prince of Wales. │ - │ M DCC XCI [1791].
            And
            Banks, John. THE │ ALBION QUEENS; │ OR, THE DEATH OF │ MARY QUEEN OF SCOTS. │  A │ TRAGEDY. │ BY JOHN BANKS. │ = │ ADAPTED FOR │ THEATRICAL REPRESENTATION, │ AS PERFORMED AT THE │ THEATRES-ROYAL, │ DRURY-LANE AND COVENT-GARDEN. │ = │ REGULATED FROM THE PROMPT-BOOKS, │ By Permission of the Managers. │ = │ “The Lines distinguished by inverted Commas, are omitted in the Representation.” │ = │ LONDON: │ = │ Printed for the Proprietors, under the Direction of │ JOHN BELL, [Gothic:] British-Library, STRAND, │ Bookseller to His Royal Highness the Prince of Wales. │ - │ M DCC XCI [1791].
And
            Addison, Joseph. CATO. │ A │ TRAGEDY, │ = │ BY JOSEPH ADDISON, ESQ. │ = │ ADAPTED FOR │ THEATRICAL REPRESENTATION, │ AS PERFORMED AT THE │ THEATRES-ROYAL, │ DRURY-LANE AND COVENT-GARDEN. │ = │ REGULATED FROM THE PROMPT-BOOKS, │ By Permission of the Managers. │ = │ “The Lines distinguished by inverted Commas, are omitted in the Representation.” │ = │ LONDON: │ = │ Printed for the Proprietors, under the Direction of │ JOHN BELL, [Gothic:] British Library, STRAND, │ Bookseller to His Royal Highness the Prince of Wales. │ - │ M DCC XCI [1791].
966D Connoisseur.  HARRISON'S EDITION. │ - │ THE │ CONNOISSEUR. │ BY MR. TOWN, │ CRITIC AND CENSOR-GENERAL. │ IN FOUR VOLUMES. │ [3-line motto from] │ HOR.│ [JH monogram] │ LONDON: │ Printed for HARRISON and Co. No 18, Paternoster-Row. │ M DCC LXXXVIII [1788].
4°, 4 volumes in one in sound dappled ½ calf with spine labels over grey marbled boards, uniform with the other works from HARRISON'S EDITION.  On the front paste-down is a printed eagle-emblem with "IN DOMINO CON FIDO", and on the facing page (now loose) is written "J. Knyston │ 29th Sept. 1805.  There are 7 oval plates designed by E.F. Burney (1), Corbould (5), and Smirke (1).
967 Cook, James.  A │ VOYAGE │ TO THE │ PACIFIC OCEAN; │ Undertaken by Command of his MAJESTY, │ FOR MAKING │ DISCOVERIES │ IN THE │ NORTHERN HEMISPHERE: │ Performed under the Direction of │ Captains COOK, CLERKE, and GORE, │ In the Years 1776, 1777, 1778, 1779, and 1780. │ Being a copious, comprehensive and satisfactory Abridgement of the │ VOYAGE │ WRITTEN BY │ Captain JAMES COOK, F.R.S. │ AND │ Captain JAMES KING, LL.D. and F.R.S. │ Illustrated with CUTS. │ In FOUR VOLUMES. │ VOL. I. │ [Initial vignette] │ LONDON: │ Printed for JOHN FIELDING, Pater-noster-Row. │ MDCCLXXXV [1785].
[VOL. II-IV] … │ LONDON: │ PRINTED FOR JOHN STOCKDALE, SCATCHERD AND │ WHITAKER, JOHN FIELDING, AND JOHN HARDY. │ MDCCLXXXIV [1784].
8° , in 4 vols.
968 Copleston, Edward.  ADVICE │ TO A │ YOUNG REVIEWER, │ WITH A │ SPECIMEN OF THE ART. │ - │ OXFORD, │ SOLD BY J. PARKER, AND J. COOKE; │ AND BY │ F.C. AND J. RIVINGTON, ST. PAUL'S CHURCH YARD, LONDON. │ 1807.
In the original dirty buff paper wrappers; on the recto of the cover in old brown ink are "K-- 6-- [Sundries? del]" and "Advice to a Young Reviewer"; on the title page are "H -- 6 -- Sundries" and "By Mr Coppleston".
969 Cowley, Mrs. (Hannah).  THE │ BELLE'S STRATAGEM, │ A │ COMEDY, │ AS ACTED AT THE │ THEATRE-ROYAL │ IN │ COVENT-GARDEN. │ - │ By Mrs. COWLEY. │ = │ LONDON: │ Printed for T. CADELL, in the Strand. │ 1782.
4°. Lacks covers.
  * ** *** ** *
  COWPER, William
970 Cowper, William.  POEMS │ BY │ WILLIAM COWPER, │ OF THE INNER TEMPLE, ESQ. │ IN TWO VOLUMES. │ VOL. I[-II]. │ [4 lines of Virgil in Latin and in English in vol. I] │ = │ A NEW EDITION. │ = │ LONDON: │ PRINTED FOR J. JOHNSON, ST. PAUL'S │ CHURCH-YARD. │ - │ 1798.
8°, in full calf.  At the end is an advertisement for Cowper's translation of The Iliad and The Odyssey.  On each title page is "M.A. Archbald" and below it "Mary Wadron[?] Archbald Caelin[?]".
There are 10 poorly-coloured plates after Stothard dated 1 Feb 1798.
971 Cowper, William.  POEMS │ BY │ WILLIAM COWPER, │ OF THE INNER TEMPLE, ESQ. │ IN TWO VOLUMES. │ VOL. I[-II]. │ [4 lines of Virgil in Latin and in English in vol. I] │ = │ A NEW EDITION. │ = │ LONDON: │ PRINTED FOR J. JOHNSON, ST. PAUL'S CHURCH YARD, │ BY T. BENSLEY, BOLT COURT, FLEET STREET. │ =  │ 1800.
Demy 8°.  There are 10 plates after Stothard.
972 Cowper, William.  POEMS │ BY │ WILLIAM COWPER, │ OF THE INNER TEMPLE, ESQ. │ = │ IN TWO VOLUMES. │ = │ VOL. II [only]. │ = │ PHILADELPHIA: │ PUBLISHED BY ROBERT JOHNSON, 31, HIGH-STREET, │ PRINTED BY ROBERT CARR. │ - │ 1803.
6°, in full leather, but the front board and most of the spine are gone.  On the title page is "Sarah Davis │ Septr 3d 1803--" and “Mary Ann M. Davis, 1816--".  Vol. 2 has 5 plates after Stothard.
973 Cowper, William.  POEMS │ BY │ WILLIAM COWPER, │ OF THE INNER TEMPLE, ESQ. │ - │ [motto] │ - │ A NEW EDITION. │ TO WHICH ARE NOW FIRST ADDED │ OLNEY HYMNS │ AND TRANSLATIONS FROM MADAME GUION. │ LONDON: │ PRINTED FOR J. JOHNSON IN ST. PAUL'S CHURCH-YARD. │ BY T. BENSLEY, BOLT COURT, FLEET STREET. │ 1806.
            4°. Has bookplate of Miss Rigden, St. Lawrence.  Contains portrait of Cowper engraved by Bartolozzi after Lawrence as frontispiece. Library copy extra-illustrated. Includes 10 of 12 plates and engraved title-page from a demy quarto edition of Cowper, illustrated by a series of views, in, or near, the park of Weston-Underwood, Bucks (London: Published by Vernor and Hood ... James Storer and John Greig, engravers ..., 1803); 12 plates, engraved fromdesigns by Richard Westall, from the royal octavo issue of John Sharpe's two-volume edition of Cowper's poems published in 1810; engraved portraits of the Rev. Charles Churchill, Charles Wesley and George Whitefield; and various other unidentified engravings illustrating the text of Cowper's poems pasted on blank leaves.
973A Cruikshank, George.  [Six illustrations to Cowper’s diverting history of John Gilpin by George Cruikshank. Engraved on wood by Thompson, Branston, Wright, Slader, and White]. ([London: Charles Tilt …, 1828])
            Six leaves of plates on india paper.  Issued in buff wrappers.  Library copy lacks wrappers and plate engraved by Edward White. 
974 Cowper, William.  POEMS │ BY │ WILLIAM COWPER, │ OF THE INNER TEMPLE, ESQ. │ IN TWO VOLUMES. │ VOL. I-[II]. │ [4 lines of Virgil in Latin and in English] │ = │ A NEW EDITION. │ = │ LONDON: │ PRINTED FOR J. JOHNSON, IN ST. PAUL'S CHURCHYARD, │ BY T. BENSLEY, BOLT COURT, FLEET STREET. │ 1808.
8°, with 8 plates designed by Fuseli bear the imprint of Joseph Johnson, 1 March 1807.
Copy 1:  Demy 8°, in fairly sound ½ Red morocco over Brown marbled boards. Plates are good pulls but foxed.
Copy 2:  Royal 8°, in contemporary binding without text. Includes only the 8 plates designed by Fuseli. The plates are in quite good condition, crisp though foxed round the edges.  Inscribed in pencil on the front board:  "Hannay Witton │ from │ W Matthews │ as a small token of │ sincere respect │ 1811".
975 Cowper, William.  [Engraved title, Vol. I:]  POEMS. │ [Gothic:] By │ WILLIAM COWPER ESQ. │ in │ [Gothic:]  Two Volumes. │ [Ornamental:]  VOL. I [II]. │ [Vignette] │ By what unseen and unsuspected Arts.│  The serpent Error ties round the human hearts. │ Progress of Error.  P. 56. │ LONDON. │ Published by W. Lewis & C. Old Fish S. │ 1816.
[Engraved title, Vol. II:] ... [different vignette] [no motto] ... Published by W. Lewis S. John Sq. 1814.
4°, in original grey boards with printed label on the spine. There are 10 plates all but the frontispiece in vol. 1, designed by Wm. Craig and published September 1813 by W. Lewis or S.A. Oddy.  Despite the date on the engraved title-pages the two volumes are printed on paper watermarked 1815-1817.
976 Cowper, William.  THE │ POEMS │ OF │ WILLIAM COWPER, ESQ. │ WITH │ NOTES │ FROM HIS OWN CORRESPONDENCE, │ AND │ A BIOGRAPHICAL MEMOIR │ - │ EMBELLISHED │ [Gothic:] With Engravings from Original Designs, │ AND A │ PORTRAIT OF THE AUTHOR. │ = │ [Gothic:] London: │ PRINTED AND PUBLISHED BY J. LIMBIRD, │ 143, STRAND. │ - │ 1824.
            11 engraved plates and frontispiece portrait of Cowper.
977 Cowper, William.  William Cowper Poet and Gardener.  Selected and illustrated by Mary Barham Johnson a descendant of Cowper's Uncles Rev. Robert Donne of Catfield, Norfolk [&] Dr. William Donne of Dereham, Norfolk (Norwich:  Mary Barham Johnson [1978])
978 Cowper, William.  The Letters and Prose Writings of William Cowper. Edited by James King and Charles Ryskamp. (Oxford: Clarendon Press, 1979-1986)
            Library has: Vol. III. Letters 1787-1791 (1982) & Vol. IV. Letters 1792-1799 (1984)
979 Brayley, E. W. (Edward Wedlake).  COWPER, │ ILLUSTRATED BY A SERIES OF VIEWS, │ IN, OR NEAR, │ THE PARK │ OF │ WESTON-UNDERWOOD, │ BUCKS. │ ACCOMPANIED WITH COPIOUS DESCRIPTIONS, AND A BRIEF SKETCH │ OF THE POET'S LIFE. │ - │ LONDON: │ Printed by J. Swan, Angel Street, Newgate Street, │ AND PUBLISHED BY VERNOR AND HOOD, POULTRY; │ JAMES STORER AND JOHN GREIG, ENGRAVERS, │ CHAPEL STREET, PENTONVILLE. │ 1803.
8°, in original pink boards. Added engraved title-page.
980 King, James.  William Cowper, A Biography. (Durham: Duke University Press, 1986) ISBN: 0822305135
981 Russell, Norma.  A Bibliography of William Cowper to 1837. (Oxford: The Oxford Bibliographical Society, 1963)  Oxford Bibliographical Society Publications, New Series Volume XII
982 Russell, Norma.  A Bibliography of William Cowper to 1837.  (Oxford: At the Clarendon Press, 1963)
  * ** *** ** *
983 Crabbe, George.  THE BOROUGH: │ A │ POEM, │ IN │ [Gothic:] Twenty=four Letters. │ BY │ THE REV. G. CRABBE, LL.B. │ - │ PAULO MAJORA CANAMUS.--VIRGIL. │ - │ SECOND EDITION, REVISED. │ - │ [Gothic:] London: │ PRINTED FOR J. HATCHARD, │ BOOKSELLER TO HER MAJESTY, 190, OPPOSITE ALBANY, │ PICCADILLY. │ = │ 1810.
In full calf, the joints weak.
984 Cromek, R. H. (Robert Hartley)  "Memorials of the life │ of │ R.H. Cromek, Engraver, F.A.S. Edin │ Editor of the 'Reliques of Burns'; 'Remains of Nithsdale │ and Galloway Song' &c │ with the unpublished correspondence on │ those works; and other papers relative to his professional │ and literary career. │ - │ Collected and edited by his Son [Thomas Hartley]. │ - │ [2 lines of Greek from] │ Odyss. ll. 2766. │ - [27 July 1865]
            Xerox (supplied by Dennis M. Read) of the MS in the possession of Cromek's descendant Wilfred Warrington.
985 Cruden, Alexander.  A COMPLETE │ CONCORDANCE │ TO THE │ HOLY SCRIPTURES │ OF THE │ OLD and NEW TESTAMENT: │ OR A │ DICTIONARY and Alphabetical INDEX to the Bible: │ Very useful to all CHRISTIANS who seriously read and study the Inspired Writings. │ IN TWO PARTS. │ CONTAINING, │ [Two columns:] I. The APPELLATIVE or COMMON │ Words in so full and large a Manner, │ that any Verse may be readily found by │ looking for any material Word in it. │ In this Part the various Significations of │ the principal Words are given, by which │ the true Meaning of many Passages of │ Scripture is shewn : An Account of │ = │ several Jewish Customs and Ceremonies │ is also added, which may serve to │ illustrate many Parts of Scripture. │ II. The PROPER NAMES in the Scrip- │ tures. To this Part is prefixed a │ TABLE, containing the Significations of │ the Words in the Original Languages │ from which they are derived. │ TO WHICH IS ADDED, │ A CONCORDANCE to the Books called APOCRYPHA. │ The Whole digested in an easy and regular Method; which, together with the various SIGNI- │ FICATIONS and other Improvements now added, renders it more useful than any Book of the │ Kind hitherto published. │ - │ BY ALEXANDER CRUDEN, M. A. │ - │ The FOURTH EDITION, carefully corrected. │ - │ [Three lines of Scripture] │ = │ LONDON: │ Printed for J. BUCKLAND, J. F. and C. RIVINGTON, W. OWEN, B. WHITE and Son, T. LONGMAN, │ B. LAW, C. DILLY, G. G. J. and J. ROBINSON, T. CADELL, J. SEWELL, H. GARDNER, A. STRAHAN, │ J. NICHOLS, T. EVANS, W. OTRIDGE, R. BALDWIN, S. HAYES, W. LOWNDES, G. and T. WILKIE, │ J. WADE, W. FOX, D. OGILBY, J. CUTHELL, and J. PHILLIPS. │ M.DCC.LXXXV [1785].
986 George Cruikshank: A Revaluation. Edited by Robert L. Patten. ([Princeton, N.J.: Princeton University Library, 1974) The Princeton University Library Chronicle, Volume XXXV, Autumn, Winter 1973-74, Nos. 1 and 2.
  * ** *** ** *
  CUMBERLAND, George
986A Cumberland, George.  The Captive of the Castle of Sennaar: An African Tale Containing Various Anecdotes of the Sophians Hitherto Unknown To Mankind In General. (London: Printed for the authory, and sold by Mess. Egerton, 1798) Photocopy.
987 Cumberland, George.  AN ESSAY │ ON THE UTILITY OF COLLECTING THE BEST WORKS OF │ THE ANCIENT ENGRAVERS OF THE ITALIAN SCHOOL; │ ACCOMPANIED BY │ A CRITICAL CATALOGUE, │ WITH INTERESTING ANECDOTES OF THE ENGRAVERS, │ OF A CHRONOLOGICAL SERIES OF RARE AND VALUABLE │ PRINTS, FROM THE EARLIEST PRACTICE OF THE ART │ IN ITALY TO THE YEAR 1549, NOW DEPOSITED IN THE │ BRITISH MUSEUM, AND ROYAL ACADEMY, IN LONDON, │ BY GEORGE CUMBERLAND, │ Give me your favour:--my dull brain was wrought │ With things forgotten. Macbeth, Act i. Sc. 3. │ LONDON.  PRINTED BY W. NICOL, CLEVELAND-ROW; │ AND SOLD BY PAYNE AND FOSS, PALL-MALL; J. AND J. ARCH, │ CORNHILL; AND COLNAGHI, SON AND CO. PALL-MALL EAST. │ 1827.
4°, with the armorial book-plate of John Spedding Jr.  On the verso of the last (Errata) leaf is a printed list of "Works by the same Author" and a list of works "Preparing for Publication, A Work (with many Engravings, of inedited Bas Relievos, by LEWIS) on the Principles of Composition of the Ancients as to Expression of Character".
988 Cumberland, Richard Dennison. The Cumberland Letters Being the Correspondence of Rich. Dennison Cumberland & George Cumberland between the Years 1771 & 1784.  Edited by Clementina Black, and now Printed for the First Time.  (London: Published by Martin Secker at his Office …, 1912)
989 Cumberland, George.  LEWINA │ THE │ MAID OF SNOWDON. │ A TALE. │ BY │ GEORGE CUMBERLAND. │ = │ WITH ETCHINGS BY THE AUTHOR. │ = │ LONDON: │ PRINTED BY W. WILSON, AVE-MARIA-LANE, LUDGATE-STREET, │ FOR THE AUTHOR; │ AND SOLD BY G. G. J. AND J. ROBINSON, PATERNOSTER-ROW. │ - │ M DCC XCIII [1793].
4°, in ¾ brown leather over green marbled boards, with an old red label affixed sideways to the spine:  CUMBERLAND'S MAID OF SNOWDON. 1793.  There are three plates (2 of them vignettes).  There is a book-plate of James Comerford, the ink signature of "Geoffrey Keynes", and an inserted note by Lawson:  "G.L.K. unloaded this as I sold him a copy bound with Poems on Landscapes".  There are pencil notes:  "See plate by w. Blake at end. │ C.E. │ This is by or after Stothard, not Blake │ Geoffrey Keynes".
990 Cumberland, George.  ON THE │ STRATA │ AT │ WHORLBURY CAMP, │ IN SOMERSETSHIRE. │ = │ BY GEORGE CUMBERLAND, ESQ. │ HONORARY MEMBER OF THE GEOLOGICAL SOCIETY. │ = │ [From the Transactions of the Geological Society.] │ = │ LONDON: │ PRINTED BY W. PHILLIPS, GEORGE YARD, LOMBARD STREET. │ - │ 1817.
Signed on title page: “Geo Cumberland Jun .. 1817”.
Bound with:
            Bright, Richard.  ON THE │ STRATA │ IN THE │ NEIGHBOURHOOD OF BRISTOL. │ BY RICHARD BRIGHT, M.D. │ MEMBER OF THE GEOLOGICAL SOCIETY. │ WITH NOTES │ EXTRACTED FROM THE COMMUNICATIONS OF │ GEORGE CUMBERLAND, ESQ. │ HONORARY MEMBER OF THE GEOLOGICAL SOCIETY. │ = │ [From the Fourth Volume of the Transactions of the Geological Society]. │ = │ [Gothic:] London: │ PRINTED BY W. PHILLIPS, GEORGE YARD, LOMBARD STREET. │ - │ 1817.
            And
            Cumberland, George.  ON THE │ LIMESTONE BEDS │ ON THE │ RIVER AVON, │ NEAR BRISTOL: │ WITH A DESCRIPTION OF THE MAGNESIAN BEDS THAT REPOSE ON THEIR │ BASSET EDGES. │ - │ BY G. CUMBERLAND, Esq. │ HONORARY MEMBER OF THE GEOLOGICAL SOCIETY. │ - │ [From the Fifth Volume of the Transactions of the Geological Society.] │ - │ LONDON: │ PRINTED BY W. PHILLIPS, GEORGE YARD, LOMBARD STREET. │ - │ 1819.
And
            Cumberland, George.  DESCRIPTION │ OF SOME NEW │ FOSSIL ENCRINI AND PENTACRINI, │ LATELY DISCOVERED │ IN THE NEIGHBOURHOOD OF BRISTOL. │ - │ BY GEORGE CUMBERLAND, ESQ. │ HONORARY MEMBER OF THE GEOLOGICAL SOCIETY. │ = │ [From the Fifth Volume of the Transactions of the Geological Society.] │ = │ LONDON: │ PRINTED BY W. PHILLIPS, GEORGE YARD, LOMBARD STREET. │ - │ 1819.
            With 4 plates.
            And
            Cumberland, George.  REMARKS │ ON A NEW │ PENTACRINUS FROM LYME REGIS; │ AND A │ BRIAREAN PENTACRINUS. │ - │ BY GEORGE CUMBERLAND, ESQ. │ HONORARY MEMBER OF THE GEOLOGICAL SOCIETY. │ - │ = │ [FROM THE TRANSACTIONS OF THE GEOLOGICAL SOCIETY.] │ = │ [Gothic:] London: │ PRINTED BY W. PHILLIPS, GEORGE YARD, LOMBARD STREET. │ - │ 1821.
            With 2 plates.
991 Cumberland, George.  RELIQUIÆ CONSERVATÆ │ FROM THE │ PRIMITIVE MATERIALS OF OUR PRESENT GLOBE, │ WITH POPULAR │ DESCRIPTIONS OF THE PROMINENT CHARACTERS │ OF SOME REMARKABLE FOSSIL │ ENCRINITES, │ AND THEIR CONNECTING LINKS. │ 1. THE BRADFORD, OR PEAR ENCRINUS. │ 2. THE TORTOISE ENCRINUS. │ 3. THE SITULARIA TRIANGULARIFORMIS. │ 4. THE MITRA. A NEW GENUS. │ 5. THE AMPHORA. A NEW SPECIES. │ Illustrated by Sixty-six Figures. │ = │ If fossils are justly denominated, we find harmony and pleasure in the science. │ Bergman. │ - │ [Monogram:  TF] │ BY GEORGE CUMBERLAND. │ - │ [Gothic:] Bristol: │ PRINTED AND PUBLISHED FOR J.M. GUTCH, │ AND SOLD BY HARDING, LEPARD & CO. PALL MALL EAST, LONDON. │ 1826.
            4°, in sound brown calf, rebacked with handsomely tooled gilt strip replaced; the end-papers are curiously oily, attractive but odd blue water-pattern marbled paper.  "Note.--Of this Tract, only 150 copies are printed, and the Plates are cancelled" (p. 45).  WATERMARK:  None in the text, J WHATMAN │ 1821 in the 13 lithographic plates by George Cumberland Jr.  There are three additional plates inscribed at length, sometimes with the letters backwards (e.g., the "s" in "side view" on the first), with discoveries by George Cumberland Jr in August 1826, 1838, and August 1839; the first is labeled "APPENDIX TO THE RELIQUAE CONSERVATAE OF G. CUMBERLAND".
Pasted on the verso of the first fly-leaf is a leaf with "ANNIVERSARY ADDRESS OF THE PRESIDENT, SIR HENRY T. DE LA BECHE, C.B., F.R.S. &c." (after 1848) about Cumberland
  THE CUMBERLAND MANUSCRIPTS
  Anecdotes of John Horne Tooke
992 "Anecdotes of, and Letters from, │ John Horne Tooke. │ Collected by George Cumberland."
19.0 x 23.0, bound in or after 1823 (the latest watermark date) in ¾ contemporary brown leather, blind-tooled and gilt, without lettering, over brown marbled boards with matching marbled end-papers.

WATERMARKS

1826                                                                                                                            ff. 1-23, 152-153
W D WELLS │ 1823                                                     ff. 24-25. 34-37, 53-54, 106-111, 114-115, 141-143, 145-146, 149
W THOMAS │ 1820                                                                              ff. 26-33, 38-47, 82-83
J WHATMAN │ TURKEY MILL │ 1823   ff. 48-52, 55-66
none                                                                                                    ff. 67, 129-130, 138, 144
crowned crest with a hunting horn     ff. 68-73, 150-151, 154-172
G & R TURNER                                                                                    ff. 74-75
S & Co [?] beneath a crowned crest
with a hunting horn                              ff. 76-81
WTP[?] monogram beneath a crowned
crest with a hunting horn         ff. 84-105
IIÙÙ                                                                                                                           ff. 112-113
GR beneath a crest                                                      f. 116
GR beneath a crowned crest                            ff. 117-118
GR beneath a crowned crest with a
hunting horn                                                    ff. 119-120
ALLEE │ 179[ ]                                                                                     ff. 121-122
JOSEPH COLES │ [?179]9                                                         ff. 123-124
J RUSE │ 1804                                                                                     ff. 125-126
RUSE & TURNERS │ 1807                                                         ff. 127-128
KENT │ 1808                                                                           ff. 131, 133
R WILLIAMS                                                                                    f. 132
J WHATMAN                                                                                    ff. 134, 136
Britannia crest                                                                          f. 135
1811                                                                                                                            f. 137
C ANSELL │ 1809                                                                                 ff. 139-140
1809                                                                                                                            ff. 147-148
Ff. 1-21r, 23, 25, 34v, 36v-37, 40, 48v, 53r, 54, 61v, 63v, 65v, versos of 76-105, 87r, 109, 110v-111, 114, 115v, 116v, 118r, 119v-120r, 121v-122r, 123v-124r, 127v-128r, 130r, 131v, 132v-132r, 134v, 137v, 138v, 139v-140r, 142v, 144v-145, 148v-149r, 159v-172 are blank
"original Letts in order of Date [1798-1811] -- from Jn. H. Tooke &c." (ff. 115-148, with numerous blanks; ff. 141-148 are transcripts).
Includes sketches of John Tooke and his home by Cumberland.
            Bound in:
            Cumberland, George.  PLACED UNDER MR. BANKS’S FINE BUST OF │ JOHN HORNE TOOKE, ESQ.—ON HIS BIRTH- │ DAY IN MDCCCX.
            2 leaves. In manuscript, “Of these I printed only 25 copies”. Cumberland has added in manuscript a variant of the last four lines.
  Commonplace Book (1789-1800)
993 Cumberland, George.  [Commonplace book].
20.0 x 27.3 cm, in old buff cardboard, the front cover folded over to make a kind of envelope.  The cover has sketches of flowers, ratchet-wheels, a horse, &c., and inside the cover are other sketches.  On the inside of the cover is written:  "Celese Frezza Vanucci the name of my Tuscan Nurse, a native of Pisa, & lives at Rome--".
It consists of 75 unnumbered leaves (counting f. 62 which is mostly torn out, leaving rather more than a stub, but omitting the leaf which would be conjugate with f. 11).  Of these, ff. 9r, 29r, 36r, 66r-70r, 73r and the versos of ff. 22, 28-29, 43, 45, 49, 51, 57-61, 64, 72 are BLANK.
The paper is very strange --smooth, thin, slick, like rice-paper, with vertical chain lines; WATERMARKS:  GFA over a crest (38 leaves), countermark a rampant lion under a crown (36 leaves).  The end-papers are unwatermarked dark grey paper.
  "The Emigrants or A Trip to the Ohio:  A Farce"
994 Cumberland, George.  The Emigrants or A Trip to the Ohio a Farce.
20.0 x 32.1 cm, bound in or after 1817 (the latest watermark date) in ¾ red morocco, blind-stamped but without letters or gilding, all edges gilt, over brown marbled boards, uniform with "Raffaell" and "Happiness".  59 leaves; ff. 1-2, 55-59 and most versos blank.
WATERMARKS:  HILL │ 1815, countermark crown over crest with a hunting horn (front and back paste-downs, ff. 1-2, 58-59); crowned medallion with a lion (f. 3); W KINGSFORD │ 1817, countermark crowned medallion with Britannia (ff. 4-27); G PIKE │ 1817, countermark crowned medallion with Britannia (ff. 28-57); all with vertical chain lines.
It was probably composed c. 1800-1805; the fair copy here must have been made in or shortly after 1817 (the latest watermark date).
The Farce was edited by E.B. Bentley for an undergraduate course at the University of Toronto.
  "Happiness:  A Practical Poem".
995 Cumberland, George.  HAPPINESS │ A. PRACTICAL POEM.BY │ GEORGE CUMBERLAND.
20.0 x 32.6 cm, bound in or after 1815 (the watermark date of the paste-downs) in ¾ red morocco, blind stamped but without gilding or lettering, over brown marbled boards, uniform, except for the shade and style of marbling on the boards, with "Raffael" and "The Emigrants".  64 leaves; ff. 1, 2v, 10v, 11r, 22v-23r, 47v, 48v, 49v, 52v, 60v, 63-64 are blank.
WATERMARKS:  HALL │ 1815, countermark a crowned crest with a hunting horn (front and back paste-downs, ff. 1, 64); II ÙÙ │ 1806 (ff. 2, 48, 51, 54, 58, 60); PHIPPS & SON │ 1810, countermark a crowned medallion with a bearded lion (ff. 3-8, 10-11, 42-47, 49, 57); G PIKE │ 1811 (sometimes just PIKE), countermark a crowned medallion with Britannia and her shield and sceptre (ff. 9, 12-41, 50, 52-53, 55-56, 59, 61-63); vertical chain lines throughout.
The work consists of "The authors advertisement" (ff. 2-9), Parts 1-3 (ff. 10-47), and "Notes" (ff. 48-62).  On f. 35v is a pencil note:  "J E[agles].  Augt 4. 1831.  3d Part not read --".  Ll. 573-564 are repeated (with two additional lines) in the printed poem placed beneath Horne Tooke's bust (1810).
At the last page of the poem is a loose, unwatermarked fragment of paper, with writing torn off at the left, and "July 1831 del]" and 3 lines from "Dante Paradiso Canto 20. l. 60" and a note:  "This [is] a remarkable coincidence as I had not read Dante when I wrote these lines".
DATES:  The poem was begun in early spring (ll. 7-11); ll. 402-408 were "written August 1802"; l. 545 "was written in 1803"; it speaks of "the late Mr [Charles] Town[e]ley" (d. 3 Jan 1805) and says that Horne Tooke (d. 1812) "still lives" (l. 601).
It was transcribed in or after 1811 (the latest watermark date), and a Preface was added, saying that it was "commenced above twelve years back" (p. 8) and was originally entitled "Home".  It was looked over again in 1831, when Cumberland made a note about a parallel with Dante (July) and Eagles read it (August).
996 Letters and Miscellanea
 

A  [Letters in response to invitations to dine with the King at St. James's Palace on Tuesday, 16 April 1833 [manuscripts].

Collected by George Cumberland, Genealogist of the Order of the Bath.

19 items.
B-1 Cumberland, George [Letter] 1789 Marzo 26, Roma [to] Eccellenza [about the possible purchase of some duplicate engraved plates]

B-2 Cumberland, George [Note in Italian about the price of an edition of the Anacreonte in the Palatine anthology with 16 plates] [ca. 1793].

B-3 Cumberland, George [Note copied from page 94 of Hodges' Travels in India, about the pyramids at Deogur, a village near Bauglepoor] [ca. 1793].

WATERMARK: Crown over Britannia.

B-4 Cumberland, George [Spring]

Poem

WATERMARK: IV, cut off at top.

C Dalbono, Filippo [Letter of safe-conduct] Giugo. 1790.

And

Gemelli, Gerolamo [Letter of safe-conduct]

Two letters of safe-conduct written, in Italian, for George Cumberland when travelling from Rome to Turin, and from Turin to Calais, in July 1790. The two letters are written one above the other on one section of the leaf.

WATERMARK: Initials G and S on either side of a bird above three mounds, all in a circle.

D-1 Cervesi, Domenico [Contract of commission] 22 Maggio 1786.

Sets out terms of a commission to transport a group of English Cavaliers [most likely including George Cumberland] from Bologna to Rome, agreed to by Domenico Cervesi. The contract is then amended and signed by Gaetano Pieri. On the verso is a receipt for the new amount agreed upon by Pieri for a much less extensive trip.

E Cumberland, George [Sketch with poem]

A sketch of a cadaverous man in a toga with seated women on either side, and a vault above. Poem inscribed to left of sketch begins: I go reluctant to the dreary Sepulcre ...

WATERMARK: Al

F Cumberland, George [Socrates at 70 years of age drinking Hemlock in Prison amidst his Disciples by sentence of the Court of Heliaa, a court of 800 persons for Impiety being found guilty by a majority of 3 voices] [art original]

Pen and water-colour on paper [ca. 1786].

WATERMARK: G S above anchor in circle with star above and initial 'F' below.

G  [Sheet of three labels for] THOUGHTS ON OUTLINE, SCULPTURE &c. BY G. CUMBERLAND. [ca. 1796]

A dark pink sheet.

H Cumberland, George, Jr. [Correspondence] - 10 items.

Correspondence of George Cumberland, Jr. to T. Kerslake, dated from December 1868 to May 3, 1873.

Letter dated Dec. 1868 is a discussion of Mrs. Bray's Life of Stothard -- Letter dated 4 Dec. 1868 is about sending Kerslake some of Cumberland's father's papers -- Letter dated 18 March 1869 is a request for information about the principals engaged in the manufacture of Paris pottery -- Letter dated 29 Sept. 1869 asks for assistance in putting a value on some Hogarth prints Cumberland's sister wishes to purchase -- Letter dated 20 Nov. 1869 about the value of a Stothard picture Cumberland wishes to purchase -- Letter dated 8 May 1871 mentions that Cumberland would like to show Kerslake a book he owns by Julio Bonasoni -- Letter dated 27 July 1871 allows that Cumberland's sister is willing to part with an old French print Kerslake wanted for a reasonable price -- Letter dated 19 Mar 1872 mentions sending Kerslake a card of Wm. Blake's -- Letter dated 3 May 1872 refers to a list of Cumberland's father's works published and unpublished which he is sending to Kerslake -- A list of Cumberland's works, published and unpublished, signed on the verso "Mrs. Cumberland, Culoir Street".

I Cumberland, George [A description of] Mr. Fox's house at St. Anns Hill. Sep. 1796. [8] p.

WATERMARK: TW 1794.

J  A │ SYLLABUS │ OF │ Dr de MAINADUC'S INSTRUCTIONS. [1790?]

1 broadsheet.

Copy has in ms. on verso a memorandum by George Cumberland criticizing Richard Cosway for his commercial opportunism. He denounces Cosway as part of a "Sect" out to fleece credulous christians. Ms. note referenced by Bentley in his essay on Mainauduc, Blake and Cumberland, in Notes and queries, v. 236, no. 3 (Sept. 1991).

K Cumberland, George  To C. J. Fox.

Poem. Holograph, signed: GC.

L  Account of a battle with "brigands" (?escaped slaves) in Jamaica (1 leaf), evidently given Cumberland by someone who had recently returned [see T below].
M Cumberland, George Remarks for travellers. [179-?]

Serious advice for travellers to Europe written by George Cumberland. G.E. Bentley suggests that these notes may have been made in preparation for a work entitled, "Remarks made on a Tour of Pleasure through France, Savoy, Piedmont, the States of Italy, and the Kingdom of Naples" which Cumberland intended to publish. Cf. Bentley, G.E. Bibliography of George Cumberland, p. 126.

WATERMARK: Coat of arms with crown above and animal below | GORI LIVINI&.

N Cumberland, George [Draft note] [between 1810 and 1815]

Leaf represents one half of a sheet leaving uneven tear on one side and a partial watermark visible.

A note which first explains the lineage of Henry Constantine Jennings and then mentions that Mr. Jennings was receiving accolades for an invention designed to save shipwrecked persons' lives adapted from George Cumberland's article, "Scheme for preserving the lives of persons shipwrecked, in Nicholson's Journal of natural philosophy, chemistry, and the arts (v. XXVII, Oct. 1810). The note is possibly a partial draft of paragraphs added to a reprinting of the article (mentioning Jennings adaptation of Cumberland's account) in "To the editor of the Monthly magazine" (Monthly magazine, v. 39, 1 June 1815). Cf. Bentley, G.E. Bibliography of George Cumberland, p. 61.

O Cumberland, George Charge of Mr. Gibbs to the Grand Jury at the Guildhall Bristol on Tuesday the 11th of April 1809

Transcript of Sir Vicary Gibbs' charge to the Grand Jury, which included George Cumberland, at the Guildhall, Bristol on April 11, 1809. Gibbs gives the jury his summation of the laws concerning duels. The postscript mentions that one of the cases before the Grand Jury is whether or not to pursue charges against Mr. Henry Smith, an attorney, who has fatally wounded in a duel, Mr. Richard Priest, a "woolen-draper & taylor [i.e. tailor]", his second and the person or persons who encouraged the duel.

WATERMARKED:  II ÙÙ.

P Davies, John [Note, ca. 1794] Danyrallt Mydyroilin Llanarth Cardiganshire [to] Mr. Cumberland

A note from John Davies to George Cumberland asking him to give Mr. Davies' respects to any of the people listed whom Mr. Cumberland visits on his intended tour of Wales.

On the verso of the note is an attempt in Welsh of a paraphrasing of Phaedrus' fable, "Ranae postulantes Regem". The poem, "not finished yet", is signed, George Pryce Esqr. Llangranog, and dated, Sepr. 12th 1794.

WATERMARK:  G [cut off].

Q Cumberland, George Imitation of Ossian

A rhythmic prose attempt at an imitation of Ossian on three sides a large folded leaf; a prosaic summary on 1/3 of the fourth side of the leaf.

WATERMARK:  J WHATMAN&Co with Britannia in oval with crown on top.

R-2 Cumberland, George The Circular Magazine at the Castle of Cardiff [art original].

Pencil on stiff paper.

PARTIAL WATERMARK: J W[hatman].

S Cumberland, George [The tale of an amorous friar] [1796]. [24] p.

Short story, untitled, about an amorous Spanish friar, his death and comic resurrection.Title supplied by Bentley. Bentley suggests that this tale may have been one of "Six moral tales" advertised in Cumberland's The captive (1798). Cf. Bentley, G.E. Bibliography of George Cumberland, p. 126.

WATERMARK: P & P │ 1796 [F. 1] and a fleur de lis [ff. 2-6]).

T Cumberland, George [A recounting of conditions and events in San Domingo at the time of the slave insurrections as told to George Cumberland by Sir George Dunbar] [between 1791 and 1798] [6] p.

WATERMARK:  PORTAL & Co.

U [Folded paper book cover].

A half-sheet of rough grey-blue paper folded in four as a cover. Has "Translations from the Italian &c" on front, possibly in Cumberland's hand.

WATERMARK:  1799.

V Cumberland, George [Transcription of title-page of Giambattista della Porta's De refractione optices] [between 1791 and 1798].

Transcription, in pencil, is on the back of a cut-out newspaper ad outlining [in Italian] the abilities of Giuseppe Averani and nephew, gunsmiths and clockmakers.

W  Letter in Italian from Cumberland to "Ecellenza" of the Republic of Venice, n.d., with a note on the verso that he "wrote to Feb. 1789" several Italians, with an 8-line French poem about "Monsieur Eponge" (1 leaf, WATERMARK:  chain lines only).
X  List of prices, &c, of "Acqua Forte", in Italian (1 leaf, no WATERMARK).
Y Grondona, Angelo. [Contract of commission] 27 Guinio 1786.

Sets out terms of a commission to transport a group of English Cavaliers [most likely including George Cumberland] from Padua to Milan, agreed to by Angelo Grondona. The agreed price is 28 seguini, and includes some meals. The commission provided for the possibility of the trip being amended to include detours to Verona, Mantua, and/or Lodi. On the verso is a receipt for a total of 22 sechini in two installments.

Z  Letter from Gio Antonio Armand in Bologna to Georgio Cumberland in Rome (at Giocomo Byres) (4 pages; WATERMARK:  chain lines only).
AA  Advice by Prince Biocario about "Your tour of the Island [of Sicily] beginning from Messina", mostly to see your Greek ruins (1 folded half-sheet WATERMARKED:  VAN DER LEY").
BB  An unsigned letter to His Reverence and Eminence The Cardinal Zelada, "Bibliothecario di Santa Chiesa", asking permission for "Mr George Cumberland, di nazione Anghlese" to copy the Etruscan vases (1 folded leaf; WATERMARK:  A rampant ?lion).
CC  Directions in Italian (with English notes, most translations) for making something with oil, benzoin, and a slow fire (1 leaf; WATERMARK:  PM with a figure).
DD  A printed "LIST OF ENGLISH ARTISTS RESIDING AT ROME" (in MS:  "in 1790"), with "NAME PROFESSION RESIDENCE", omitting Cumberland but including "FLAXMAN SCULPTURE Piazza Mignanelli" (WATERMARK:  a rampant lion).
EE  A printed MANIFESTO in Italian, about the paintings of Raffael, with a plan of a building with a key ("Indice") (1 folded leaf, without WATERMARK).
FF A request in Italian of 23 Maggio 1788 to conduct Signore Giorgio Cumberland "con due buoni Cavali", annotated "at Bologna paid 6 Louis" and "Arrived at Rome 16 June and gave the veturino £3.3 Buona Mana" (WATERMARK:  BAVDE │ IV84, with a crest).
GG  An unsigned and unaddressed letter of Maggio 1790 in Italian asking for a good viaggio for Signore Giorgio Cumberland, his wife, and two small daughters, on "due buone mule" (WATERMARK:  crest).
HH  A careful pencil elevation of an unidentified Italianate building (the same thin, slick paper as in Cumberland's Commonplace Book; WATERMARK:  chain lines only).
II  The ground plan of an unidentified building; on the verso is the elevation of an elaborate Italianate facade, with the same figures in the lower arch as in Cumberland's Mantua MS, sketch 4, for Giulio Romano's house in Mantua (a folded sheet of the same paper; WATERMARK:  VO or OV with a crest).
JJ  The prices of wine in 1786 and 1788 at "M Perry[?] Pére & fils a Beaune en Bourgogne", with the price for transportation and duty to Calais of 250 bottles.
KK  "20 Nov. 1818 went to the Kings bench to enquire after poor old Jennings" the Connoisseur" (a folded sheet; WATERMARK:  J BUDGEN │ 1818).
LL  "By Permission of the Right Worshipful the Mayor, │ Will be Exhibited Here for a Few Days, │ At No. 22, St. Augustine-Back, │ THAT MOST WONDERFUL │ Phænomenon of Nature, │ THE │ HOTTENTOT │ Venus │ The only HOTTENTOT ever exhibited in Europe. │ = │ ... Admittance One Shilling. │ GEORGE ROUTH, BRISTOL."

Broadsheet. Found in Cumberland Sketchbook.

†See G.E. Bentley, Jr, & David McClellan, "George Cumberland and the Tale of the Twice-killed Amorous Friar", Modern Philology, LXXXVI (1989), 285-291.

‡The same list is given in the Farington Diary, III (1924), 53-54.
  Outlines from the Antients Appendix
997 Cumberland, George.  Appendix [to Outlines from the Antients]
22.0 x 32.2 cm.  The binding and ff. 1-99 have been removed, and there are no protecting covers, leaving the last page very dirty.  Paginated 198-209, 216-243 on ff. 1-12, 14-17
29 leaves (not counting 15 stubs in groups of 3 after ff. 6, 18, 21, 24, 27), removed from a larger volume but still stitched.  F. 13, pasted to f. 12, is evidently from an earlier part of the larger book.  Ff. 1-13 evidently had prints pasted to them, were then numbered on these leaves, and the prints were removed.  On ff. 16-27 (slightly smaller paper) are prints with printed numbers 4-6, 10-11, 17, 24, 13-15, 23, 19; the 12 engravings are numbered 1-12 in ink - the appendix is keyed to these numbers.  The print for p. 4 is inscribed in ink at the top:  "NB of these plates very few impressions were made."  At the foot in pencil is:  "NB These Plates are now in Mr Cumberlands possession--and make a part of the work".  They include 5 of Blake's plates.  On the verso of the leave inserted after p. 227 is:

"These are the original outlines which I made when in Rome and from which Mr Lewis engraved them for my work on the

Outlines of the ancients
G. Cumberland.
74


On p. 228 is:

Appendix.

The following plates selected from a small Quarto published by the author in 1795 [i.e., 1796], are from his own designs, composed on the system alluded to in the introduction to this work--in order to explain the principles of harmony of lines which governed the inventions of the ancients, and which he flattered himself to have detected on his first visit to Rome.  [In giving them here he does not by any means pretend to place them in the most distant competition with those that precede them, but merely del] ^These are only intended^ to shew how far the system of lines flowing into lines, once understood, is capable of adding power to so feeble a pencil as his own, to vary compositions without end. ...

Two tracings on unwatermarked paper are loosely inserted, traced from prints No. 11 (f. 236) and from a design not found here.
WATERMARKS:  SLADE │ 1820, countermark crowned medallion with a rampant, bearded lion  (ff. 1-15); heavy paper without watermark or chain lines (ff. 16-27); HALL │ 1817 (ff. 28-29).
  "Recollections of Mantua"
998 Cumberland, George.  Recollections of Mantua │ Made during a short stay there in 1788 │ chiefly relating to the remaining works │ of Julio Romano his house &c. │ [In pencil:] by George Cumberland │ accettisi quel cho io posso, poiche no posso quel che vorrai │ Vasari.
21.2 x 26.3 cm, bound in ¾ reddish-brown morocco, blind stamped and gilt (7 gilt bands on the spine) but without letters, over brown marbled boards (the same colour but different in size, marbling, tooling, &c, from the other Cumberland MSS); edges marbled blue.  68 leaves numbered 1-66 on ff. 2-67.  There are sketches pasted on ff. 57, 59, 63, 65-66 and engravings on ff. 56 and 68 (hinged), and sketches are drawn on ff. 58-59, 64.  The front end-paper is inscribed:  "Manuscript the property of Mr Geo Cumberland of Bristol".
The text is on ff. 2r-54r, except that the versos of ff. 1, 10, 14, 18-20, 23, 25-31, 33, 36-40, 43-44, 52-69 and 62r are blank; the versos of f. 14 ff. were left for notes, corrections, &c.
WATERMARKS:  RYE MILL │ 1818 paired with unwatermarked leaves.  The front and back end-papers, without watermark, are heavier than the other paper.  It is all wove paper without chain lines.
It begins:  "Being in Mantua, on a journey to Rome from Inspruc [Innsbruck] some years back (I think about the year 1786) and detained a few days, I had an opportunity of examining the old Palace Te" of Julio Romano.  Cumberland made "tracings, as probably by this time the originals are obliterated, I thought might be interesting to the traveller, and have therefore etched them" (f. 3v).  At the end are 20 numbered sketches, sometimes several to a leaf, with identifying inscriptions -- #6-10 are annotated "The very slight sketches were made on the Spot", and #20 is inscribed "Traced from one of the Figures that remain on the wall in the Bath at the Palace Tee by Julio Romano".  On f. 56 is an engraving of Giulio Pippi Romano by Cristoforo Dall' Aequa Vincentine after Gio Bottani, with an inscription below:  "Mr Cumberland possesses a Portrait of him on board undoubtedly by his own hand".  The print on f. 67 represents in Italian a plan of "Palazzo del Te".
  “The Reformed or The Captive of the Castle of Sennaar”
999 Cumberland, George.  The Reformed │ or │ The Captive of the Castle of Sennaar │ a Salutary Tale. │ by │ George Cumberland. │ Part I.  Exhibiting the fruits of natural religion. │ Part 2.  Those derived from revelation │ He that travels the beaten road may chance │ indeed to have company; but he that takes his│ liberty, and manages with judgement, is the Man that │ makes useful discoveries, and most beneficial to│ those that follow him. │ Molyneux Letters XCV."
N.B.  The manuscript here represents only Part 2; Part 1 was published as The Captive of the Castle of Sennaar:  An African Tale Containing Various Anecdotes of the Sophians Hitherto Unknown to Mankind in General (London:  Printed for the Author and Sold by Mess. Egerton, 1798) and reprinted in Cumberland's Original Tales (1810).  Both parts were printed in The Captive of the Castle of Sennaar:  An African Tale in Two Parts:  Part 1 The Sophians (Printed in 1798 and 1810), Part 2 The Reformed (Manuscript of c. 1800).  Ed. G.E. Bentley, Jr. (Montreal, Kingston [Ontario], London, Buffalo:  McGill-Queen's University Press, 1991)
20.0 x 25.5 cm, bound in ¾ brown leather, gilt, over brown marbled boards, the spine gilt with 'THE │ CAPTIVE │ - │ VOL. 2."  For the intricate arrangement of interleaves, see A Bibliography of George Cumberland, 105-106.
WATERMARKS: G YEELES │ 1834; G YEELES │ 1830; HALL; crowned crest; DEWDNEY & TREMLETT │ 1831; J BUNE │ 1831.
The work was probably composed about 1810 and transcribed (as here) in or after 1831 (the watermark date of the text-sheets) and revised in or after 1834 (the watermark date of the interleaves).
With the MS is a specimen proof (c. 1810) with MS notes on unwatermarked paper for f. 23 of the MS and another (c. 1835) of p. 85 of The Captive in Cumberland's Original Tales (1810).
999A Library has photocopy of manuscript.
  "Remarks on Raffael's Colouring"
1000 Cumberland, George.  Remarks on Raffaels Colouring │ by G. Cumberland 24 June 1816 [altered to] 1826.
19.9 x 31.8 cm, 20 leaves bound in ¾ red morocco, blind stamped but neither gilded nor lettered, over brown marbled boards, the edges gilt, uniform with "The Emigrants" and "Happiness".  Ff. 1-2, 4, 6-7, 9, 10v-12, 17v-19 are blank.
WATERMARKS:  HALL │ 1815, countermark crowned crest with a hunting horn (front and back paste-downs plus ff. 1, 20); G PIKE │ 1817, countermark crowned medallion with Britannia, shield, and sceptre, all with printed blue rules for writing (ff. 3, 5, 8, 10, 13-18); J BUDGEN │ 1820, countermark crowned crest with lion (ff. 2, 4, 6-7, 9, 11-12, 19, all inserted blank leaves); all with vertical chain lines.
  Sketchbook
1001 Cumberland, George.  [Sketchbook]
26.3 x 36.1 cm, with pasted-on leaves of various sizes, in old ¾ brown leather, over faded brown marbled boards.  129 leaves in all, not counting numerous stubs.
WATERMARK:  E[?] & P │ 1807 on the host leaves.  The sketches are mounted, generally four or five to a page, generally on rectos.
The 265 mounted sketches, mostly informal portraits or genre scenes, are dated from 1788 to 1823.
1001A Cumberland, George.  Manuscript Works.
Photocopy of originals of the Commonplace Book, Happiness, a Practical Poem, The Emigrants, or, A Trip to the Ohio, Anecdotes of, and Letters from, John Horne Tooke, Recollections of Mantua, and Remarks on Raffaels Colouring.
1001B Cumberland, George.  Cumberland Manuscripts.
           Typewritten transcripts of originals of Anecdotes of, and letters from, John Horne Tooke -- [Anecdotes of Jennings] (with miscellaneous manuscripts) -- Epistle to James Townley (from the Commonplace book) -- Happiness, a practical poem -- Outlines from the antients, appendix -- Rome a farce (from the Commonplace book) -- The Spanish friar, a story (with miscellaneous manuscripts).
1002 Cumberland, George, [Jr.]  [Title page:] SCENES CHIEFLY ITALIAN
[Lithographed label:]  SCENES CHIEFLY ITALIAN │ BY │ G. CUMBERLAND J. [London, Part I 1820, Part II 1821]
32.4 x 22.5 cm, in blue | leather over dirty blue paste-board.  The plates are lithographs; a lithograph similar to the label but omitting the last line is pasted to a leaf serving as the title page.  Some of the lithographs (4) are pasted to the host-leaves, but most are printed on them.  It includes "REMARKS ON MR. G. CUMBERLAND'S FORTY DRAWINGS ON STONE" by "G. CUMBERLAND, Sen.", "CULVER STREET, BRISTOL, AUGUST 1821".  The scenes in France, Switzerland, Austria, and (mostly) Italy were drawn by George Cumberland in 1784-1789.
WATERMARKS:  SMITH & ALLNUT │ 1820; J WHATMAN │ TURKEY MILLS │ 1819; J WHATMAN │ 1820.
1003 Cumberland, George, [Jr.]  BRISTOL │ - │ BEAUTIES │ 1848 │ = │ QUEEN SQUARE │ COLLEGE GREEN │ Lavars, Bridge St Bristol.
            A made-up volume of works by George Cumberland, Jr. printed at various times (1847, 1849, 1850, 1851, 1852, 1858, 1860) with different paginations; the engraved title-page applies only to the first fifteen numbered pages. There are clippings, photographs, and engravings pasted throughout the work, usually to illustrate a poem or story. Author's inscribed presentation copy to his cousin, Richard Denison Jones. Manuscript notes throughout.
1004 Lloyd-Johnes, H. J.  A Tour In North And South Wales In The Year 1784 By George Cumberland (Off-printed from The National Library of Wales Journal, Vol. XIX, No. 4, Winter, 1976)
                                                               * ** *** ** *
1005 Cumberland, Richard.  THE │ CARMELITE. │ = │ A │ TRAGEDY, │ BY RICHARD CUMBERLAND, ESQ. │ - │ADAPTED FOR │ THEATRICAL REPRESENTATION, │ AS PERFORMED AT THE │ THEATRE-ROYAL, DRURY-LANE. │ = │ REGULATED FROM THE PROMPT-BOOKS, │ By Permission of the Managers. │ = │ “The Lines distinguished by inverted Commas, are omitted in the Representation.” │ = │ LONDON: │ = │ Printed for the Proprietors, under the Direction of │ JOHN BELL, [Gothic:] British Library, STRAND, │ Bookseller to His Royal Highness the Prince of Wales. │ - │ MDCCXCI [1791].
Bound with:
Hill, Aaron.  ALZIRA, │ = │ A │ TRAGEDY, │ BY AARON HILL. │ - │ ADAPTED FOR │ THEATRICAL REPRESENTATION, │ AS PERFORMED AT THE │ THEATRE-ROYAL, IN COVENT-GARDEN. │ = │ REGULATED FROM THE PROMPT-BOOKS, │ By Permission of the Managers. │ = │ “The Lines distinguished by inverted Commas, are omitted in the Representation.” │ = │ LONDON: │ = │ Printed for the Proprietors, under the Direction of │ JOHN BELL, [Gothic:] British Library, STRAND, │ Bookseller to His Royal Highness the Prince of Wales. │ - │ MDCCXCI [1791].
And
Dryden, John.  OEDIPUS │ = │ A │ TRAGEDY. │ BY DRYDEN AND LEE. │ = │ ADAPTED FOR │ THEATRICAL REPRESENTATION, │ AS PERFORMED AT THE │ THEATRE-ROYAL, DRURY-LANE │ = │ REGULATED FROM THE PROMPT-BOOKS, │ By Permission of the Managers. │ = │ “The Lines distinguished by inverted Commas, are omitted in the Representation.” │ = │ LONDON: │ = │ Printed for the Proprietors, under the Direction of │ JOHN BELL, [Gothic:] British Library, STRAND, │ Bookseller to His Royal Highness the Prince of Wales. │ - │ MDCCXCI [1791].
And
Glover, Richard.  MEDEA. │ = │ A │ TRAGEDY, │ BY MR. GLOVER. │ = │ ADAPTED FOR │ THEATRICAL REPRESENTATOIN, │ AS PERFORMED AT THE │ THEATRE-ROYAL, DRURY-LANE. │ = │ REGULATED FROM THE PROMPT-BOOK, │ By Permission of the Manager. │ = │ “The Lines distinguished by inverted Commas, are omitted in the Representation.” │ = │ LONDON: │ = │ Printed for the Proprietors, under the Direction of │ JOHN BELL, [Gothic:] British Library, STRAND, │ Bookseller to His Royal Highness the Prince of Wales. │ - │ MDCCXCII [1792].
1006 Cumberland, Richard.  THE │ WEST INDIAN. │ = │ A │ COMEDY, │ BY RICHARD CUMBERLAND, ESQ. │ = │ ADAPTED FOR │ THEATRICAL REPRESENTATION, │ AS PERFORMED AT THE │ THEATRES-ROYAL, │ DRURY-LANE AND COVENT-GARDEN. │ = │ REGULATED FROM THE PROMPT-BOOKS, │ By Permission of the Managers. │ = │ “The Lines distinguished by inverted Commas, are omitted in the Representation.” │ = │ LONDON: │ = │ Printed for the Proprietors, under the Direction of │ JOHN BELL, [Gothic:] British-Library, STRAND, │ Bookseller to his Royal Highness the PRINCE of WALES. │ - │ M DCC XCII [1792].
Bound with:
Milton, John.  COMUS. │ A │ MASK. │ = │ BY JOHN MILTON. │ = │ ADAPTED FOR │ THEATRICAL REPRESENTATION, │ AS PERFORMED FIRST AT THE │ THEATRE-ROYAL, COVENT-GARDEN, │ IN THE YEAR 1744. │ = │ REGULATED FROM THE PROMPT-BOOK, │ By Permission of the Managers. │ = │ “The Lines distinguished by inverted Commas, are omitted in the Representation.” │ = │ LONDON: │ = │ Printed for the Proprietors, under the Direction of │ JOHN BELL, [Gothic:] British Library, STRAND, │ Bookseller to His Royal Highness the Prince of Wales. │ - │ M D CC XCI [1791].
And
Centlivre, Susanna.  A │ BOLD STROKE FOR A WIFE. │ = │ A │ COMEDY, │ BY MRS. CENTLIVRE │ = │ ADAPTED FOR │ THEATRICAL REPRESENTATION, │ AS PERFORMED AT THE │ THEATRES-ROYAL, │ DRURY-LANE AND COVENT-GARDEN. │ = │ REGULATED FROM THE PROMPT-BOOKS, │ By Permission of the Managers. │ = │ “The Lines distinguished by inverted Commas, are omitted in the Representation.” │ = │ LONDON: │ = │ Printed for the Proprietors, under the Direction of │ JOHN BELL, [Gothic:] British Library, STRAND, │ Bookseller to His Royal Highness the Prince of Wales │ - │ MDCCXCI [1791].
And
O’Hara, Kane.  TOM THUMB, │ ALTERED BY │ KANE O’HARA, ESQ. │ - │ AND AS PERFORMED AT THE │ THEATRE ROYAL, HAY-MARKET. │ = │ REGULATED FROM THE PROMPT-BOOK, │ By Permission of the Managers. │= │ LONDON: │ = │ PRINTED FOR │ JOHN CAWTHORN, 5, CATHERINE STREET, STRAND, │ Bookseller to Her Royal Highness the Princess of Wales. │ - │ 1805.
And
O’Hara, Kane.  THE │ TRAGEDY │ OF │ TRAGEDIES; │ OR, THE │ LIFE AND DEATH │ OF │ TOM THUMB the Great, │ AS IT IS ACTED AT THE │ [Gothic:] Theatre, in the Hay-Market; │ WITH THE ANNOTATIONS OF │ H. SCRIBLERUS SECUNDUS: │ BY HENRY FIELDING, ESQ. │ = │ LONDON: │ = │ PRINTED FOR │ JOHN CAWTHORN, 5, CATHERINE STREET, STRAND, │ Bookseller to Her Royal Highness the Princess of Wales. │ - │ 1805.
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