General Literature (G–M) | Blake Collection | G.E. Bentley Fonds

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1089	Garrick, David. THE │ COUNTRY GIRL │ A │ COMEDY. │ = │ ALTERED FROM WYCHERLY │ BY DAVID GARRICK, ESQ. │ = │ ADAPTED FOR │ THEATRICAL REPRESENTATION, │ AS PERFORMED AT THE │ THEATRE-ROYAL, DRURY-LANE. │ = │ REGULATED FROM THE PROMPT-BOOKS, │ By Permission of the Managers. │ = │ “The Lines distinguished by inverted Commas, are omitted in the Representation.” │ = │ LONDON: │ = │ Printed for the Proprietors, under the Direction of │ JOHN BELL, [Gothic:] British Library, STRAND, │ Bookseller to His Royal Highness the Prince of Wales. │ - │ M DCC XCI [1791]. Bound with: Buckingham, George Villiers, Duke of. THE │ CHANCES. │ A │ COMEDY. │ = │ AS ALTERED FROM │ BEAUMONT AND FLETCHER, │ BY HIS GRACE │ THE DUKE OF BUCKINGHAM. │ = │ ADAPTED FOR │ THEATRICAL REPRESENTATION, │ AS PERFORMED AT THE │ THEATRES-ROYAL, │ DRURY-LANE AND COVENT-GARDEN. │ = │ REGULATED FROM THE PROMPT-BOOKS, │ By Permission of the Managers. │ = │ “The Lines distinguished by inverted Commas, are omitted in the Representation.” │ = │ LONDON: │ = │ Printed for the Proprietors, under the Direction of │ JOHN BELL, [Gothic:] British Library, STRAND, │ Bookseller to His Royal Highness the Prince of Wales. │ - │ M DCC XCI [1791]. And Steele, Richard, Sir. THE │ TENDER HUSBAND; │ OR, THE │ ACCOMPLISHED FOOLS. │ = │ A │ COMEDY. │ BY SIR RICHARD STEELE. │ = │ ADAPTED FOR │ THEATRICAL REPRESENTATION, │ AS PERFORMED AT THE │ THEATRES-ROYAL, │ DRURY-LANE AND COVENT-GARDEN. │ = │ REGULATED FROM THE PROMPT-BOOKS, │ By Permission of the Managers. │ = │ “The Lines distinguished by inverted Commas, are omitted in the Representation.” │ = │ LONDON: │ = │ Printed for the Proprietors, under the Direction of │ JOHN BELL, [Gothic:] British Library, STRAND, │ Bookseller to His Royal Highness the Prince of Wales. │ - │ M DCC XCI [1791]. And Farquhar, George. THE │ BEAUX STRATAGEM. │ A │ COMEDY. │ = │ BY GEO. FARQUHAR. │ = │ ADAPTED FOR │ THEATRICAL REPRESENTATION, │ AS PERFORMED AT THE │ THEATRES-ROYAL, │ DRURY-LANE AND COVENT-GARDEN. │ = │ REGULATED FROM THE PROMPT-BOOKS, │ By Permission of the Managers. │ = │ “The Lines distinguished by inverted Commas, are omitted in the Representation.” │ = │ LONDON: │ = │ Printed for the Proprietors, under the Direction of │ JOHN BELL, [Gothic:] British Library, STRAND, │ Bookseller to His Royal Highness the Prince of Wales. │ - │ M DCC XCI [1791].
1090	Gay, John. FABLES │ BY THE LATE │ MR. GAY. │ IN ONE VOLUME COMPLETE. │ LONDON: │ Printed for J. BUCKLAND, J. F. and C. RIVINGTON, │ B. and B. WHITE, T. LONGMAN, B. LAW, T. CAR- │ NAN, G. G. J. and J. ROBINSON, T. CADELL, │ S. BLADON, R. BALDWIN, J. SEWELL, J. JOHNSON, │ H. L. GARDNER, J. BEW, W. GOLDSMITH, │ J. MURRAY, W. LOWNDES, J. SCATCHERD and │ J. WHITAKER, G. and T. WILKIE, and E. │ NEWBERY. │ M DCC LXXXVIII [1788]. 12°, 68 woodcuts by John Bewick.In brown ink above frontispiece portrait, “Ann Packers Book Wantage Berks”. Label on inside front cover: RELICS OF CHARLES LAMB. │ Purchased at Edward Moxon’s Sale by │ FRANCIS JACKSON, ESQ. │ Citizen, Merchant and Ship Owner, of London, │ (Offices, Rood Lane E.C. │ Admitted Freeman of the Paviour City Company, 14th March, │ 1805.) │ RED HOUSE, MARE STREET, HACKNEY.
1091	Gay, John. [Engraved title:] FABLES │ BY │ JOHN GAY, │ WITH │ A LIFE OF THE AUTHOR, │ And embellished with a Plate │ to each Fable. │ LONDON │ Printed by Darton & Harvey, for │ F.& C.Rivington, B & B.White, T.Longman, B. Law & Son, │ G.G.&J.Robinson, T.Cadell, S.Bladon, R.Baldwin, J.Sewell, │ J.Johnson, H.L.Gardner, J.Bew, W.Goldsmith, J.Murray, │ W.Lowndes, J.Scatcherd & C. G.&T.Wilkie, & E.Newbery. │ MDCCXCIII [1793]. 8°, in contemporary mottled calf, rebacked with original spine; on the title page is the signature of "Mary Gibbs", and the modern Ex Libris of Dr Stragwer.
1092	Gell, William, Sir & John P. (John Peter) Gandy. [Engraved title:] POMPEIANA BY SIR WILLIAM GELL AND JOHN P. GANDY ARCHITECT │ London, Published July 1. 1819, by Rodwell & Martin, New Bond Street. [Type-set title:] POMPEIANA: │ THE │ TOPOGRAPHY, EDIFICES, │ AND │ ORNAMENTS │ OF │ POMPEII. │ BY │ SIR WILLIAM GELL, F.R.S. F.S.A. &c. │ AND │ JOHN P. GANDY, ARCHITECT. │ - │ LONDON: │ PRINTED FOR │ RODWELL AND MARTIN, │ NEW BOND STREET. │ - │ 1817-1819. In contemporary ¾ morocco. Added illustrated t.p., and seventy nine plates, five on double leaf, engraved mainly by Charles Heath, and other artists. Plate no. 75 is a color engraving by F. C. Lewis. Engraved head- and tail-pieces.
1092A	Gem (London, England) THE GEM, │ [Gothic:] A Literary Annual, │ EDITED BY THOMAS HOOD, ESQ. │ - │ "Buds and Flowers begin the Year, │ "Song and Tale bring up the rear." │ - │ LONDON: │ W. MARSHALL, 1, HOLBORN BAR, │ - │ 1829. 12°, in maroon leather over reddish marbled boards. It includes works by Scott, Keats, Lamb, Hood, John Clare, and Hartley Coleridge.
1093	Gessner, Salomon. [Engraved title:] THE │ [Gothic:] Death of Abel │ IN │ FIVE BOOKS │ [Vignette of Cain killing Abel, Stothard-Blackberd] │ ATTEMPTED │ FROM THE GERMAN │ OF │ [Gothic:] M. Gessner. │ London, Published Jan. 7h. 1797, by T. Heptinstall Fleet Street. 4°, in original boards in remarkably fine condition, uncut. It is continuously paginated (after p. 150) with NEW IDYLS, │ BY S. GESSNER. │ WITH │ A LETTER TO M. FUSLIN, │ ON │ LANDSCAPE PAINTING; │ AND │ THE TWO FRIENDS OF BOURBON, │ A MORAL TALE, BY M. DIDEROT. There are 5 fine plates engraved after Stothard by Blackbird in The Death of Abel and 2 more in Gessner's New Idyls, plus woodcut vignettes.
1094	Gessner, Salomon. THE │ DEATH OF ABEL, │ IN │ FIVE BOOKS. │ ATTEMPTED │ FROM THE GERMAN │ OF │ Mr. GESSNER. │ = │ A NEW EDITION. │ = │ [Gothic:] Bath: │ PRINTED BY S. HAZARD; │ FOR VERNOR AND HOOD, LONDON. │ - │ 1798. 8°, in sound contemporary gilt vellum, with an octagonal ticket pasted to the front paste-down: "Sold by │ R. STANES, │ Bookseller & Stationer │ Chelmsford, │ ESSEX". There is an illegible 20th Century ink signature on the fly-leaf. There are 4 good plates "Designed & Engraved by H. Richter" and published by Vernor & Hood 1 December 1795.
1095	Gibbon, Edward. THE │ HISTORY │ OF THE │ DECLINE AND FALL │ OF THE │ ROMAN EMPIRE. │ By EDWARD GIBBON, Esq; │ VOLUME THE FIRST-[SIXTH]. │ THE FOURTH EDITION. │ = │ LONDON: │ PRINTED FOR W. STRAHAN ; AND T. CADELL, IN THE STRAND. │ [Vols. 1-3:] MDCCLXXXI [1781] – [Vols. 4-6:] MDCCLXXXVIII [1788]. 4°, in handsome calf. Vol. I is "Fourth Edition", II-III are "Second Edition", and IV-VI have no edition statement.
1096	Gifford, William. THE BAVIAD, │ AND │ MÆVIAD. │ BY │ WILLIAM GIFFORD, ESQ. │ = │ [4-line motto] │ = │ THE EIGHTH EDITION. │ LONDON: │ = │ PRINTED FOR S. TIPPER, LEADENHALL-STREET; │ BY W. BULMER AND CO. CLEVELAND-ROW, │ ST. JAMES'S. │ 1810. 8°, bound in red morocco, gilt. On the second fly-leaf is "William Nicol". On p. [180] is a transcription manuscript: "Here lies the Body of Ann Davies" discovered accidentally by Leigh Hunt in the Burying Ground to South Audley Street Chapel ... [and] inserted ... in a Periodical which he then published. Sent to Miss Barrow according to promise Jany 6, 1852. Miss B. knew Ann Davies, as G's Housekeeper. Bound with: Byron, George Gordon Byron, Baron. ENGLISH BARDS, │ AND │ SCOTCH REVIEWERS; │ A Satire. │ - │ BY │ LORD BYRON. │ - │ I had rather be a kitten, and cry, mew! │ Than one of these same metre ballad-mongers. │ SHAKSPEARE. │ Such shameless Bards we have; and yet 'tis true, │ There are as mad, abandon'd Critics too. │ POPE. │ = │ SECOND EDITION. │ WITH │ CONSIDERABLE ADDITIONS AND ALTERATIONS. │ = │ LONDON: │ PRINTED FOR JAMES CAWTHORN, BRITISH LIBRARY, No. 24, │ COCKSPUR STREET. │ - │ 1809. 8°.
1097	Giles, W. (William) THE │ VICTIM, │ IN │ FIVE LETTERS TO ADOLPHUS. │ = │[12 lines from Goldsmith] │ - │ [Gothic:] Third Edition. │ = │ LONDON: │ PRINTED FOR W. BUTTON AND SON; │ AND LONGMAN, HURST, REES, ORME, AND BROWN, │ PATERNOSTER ROW, │ BY C. WHITTINGHAM, COLLEGE HOUSE, CHISWICK. │- │ 1819. 6°, frontispiece engraved by J. Parker after a design by T. Stothard with imprint: “Published by W. Button Pater Noster Row Sep. 5, 1800.”
1098	Gillray, James. The Works of James Gillray 582 Plates and a Supplement Containing the 45 So-Called “Suppressed Plates” First Published London 1851. (Bronx ; and London: Benjamin Blom, 1968)
1099	Gilpin, William. AN │ ESSAY UPON PRINTS: │ CONTAINING │ REMARKS │ UPON THE │ PRINCIPLES OF PICTURESQUE BEAUTY; │ THE │ DIFFERENT KINDS OF PRINTS; │ AND THE │ CHARACTERS OF THE MOST NOTED MASTERS: │ ILLUSTRATED BY │ CRITICISMS UPON PARTICULAR PIECES: │ TO WHICH ARE ADDED, │ SOME CAUTIONS THAT MAY BE USEFUL IN │ COLLECTING PRINTS. │ Artificumque canus inter se, perumque labores │ Miramur.---- ÆN. i. 459. │ - │ SECOND EDITION. │ - │ LONDON: │ PRINTED BY G. SCOTT, │ FOR J. ROBSON, BOOKSELLER TO THE PRINCESS │ DOWAGER OF WALES, AT THE FEATHERS │ IN NEW BOND STREET. │ = │ M DCC LXVIII [1768]. The fly-leaf is inscribed "J. Cockfield 1773." Below SECOND EDITION is stamped “By W. GILPIN A M, of Cheam”.
1100	Gilpin, William. AN │ ESSAY │ ON │ PRINTS. │ BY WILLIAM GILPIN, M.A. │ PREBENDARY OF SALISBURY; │ AND VICAR OF BOLDRE IN NEW-FOREST, │ NEAR LYMINGTON. │ THE FIFTH EDITION. │ LONDON: │ PRINTED BY A. STRAHAN, PRINTERS-STREET; │ FOR T. CADELL, JUN. AND W. DAVIES, IN THE STRAND. │ 1802.
1101	Gisborne, Thomas. WALKS IN A FOREST: │ OR, │ POEMS │ DESCRIPTIVE OF SCENERY AND INCIDENTS │ CHARACTERISTIC OF │ A FOREST. │ AT DIFFERENT SEASONS OF THE YEAR. │ BY THOMAS GISBORNE, M.A. │ THE FIFTH EDITION, CORRECTED. │ = │ [6-line Latin motto from] │ LOWTH, De Sacri Poesi Hebraeorum. │ = │ LONDON: │ Printed by A. Strahan, Printers Street, │ FOR T. CADELL JUN. AND W. DAVIES, IN THE STRAND. │ 1801. 8°, in sound contemporary white vellum, slightly gilt, with marbled edges. There is a circular ticket on the inner front cover: "Sold by BOOKER, N 56, Bond-Street", and the Tudor rose book-plate of B.C. T[udor]. There are 6 sideways plates of forest scenes designed by S. Gilpin, dated 1797.
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	Oliver GOLDSMITH
1102	Goldsmith, Oliver. THE │ CITIZEN │ OF THE │ WORLD: │ OR, │ LETTERS │ FROM A │ CHINESE PHILOSOPHER, │ RESIDING IN LONDON, │ TO HIS │ FRIENDS IN THE EAST. │ - │ VOLUME THE FIRST-[SECOND] │ - │ - │ LONDON: │ Printed for R. WHISTON, J. WOODFALL, T. BALDWIN; │ R. JOHNSTON, and G. CADDEL. │ - │ M,DCC,LXXXII [1782]. 2 vols., 6°, Page 33-34 torn out.
1103	Goldsmith, Oliver. HARRISON'S EDITION. │ - │ THE │ CITIZEN OF THE WORLD. │ IN │ A SERIES OF LETTERS │ FROM A │ CHINESE PHILOSOPHER AT LONDON, │ TO HIS │ FRIENDS IN THE EAST. │ IN TWO VOLUMES. │ [JHC monogram] │ LONDON:│ Printed for HARRISON and Co. No 18, Paternoster Row. │ M DCC XCIII [1793]. 4°, 2 volumes in 1, in sound dappled ½ calf with spine labels over grey marbled boards, uniform with other works from HARRISON'S EDITION. On the front paste-down is a printed eagle-emblem with "IN DOMINO CON FIDO", and on the facing page is written "J. Knyston │ 19th Sept. 1805." There are 4 good oval plates by Corbould. Bound with: Lyttelton, George Lyttelton, Baron. HARRISON’S EDITION. │ - │ LETTERS │ FROM A │ PERSIAN IN ENGLAND, │ TO HIS │ FRIEND AT ISPAHAN. │ BY GEORGE LORD LYTTELTON. │ [Two line motto in Latin] │ [JHC monogram] │ LONDON: │ Printed for HARRISON and Co. No 18, Paternoster Row. │ M DCC LXXXV [1785]. 4°. Two plates by Stothard. And Lyttelton, George Lyttelton, Baron. HARRISON’S COLLECTION. │ - │ DIALOGUES │ OF THE │ DEAD. │ BY GEORGE LORD LYTTLETON [sic]. │ [JHC monogram] │ LONDON: │ Printed for J. WALKER, No 16, Rosomans Street. │ M DCC XCV [1795]. 4°. Three plates by E.F. Burney.
1104	Goldsmith, Oliver. ESSAYS │ BY │ DR. GOLDSMITH. │ = │ COLLECTA REVIRESCUNT. │ = │ = │ VOL. I. │ = │ PUBLISHED BY │ J. CONRAD & CO. NO. 30, CHESNUT-STREET, PHILADELPHIA; │ M. & J. CONRAD & CO. NO. 138, MARKET-STREET, BALTI- │ MORE; RAPIN, CONRAD, & CO. WASHINGTON; SOMERVELL │ & CONRAD, PETERSBURG; AND BONSAL, CONRAD, & CO. │ NORFOLK. │ T. & G. PALMER, PRINTERS, HIGH-STREET. │ - │ 1804. [VOL. II:] … & CONRAD, PETERSBURGH; AND BONSAL, CONRAD, & CO. │ NORFOLK. │ W. F. M'LAUGHLIN, PRINTER. │ - │ 1804. Includes two plates engraved by Tiebout after designs by W. Woolley.
1105	Goldsmith, Oliver and Thomas Parnell. POEMS │ BY │ GOLDSMITH │ AND │ PARNELL. │ [Vignette designed and engraved by T. Bewick] │ LONDON: │ = │ PRINTED BY W. BULMER AND CO. │ [Gothic:] Shakspeare Printing Office, │ CLEVELAND-ROW. │ 1795. 4°. Includes 5 plates, 4 engraved by Thomas Bewick and 1 by John Bewick. Also includes tail-pieces engraved by T. Bewick. Rare Bewick-designed bookplate of Revd. H. Cotes, editor of Bewick’s History of British birds. Signed on title-page: “H. Cotes”.
1106	Goldsmith, Oliver. THE │ POEMS │ OF │ OLIVER GOLDSMITH. │ A NEW EDITION. │ = │ ADORNED WITH PLATES. │ = │ LONDON: │ [Gothic:] Printed by T. Bensley, │ Bolt Court, Fleet Street, │ FOR F.J. DU ROVERAY, GREAT ST. HELENS; │ AND SOLD BY J. WRIGHT, PICCADILLY; │ AND J. WALLIS, PATERNOSTER-ROW. │ - │ 1800. 8°, in full brown diapered calf, rebacked stoutly, with brown marbled end-papers; signature on a fly-leaf of "Susan Scott │ 1830". At the end is an advertisement for Du Roveray publications.
1107	Goldsmith, Oliver. [Engraved title:] [Gothic:] Goldsmiths Poems, │ and │ ESSAYS. │ [Vignette of Edwin & Angelina] │ [Two lines of verse from Goldsmith] │ - │ LONDON. │ Published, June, 1, 1817, by I.F. De Valengin, Mabledon Place, Burton Crescent, New Road – [Type-set title:] THE │ POETICAL WORKS, │ AND │ ESSAYS, │ OF │ OLIVER GOLDSMITH, Esq. │ = │ Revised and Corrected │ BY W. M. CRAIG, ESQ. │ = │ Embellished with four beautifully engraved │ Plates from original Designs. │- │ LONDON: │ Printed at the Miltonian Press, │ For P. Rothwell, and J. F. De Valengin, Mable- │ don Place; │ AND PUBLISHED BY │ W. Simpkin and R. Marshall, Stationers’ Court, Lud-│ gate Street; and Sold by all Booksellers. │ - │ 1817. 12°. Three plates and engraved title-page by P. Rothwell after designs by W.M. Craig. Signed “J. Clark 1818” on fly-leaf.
1108	Goldsmith, Oliver. [Engraved title:] THE │ POEMS │ OF │ OLIVER GOLDSMITH │ EMBELLISHED WITH ENGRAVINGS │ FROM DESIGNS OF │ RICH. WESTALL, R.A. │ [Vignette of a young couple beneath a tree before an old woman sewing] │ The bashful virgin's side-long looks of love, │ The matron's glance-- Deserted Village. │ LONDON: │ PRINTED FOR JOHN SHARPE, PICCADILLY. │ 1816. [Type-set title:] THE │ POETICAL WORKS, │ COMPLETE, │ OF │ OLIVER GOLDSMITH, M.B. │ WITH SOME ACCOUNT OF HIS │ LIFE AND LITERATURE. │ TO WHICH ARE PREFIXED, │ SEVERAL POETICAL TRIBUTES TO HIS MEMORY, │ BY CONTEMPORARY WRITERS. │ = │ [Gothic:] An Improved Edition, │ EMBELLISHED WITH ENGRAVINGS ON WOOD, │ BY AUSTIN. │ = │ LONDON: │ PRINTED FOR SHERWOOD, NEELY, AND JONES, │ PATERNOSTER-ROW. │ - │ 1816. 12°, "BOUND BY ZAEHNSDORF" in stamped maroon morocco about 1900. There are 3 charming woodcut vignettes by Austin. The original 9 plates from this edition are lacking in the Library’s copy. The engraved title page (but no other plate) is called "Proofs". The engraved title-page and the 5 full page plates are from another work entitled, The Traveller, The Deserted Village, and Other Poems, published by John Sharpe, 1 June 1816. These plates are after designs by Richard Westall and are engraved by Charles Heath (2), John Pye, William Finden and James Mitan.
1109	Goldsmith, Oliver. THE │ POETICAL WORKS │ OF │ OLIVER GOLDSMITH, M.B. │ COMPLETE IN ONE VOLUME. │ WITH │ THE LIFE OF THE AUTHOR. │ - │ EMBELLISHED WITH │ VIGNETTES & TAIL-PIECES, │ DESIGNED, AND ENGRAVED ON WOOD, │ BY T. BEWICK. │ = │ [Vignette of young persons dancing on the green] │ 'And all the village train, from labour free, │ "Led up their sports beneath the spreading tree"-- │ DES. VIL. P. 44. │ = │ HEREFORD: │ PRINTED BY D. WALKER; │ AND SOLD BY J. PARSONS, BOOKSELLER, │ PATERNOSTER-ROW, LONDON. │ - │ 1794. 8°, in full calf, spine and hinges largely perished, back cover off, now repaired.
1110	Goldsmith, Oliver. [Engraved title:] [Gothic:] The │ Poetical Works │ of │ OLIVER GOLDSMITH │ with an Account of his Life & Writings │ to which is added │ A Critical Dissertation on his │ [Gothic:] Poetry │ By J.Aikin, M.D. │ [Vignette of a bent old woman apparently gathering plants, Corbould-T. Woodthorpe] │ LONDON: │ Printed for Cadell & Davies, Scatcherd & Letterman, │ G. Wilkie, W.J. & J. Richardson, Vernor & Hood. │ F.C. & J. Rivington │ 1805. 8°, in contemporary full calf. The plates are reprinted from the Du Roveray edition (1800).
1111	Goldsmith, Oliver. [Engraved title:] [Gothic:] The Poetical Works │ OF │ OLIVER GOLDSMITH, │ with an Account of his Life, and │ [Gothic:] A │ Critical Dissertation on his Poetry │ [Gothic:] BY │ J. AIKIN, M.D. │ [Vignette of an old woman collecting watercress] │ [Gothic:] London. │ Printed for Cadell & Davies, Scatcherd & Letterman, │ G. Wilkie, J. Richardson, F.C. & J. Rivington, │ Longman & C. and H.T. Hodgson. │ 1817. 6°, in sound contemporary polished calf, with on front board "J. DURNING", gilt, marbled edges; it has the tudor rose book-plate of B.C.T[udor]. At the end is a 2-page advertisement for Scatcherd & Whitaker. There are 6 Du Roveray plates (1800), changed so that (1) the imprints (far down the plate) are cut off; (2) the plates are very worn and uninteresting; (3) the page-references have been altered.
1112	Goldsmith, Oliver. SHE STOOPS TO CONQUER; │ OR, │ THE MISTAKES OF A NIGHT. │ = │ A │ COMEDY, │ BY DR. GOLDSMITH. │ = │ ADAPTED FOR │ THEATRICAL REPRESENTATION, │ AS PERFORMED AT THE │ THEATRES-ROYAL, │ DRURY-LANE AND COVENT-GARDEN. │ = │ REGULATED FROM THE PROMPT-BOOKS, │ By Permission of the Managers. │ = │ “The lines distinguished by inverted Commas, are omitted in the Representation.” │ = │ LONDON: │ = │ Printed for the Proprietors, under the Direction of │ JOHN BELL, [Gothic:] British Library, STRAND, │ Bookseller to His Royal Highness the Prince of Wales. │ - │ M DCC XCI [1791]. Bound with: Vanbrugh, John, Sir. THE │ PROVOK’D HUSBAND; │ OR, A │ JOURNEY TO LONDON. │ = │ A │ COMEDY, │ BY │ SIR JOHN VANBRUGH & C. CIBBER, ESQ. │ = │ ADAPTED FOR │ THEATRICAL REPRESENTATION, │ AS PERFORMED AT THE │ THEATRES-ROYAL, │ DRURY-LANE AND COVENT-GARDEN. │ = │ REGULATED FROM THE PROMPT-BOOKS, │ By Permission of the Managers. │ = │ “The Lines distinguished by inverted Commas, are omitted in the Representation.” │ = │ LONDON: │ = │ Printed for the Proprietors, under the Direction of │ JOHN BELL, [Gothic:] British Library, STRAND, │ Bookseller to His Royal Highness the PRINCE of WALES. │ - │ M DCC XCI [1791]. And Centlivre, Susanna. A │ BOLD STROKE FOR A WIFE. │ = │ A │ COMEDY, │ BY MRS. CENTLIVRE │ = │ ADAPTED FOR │ THEATRICAL REPRESENTATION, │ AS PERFORMED AT THE │ THEATRES-ROYAL, │ DRURY-LANE AND COVENT-GARDEN. │ = │ REGULATED FROM THE PROMPT-BOOKS, │ By Permission of the Managers. │ = │ “The Lines distinguished by inverted Commas, are omitted in the Representation.” │ = │ LONDON: │ = │ Printed for the Proprietors, under the Direction of │ JOHN BELL, [Gothic:] British Library, STRAND, │ Bookseller to His Royal Highness the Prince of Wales │ - │ MDCCXCI [1791]. And Cumberland, Richard. THE NATURAL SON. │ = │ A │ COMEDY, │ BY RICHARD CUMBERLAND, ESQ. │ = │ ADAPTED FOR │ THEATRICAL REPRESENTATION, │ AS PERFORMED AT THE │ THEATRES-ROYAL, │ DRURY-LANE AND COVENT-GARDEN. │ = │ REGULATED FROM THE PROMPT-BOOKS, │ By Permission of the Managers. │ = │ “The Lines distinguished by inverted Commas, are omitted in the Representation.” │ = │ LONDON: │ = │ Printed for the Proprietors, under the Direction of │ JOHN BELL, [Gothic:] British-Library, STRAND, │ Bookseller to His Royal Highness the PRINCE of WALES. │ - │ MDCCXCII [1792].
1113	Goldsmith, Oliver. THE │ TRAVELLER, │ A │ POEM. │ BY │ OLIVER GOLDSMITH, M.B. │ [Pleasant vignette of a traveller with a spacious view before him, J. Wale-C. Grignion] │ LONDON: │ Printed for T. CARNAN and F. NEWBERY junr. │ in St. Pauls Church Yard. │ MDCCLXX [1770]. 4° in 2s, lacks half-title page and original covers. Rebound in brown marbled covers by Mr Bankes.
1114	Goldsmith, Oliver. THE │ VICAR │ OF │ WAKEFIELD. │ - │ A │ TALE. │ - │ IN TWO VOLUMES. │ = │ BY DR. GOLDSMITH. │ = │ Sperate Miseri, cavete Felices. │ = │ LONDON: │ PRINTED BY SAMMELLS AND RITCHIE, │ FOR │ E. HARDING, FLEET-STREET; AND J. GOOD, NEW BOND-STREET. │ - │ MDCCXCII [1792]. 2 volumes in 1, in full calf elaborately gilt on the spine. On the first fly-leaf is "Henry Page" and the front paste-down has "Henrietta Berney, her Book, given to her, by Mr Page--1800--". There are 6 plates designed by Stothard and engraved by J. Parker.
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1115	Gray, Thomas. DESIGNS │ BY │ Mr. R. BENTLEY, │ FOR SIX │ POEMS │ BY │ Mr. T. GRAY. │ [Vignette of a monkey painting and Apollo singing to a harp] │ LONDON: │ Printed for J. DODSLEY, in Pall-Mall. 1765. In original rather tattered blue-grey boards, in a box. Jerome Kern's copy. Pasted in, on paper WATERMARKED H WILMOTT │ 1812 is a leaf in an 18th century hand with "Stanza's addressed to Mr Bentley By Mr Gray". One plate is printed on a text-leaf upsidedown.
1116	Gray, Thomas. DESIGNS │ BY │ Mr. R. BENTLEY, │ FOR SIX │ POEMS │ BY │ Mr. T. GRAY. │ [Vignette of a monkey painting and Apollo singing to a harp] │ LONDON: │ Printed for J. DODSLEY, in Pall-Mall. │ - │ MDCCLXXV [1775]. A folio reissue of the 1765 edition. Armorial bookplate of “Revd. T. Milville Raven, M.A. F.R.S.E.”
1117	Gray, Thomas. [Engraved title:] POEMS; BY Mr. GRAY. │ [Vignette] │ London: Printed for J. MURRAY, No. 32, Fleet Street. │ 1784. [Type-set title:] POEMS. │ BY │ MR. GRAY. │ A NEW EDITION. │ [Emblem with JM] │ LONDON: │ PRINTED FOR J. MURRAY, (No. 32.) FLEET- │ STREET. │ MDCCLXXXVI [1786]. 8°, in calf, spine damaged, hinges parting. With the signature of "Norman Endicott", whose library Hugh bought (Betty Endicott died in the summer of 1987). There are 7 plates, 2 designed by Hamilton and 2 engraved by Sharp.
1118	Gray, Thomas. THE │ POEMS │ OF │ GRAY. │ A NEW EDITION. │ = │ ADORNED WITH PLATES. │ = │ LONDON: │ [Gothic:] Printed by T. Bensley. │ Bolt Court, Fleet Street, │ FOR F.J. DU ROVERAY, GREAT ST. HELENS; │ AND SOLD BY J. WRIGHT, PICCADILLY; │ AND T. HURST, PATERNOSTER-ROW. │ - │ 1800. in ¾ calf over bluish-grey marbled boards, perhaps Large Paper (14.4 x 22.4 cm). Three plates each designed by Hamilton and Fuseli. Library copy lacks plate, “Ode to spring”.
1119	Gray, Thomas. THE │ POEMS │ OF │ GRAY. │ A NEW EDITION. │ = │ ADORNED WITH PLATES. │ = │ LONDON: │ = │ PRINTED BY W. BULMER AND CO. │ FOR F. J. DU ROVERAY, GREAT ST. HELENS; │ AND SOLD BY J. WRIGHT, PICCADILLY. │ 1801. in full black morocco, edges gilt, boards and spine lightly gilt, marbled end-papers; there is an old armiferous book-plate of George Griffin Stonestreet and pencil note on "A Long Tale" (p. 120). Three plates each designed by Hamilton and Fuseli.
1120	Gray, Thomas. THE │ WORKS │ OF │ THOMAS GRAY; │ Containing his │ POEMS, AND CORRESPONDENCE WITH SEVERAL EMINENT │ LITERARY CHARACTERS. │ - │ To which are added, │ MEMOIRS │ OF │ HIS LIFE AND WRITINGS, │ BY W. MASON, M.A. │ = │ THE THIRD EDITION, CAREFULLY CORRECTED. │ = │ IN TWO VOLUMES. │ - │ VOL. I-[II]. │ = │ LONDON: │ PRINTED FOR VERNOR, HOOD, AND SHARPE; J. WALKER, LONGMAN, │ HURST, REES, AND ORME; J. MURRAY; │ AND J. BOOKER; │ At the Union Printing-Office, St. John’s Square, by W. Wilson. │ - │ 1807. 8°, in 2 vols. Frontispiece portrait drawn by E.F. Burney.
1121	Green, Matthew. THE │ SPLEEN, │ AND OTHER │ POEMS, BY MATTHEW GREEN. │ WITH A │ PREFATORY ESSAY, │ BY J. AIKIN, M.D. │ LONDON: │ PRINTED FOR T. CADELL, jun. AND W. DAVIES, │ (SUCCESSORS TO MR. CADELL) IN THE STRAND. │ MDCCXCVI [1796]. Small 8°. The fly-leaf is signed "Geo Aikin", the title page is signed "Herbert E. Wright". At the end is a list of 6 illustrated books published by Cadell & Davies. There are 3 Stothard plates, one engraved by "T. Parker", published by Cadell & Davies 1 December 1795.
1122	Gregory, John. A │ FATHER's LEGACY │ TO │ HIS DAUGHTERS. │ BY THE LATE DR. GREGORY OF │ EDINBURGH. │ A NEW EDITION. │ ILLUSTRATED WITH PLATES. │ LONDON: │ PRINTED FOR A. STRAHAN; AND T. CADELL JUN. │ AND W. DAVIES (SUCCESSORS TO MR. CADELL) │ IN THE STRAND. │ 1797. In contemporary full tree-like calf; signature of Elizabeth Pidsley. There are 4 Stothard plates, one engraved by Cromek, published by Cadell & Davies, 1 March 1797.
1123	Guardian (London, England : 1713) THE │ GUARDIAN. │ VOLUME the FIRST[-SECOND]. │ [Portrait vignette] │ - │ LONDON: │ Printed for J. and R. TONSON, and S. DRAPER. │ MDCCLI [1751]. Originally published in 175 numbers, Thursday, March 12 to Thursday, October 1, 1713. By Addison, Steele and others.
1123A	Guardian (London, England : 1713) HARRISON’s EDITION. │ - │ THE │ GUARDIAN. │ IN TWO VOLUMES. │ [Initials J H] │ LONDON: │ Printed for HARRISON and Co. No 18, Paternoster Row. │ M DCC LXXXV [1785]. 4°, 2 vols. in one, in sound dappled ½ calf with spine labels over grey marbled boards, uniform with the other works from HARRISON'S EDITION. On the front paste-down is a printed eagle-emblem with "IN DOMINO CON FIDO", and on the facing page, now loose, is written "J. Knyston │ 29th Sept. 1805." There are 8 good oval plates designed by E.F. Burney (4) and Corbould (4).
	* * ** *
	H
1124	Hamilton, Anthony, Count. MÉMOIRES │ DU │ COMTE DE GRAMMONT, │ PAR LE C. ANTOINE HAMILTON. │ EDITION ORNÉE DE LXXII PORTRAITS, GRAVÉS D'APRES │ LES TABLEAUX ORIGINAUX. │ A LONDRES: │ CHEZ EDWARDS, No. 78, PALL MALL [1793]. 4°, [79] plates engraved by various artists after original portraits by Sylvester Harding. Copy 1: in calf, gilt; with a book-plate of a horse's head over "J F[?]". Missing “Nell Gwyn” plate. Copy 2: in sound contemporary calf; book-plate in an odd shape signed James D. Brown ("VITAM IMPENDERE VERO"); the fly-leaf is signed "To │ JDB │ from Lt[?] Cat[?]". Missing second portrait of “Le Comte Antoine Hamilton” and the plates of “Lady Southesk” and “Miss Price”.
1124A	Hamilton, William, Sir. OUTLINES │ FROM THE │ FIGURES AND COMPOSITIONS │ UPON THE │ GREEK, ROMAN, AND ETRUSCAN │ VASES │ OF THE LATE │ SIR WILLIAM HAMILTON; │ WITH │ ENGRAVED BORDERS. │ DRAWN AND ENGRAVED BY THE LATE │ MR. KIRK. │ - │ SECOND EDITION. │ - │ LONDON: │ PUBLISHED BY │ T. M'LEAN, SACKVILLE STREET, PICCADILLY. │ Printed by B.R. Howlett, 10, Frith Street, Soho. │ - │ MDCCCXIV [1814].
1124B	Hands, John, of Coventry. Specimen of Engraving On Wood (Ilkley ; London: Scolar Press, in conjunction with the Bodleian Library, 1973) Facsimile reprint. Original imprint: Coventry: Printed by M. Luckman, 1796.
1125	Hardy, Thomas. THE │ TRIAL │ OF │ THOMAS HARDY │ FOR │ [Gothic:] High Treason, │ AT THE │ SESSIONS HOUSE IN THE OLD BAILEY, │ ON │ Tuesday the Twenty-eighth, Wednesday the Twenty-ninth, │ Thursday the Thirtieth, Friday the Thirty-first of October; │ and on Saturday the First, Monday the Third, Tuesday the │ Fourth, and Wednesday the Fifth of November, 1794. │ Vol. I[-IV]. │ = │ TAKEN IN SHORT-HAND, │ By JOSEPH GURNEY. │ = │ LONDON: │ SOLD BY MARTHA GURNEY, BOOKSELLER, HOLBORN HILL. │ - │ 1794-1795 [Vol. II-III].
1126	Harris, Moses. The Aurelian or Natural History of English Insects, namely Moths and Butterflies. Together with the Plants on which they Feed, A faithful Account of their respective Changes, their usual Haunts when in the winged State; and their standard Names, as given and established by the worthy and ingenious Society of Aurelians. Drawn, engraved, and coloured, from the natural subjects themselves. [Vignette] By Moses Harris, 1766 Secretary to the Aurelian Society. Introduced by Robert Mays 1986 (Twickenham: Country Life Books, 1986)
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	William HAYLEY
1127	Hayley, William. THE │ TRIUMPHS OF TEMPER; │ A │ POEM: │ IN SIX CANTOS. │ BY │ WILLIAM HAYLEY, ESQ. │ - │ [4-line quotation from Dante] │ - │ THE EIGHTH EDITION, CORRECTED. │ - │ LONDON: │ PRINTED FOR T. CADELL, jun. AND W. DAVIES, │ (SUCCESSORS TO MR. CADELL) IN THE STRAND. │ M DCC XCV [1795]. 8°, in sound tree-calf, rebacked. Inscribed on the front paste-down by Beth: "The smaller rewards of hitchhiking to Eton. 2 April 1954". With Stothard-Heath plates. At the end is an integral leaf with advertisements for 6 Cadell & Davies books.
1128	Hayley, William. THE │ TRIUMPHS OF TEMPER. │ A POEM: │ IN SIX CANTOS. │ - │ By WILLIAM HAYLEY, Esqr. │ - │ [3 lines in Italian from Dante's Inferno] │ - │ THE THIRTEENTH EDITION, CORRECTED. │ = │ CHICHESTER: │ Printed by J. SEAGRAVE; │ FOR T. CADELL AND W. DAVIES, │ Strand, London. │ ...... │ 1807. 8°. The plates after Stothard (dated 1787, 1788, and n.d.) were engraved by Heath, Sharp and Neagle. Copy 1: in sound calf, apparently gilt later, with decorated fore-edges. On the 2nd, 3rd, and penultimate fly-leaves and on the title page is the stamp of MAYNOOTH COLLEGE JUNIOR LIBRARY. Copy 2: in sound full calf, with the book-plate (with a Tudor rose) on the front brown marbled paste down of B.C.T[udor]. There is no plate, and apparently there never has been.
1129	Hayley, William. THE │ TRIUMPHS OF TEMPER, │ [Gothic:] A POEM: │ IN SIX CANTOS. │ - │ BY WILLIAM HAYLEY, ESQ. │ - │ [3 lines in Italian from Dante's Inferno] │ - │ A NEW EDITION. │ = │ [Gothic:] Chichester: │ PRINTED BY WILLIAM MASON, │ FOR T. CADELL, AND W. DAVIES, STRAND, │ LONDON. │ 1807. 8° in sound contemporary sprinkled calf. On the first paste-down is the Tudor rose book-plate of B.C.T[udor]. The well-coloured Romney-T.B. Brown mezzotint frontispiece is loose but present.
1130	Hayley, William. "Written by Wm Hayley -- a few hours before he died Novr 11. 1820. a[etatis suae] 75", 10 lines. MS leaf, inscribed on the verso in old brown ink, horizontally with "Author of │ 'Triumphs of Temper │ 'Life of Cowper.[']" and vertically with "addres'd to the Swallows │ on his House-roof". The poem is printed in Hayley's Memoirs (1823) II, 221, and in Quarterly Review, XXXI (March 1825), 301.
	Works about Hayley
1131	Barker, Nicolas J. "Some Notes on the Bibliography of William Hayley. Part II[-III]." Reprinted from Transactions of the Cambridge Bibliographical Society, II (1960), 167-176; III (1962), 339-360 (2 copies).
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	William HAZLITT
1132	Hazlitt, William. [Gothic:] Characters│ OF│SHAKESPEAR’S PLAYS. │ BY │ WILLIAM HAZLITT. │ - │ SECOND EDITION. │ - │ LONDON: │ PRINTED FOR TAYLOR AND HESSEY, │ 93, FLEET STREET. │ - │ 1818. Colophon on last page: "London printed by C.J. Reynell, Broad-Street, Golden-Square.--1818".
1133	Hazlitt, William. LECTURES │ ON THE │ DRAMATIC LITERATURE │ OF THE │ AGE OF ELIZABETH; │ DELIVERED AT THE SURREY INSTITUTION, │ BY WILLIAM HAZLITT. │ SECOND EDITION. │ LONDON: │ JOHN WARREN, OLD BOND-STREET. │ MDCCCXXI [1821]. Col. Wilkinson's copy (though with no sign of his ownership).
1134	Hazlitt, William. LECTURES │ ON │ THE ENGLISH POETS. │ [Gothic:] Delivered at the Surrey Institution. │ - │ BY WILLIAM HAZLITT. │ - │ SECOND EDITION. │ - │ LONDON: │ PRINTED FOR TAYLOR AND HESSEY, │ 93, FLEET STREET. │ - │ 1819. Copy 1: In original boards and label, one board off, one loose. Colophon: T. Miller, Printer, Noble Street, Cheapside. At the end is a 4-page list of Taylor & Hessey advertisements. Copy 2: In modern green binding. Blake's description of Chaucer in his Descriptive Catalogue is silently paraphrased on p. 50.
1135	Hazlitt, William. POLITICAL ESSAYS, │ WITH │ [Gothic:] Sketches of Public Characters. │ BY │ WILLIAM HAZLITT. │ - │ “Come, draw the curtain, shew the picture.” │ - │ LONDON: │ PRINTED FOR WILLIAM HONE, │ 45, LUDGATE HILL. │- │ 1819. Colophon: J. M’Creery, Printer, Black-Horse-Court, London.
1136	SELECT POETS │ OF │ GREAT BRITAIN. │ TO WHICH ARE PREFIXED, │ CRITICAL NOTICES │ OF │ EACH AUTHOR. │ - │ BY WILLIAM HAZLITT, ESQ. │ AUTHOR OF "LECTURES ON THE ENGLISH POETS," │ "CHARACTERS OF SHAKSPEARE'S PLAYS," │ "LECTURES ON DRAMATIC LITERATURE," &c. │ - │ LONDON: │ PRINTED BY THOMAS DAVISON, WHITEFRIARS, │ FOR THOMAS TEGG, 73, CHEAPSIDE; R. GRIFFIN AND CO. GLASGOW; │ ALSO R. MILLIKEN, DUBLIN; AND M. BAUDRY, PARIS. │ - │ 1825. 8°, in sound ¾ calf with raised bands over green marbled boards.
1137	Hazlitt, William. SKETCHES │ OF THE │ PRINCIPAL │ PICTURE-GALLERIES │ IN │ ENGLAND. │ WITH A │ CRITICISM OF "MARRIAGE A-LA-MODE." │ - │ LONDON: │ PRINTED FOR TAYLOR AND HESSEY, │ 93, FLEET-STREET, │ AND 13, WATERLOO-PLACE, PALL-MALL. │ 1824. 8°, in original brown cloth spine over blue paste-boards (somewhat tattered). Colophon on title page verso and the last page of advertisements: "Printed by T. Green, 76, Fleet Street". At the end is a list of 14 Taylor & Hessey publications.
1138	Hazlitt, William. THE │ SPIRIT OF THE AGE; │ OR, │ CONTEMPORARY PORTRAITS. │- │ BY WILLIAM HAZLITT. │ - │ “To know another well, were to kno one’s-self.” │ = │ VOL. I[-II]. │ PARIS, │ PUBLISHED BY A. AND W. GALIGNANI, │ AT THE ENGLISH, FRENCH, ITALIAN, GERMAN, AND SPANISH │ LIBRARY, 18, RUE VIVIENNE. │ - │ 1825. 2 v. in 1.
1139	Hazlitt, William. TABLE-TALK; │ OR, │ ORIGINAL ESSAYS. │ BY WILLIAM HAZLITT. │ LONDON: │ JOHN WARREN, OLD BOND-STREET. │ - │ MDCCCXXI [1821]. Bookplate of Carberry Tower Library.
1140	Hazlitt, William. A VIEW │ OF │ THE ENGLISH STAGE; │ OR, A SERIES OF │ DRAMATIC CRITICISMS. │ BY │ WILLIAM HAZLITT. │ - │ "FOR I AM NOTHING IF NOT CRITICAL." │ - │ LONDON: │ JOHN WARREN, OLD BOND-STREET. │ MDCCCXXI [1821]. In modern green cloth; the title page is stamped "MERCANTILE LIBRARY, PHILADELPHIA". There are occasional marginal comments.
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1141	Heath, John. The Heath Family Engravers 1779-1878: Volume 1: James Heath A.R.A. (1757-1834) [Volume 2: Charles Heath (1785-1848), Frederick Heath (1810-78), Alfred Heath (1812-96)]; [Volume 3: Supplement ] (Aldershot, Hants: The Scolar Press, 1993) Vol. 3 Published by Quacks Books, York in 1999.
1141A	Heath, John. A Hundred Years of Heath family Engravers 1779-1879 by John Heath. Draft. 1990. Draft of first five chapters of vol. 1 of what would later be published as The Heath Family Engravers 1779-1878.
1141B	Heath, John. A Hundred Years of Heath Family Engravers 1779-1879 by John Heath Part I James Heath A.R.A. (1757-1834). A printed draft with col. Plates of vol. 1 of The Heath Family Engravers 1779-1878.
1141C	Heath, John. SUPPLEMENT: to the “Heath family engravers 1779-1878” published by Scolar Press in two volumes, 1993. Correspondence from James and Charles Heath to the banker, Dawson Turner, between 1817 and 1848, relating to financial matters and work in progress. (Source: the archive of correspondence of Dawson Turner of Great Yarmouth held by the Library of Trinity College, Cambridge) Draft of chapter 3 of volume 3 of The Heath Family Engravers 1779-1878.
1142	Heath, John. John Heath's Catalogue of Illustrated Books and Printed engraved by the Heath Family 1779-1878 ([Bath: John Heath, 1999])
1142A	Hebert, Lewis. [At top of map:] ENGLAND. │ ESTABLISH’D on the TRIANGLES of the GRAND SURVEY. [Title on case:] LAURIE'S │ NEW MAP │ OF │ ENGLAND │ AND │ WALES, │ Established on │ The Triangles of the Grand Survey: │ WITH ALL THE │ NEW ROADS, CANALS, &c. │ TO THE PRESENT TIME. │ = │ BY LEWIS HEBERT. │ = │ [Gothic:] London: │ PUBLISHED BY │ RICHARD HOLMES LAURIE, │ NO. 53, FLEET STREET [1823]. This is the title pasted on the neat, sound Gray marbled box containing the map. The map itself (mounted on linen and with the same covers) includes "Rail ways" and has the imprint "Published July 1.st 1819 by RICH.D HOLMES LAURIE, N.o 53 Fleet Street, London, Additions, 1823".
1143	Henry, the Minstrel. THE │ METRICAL HISTORY │ OF │ SIR WILLIAM WALLACE, │ KNIGHT OF ELLERSLIE, │ BY │ HENRY │ COMMONLY CALLED │ BLIND HARRY: │ CAREFULLY TRANSCRIBED FROM THE M.S. COPY │ OF THAT WORK IN THE │ ADVOCATES' LIBRARY │ UNDER THE EYE OF THE │ EARL OF BUCHAN. │ AND NOW PRINTED FOR THE FIRST TIME, │ ACCORDING TO THE ANCIENT AND TRUE ORTHOGRAPHY. │ WITH NOTES AND DISSERTATIONS. │ IN THREE VOLUMES. │ VOL. I[-III]. │ - │ "A! Fredome is a nobil thing! │ "Fredome maks a man to have lykinge │ "Fredome all solace to men gives │ "He lives at ese that freely lives! │ BARBOUR'S BRUS. │ - │ PERTH: │ PRINTED BY R. MORISON JUNIOR, │ FOR R. MORISON AND SON, BOOKSELLERS; PERTH. │ M,DCC,XC [1790]. [Collective title-page:] YE │ ACTIS AND DEIDIS │ OF YE │ ILLUSTER │ AND │ VAILZEAND CAMPIOUN, │ SHYR WILHAM WALLACE, │ KNYCHT OFF ELRISLE. │ - │ JESU SALUATOR EX JUS. MINI EXPONERE │ AD FINEM DIGNUM FREDICT. LIBRUM ATQUE BENIGNUM. │ - │ PERTH: │ PRINTED IN THE YEAR 1790. 6°, in sound tree calf.
1144	Heygate, W. E. (William Edward). WILLIAM BLAKE: \| OR, \| [Gothic:]The English Farmer. \| BY \| THE REV. W.E. HEYGATE, M.A., \| AUTHOR OF \| PROBATIO CLERICA, GODFREY DAVENANT, ETC. \| LONDON: \| JOSEPH MASTERS, \| ALDERSGATE STREET, AND NEW BOND STREET. \| - \| 1848. 6°, in contemporary embossed cloth with gilt spine. Includes anonymous frontispiece. At the back is a 36-page list of “New Works Published by Joseph Masters” (June 1848).” Inscribed on the first fly-leaf: “Alfred W. Smith \| Given by His Teacher \| for Good Conduct \| and regular Attendance \| Oct 23rd 1885", and the titlepage has at the top in pencil(?) “S. Knight”.
1145	THE │ HISTORIC GALLERY │ OF │ PORTRAITS AND PAINTINGS; │ OR, │ BIOGRAPHICAL REVIEW: │ Containing │ A BRIEF ACCOUNT OF THE LIVES OF THE MOST │ CELEBRATED MEN, │ IN EVERY AGE AND COUNTRY: │ AND │ GRAPHIC IMITATIONS OF THE FINEST SPECIMENS │ OF │ THE ARTS; │ ANCIENT AND MODERN. │ WITH REMARKS, CRITICAL AND EXPLANATORY. │ - │ [Two quotes in Latin] │ - │ VOL. I[-VI]. │ = │ LONDON: │ PRINTED FOR VERNOR, HOOD, AND SHARPE, │ 31, POULTRY; │ At the Union Printing-Office, St. John’s Square, by W. Wilson. │ - │ 1807[-1810]. [Vol. II-VI title-page:] THE │ HISTORIC GALLERY │ OF │ PORTRAITS AND PAINTINGS; │ AND │ BIOGRAPHICAL REVIEW … 7 vols. Library has vols. 1-6. Portraits engraved by George Cooke. Other engravings are mostly line engravings by various engravers.
1146	THE HISTORY OF │ ZOA, │ THE │ Beautiful Indian, │ DAUGHTER OF HENRIETTA DE BELLGRAVE; │ AND OF │ RODOMOND, │ Whom ZOA releases from Confinement, │ AND WITH HIM MAKES │ HER ESCAPE FROM HER FATHER, │ WHO WAS THE OCCASION OF │ RODOMOND’s IMPRISONMENT │ AND │ DREADFUL SUFFERINGS. │ To which is added │ THE MEMOIRS OF │ LUCY HARRIS, │ A FOUNDLING, │ Who, at Sixteen Years of Age, │ WAS DISCOVERED TO BE │ DAUGHTER TO THE COUNTESS OF B--│ A TRUE STORY. │ ~ │ LONDON: │ Printed & Sold by Sabine and Son, Shoe Lane, Fleet Street │ [Price Sixpence. [18--?]
1147	Hoadly, Dr. (Benjamin) THE │ SUSPICIOUS HUSBAND. │ = │ A │ COMEDY, │ BY DR. HOADLY. │ = │ ADAPTED FOR │ THEATRICAL REPRESENTATION, │ AS PERFORMED AT THE │ THEATRES-ROYAL, │ DRURY-LANE AND COVENT-GARDEN. │ = │ REGULATED FROM THE PROMPT-BOOKS, │ By Permission of the Managers. │ = │ “The Lines distinguished by inverted Commas, are omitted in the Representation.” │ = │ LONDON: │ = │ Printed for the Proprietors, under the Direction of │ JOHN BELL, [Gothic:] British Library, STRAND, │ Bookseller to His Royal Highness the PRINCE of WALES. │ - │ M DCC XCI [1791]. Bound with: Cibber, Colley. THE │ CARELESS HUSBAND. │ = │ A │ COMEDY, │ BY COLLEY CIBBER, ESQ. │ = │ ADAPTED FOR │ THEATRICAL REPRESENTATION, │ AS PERFORMED AT THE │ THEATRES-ROYAL, │ DRURY-LANE AND COVENT-GARDEN. │ = │ REGULATED FROM THE PROMPT-BOOKS, │ By Permission of the Managers. │ = │ “The Lines distinguished by inverted Commas, are omitted in the Representation.” │= │ LONDON: │ Printed for the Proprietors, under the Direction of │ JOHN BELL, [Gothic:] British Library, STRAND, │ Bookseller to His Royal Highness the PRINCE of WALES. │ - │ M DCC XCI [1791]. And Johnson, Charles. THE │ COUNTRY LASSES; │ OR, │ THE CUSTOM OF THE MANOR. │ = │ A │ COMEDY, │ BY MR. CHARLES JOHNSON. │ = │ ADAPTED FOR │ THEATRICAL REPRESENTATION, │ AS PERFORMED AT THE │ THEATRE-ROYAL, IN COVENT-GARDEN. │ = │ REGULATED FROM THE PROMPT-BOOKS, │ By Permission of the Managers. │ = │ “The lines distinguished by inverted Commas, are omitted in the Representation.” │ = │ LONDON: │ = │ Printed for the Proprietors, under the Direction of │ JOHN BELL, [Gothic:] British Library, STRAND, │ Bookseller to His Royal Highness the Prince of Wales. │ - │ M DCC XCI [1791]. And Shadwell, Charles. THE │ FAIR QUAKER OF DEAL; │ OR, THE │ HUMOURS OF THE NAVY. │ = │ A │ COMEDY. │ BY MR. CHARLES SHADWELL. │ = │ ADAPTED FOR │ THEATRICAL REPRESENTATION, │ AS PERFORMED AT THE │ THEATRE-ROYAL, IN DRURY-LANE. │ = │ REGULATED FROM THE PROMPT-BOOK, │ By Permission of the Manager. │ = │ “The Lines distinguished by inverted Commas, are omitted in the Representation.” │ = │ LONDON: │ Printed for the Proprietors, under the Direction of │ JOHN BELL, [Gothic:] British Library, STRAND, │ Bookseller to His Royal Highness the Prince of Wales. │ - │ MDCCXCI [1791].
1148	Hodges, William. TRAVELS │ IN │ INDIA, │ DURING │ THE YEARS │ 1780, 1781, 1782, & 1783. │ - │ BY WILLIAM HODGES, R.A. │ = │ LONDON: │ PRINTED FOR THE AUTHOR, │ AND SOLD BY J. EDWARDS, PALL-MALL. │ - │ MDCCXCIII [1793]. 4°. There are 15 plates designed by Hodges. At the end is an advertisement for Hodges, Views in India, at £18.18.0 and £20. Copy 1: in full red morocco, lightly tooled and gilt, gilt edges, marbled end-pages, with the ticket on the front fly-leaf: "BOUND BY │ H. WALTHER". It bears the signatures of "C E Osborn" and "Geo Pearce │ Fitzlect[?] Cottage │ Bognor". Copy 2: Recently rebound in ½ red morocco over handsome red marbled boards.
1149	Hogarth, William. Hogarth’s Graphic Works Compiled and with a commentary by Ronald Paulson. First Complete Edition. (New Haven ; London : Yale University Press, 1965) 2 vols. Vol. 1: Introduction and Catalogue – Vol. 2.: The Engravings.
1150	Holloway, William. THE │ PEASANTS FATE: │ A Rural Poem. │ WITH │ MISCELLANEOUS POEMS. │ By WILLIAM HOLLOWAY. │ = │ The time is come I never thought to see; │ Strange revolution for my farm and me!... │ Farewell my pastures,... my paternal stock, │ My fruitful fields, and my more fruitful flock,... │ No more my sheep shall sip the morning dew, │ No more my song shall please the rural crew!--Dryd. Virg. │ = │ LONDON: │ PRINTED FOR VERNOR AND HOOD, POULTRY, │ BY JAMES SWAN AND CO. │ Jerusalem Court, Gracechurch Street. │ - │ 1802. 8 o. There are 4 pleasant, well-engraved prints designed by E.W. Thomson (3) and Corbould (1) with the imprint of Vernor & Hood 1, 15 January, 1 February 1802.
1151	Holloway, William. THE │ PEASANTS FATE: │ A Rural Poem. │ WITH │ MISCELLANEOUS PIECES. │ By WILLIAM HOLLOWAY. │ = │ The time is come I never thought to see; │ Strange revolution for my farm and me!... │ Farewell my pastures,... my paternal stock, │ My fruitful fields, and my more fruitful flock,... │ No more my sheep shall sip the morning dew, │ No more my song shall please the rural crew!--Dryd. Virg. │ = │ THE SECOND EDITION. │ - │ LONDON: │ PRINTED FOR VERNOR AND HOOD, POULTRY; │ AND LONGMAN AND REES, PATERNOSTER ROW; │ By James Swan, Angel Street, Newgate Street. │ = │ 1802. 8°, in sound contemporary polished Etruscan tree calf. Inscribed on the title page: "A Bolluton[?] To his much esteemed young friend Miss Kelly December 1816". There are 4 pleasant, well-engraved prints designed by E.W. Thomson (3) and Corbould (1) with the imprint of Vernor & Hood 1, 15 January, 1 February 1802.
1152	Homer. THE │ ILIAD │ OF │ HOMER. │ - │ Translated by │ ALEXANDER POPE, Esq; │ - │ [4 lines from LUCRET.] │- │ VOLUME THE FIRST[-FIFTH]. │ = │ LONDON, │ Printed for J. WHISTON, BAKER and LEIGH, W. STRAHAN, │ T. PAYNE, J. and F. RIVINGTON, T. DAVIES, HAWES │ CLARKE and COLLINS, R. HORSFIELD, W. JOHNSTON, │ B. WHITE, T. CASLON, S. CROWDER, T. LONGMAN, B. │ LAW, C. RIVINGTON, R. WITHY, T. POTE, ROBINSON and │ ROBERTS, T. CADELL, G. PEARCH, R. BALDWIN, C. │ MARSH, T. BECKET, and WILSON and NICOL. │ MDCCLXXI [1771]. 8°. Includes 7 plates (3 folded). Bound uniformly with Pope’s translation of the Odyssey, as vols. 1-5 of Pope’s Homer. Bookplate with lion of John Garratt.
1153	Homer. [Added engraved title-page:] [Gothic:] The │ [Gothic:] Iliad of Homer, │ TRANSLATED │ [Gothic:] BY │ Alexander Pope. │ [Vignette engraved by A. Raimbach from a Drawing by Cipriani.] │ LONDON. │ Published by Suttaby, Evance & Fox, │ and Crosby & Co. Stationers Court. │ 1815. │ Corrall Printer. [Typset title-page:] THE │ Iliad of Homer │ TRANSLATED │ BY │ Alexander Pope. │ LONDON: │ Published by Suttaby, Evance & Fox … │ and Baldwin, Cradock & Joy, │ 1818. 12°. Library copy lacks typeset title-page. Frontispiece engraved after a painting by Fuseli.
1154	Homer. THE │ ODYSSEY │ OF │ HOMER. │ - │ Translated by │ ALEXANDER POPE, Esq; │ - │ VOLUME THE FIRST[-FOURTH]. │ = │ LONDON, │ Printed for J. WHISTON BAKER, and LEIGH, W. STRAHAN, │ T. PAYNE, J. and F. RIVINGTON, T. DAVIES, HAWES │ CLARKE and COLLINS, R. HORSFIELD, W. JOHNSTON, │ B. WHITE, T. CASLON, S. CROWDER, T. LONGMAN, B. │ LAW, C. RIVINGTON, R. WITHY, T. POTE, ROBINSON and │ ROBERTS, T. CADELL, G. PEARCH, R. BALDWIN, │ C. MARSH, T. BECKET, and WILSON and NICOL. │ MDCCLXXI [1771]. 8°. Bound uniformly with Pope’s translation of the Iliad, as vols. 6-9 of Pope’s Homer. Bookplate with lion of John Garratt.
1155	Homer. [Added engraved title-page:] [Gothic:] The │ ODYSSEY OF HOMER; │ Translated by │ A. POPE, ESQR. │ [Vignette] │ LONDON: │ Published by J. Walker, Paternoster Row, & J. Harris, │ St. Paul’s Church Yd. [Typset title-page:] THE │ ODYSSEY │ OF │ HOMER, │ translated │ BY ALEXANDER POPE, ESQ. │ = │ To which is added, │ THE BATTLE OF THE FROGS AND MICE. │ = │ LONDON: │ Printed for J. Walker; │ J. Johnson ; J. Richardson ; F. C. and J. Rivington ; │ Vernor, Hood, and Sharpe ; R. Lea ; J. Nunn ; │ J. Cuthell ; E. Jeffery ; Newman and Co.; Lack- │ ington, Allen, and Co. ; Longman, Hurst, Rees, │ Orme, and Brown ; Cadell and Davies ; Wilkie │ and Robinson ; J. Booker ; Black, Parry, and │ Kingsbury ; Sherwood, Neely, and Jones ; J. As- │ perne ; R. Scholey ; J. Harris. │1811.
1155A	Hood, Thomas. The Poetical Works of Thomas Hood. Enlarged and Revised Edition. (New York: Thomas Y. Crowell & Co. Publishers, [1885?])
1156	Hoole, John. TIMANTHES. │ = │ A │ TRAGEDY, │ BY JOHN HOOLE, ESQ. │ = │ ADAPTED FOR │ THEATRICAL REPRESENTATION, │ AS PERFORMED AT THE │ THEATRE-ROYAL, COVENT-GARDEN. │ = │ REGULATED FROM THE PROMPT-BOOK, │ By Permission of the Manager. │ = │ The Lines distinguished by inverted Commas, are omitted in the Representation. │ = │ LONDON: │ = │ Printed for the Proprietors, under the Direction of │ JOHN BELL, [Gothic:] British Library, STRAND, │ Bookseller to His Royal Highness the PRINCE of WALES. │ - │ MDCCXCV [1795]. in full dappled calf (the hinges weak). The title page is inscribed "Mary Evelyn". The frontispiece is by Stothard. Added engraved title-page. Given to Bentley 9 November 1972 by Hugh Anson Cartwright. Bound with: Hoole, John. CYRUS. │ = │ A │ TRAGEDY, │ BY MR. JOHN HOOLE. │ ADAPTED FOR │ THEATRICAL REPRESENTATION, │ AS PERFORMED AT THE │ THEATRE-ROYAL, COVENT-GARDEN. │ = │ REGULATED FROM THE PROMPT-BOOK, │ By Permission of the Manager. │ = │ The Lines distinguished by inverted Commas, are omitted in the Representation. │ = │ LONDON: │ = │ Printed for the Proprietors, under the Direction of │ JOHN BELL, [Gothic:] British Library, STRAND, │ Bookseller to His Royal Highness the PRINCE of WALES. │ - │ MDCCXCV [1795]. The frontispiece is after Stothard. And Hoole, John. CLEONICE, │ PRINCESS OF BITHYNIA. │ = │ A │ TRAGEDY, │ BY JOHN HOOLE, ESQ. │ ADAPTED FOR │ THEATRICAL REPRESENTATION, │ AS PERFORMED AT THE │ THEATRE-ROYAL, COVENT-GARDEN. │ = │ REGULATED FROM THE PROMPT-BOOK, │ By Permission of the Manager. │ = │ The Lines distinguished by inverted Commas, are omitted in the Representation. │ = │ LONDON: │ = │ Printed for the Proprietors, under the Direction of │ JOHN BELL, [Gothic:] British Library, STRAND, │ Bookseller to His Royal Highness the PRINCE of WALES. │ - │ MDCCXCV [1795]. The frontispiece is after Stothard.
1157	Hooper, Robert. The Physician's Vade-Mecum: Containing the Symptoms, Causes, Diagnosis, Prognosis, and Treatment of Diseases. Accompanied by A Select Collection of Formulae, and a Glossary of Terms (Philadelphia: Printed and Sold by James Humphrey, 1809). A Greenwood book from Gramma Felt.
1158	Horace. Works. 1733. QVINTI │ HORATII FLACCI │ OPERA. │ VOL. I[-II]. │ [Ornate vignette of musical instruments] │ LONDINI │ AENEIS TABVLIS INCIDIT │ IOHANNES PINE │ [Vol. I:] M DCC XXXIII [1733] [Vol. II: M DCC XXXVII (1737)]. 8°, bound (?by RODRIGUEZ 42 PICCADILLY, stamped on the fly-leaf) in 19th century blind-stamped calf. The work is engraved throughout, with 227 designs and vignettes. First edition, second issue. The first impression of this edition has "post est" on the medal of Augustus Caesar, v. 2, p. 108. This error was corrected to "potest" in the later impressions.
1159	Horace. Works. 1762. QUINTUS │ HORATIUS │ FLACCUS. │ [Handsome vignette of Britannia showing a tomb to a child (S. Wale-C. Grignion)] │ BIRMINGHAMIÆ: │ Typis JOANNIS BASKERVILLE. │ M DCC LXII [1762]. 12° in 6s, in sound brown leather (the boards olive), badly foxed at the back. At the end is a list of "BOOKS │ Printed and sold │ by │ JOHN BASKERVILLE". There is a Wale-Grignion frontispiece.
1160	Horwood, Richard. PLAN │ of the [Gothic:]Cities of │ LONDON and WESTMINSTER │ the [Gothic:]Borough of │ SOUTHWARK, │ and PARTS adjoining │ Shewing every HOUSE. │ By R. Horwood (London: R. Horwood, 1792-1799) Elephant folio (53 x 59.5 cm) with 32 maps by Horwood.
1160A	Howel, Laurence. THE │ [Gothic:] Orthodox Communicant, │ BY WAY OF │ MEDITATION │ On the ORDER for the │ Administration │ OF THE │ [Gothic:] Lord's Supper, │ OR │ HOLY COMMUNION; │ According to the LITURGY of the │ CHURCH of ENGLAND. │ [Vignette of an elegant fountain labeled: Ye thirsty come, │ to the waters │ 1721.] │ LONDON. ENGRAVEN │ by J. Sturt & sold by │ R. Ware at the Bible & Sun on Ludgate Hill; │ & J. Tinney at the Golden Lion in Fleet Street [1721]. 8°, in original tree calf, attractively gilt, no lettering on the spine. It is engraved throughout, 2 plates to a page; on the outside are elaborate borders (a set of 4); within these is another plate with a vignette at the top (each one different) and text at the bottom.
1161	Hoyle, Edmond. THE │ Polite Gamester; │ CONTAINING, │ SHORT TREATISES │ ON THE GAMES OF │ [2 columns; left column:] WHIST, with an │ ARTIFICIAL │ MEMORY, │ QUADRILLE, │ BACK-GAMMON, │ [right column:] CHESS, │ PIQUET, │ BILLIARDS and │ TENNIS. [End of columns] │ TOGETHER WITH AN │ ESSAY │ TOWARDS MAKING THE │ DOCTRINE OF CHANCES, │ EASY to those who understand VULGAR │ ARITHMETIC only. │ To which are added, │ Some Useful TABLES on ANNUITIES for │ LIVES, &c. &c. &c. │ - │ By EDMOND HOYLE, GENT. │ - │ - │ THE TENTH EDITION. │ - │ DUBLIN: │ Printed by PETER HOEY, at the MERCURY, │ [No. I] in SKINNER-ROW. │ - │ M,DCC,LXXXVII [1787].
1162	Hullmandel, Charles Joseph. THE [Gothic:] Art OF │ DRAWING ON STONE, │ giving a full explanation of the │ [Gothic:] Various Styles, │ of the different methods to be employed to │ ENSURE SUCCESS, │ and of the Modes of Correcting, as well as │ of the Several Causes of failure, │ BY │ C. HULLMANDEL. │ [Vignette inscribed: R. Lane] London, │ PUBLISHED BY C. HULLMANDEL, 51, GT. MARLBOROUGH STREET, │ & BY R. ACKERMANN, 101, STRAND. │ C. Hullmandel's Lithography │ NN [?1824] 8°, in the fragile original lithographed black and pink boards, the spine label (mostly perished) says: "ART │ OF │ DRAWING │ ON │ STONE", and the front cover says "THE │ ART │ OF │ DRAWING │ ON │ STONE │ BY │ C. HULLMANDEL │ C. Hullmandel's Lithography │ NN". It lacks pl. xvii (which has been supplied in xerox). At the end is a list of "LITHOGRAPHIC WORKS, │ PRINTED BY │ C. HULLMANDEL, FOR A. ACKERMANN."
1163	Hume, David. [Plates illustrating Hume’s The History of England, from the Invasion of Julius Caesar to the Revolution in 1688 (London: Published by R. Bowyer, at the Historic Gallery, Pall Mall, 1806) Folio, one volume of 196 plates only, without text or title page. Library copy lacks four plates. Plates dated 1793-1806. No title-page.
1164	A BOOK FOR A CORNER; │ OR │ Selections in Prose and Verse │ FROM AUTHORS │ THE BEST SUITED TO THAT MODE OF ENJOYMENT: │ WITH COMMENTS ON EACH, AND A GENERAL INTRODUCTION, │ BY LEIGH HUNT. │ ILLUSTRATED WITH EIGHTY WOOD ENGRAVINGS, FROM DESIGNS BY │ F. W. HULME AND J. FRANKLIN. │ VOL. I-[II]. │ LONDON : │ CHAPMAN AND HALL, 186 STRAND. │ MDCCCXLIX [1849].
1165	Hunt, Leigh. The Poetical Works of Leigh Hunt (London: Edward Moxon, 1832)
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	I
1166A	Imitatio Christi. English. The Christian's Pattern; │ OR, A │ TREATISE │ OF THE │ IMITATION │ OF │ JESUS CHRIST. │ - │ In FOUR BOOKS. │ - │ Written Originally in LATIN by │ THOMAS à KEMPIS. │ - │Now Rendered into ENGLISH. │ - │To which are added, │[Gothic:]Meditations and Prayers, │ For SICK PERSONS. │ - │ By GEORGE STANHOPE, D.D. │ late Dean of CANTERBURY, and Chaplain in │ Ordinary to His MAJESTY. │ = │ LONDON: │ Printed for D. Browne, C. Hitch and L. Hawes, C. Bathurst, │ B. Dod, B. Barker, John Rivington, James Rivington and │ J. Fletcher, R. Baldwin, J. Ward, W. Johnston, S. Crowder, │ P. Davey and B. Law, T. Longman, T. Caslon, H. Woodgate │ and S. Brooks, A. Richards, M. Cooper, and C. Ware. 1759. 8°, five engraved plates.
1166B	Imitatio Christi. English. The Christian's Pattern: │ OR, A │ TREATISE │ OF THE │ Imitation of JESUS CHRIST. │ - │ IN FOUR BOOKS. │ - │ Written Originally in Latin │ By THOMAS à KEMPIS. │ - │Now Render’d into ENGLISH. │ - │To which are added│MEDITATIONS and PRAYERS, │ FOR │ SICK PERSONS. │ - │ By GEORGE STANHOPE, D.D. Dean of │ Canterbury, Chaplain in Ordinary to his Majesty. │ The FOURTEENTH EDITION. │ = │ LONDON: │ Printed for D. BROWNE, C. HITCH and L. HAWES, │ C. BATHURST, B. DOD, B. BARKER, JOHN │ RIVINGTON, R. BALDWIN, J. WARD, W. │ JOHNSTON, W. OWEN, S. CROWDER, P. DAVEY, │ and B. LAW, T. LONGMAN, H. WOODGATE, and │ S. BROOKS, T. CASLON, M. COOPER, and C. │ and R. WARE. │ - │ MDCCLIX [1759]. 12°
1166	THE │ INDICATOR. │ VOL. I [No. 1 (13 Oct 1819)-52 (4 Oct 1820)] │ - │ A dram of sweet is worth a pound of sour. │ SPENCER. │ - │ LONDON: │ PRINTED FOR JOSEPH APPLEYARD, CATHERINE-STREET, STRAND, │ AND SOLD BY ALL THE BOOKSELLERS. │ - │ 1820. [Vol. I title-page:] THE │ INDICATOR. │ VOL. II [No. I [i.e. LVIII] (11 Oct 1820)-XCIX (30 Aug 1821)] │ - │ A dram of sweet is worth a pound of sour. │ SPENCER. │ - │ LONDON: │ PRINTED FOR J. ONWHYN, CATHERINE STREET, STRAND, │ AND SOLD BY ALL THE BOOKSELLERS. │- │ 1822. The contents include essays on "La Belle Dame sans Mercy" (in order to quote Keats' poem), "The Destruction of the Cenci Family and Tragedy on that Subject" (to criticize Shelley's Cenci), and "The Stories of Lamia, the Pot of Basil, the Eve of St. Agnes, &c. as Told by Mr. Keats", with the whole of "The Nightingale" and much of Hyperion. Copy 1: Vol. I-II bound together in \| calf, gilt, over marbled boards. There is an erased name on the title page. At I, 221 is a transcript in the margin (later trimmed) of "The Blossoms. By Robert Herrick." Lacks last issue (i.e. no. C) of vol. II. Copy 2: in contemporary \| calf over marbled boards.
1167	Ireland, W. H. (William Henry) Chalcographimania;\| OR, THE \| PORTRAIT-COLLECTOR AND PRINTSELLER’S \| CHRONICLE, \| WITH \| Infatuations of every Description. \| = \| A HUMOROUS POEM. \| IN FOUR BOOKS. \| WITH COPIOUS NOTES EXPLANATORY. \| = \| BY SATIRICUS SCULPTOR, ESQ. \| = \| Cacoëthes Carpendi. \| - \| [Vignette of a jester’s cap.] \| - \| “If the Cap fits, wear it.” \| - \| London: \| PRINTED FOR R. S. KIRBY, LONDON-HOUSE-YARD, \| PATER-NOSTER-ROW. \| - \| 1814. 8°, in old marbled boards with new polished-calf spine, title-page in red and black, armorial bookplate of Algernon Graves, FSA.
1168	Isaac, Peter C. G. William Bulmer, 1757-1830: ‘Fine’ Printer. (Cambridge: The Author, 1984) Sandars Lectures 1984.
1169	Isaac, Peter C. G. William Bulmer The Fine Printer in Context 1757-1830. Expanded from the Sandars Lectures Cambridge 1984 (London: Bain & Williams, 1993)
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1169A	J. Pigot & Co. PIGOT & C.O’S \| Metropolitan Guide & Book of Reference \| To every Street, court, Lane, Passage Alley \| AND \| PUBLIC BUILDING IN THE CITIES OF \| [Gothic:] London & Westminster; \| THE \| BOROUGH of SOUTHWARK, \| and their Respective Suburbs: \| Compiled & Arranged from Actual Survey & accom- \| panied with a New Plan of London divided into \| Seventy districts, which are referred to by figures in \| the Street &c List. __ The whole made so easy of \| Comprehension as to be essentially valuable to Strangers, \| & of the greatest use to the resident Nobiity, Gentry, \| Merchants, Tradesmen, &c. \| [Vignette] \| LONDON. \| Published at the Directory Office 24 Basing Lane & 16 Fountain St. Manchester, & sold by Simpkin & Marshall \| Stationers Court , Sherwood, Jones, & Co. Longman, Hurst, & Co. Paternoster Row, F.C. & J. Rivington St. Pauls Church Yd. \| T.B. Jarvis Newge. St. Chappell & Son Royal Exchange, Hatchard & Son Piccadilly, & by all other Booksellers in Town & Country [1826?]. Date from cover. Library copy’s folded map is damaged. Photocopy of map in pocket at back.
1170	Jackson, J. R. de J. (James Robert de Jager) Annals of English Verse 1770-1835. A Preliminary Survey of the Volumes Published (New York ; London : Garland Publishing, Inc., 1985) Garland Reference Library of the Humanities Vol. 535.
1171	Jackson, J. R. de J. (James Robert de Jager) Romantic Poetry by Women. A Bibliography, 1770-1835 (Oxford: Clarendon Press, 1993)
1172	James, Elizabeth Maria. THE │ HISTORY │ OF │ JENNY SPINNER, │ THE │ HERTFORDSHIRE GHOST. │ WRITTEN │ By HERSELF. │ - │ "Conscience doth make Cowards of us all." │ - │ LONDON: │ Printed for the Author ; and sold by J. WHEBLE, No. 18, │ Warwick-square; and by all the Agents of the County │ Chronicle in the neighbouring Counties of Herts, Essex, Kent, │ Surrey, &c. &c.; likewise by the Booksellers in Town and │ Country throughout the Kingdom. │ - │ 1800. │ W. and C. Spilsbury, Printers, Snow-hill. Disbound, 72 pp. Lacks covers and leaf of plates.
1173	Johnson, J. (John) [Decorated typeset title-page:] Typographia │ OR THE │ Printers’ Instructor: │ INCLUDING AN ACCOUNT │ of the │ ORIGIN OF PRINTING, │ with │ Biographical Notices of the Printers of │ England, from Caxton to the close │ of the Sixteenth Century: │ A Series of │ [Gothic:] Ancient and Modern Alphabets, │ and │ DOMESDAY CHARACTERS: │ Together with │ An Elucidation of every Subject con- │ nected with the Art. │ - │ BY J. JOHNSON, PRINTER. │ - │ [10 lines from The British Press.] │ - │ Vol. I[-II]. │ [In square:] Published by Messrs. Longman, Hurst, │ Rees, Orme, Brown & Green, Pater- │ noster Row, London. │ [Below square:] 1824. [Engraved title-page:] Typographia │ OR THE │ PRINTERS │ INSTRUCTOR │ BY │ J. JOHNSON │ PRINTER. │- │ VOL. I[-II]. │ 1824. 12°.
1174	Johnson, R. (Richard) THE │ BLOSSOMS │ OF │ MORALITY. │ INTENDED FOR THE │ AMUSEMENT AND INSTRUCTION │ OF │ YOUNG LADIES AND GENTLEMEN. │ BY THE EDITOR OF │ THE LOOKING-GLASS FOR THE MIND. │ WITH FORTY-SEVEN CUTS, │ DESIGNED AND ENGRAVED │ BY │ I. BEWICK │ LONDON: │ PRINTED FOR E. NEWBERY, THE CORNER │ OF ST. PAUL'S CHURCH-YARD. │ MDCCXCVI [1796]. There is an "Advertisement to the Second Edition" dated 1796. The Advertisement say that these are the last plates Bewick made before his death.
1175	Johnson, Samuel. A │ DICTIONARY │ OF THE │ ENGLISH LANGUAGE: │ IN WHICH │ The WORDS are deduced from their ORIGINALS, │ Explained in their DIFFERENT MEANINGS, │ AND │ Authorized by the NAMES of the WRITERS │ in whose Works they are found. │ Abstracted from the FOLIO EDITION, │ By the AUTHOR │ SAMUEL JOHNSON, A.M. │ To which is prefixed, │ A GRAMMAR of the ENGLISH LANGUAGE. │ - │ In TWO VOLUMES. │ - │ VOL. I[-II]. │ - │ The FOURTH EDITION, corrected. │ = │ LONDON, │ Printed for W. STRAHAN; J. and F. RIVINGTON; J. HINTON; │ T. DAVIES; HAWES, CLARKE, and COLLINS; R. HORSFIELD; │ W. JOHNSTON; W. OWEN; T. LOWNDES; T. CASLON; S. CROWDER; │ T. LONGMAN; B. LAW; BECKETT and DE HONDT; E. and C. DILLY; │ J. DODSLEY; W. and J. RICHARDSON; G. KEARSLEY; W. NICOLL │ W. GRIFFIN; ROBINSON and ROBERTS; T. CADELL; S. BLADON │ RICHARDSON and URQUHART; J. ALMON; and R. BALDWIN. │ MDCCLXX [1770].
1176	Johnson, William Moore. THE │ IMPERIAL ENCYCLOPÆDIA; │ OR, │ DICTIONARY │ OF THE │ [Gothic:] Sciences and Arts; │ COMPREHENDING ALSO THE WHOLE CIRCLE OF │ MISCELLANEOUS LITERATURE. │ IN THIS WORK │ ALL THE SCIENCES ARE DIGESTED IN A SYSTEMATIC FORM, │ AND EXHIBITED ACCORDING TO THE PRESENT HIGHLY IMPROVED STATE OF KNOWLEDGE; │ AND │ Every Term of Art amply explained in Alphabetical Order. │ The whole including all the Modern Discoveries in │ ASTRONOMY, CHEMISTRY, ELECTRICITY, GALVANISM, GEOGRAPHY, │ DOMESTIC AND POLITICAL ŒCONOMY, &c. &c. &c. │ WITH A GENERAL VIEW OF ALL │ Empires, Kingdoms, States, Countries, Mountains, Seas, Rivers, Lakes, &c. &c. │ AND A CONCISE ACCOUNT OF │ PATRIARCHS, PROPHETS, APOSTLES, PHILOSOPHERS, POETS, PAINTERS, AUTHORS AND THEIR │ WORKS, HEROES, LAWYERS, AND STATESMEN, │ WITH EVERY OTHER TOPIC OF INFORMATION ESSENTIAL TO A WORK OF THIS NATURE. │ = │ BY THE │ REV. W. M. JOHNSON, A. M. │ CURATE OF HENBURY, AND CHAPLAIN TO THE RIGHT HONOURABLE LORD HUTCHINSON; │ AND │ THOMAS EXLEY, A. M. │ TEACHER OF THE MATHEMATICS, BRISTOL. │ = │ [Four lines in latin from SENECA.] │ = │ IN FOUR VOLUMES. │ - │ VOL. I[-IV]. │ = │ LONDON: │ PRINTED BY AND FOR J. AND J. CUNDEE, IVY-LANE; │ AND SOLD BY SHERWOOD, NEELY, AND JONES, │ PATERNOSTER-ROW. [Preface dated 1812]. Includes fifth volume of engraved plates.
1177	Jones, Edward. THE │ BARDIC MUSEUM, │ OF │ PRIMITIVE BRITISH LITERATURE; │ AND OTHER ADMIRABLE RARITIES; │ FORMING THE SECOND VOLUME OF THE │ [Gothic:] Musical, Poetical, and Historical Relicks │ OF │ [Gothic:] The Welsh Bards and Druids: │ DRAWN FROM AUTHENTIC DOCUMENTS OF REMOTE ANTIQUITY; │ (WITH GREAT PAINS NOW RESCUED FROM OBLIVION,) │ AND NEVER BEFORE PUBLISHED: │ CONTAINING, │ THE BARDIC TRIADS; HISTORIC ODES; EULOGIES; SONGS; ELEGIES; MEMORIALS OF │ THE TOMBS OF THE WARRIORS; OF KING ARTHUR AND HIS KNIGHTS; REGALIAS; │ THE WONDERS OF WALES, ET CÆTERA: │ WITH │ ENGLISH TRANSLATIONS AND HISTORIC ILLUSTRATIONS: │ LIKEWISE, │ THE ANCIENT WAR-TUNES OF THE BARDS; Viz. [7 Celtic words] Hymns │ Pastorals; Jigs; and Delights: │ TO THESE NATIONAL MELODIES ARE ADDED │ NEW BASSES; WITH VARIATIONS, │ FOR │ THE HARP, OR HARPSICHORD; │ VIOLIN, OR FLUTE; │ (DEDICATED BY PERMISSION, TO HIS ROYAL HIGHNESS THE PRINCE OF WALES,) │ BY EDWARD JONES, │ BARD TO THE PRINCE. │ - │ [9-LINE MOTTO FROM Ecclesiasticus] │ [2-line Latin motto] │ - │ LONDON: Printed by A. Strahan, Printer-Street, │ For the Author; 1802 [altered in MS to 1803]: │ And Sold at No 3, in GREEN STREET, near Grosvenor Square [this line deleted in manuscript]. │ Price 1 l. 5s.) │ [Gothic:] Entered at Stationers' Hall. Fol., in original boards, loose. Lacks colour frontispiece.
1178	Journal │ From Septr 27th 1837 │ To May 15th 1838". A densely written MS, so labeled on the cover, 187 numbered pages (followed by blanks and sporadic writing on unnumbered pages). On the verso of the penultimate page in old brown ink is "Tho A: Whittier │ 4 Ulster Terrace │ Regent's Park │ London". The journey began in Spain. 8°, unlabeled parchment spine over pleasant pale brown marbled boards.
1179	Junius. THE │ LETTERS │ OF │ JUNIUS. │ - │ VOL. I. │ - │ LONDON: │ Printed for JOHN WHEBLE, in Pater Noster-Row, │ - │ M, DCC, LXXI [1771]. 8°. Library has vol. 1 only.
1179A	Junius. THE │ LETTERS │ OF │ JUNIUS. │ - │ VOL. II. │ - │ LONDON: │ Printed for JOHN WHEBLE, in Pater Noster-Row. │ - │ M, DCC, LXXI [1775]. 4°. A reissue, with new titlepage, of vol. 2 of Wheble's 1775 edition: the date is false, since the volume includes two letters not published until 1772 and one dated 1775. The titlepage in fact says "Vol.I," but "I" has been added in MS. before the printed "I".
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1180	Kālidāsa. SACONTOLÁ; │ OR, │ THE FATAL RING: │ AN │ INDIAN DRAMA. │ BY │ CÁLIDÁS. │ TRANSLATED FROM THE ORIGINAL SANSCRIT AND PRÁCRIT [by Sir William Jones]. │ LONDON: │ Printed for EDWARDS, PALL MALL; │ By J. COOPER, No. 31, BOW STREET, COVENT GARDEN, │ WITH HIS NEW-INVENTED INK. │ M.DCC.XC [1790]. 4°, in full polished calf, stoutly rebacked with 5 ribs. It is much foxed, and signatures 2-4 are creased. There is an elegant 18th-century engraved book-plate (pressmark I.a.5) of a breast-bare maiden sitting on a rock looking at a coat of arms inscribed John Blackburne Esq. Orford.
1181	Keats, John. ENDYMION: │ [Gothic:] A Poetic Romance │ - │ BY JOHN KEATS. │ - │ "The stretched metre of an antique song." │ - │ LONDON: │ PRINTED FOR TAYLOR AND HESSEY, │ 93 ILEET [sic] STREET. │- │ 1818. 8°, handsomely bound by F. Bedford, tooled, uncut, top edges gilt. The first page of the poems is signed "Allan Part Paton". First edition, second issue. Cf. MacGillivray.
1182	Keats, John. LAMIA, │ ISABELLA, │ THE EVE OF ST. AGNES, │ AND │ OTHER POEMS. │ - │ BY JOHN KEATS, │ AUTHOR OF ENDYMION. │ = │ LONDON: │ PRINTED FOR TAYLOR AND HESSEY, │ FLEET-STREET. │ 1820. "BOUND BY F. BEDFORD" in plain brown calf, dentelles elaborately gilt, gilt edges, panels with chaste borders and marbled end-papers. Colophon on title page verso and last leaf: LONDON: │ PRINTED BY THOMAS DAVISON, WHITEFRIARS. It has the half-title and the advertisement for Hyperion. In the fly-leaf before the half-title is written: "Violet Fane from Philip Currie, Jan 6, 1882" [whom she married in 1894]. On the end-page is the book-plate of Frank Grant.
1183	Keats, John. The Letters of John Keats 1814-1821. Edited by Hyder Edward Rollins. (Cambridge, Massachusetts: Harvard University Press, 1958) 2 vols. In case.
1184	Keats, John. The Poetical Works of John Keats. Edited by H. W. Garrod. (London ; New York ; Toronto: Oxford University Press, 1956) [Oxford Standard Authors]
1185	Keats the Critical Heritage. Edited by G.M. Matthews. (London: Routledge & Kegan Paul, 1971) The Critical Heritage Series. ISBN: 0710071477.
1186	Keats A Bibliography and Reference Guide with an Essay on Keats’ Reputation. By J. R. MacGillivray. (Toronto: University of Toronto Press, 1949) University of Toronto. Department of English Studies and Texts ; no. 3.
1186A	THE │ KEEPSAKE │ FOR │ MDCCCXXX [1830]. │ - │ EDITED BY │ FREDERIC MANSEL REYNOLDS. │ - │ LONDON: │ PUBLISHED FOR THE PROPRIETOR, │ BY HURST, CHANCE, AND CO., 65, ST. PAUL'S CHURCH-YARD, │ AND R. JENNINGS, 62, CHEAPSIDE [1830]. In pleasant contemporary red morocco. The engraved leaf designed by Stothard with a space for a name is inscribed "Hannah Dee". The contents include Scott, [Mary Shelley], Byron, and Coleridge.
1187	Kelly, Hugh. HARRISON's EDITION. │ - │ THE │ BABLER. │ BY HUGH KELLY, ESQ. │ IN TWO VOLUMES │ [JHC monogram] │ LONDON: │ Printed for HARRISON and Co. No 18, Paternoster Row. │ M DCC XC IV [1794]. 8°, 2 volumes in 1, in sound dappled \| calf with spine labels over grey marbled boards, uniform with the other works from HARRISON'S EDITION. On the front paste-down is a printed eagle-emblem with "IN DOMINO CON FIDO", and on the facing page is written "J. Knyston │ 29th Sept. 1805." There are 6 good oval plates designed by E.F. Burney (4) and Corbould (2) dated October-November 1786. Bound with: Johnson, Samuel. HARRISON’s COLLECTION. │ BRITISH CLASSICKS │ THE │ IDLER. │ IN TWO VOLUMES │ [Latin motto from PHAEDRUS] │ [JHC monogram] │ LONDON: │ Printed for J. WALKER, No 16, Rosomans Street. │ M DCC XCV [1795]. 8° in 4s, 2 volumes in 1. Three plates designed by E.F. Burney and engraved by James Heath, dated April, 1787.
1188	Ker, H. Bellenden (Henry Bellenden) VIEWS \| IN AND ABOUT \| WINDSOR, WIMBLEDON, \| HAMPTON &c \| BY HENRY, BELLENDEN, KER, ESQR. \| PRIVATELY PRINTED. \| MDCCCXII [1812]. <All in pen and ink MS> Oblong 4°. BINDING: Green ¾ morocco over red and dark blue(?) marbled boards (catalogue plausibly calls it “mid nineteenth century”), gilt edges, a little worn, upper board pulled free from the leaves but still secure to the spine, spine elaborately gilt with “KER’S \| VIEWS”. The host leaves are sewn through stubs. The first flyleaf recto has a pasted-on book-plate (an arm holding an arrow over “SEMPER PARATUS”) of “Rupert Alexander Alex-Smith” (not in DNB). Above in pencil is “R[?]M[?]Haworth Booth \| 10th Decr 1877" and on the title-page, top right, in pencil is “RM.B” and in ink slightly overlapping it “RM Haworth Booth” (not in DNB). The 42 etchings, sometimes two to a leaf, are mounted on 34 larger host leaves. There are two light fly-leaves at each end. WATERMARK: The host leaves are wove paper watermarked J WHATM[AN] \| TURKE[Y MILL] \| 30[?] on 5 leaves and ATMAN \| Y MILL \| 38 [or perhaps 32 or 23] on others. Most leaves have no watermark. I can find no watermark in the small, flimsy leaves with the prints, but of course as they are pasted down it is almost impossible to see watermarks.. INSCRIPTIONS: The inscriptions here are etched. Often the “K” of “HBK” is superimposed on the “B”. Pl. [1] “Wimbledon Pond[?] \| IBKer MDCCCXII”. Thatched huts in a wood. Pl. [3] “HBK \| MDCCC XII” and “[WIMBLEDON POND del]”. It represents an oak not unlike that at the Sydney estate. Pl. [4] “HBK”, a house by a lock. Pl. [5] “HBK”, “Long Walk \| Windsor” Pl. [6] “Windsor Castle” Pl. [8] “HBK \| 1812" Pl. [9] “Rt” followed by illeg (“fect”) Pl. [10] “Wimbledon Common \| HBK”. Pl. [11] “HBK” Pl. [15] “HBKer ft \| 1812 \| Wimbledon \| Park” within a frame Pl. [17] is a very pleasing village scene with a view under an archway to a harbor Pl. [18] is the bagpiper. Pl. [23] is a pleasant flimsy bridge over a stream. Pl. [24] “Wimbledon Park” and “HBKer \| MDCCCXII” Pl. [26] “HBK \| MDCCCXII” Pl. [27] “Wimbledon Park Win \| HBK”, dilapidated thatched hut. Pl. [29] “HBKer \| MDCCCXII”. Pl. [30] “HBKer”. Pl. [31] “Wimbledon Park \| “HBKer”. Pl. [32] “Hampton Wick \| HBKer \| 1812", a two-storey thatched building by a pond Pl. [33] “HBKer \| 1812". Pl. [35] “IK”, sic. Pl. [37] “HBKer \| 1812" Pl. [41] “HBK”. Pl. [45] is a very dilapidated lock Wimbledon is identified in 7, Windsor in 2, Hampton in 1. N.B. Ker had a dispute with Blake in 1810 about two drawings he had ordered from Blake (Blake Records [Second Edition, 2003], 302-303).
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1188A	La Barre de Beaumarchais, Mr. de (Antoine) [Type-set title-page:] THE TEMPLE │ OF THE │ MUSES; │ OR, │ THE PRINCIPAL HISTORIES OF │ FABULOUS ANTIQUITY, │ REPRESENTED IN SIXTY SCULPTURES; │ Designed and Ingraved by │ BERNARD PICART LE ROMAIN, │ And other Celebrated Masters. │WITH │ EXPLICATIONS AND REMARKS, │ Which discover the True Meaning of the Fables, and their │ Foundation in History │ [Vignette – B. Picart del 1729] │ AMSTERDAM, │ Printed for ZACHARIAH CHATELAIN. │ MDCCXXXIII [1733]. [Title in red and black] [Engraved title-page:] THE │ TEMPLE │ OF THE │ MUSES. │ - │ AMSTERDAM, │ For Z: CHATELAIN. Fol.
1189	[Gothic:] THE │ Lady’s Poetical Magazine, │ OR │ [Gothic:] Beauties of [Gothic:] British Poetry; │ VOL. III[-IV]. │ = │ [Title vignette engraved by James Heath after Stothard] │ LONDON. │ Printed for Harrison and Co. │ No. 18, Paternoster-Row. │ 1782. 8°. Many plates engraved after designs by T. Stothard. Library has vols. 3-4 only.
1190	La Fontaine, Jean de. FABLES │ CHOISIES, │ MISES EN VERS │ PAR │ J. DE LA FONTAINE. │ Nouvelle Edition Gravée en taille-douce │ Les Figures par le Sr. FESSARD. │ Le Texte par le Sr. MONTULAY. │ DEDIÉES AUX ENFANS DE FRANCE. │ TOME PREMIER[-VIe]. │ A PARIS. │ Chez L’AUTEUR Graveur Ordinaire du Cabinet │ du Roy, et de l’Académie de Parme, Rue St. Anne Butte │ St. Roch, et à la Bibliotheque du Roy, Rue de Richelieu. │ M.DCC.LXV[-M.DCC.LXXV] [1765-1775]. │ AVEC PRIVILEGE DU ROY. Title and imprint varies. Engraved throughout.
1191	Lamb, Charles. ELIA. │ ESSAYS WHICH HAVE APPEARED UNDER THAT SIGNATURE │ IN THE │ LONDON MAGAZINE. │ - │ LONDON: │ PRINTED FOR TAYLOR AND HESSEY, │ 93, FLEET STREET, │ AND 13, WATERLOO PLACE. │ 1823. 8°. First edition, second issue. Library copy lacks half-title leaf; and [6] p. of advertisements at end. Signature of “Sir Thomas Wilde” on title-page.
1192	Lamb, Charles. TALES │ FROM │ SHAKESPEAR. │ DESIGNED │ FOR THE USE OF YOUNG PERSONS. │ - │ THE FOURTH EDITION. │ - │ IN TWO VOLUMES. │ VOL. I[-II]. │ = │ LONDON: │ PRINTED FOR M. J. GODWIN AND CO. │ AT THE CITY FRENCH AND ENGLISH JUVENILE AND SCHOOL │ LIBRARY, NO. 41, SKINNER-STREET. │ - │ 1822. 12°, twenty engraved plates in 2 vols. Attributed to Charles and Mary Lamb.
1193	Lamb, Charles. The Complete Works and Letters of Charles Lamb (New York: The Modern Library, c1935) The Modern Library of the World’s Best Books. A Modern Library Giant, G24.
1194	Lamb, Charles and Mary Lamb. The Letters of Charles Lamb to which are added those of his sister Mary Lamb. Edited by E. V. Lucas. (London: Published by J.M. Dent & Sons Ltd. & Methuen & Co. Ltd., 1935). 3 volumes.
1195	Le Brun, Charles. [Engraved title-page:] HEADS │ Representing the various │ PASSIONS of the SOUL; │ as they are │ EXPRESSED │ in the │ Human Countenance: │ Drawn by that Great Master │ MONSR. LE BRUN, │ and finely Engraved on │ Twenty Folio Copper Plates; │ nearly the Size of Life. │ LONDON: │ Published 12th. May, 1794. by LAURIE & WHITTLE, 53 Fleet Street. │ Price 5 Shillings.
1196	Lemprière, John. BIBLIOTEHCA CLASSICA; │ OR, │ A CLASSICAL DICTIONARY, │ CONTAINING │ A FULL ACCOUNT OF ALL THE PROPER NAMES │ MENTIONED IN ANTIENT AUTHORS. │ WITH │ TABLES OF COINS, WEIGHTS, AND MEASURES, │ IN USE AMONG THE GREEKS AND ROMANS. │ TO WHICH IS NOW PREFIXED │ A CHRONOLOGICAL TABLE. │ - │ BY J. LEMPRIERE, A. M. │ - │ THE SECOND EDITION GREATLY ENLARGED. │ - │ LONDON: │ PRINTED FOR T. CADELL IN THE STRAND. │ - │ M, DCC, XCII [1792]. 8°
1197	Levasseur, Victor. DÉPT. DU JURA. │ la Géographie et statisque par V. Levasseur, Ingr. Géographe, Rue de Malte 24. Gravé par Leclerc. │ Lemercier Impr. Paris. Paris. Combette, Editeur, Rue de la Parcheminerie, 15. Map no. 38 from Levasseur’s Atlas national illustré. 1852.
1198	Linnell, John. Mrs George Stephen [art original]. Oil porait sketch. Framed (at Eaton's in 1956) in a handsome gilt recessed frame; it is marked "J Linnell" in ink and "Mrs Geo Stephen" in pencil. The finished portrait was said in 1971 to be in Scotland.
1199	Story, Alfred Thomas. The Life of John Linnell by Alfred T. Story. (London: Richard Bentley and Son …, 1892) 2 vols.
1199A	Literary souvenir. LITERARY SOUVENIR. │ EDITED BY │ ALARIC A. WATTS. │ LONDON: │ LONGMAN, REES, ORME, BROWN, GREEN, & LONGMAN. │ - │ 1834.
1199B	Llywarch Hen. THE │ HEROIC ELEGIES │ AND │ OTHER PIECES │ OF │ LLYWARC HEN, │ PRINCE OF THE CUMBRIAN BRITONS: │ WITH │ A LITERAL TRANSLATION, │ BY │ WILLIAM OWEN. │ = │ Y GWIR YN ERBYN Y BYD, │ = │ LONDON: │ PRINTED FOR J. OWEN, NO. 168, PICCADILLY, │ AND E. WILLIAMS, STRAND. │ - │ M DCC XCII [1792]. 8°
1200	Locke, John. AN │ ESSAY │ CONCERNING │ HUMAN UNDERSTANDING. │ IN FOUR BOOKS. │ WRITTEN BY │ JOHN LOCKE, GENT. │ IN THREE VOLUMES. │ VOLUME THE FIRST[-THIRD]. │ A NEW EDITION CORRECTED. │ [Five lines from ECCL. Xi. 5.] │ [Latin motto – CIC. De Nat. Deor. L.I] │ EDINBURGH: │ Printed by A. DONALDSON and J. REID. │ For WILLIAM COKE, and FRANCIS SHAND. │ MDCCLXV [1765].
1201	The Loiterer (Oxford, 1790). Edited by James Austen. A facsimile reproduction edited and with an introduction by Li-Ping Geng. 2 vols.
1201A	Loutherbourg, Philippe-Jacques de. THE │ ROMANTIC AND PICTURESQUE │ SCENERY │ OF │ [Gothic:] England and Wales. │ FROM │ DRAWINGS │ MADE EXPRESSLY FOR THIS UNDERTAKING, │ BY │ P. J. DE LOUTHERBOURG, ESQ. R. A. │ WITH │ HISTORICAL AND DESCRIPTIVE ACCOUNTS OF THE SEVERAL │ PLACES OF WHICH VIEWS ARE GIVEN. │ ENGRAVED BY WILLIAM PICKETT, AND COLOURED BY JOHN CLARKE. │ = │ LONDON │ PRINTED FOR ROBERT BOWYER, AT THE HISTORIC GALLERY, PALL-MALL, │ BY T. BENSLEY, BOLT-COURT, FLEET-STREET. │ 1805. (Facsimile reprint: Ilkley, West Yorkshire, Scolar Press, 1979) [Added title-page in French:] SCÈNES │ ROMANTIQUES ET PITTORESQUES, │ DE │ [Gothic:] L’Angleterre et du Pays de Galles, │ D’APRÈS LES │ DESSINS │ FAITS EXPRÈS POUR CETTE ENTREPRISE │ PAR │ P. J. DE LOUTHERBOURG, ECUYER, │ DE L’ACADÉMIE ROYALE. │ AVEC │ DES RELATIONS HISTORIQUES ET DESCRIPTIVES SUR LES │ DIFFÉRENS LIEUX DONT ON DONNE LES VUES. │ GRAVÉES PAR GUILLAUME PICKETT, ET COLORIÉES PAR JEAN CLARKE. │ = │ À LONDRES: │ POUR ROBERT BOYWER, GALERIE HISTORIQUE, PALL-MALL. │ DE L’IMPRIMERIE DE T. BENSLEY, BOLT-COURT, FLEET-STREET. │ 1805. No. 252 of a limited edition of 1000 copies “reproduced in facsimile by the Iron Bridge Gorge Museum Trust to commemorate the Bicentenary of the building of the World’s first Iron Bridge in 1779 over the River Severn in Shropshire.”
1202	Lowndes, William Thomas. THE │ BIBLIOGRAPHER’S MANUAL │ OF │ ENGLISH LITERATURE │ CONTAINING │ AN ACCOUNT OF RARE, CURIOUS, AND USEFUL BOOKS, PUBLISHED │ IN OR RELATING TO GREAT BRITAIN AND IRELAND, FROM THE │ INVENTION OF PRINTING; WITH BIBLIOGRAPHICAL AND CRITICAL │ NOTICES, COLLATIONS OF THE RARER ARTICLES, AND THE PRICES │ AT WHICH THEY HAVE BEEN SOLD IN THE PRESENT CENTURY. │ BY │ WILLIAM THOMAS LOWNDES. │ - │ NEW EDITION, REVISED, CORRECTED AND ENLARGED. │ [Added to title-pages of Vol. II[-V]:] BY HENRY G. BOHN. │ VOL. I[-II; PART V; PART VII; PART IX] │ LONDON: │ HENRY G. BOHN, YORK STREET, COVENT GARDEN. │ 1857[-1860] [Imprint from vols. 4-5 (pts. VII-X):] LONDON: │ BELL & DALDY, 6, YORK STREET, COVENT GARDEN, │ AND 186, FLEET STREET. │ 1864[-1865].
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	M
1203	Mackenzie, William. THE │ SORROWS OF SEDUCTION, │ [Gothic:] In Eight Delineations: │ WITH │ OTHER POEMS. │ - │ [Four lines of verse] │ = │ THIRD EDITION, CONSIDERABLY IMPROVED. │ = │ LONDON: │ PRINTED FOR VERNOR, HOOD, AND SHARPE, 31, POULTRY; │ AND W. GORDON, 357, OXFORD-STREET. │ - │ 1810. 8°
1204	Macneill, Hector. THE │ POETICAL WORKS │ OF │ HECTOR MACNEILL, Esq. │ = │ -DISJECTA MEMBRA POETÆ. HOR. │ = │ VOL. [I-]II │ = │ LONDON: │ PRINTED BY T. BENSLEY, BOLT COURT, FLEET STREET, │ FOR T. N. LONGMAN AND O. REES; │ AND │ A. GUTHRIE, MANNERS AND MILLER, AND │ A. CONSTABLE, EDINBURGH. │ 1801. Library has vol. 2 only. The plates are chiefly after designs by Stothard.
1204A	Macpherson, James. FINGAL, │ AN │ ANCIENT EPIC POEM, │ In SIX BOOKS: │ Together with several other POEMS, composed by │ OSSIAN the Son of FINGAL. │ Translated from the GALIC LANGUAGE, │ By JAMES MACPHERSON. │ Fortia facta partum. VIRGIL. │ THE SECOND EDITION. │ [Vignette] │ LONDON: │ Printed for T. BECKET and P. A. De HONDT, in the Strand. │ M DCC LXII [1762]. 4°. Unidentified armorial bookplate. Signed on title-page: “Emma Charlton │ Dorothy Wilson.”
1205	Malkin, Benjamin Heath. THE │ SCENERY, │ ANTIQUITIES, AND BIOGRAPHY, │ OF │ [Gothic:] South Wales, │ FROM │ MATERIALS COLLECTED DURING TWO EXCURSIONS │ IN THE YEAR 1803. │ BY │ BENJAMIN HEATH MALKIN, ESQ. │ M.A. F.A.S. │ = │ THE SECOND EDITION, WITH ADDITIONS. │ = │ VOL. I[-II]. │ - │ LONDON: │ PRINTED FOR LONGMAN, HURST, REES, AND ORME, │ PATERNOSTER ROW. │ - │ 1807. Two frontispieces engraved after illustrations by Stothard.
1206	Malthus, T. R. (Thomas Robert) AN ESSAY │ ON THE │ PRINCIPLE OF POPULATION; │ OR, │ A VIEW OF ITS PAST AND PRESENT EFFECTS │ ON │ HUMAN HAPPINESS; │ WITH │ AN INQUIRY INTO OUR PROSPECTS RESPECTING THE FUTURE │ REMOVAL OR MITIGATION OF THE EVILS WHICH │ IT OCCASIONS. │ BY T. R. MALTHUS, A. M. │ Late Fellow of Jesus College, Cambridge, and Professor of History and │ Political Economy in the East-India College, Hertfordshire. │ IN THREE VOLUMES. │ - │ VOL. I[-III]. │ - │ THE FIFTH EDITION, │ WITH IMPORTANT ADDITIONS. │ - │ LONDON: │ JOHN MURRAY, ALBEMARLE-STREET. │ - │ 1817.
1207	Malthus, T. R. (Thomas Robert) PRINCIPLES │ OF │ POLITICAL ECONOMY │ CONSIDERED │ WITH A VIEW TO THEIR PRACTICAL │ APPLICATION. │ - │ BY THE REV. T. R. MALTHUS, M.A. F.R.S. │ PROFESSOR OF HISTORY AND POLITICAL ECONOMY IN THE │ EAST INDIA COLLEGE, HERTFORDSHIRE. │ = │ LONDON: │ JOHN MURRAY, ALBEMARLE-STREET. │ - │ 1820.
1208	Feaver, William. The Art of John Martin. (Oxford: Clarendon Press, 1975)
1209	Maugham, Robert. A │ TREATISE │ ON THE │ LAWS OF LITERARY PROPERTY, │ COMPRISING │ THE STATUTES AND CASES │ RELATING TO │ BOOKS, MANUSCRIPTS, LECTURES ; DRAMATIC AND MUSICAL │ COMPOSITIONS ; ENGRAVINGS, SCULPTURE, MAPS, &C. │ INCLUDING THE │ PIRACY AND TRANSFER OF COPYRIGHT; │ WITH A │ HISTORICAL VIEW, │ AND │ DISQUISITIONS ON THE PRINCIPLES AND EFFECTS OF THE LAWS. │- │ BY ROBERT MAUGHAM, │ SECRETARY TO THE LAW INSTITUTION, │ Author of the “Law of Attornies,” &c. │ - │ [Two lines from Bacon] │ - │ LONDON: │ PUBLISHED BY LONGMAN, REES, ORME, BROWN, AND │ GREEN, PATERNOSTER ROW; │ HENRY DIXON, 19, CAREY STREET, LINCOLN’S INN; │ ADAM BLACK, EDINBURGH. │ - │ 1828.
1209A	Maurice, Thomas. INDIAN ANTIQUITIES: │ OR, │ DISSERTATIONS, │ RELATIVE TO │ THE ANCIENT GEOGRAPHICAL DIVISIONS, │ THE PURE SYSTEM OF PRIMEVAL THEOLOGY, │ THE GRAND CODE OF CIVIL LAWS, │ THE ORIGINAL FORM OF GOVERNMENT, AND │ THE VARIOUS AND PROFOUND LITERATURE, │ OF HINDOSTAN. │ COMPARED, THROUGHOUT, WITH THE │ RELIGION, LAWS, GOVERNMENT, and LITERATURE, │ OF │ PERSIA, EGYPT, AND GREECE. │ THE WHOLE INTENDED │ AS INTRODUCTORY TO │ THE HISTORY OF HINDOSTAN, │ UPON A COMPREHENSIVE SCALE. │ = │ VOL. I[-V]. [Contents of each volume] │ = │ LONDON: │ PRINTED FOR THE AUTHOR, AND SOLD BY W. RICHARDSON, │ UNDER THE ROYAL-EXCHANGE. │ M.DCC.XCIV [1794]. 8°
1210	MECHANIC’S │ MAGAZINE. │ KNIGHT & LACEY, PUBLISHERS. LONDON. │ VOL. I[-II]. [Caption title in gothic:] Mechanic’s Magazine, │ Museum, Register, Journal, & Gazette. Library has No. 1 (Saturday, August 30, 1823) – no. 56 (Saturday, September 18, 1824)
1211	Merigot, James. A │ SELECT COLLECTION │ OF │ VIEWS AND RUINS │ IN │ ROME AND ITS VICINITY; │ EXECUTED FROM DRAWINGS MADE UPON THE SPOT IN THE │ YEAR 1791. │ = │ PART I. │ = │ LONDON: │ PUBLISHED BY R. EDWARDS, BOND-STREET; AND SOLD BY │ EDWARDS, PALL-MALL; WHITE, FLEET-STREET; │ AND ROBINSONS, PATERNOSTER-ROW. │ M.DCC.XCVIII [1797]. [Additional title:] PART II. │ = │ LONDON: │ SOLD BY MESSRS. ROBINSONS, PATERNOSTER-ROW; MR. WHITE, │ FLEET-STREET; MR. FAULDER, BOND-STREET; │ AND MR. EVANS, PALL-MALL. │ M.DCC.XCIX [1799]. 4° Cop. 1: Bound in sound full contemporary speckled calf, gilt, edges speckled, blue marbled end-papers; WATERMARKS: 1794 │ J WHATMAN on text and some plates, J WHATMAN on some plates. There is an armorial bookplate of "R TAYLER". This copy lacks the Part II title page. The Tables of Views for Parts I and II are at the back. The plates are in black ink on white paper. Cop. 2: Bound in handsome, sound green morocco with a Greek key design on the boards in a style possibly that of Edwards of Halifax, with grey marbled end-papers. WATERMARK: None -- wove paper. The front end-paper has a number of dealers' codes and the remains of a pasted-in book-plate: "... nison. │ Leamington". The recto of the frontispiece is inscribed at the top in modern ball-point pen: "Dorothy ... [erased]". Below it, in old brown ink in the hand of James Edwards (except for the word "Catherine") is inscribed: To Miss Mary Anne Dod With kind regards & best wishes from her sincere friends James [Edwards] & Catherine [Bromhead] The Library Pall Mall Feb 18 1805 (James Edwards married Catherine Bromhead on 10 September 1805.) Below the last print, "Cascade of Terni", is a pencil inscription: "In a plough'd field above this cascade Mr [Blithe del] Edwards pick'd up an antique--an intaglio--a tortoise. I have it on a brooch at this time-- July 1860--". The plates are printed in an extraordinary pale plum colour, on very thin pieces of paper which have been fastened to mounting leaves, chiefly at the corners. The engravings are the same as in the above copy except that in a few prints the clouds seem to be significantly or extensively different here (Church of St Andrew, Waterfalls under the Mills, Tomb of the Horatii, Temple of Hercules at Cora). The plate-marks and imprints for most of the designs are on the mounting sheets, indicating that the same engravings were impressed on the mounting-sheets with the designs masked. On a few plates, the masking has partly obscured the title, leaving only the bottom of it showing (Temple of Peace, Coliseum [the imprint is gone], Arch of Janus, Quadrifons, Arch of St Lazarus, Ponte Molle). A few plates have the printed title on the pink paper (Arch of Pantani, Temple of Jupiter Stator, Caesar's Palace, Gate of St Sebastian [the title is on the mounting paper but very faint as if erased], Arch of Dolabella [ibid], Tomb of Nero). Under the plum-coloured Part I frontispiece, "The Arch of Septimus Severus", the engraving is printed whole in black-on-white and is agreeably watercoloured.
1212	Meyler, William. POETICAL AMUSEMENT │ ON THE │ [Gothic:] Journey of Life; │ CONSISTING OF │ VARIOUS PIECES IN VERSE: │ SERIOUS, THEATRIC, │ EPIGRAMMATIC AND MISCELLANEOUS. │= │ BY WILLIAM MEYLER. │ = │ [Two verse lines below an engraving of a Lark] │ = │ BATH: │ PRINTED BY W. MEYLER, GROVE; │ AND SOLD BY G. ROBINSON; LONGMAN, HURST, REES AND ORME; │ AND J. MAWMAN, LONDON. │ 1806. 8°
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	MILTON, John
1213	Milton, John. COMUS. │ A │ MASK. │ = │ BY JOHN MILTON. │ = │ ADAPTED FOR │ THEATRICAL REPRESENTATION, │ AS PERFORMED FIRST AT THE │ THEATRE-ROYAL, COVENT-GARDEN, │ IN THE YEAR 1744. │ = │ REGULATED FROM THE PROMPT-BOOK, │ By Permission of the Managers. │ = │ “The Lines distinguished by inverted Commas, are omitted in the Representation.” │ = │ LONDON: │ = │ Printed for the Proprietors, under the Direction of │ JOHN BELL, [Gothic:] British Library, STRAND, │ Bookseller to His Royal Highness the Prince of Wales. │ - │ M D CC XCI [1791]. Bound with: Bickerstaff, Isaac. THE │ MAID OF THE MILL. │ A │ COMIC OPERA. │ = │ BY ISAAC BICKERSTAFF. │ = │ ADAPTED FOR │ THEATRICAL REPRESENTATION, │ AS PERFORMED AT THE │ THEATRE-ROYAL, COVENT-GARDEN, │ = │ REGULATED FROM THE PROMPT-BOOK, │ By Permission of the Managers. │ = │ “The Lines distinguished by inverted Commas, are omitted in the Representation.” │ = │ LONDON: │ = │ Printed for the Proprietors, under the Direction of │ JOHN BELL, [Gothic:] British-Library, STRAND, │ Bookseller to His Royal Highness the PRINCE of WALES. │ - │ M D CC XCI [1791]. And Bickerstaff, Isaac. THE │ SCHOOL FOR FATHERS; │ OR, │ LIONEL & CLARISSA. │ A │ COMIC OPERA. │ = │ BY ISAAC BICKERSTAFF. │ = │ ADAPTED FOR │ THEATRICAL REPRESENTATION, │ AS PERFORMED AT THE │ THEATRES-ROYAL │ DRURY-LANE AND COVENT-GARDEN. │ = │ REGULATED FROM THE PROMPT-BOOK, │ By Permission of the Managers. │ = │ “The Lines distinguished by inverted Commas, are omitted in the Representation.” │ = │ LONDON: │ = │ Printed for the Proprietors, under the Direction of │ JOHN BELL, [Gothic:] British-Library, STRAND, │ Bookseller to His Royal Highness the PRINCE of WALES. │ - │ M DCC XCI [1791]. And Bickerstaff, Isaac. LOVE IN A VILLAGE. │ A │ COMIC OPERA. │ BY ISAAC BICKERSTAFF. │ = │ ADAPTED FOR │ THEATRICAL REPRESENTATION, │ AS PERFORMED AT THE │ THEATRE-ROYAL, COVENT-GARDEN. │ = │ REGULATED FROM THE PROMPT-BOOK, │ By Permission of the Managers. │ = │ “The Lines distinguished by inverted Commas, are omitted in the Representation.” │ = │ LONDON: │ = │ Printed for the Proprietors, under the Direction of │ JOHN BELL, [Gothic:] British-Library, STRAND, │ Bookseller to His Royal Highness the PRINCE of WALES. │ - │ M DCC XCI [1791].
	Latin and Italian Poems
1214	Milton, John. LATIN AND ITALIAN POEMS │ OF │ MILTON │ TRANSLATED INTO ENGLISH VERSE, │ AND A FRAGMENT OF A │ COMMENTARY ON PARADISE LOST, │ BY THE LATE │ WILLIAM COWPER, ESQR. │ WITH A │ PREFACE BY THE EDITOR, │ AND │ NOTES OF VARIOUS AUTHORS. │ [Motto] │ PRINTED BY J. SEAGRAVE, CHICHESTER, │ For J. JOHNSON, Saint Paul's Church Yard, and R.H. EVANS, │ Pall-Mall, LONDON. │ 1808. 4°. There are 3 plates (Flaxman-Raimbach).
	Minor Poems
	1827
1215	Milton, John. [Type-set title:] POEMS │ ON │ SEVERAL OCCASIONS. │ [2 columns; left column:] LYCIDAS. │ L'ALLEGRO. │ IL PENSEROSO. │ SONNETS. │ [Right column:] ODES. │ MISCELLANIES. │ TRANSLATIONS. │ POEMATA. [End of columns] │ THE AUTHOR, │ JOHN MILTON. │ = │ LONDON: │ PRINTED IN THE YEAR M DCCC XXVII [1827]. [Engraved title:] THE │ MINOR POEMS │ OF │ JOHN MILTON. │ [Vignette (R. Westall-C. Rolls)] │ LONDON: │ PUBLISHED BY JOHN SHARPE. │ 1827. 8°, in original dull green cloth looking like watered-silk with paper labels. Colophon (p. 188): C. & C. Whittingham, College House, Chiswick. There are 4 plates after Richard Westall (1827).
	Paradise Lost
	1719
1216	Milton, John. Paradise Lost. │ A │ POEM, │ IN │ TWELVE BOOKS. │ - │ The AUTHOR │ JOHN MILTON. │ - │ The TENTH EDITION, Adorn'd │ with SCULPTURES │ - │ LONDON: │ Printed for Jacob Tonson, at Shakespear's │ Head, over-against Katharine Street │ in the Strand. MDCCXIX [1719]. 12°, in full calf, the back board off, the front one only barely attached. There are names scribbled out on the front paste-down; at the top of the title page is pasted a printed slip reading "David Chapeau,". At the beginning of each book is a well-engraved plate. After the text are 2 leaves of Books Printed for J. Tonson.
	1770
1217	Milton, John. PARADISE LOST. │ A │ POEM │ IN │ TWELVE BOOKS. │ - │ The AUTHOR │ JOHN MILTON. │ = │ LONDON: │ Printed for J. Beecroft, W. Strahan, J. and F. Rivington, │ Hawes, Clarke and Collins, W. Johnston, B. White, │ T. Caslon, S. Crowder, T. Longman, B. Law, E. and │ C. Dilly, C. Corbett, G. Kearsley, Johnson and Payne, │ J.D. Cornish, T. Cadell, E. Johnson, T. Lowndes, │ F. Newbery, T. Davies, J. Robson, T. Becket, Robinson │ and Roberts, R. Baldwin, J. Knox, and B. Collins. │ - │ MDCCLXX [1770]. 12°. There are 13 fair plates, 12 of them F. Hayman-J. M[iller]. Beginning on the verso of the last page of the Index is a 2-page description of Milton's Poetical Works, ed. Thomas Newton, 3 vols. 4°, "adorned with Cuts", "Lately published" and "An Edition of the above Work, in four Volumes 8vo", plus 3 other works, no vendor named. Copy 1: In full polished leather, joints tender. Copy 2: In surprisingly sound contemporary brown suede, gilt, with a red leather label.
	1790
1218	Milton, John. PARADISE LOST. │ A │ POEM, │ IN │ TWELVE BOOKS. │ The AUTHOR │ JOHN MILTON. │ - │ THE NINTH EDITION, │ With NOTES of various AUTHORS, │ By THOMAS NEWTON, D.D. │ Late Lord Bishop of BRISTOL. │ - │ IN TWO VOLUMES. │ - │ VOLUME THE FIRST [-SECOND]. │ = │ LONDON: │ Printed for J.F. and C. RIVINGTON, L. DAVIS, B. WHITE and Son, │ T. LONGMAN, B. LAW, J. DODSLEY, C. DILLY, G.G.J. │ and J. ROBINSON, J. JOHNSON, T. CADELL, J. ROBSON, │ J. SEWELL, J. KNOX, W. OTRIDGE, J. BEW, J. MURRAY, │ R. BALDWIN, E. NEWBERY, SCATCHERD and │ WHITAKER, W. LOWNDES, G. and T. │ WILKIE, R. RYAN, and B.C. COLLINS. │ - │ M.DCC.XC [1790]. 8°, in sound full tree calf, spines elaborately gilt, with (in each volume on the inside front board and on the first fly-leaf) an eagle-crested stamp and old brown ink signature on the fly-leaf of "William Pyndar Baker". There are 12 quite fine though old-fashioned plates (F. Hayman-J.S. Müller) plus 2 frontispieces.
	1794 [i.e. 1796]
1219	Milton, John. PARADISE LOST: │ A │ POEM, │ IN TWELVE BOOKS. │ THE AUTHOR │ JOHN MILTON. │ LONDON: │ PRINTED FOR J. AND H. RICHTER, GREAT NEWPORT-STREET, │ BY T. SPILSBURY AND SON, SNOW-HILL. │ - │ M.DCC.XCIV [1794 [i.e. 1796]]. 4°, in sound ¾ leather over green marbled cloth. Including 2 frontispieces, there are 14 full-page plates (H. Richter-T. Richter Senr) dated 1794-96.
	1795
1220	Milton, John. [Engraved title:] MILTON'S │ [Gothic:] Paradise Lost. │ [Vignette (Burney-P. Thomson)] │ London: Published as the Act directs, Aug 1. 1795 by │ T. Longman, B. Law, J. Dodsley, J. Johnson, C. Dilly │ G.G. & J. Robinson, T. Cadell, R. Baldwin, J. Sewell │ F. & C. Rivington, W. Goldsmith, W. Lowndes, G. & T.Wilkie, │ W. Otridge & Son, T. Scatcherd, T. Payne, W. Bent, Vernor │ and Hood, G. Kearsley, J. Taylor, and E. Newbery [1795] 8°, in full calf, grey marbled paste-downs. Second fly-leaf signed in old brown ink "M. Winfield │ [?in another hand:] Anne Winfield" (as in my Paradise Regained [1796]); verso inscribed: "For Jerry │ Rewards for having │ made the great de- │ cision on 13 Feb. 1956. │ 17 Feb 1956 │ Aylesbury". Frontispiece by Burney-T. Holloway.
	1796
1221	Milton, John. [Engraved title:] [Gothic:] Paradise Lost │ BY JOHN MILTON; │ With Notes │ Selected from Newton and others, │ To which is prefixed, │ [Gothic:] The Life of the Author. │ With │ A Critical Dissertation │ ON THE POETICAL WORKS OF MILTON, │ and │ Observations on his Language and Versification, │ By Samuel Johnson, L.L.D. │ [Vignette] │ VOL. I[-II] │ [Gothic:] LONDON │ Printed for J. Parsons, 21, Paternoster Row. │ 1796. 4°, in darkened full calf; hinges weak; blue and grey marbled end-papers. Inscribed on the second fly-leaf of Vol. I at the top (and also on the title page) "[Dr Munro del]" and below it in a Victorian hand in old brown ink: "The │ Gift of D Munro │ on his death bed │ To │ D And Buckham │ to whom he also gave │ an elegant and valuable │ gold watch; and, his │ last[?]-Moon[?] Reg[?]"; the next fly-leaf inscribed in old brown ink: "From │ her Father │ To--Jenny Buckham │ 47 Warren S │ Oct 7h 1845" (repeated on the 3rd fly-leaf of Vol. II); the head of the Advertisement inscribed in old brown ink "Frances Buckham M.D." There are lots of pencil underlinings and marginal notes, including a 3-page note beginning on the verso of the last printed page of Vol. I beginning "Let the Atheist read the Bible" and signed "Jane" and in the same hand on 2 facing fly-leaves of Vol. II is a pious exhortation concluding with "Dear father's gift │ to me on expressing │ delight in reading it. │ Jane Buckham │ Milton, D Munro, │ and D Buckham │ are now together │ in Heaven!"; the Vol. II half-title is inscribed in old brown ink "Dr Munro" and, below it in a different hand: "To │ D Buckham │ as a token of esteem │ for service rendered and in hope of meeting in the │ better world │ to which dear father pointed him │ Jane". Vol. II without a separate title-page. There are 12 plates mostly after Corbould (8) and Singleton (4).
	1802
1222	Milton, John. MILTON'S │ PARADISE LOST. │ A NEW EDITION. │ = │ ADORNED WITH PLATES. │ = │ VOL. I[-II] │ LONDON: │ [Gothic:] Printed by T. Bensley, Bolt Court, Fleet Street; │ FOR F.J. DU ROVERAY. │ SOLD BY R. DUTTON, B. CROSBY AND CO. │ E. LLOYD, AND J. BELL. │ 1802. 8° (Large Paper copy), in full contemporary calf, attractively gilt. In each volume, on fly-leaf is the sideways signature of "John Forster Woodburn". There is a charming frontispiece (after G.B. Cipriani and E.F.Burney-William Sharp) plus 12 plates designed by Fuseli (6) and W. Hamilton (6).
	1804
1223	Milton, John. PARADISE LOST; │ A POEM: │ IN TWELVE BOOKS. │ - │ BY JOHN MILTON. │ = │ A NEW EDITION: │ WITH │ AN ABRIDGEMENT OF THE COPIOUS AND LEARNED NOTES │ COLLECTED BY │ BISHOP NEWTON; │ TOGETHER WITH ADDITIONS, AND A LIFE OF THE AUTHOR, │ BY │ THE REV. JOHN EVANS, A.M. │ - │ IN TWO VOLUMES. │ VOL. I[-II]. │ - │ ILLUSTRATED BY ENGRAVINGS. │ = │ Albion Press: │ = │ PRINTED AND PUBLISHED │ BY JAMES CUNDEE, IVY-LANE │ PATERNOSTER-ROW. │ - │ 1804. 8°, in \| parchment (now perishing)over dusty grey boards. There are 12 medium-good plates by Craig dated 1804 plus 12 woodcuts and the frontispiece portrait of Milton. It is signed in old brown ink "Patten" on Vol. I-II first fly-leaves.
	1805
1223A	Milton, John. PARADISE LOST: │ A POEM, │ IN TWELVE BOOKS. │ THE AUTHOR, │ JOHN MILTON. │ - │ COLLATED WITH THE BEST EDITIONS: │ BY │ THOMAS PARK, ESQ. F.S.A. │ - │ VOL. I[-II]. │ = │ LONDON: │ [Gothic:] Printed at the Stanhope Press, │ BY CHARLES WHITTINGHAM, │ Union Buildings, Leather Lane; │ FOR JOHN SHARPE, OPPOSITE YORK-HOUSE, │ PICCADILLY. │ - │ 1805. 8°. Includes two plates by Fuseli and one by Westall.

1224	Milton, John. PARADIS PERDU, │ TRADUIT │ PAR JACQUES DELILLE. │ TOME PREMIER [-TROISIÈME] │ [Monogram of GM] │ A PARIS, │ CHEZ GUIGUET ET MICHAUD, IMP.-LIBRAIRES, │ RUE DES BONS-ENFANS, N. 6. │ - │ 1805.--An. XIII. 6°, 3 vols. in sound tree calf, gilt spine, a little worn, marbled end-papers. There are 3 fair to good plates. Each volume has two half-titles, the first of which reads OEUVRES │ DE │ JACQUES DELILLE; the second half-title reads PARADIS PERDU │ DE J. MILTON, │ TRADUIT EN VERS FRANÇAIS.
1225	Milton, John. PARADIS PERDU, │ TRADUIT │ PAR JACQUES DELILLE. │ TOME PREMIER [-SECOND] │ [Monogram of GM] │ A PARIS, │ CHEZ GUIGUET ET MICHAUD, IMP.-LIBRAIRES, │ RUE DES BONS-ENFANS, N. 6. │ - │ 1805.--An. XIII. 6°, 2 vols. bound in original pink paper wrappers with label, uncut (the leaves are not separated), in a blue box. Many leaves (e.g., 93, 95,97) have a vertical rule at the extreme outer edge, as if for trimming. There are 2 fair to good plates. Each volume has two half-titles, the first of which reads OEUVRES │ DE │ JACQUES DELILLE; the second half-title reads PARADIS PERDU │ DE J. MILTON, │ TRADUIT EN VERS FRANÇAIS.
	1825
1226	Milton, John. [Engraved title:] PARADISE LOST │ A POEM │ THE AUTHOR │ JOHN MILTON. │ [Vignette of Milton dictating to his two daughters (T. Stothard-J.H. Robinson)] │ LONDON: │ PRINTED FOR JOHN SHARPE, PICCADILLY. │ 1822. [Vol. I type-set title:] PARADISE LOST. │ [Gothic:] A Poem, │ IN TWELVE BOOKS. │ THE AUTHOR, JOHN MILTON. │ = │ LONDON: │ PRINTED FOR JOHN SHARPE, │ DUKE STREET, PICCADILLY; │ BY C. AND C. WHITTINGHAM, CHISWICK. │ - │ M DCCC XXV [1825]. [Vol. II engraved title:] PARADISE LOST. │ [4-line motto from Book X, l. 940] │ [Vignette of "Milton's reconciliation to his wife" (Westall-Finden)] │ LONDON: │ PUBLISHED BY JOHN SHARPE. │ 1822. [Vol. II type-set title:] PARADISE LOST. │ [Gothic:] A Poem. │ THE AUTHOR, │ JOHN MILTON. │ VOLUME THE SECOND. │ = │ LONDON: │ PRINTED IN THE YEAR M DCCC XXV [1825]. 12°, bound in red morocco, gilt, apparently by "G. CRUIKSHANK │ Liverpool", whose small pink ticket is at the top left cover of the verso of the first fly-leaf in Vol. I. Vol. I is inscribed "Thomas Porter │ from his Grandmother │ Mary Porter │ September 16th 1829" and below it in a different hand "Clara Porter │ August 1t 1863". Vol. II is inscribed "Thomas Porter September 1 1829" and "Clara Porter: │ August 1st 1863". The colophon on the last recto says "C. and C. Whittingham, College House, Chiswick". It is uniform with Paradise Regained (1822) (q.v.). In the 3 volumes there are 18 plates designed by Stothard (1), Richard Westall (17).
	1827
1227	Milton, John. [Vol. I type-set title:] PARADISE LOST. │ [Gothic:] A POEM, │ IN TWELVE BOOKS. │ THE AUTHOR, │ JOHN MILTON. │ = │ LONDON: │ PRINTED FOR JOHN SHARPE, │ DUKE STREET, PICCADILLY. │ - │ M DCCC XXVII [1827]. [Vol. II type-set title:] PARADISE LOST. │ [Gothic:] A Poem. │ THE AUTHOR, │ JOHN MILTON. │ VOLUME THE SECOND. │ = │ LONDON: │ PRINTED IN THE YEAR M DCCC XXVII [1827]. [Vol. I engraved title:] MILTON'S │ PARADISE LOST. │ [Vignette (T. Stothard-C. Rolls)] │ LONDON. │ PUBLISHED BY JOHN SHARPE. │ 1827. [Vol. II engraved title:] PARADISE LOST. │ [motto] │ [Vignette (R. Westall-C. Rolls)] │ ... 2 vols. 8°, in original dull green cloth looking like watered-silk with paper labels on the spine: PARADISE │ LOST. │ - │ VOL. I-II] │ - │ WESTALL'S │ DESIGNS │ - │ 2 Vols. 11s. Colophon on title page verso: C. & C. Whittingham, College House, Chiswick. There is a cramped but accomplished half-title with an engraving for each Book (Richard Westall-Charles Rolls).
	1846
1228	Milton, John. THE │ PARADISE LOST │ OF │ JOHN MILTON │ WITH │ [Gothic:] Illustrations │ BY │ JOHN MARTIN │ LONDON │ CHARLES WHITTINGHAM │ 1846. 4°, in \| red morocco in shabby condition, the whole much foxed. There are 24 steel plates. Martin's capacity to depict the human form is remarkably defective, but the prospects are pretty wonderful, and the trees are splendid.
	1860
1229	Milton, John. The Paradise Lost by John Milton. With Notes Explanatory and Critical, Edited by Rev. James R. Boyd, A.M. … (New York.: A.S. Barnes & Burr, 51 & 53 John Street, 1860, c1850). 8° in contemporary black blind-stamped. Includes 6 John Martin designs crudely engraved by Burt.
	1745?
1230	Green, George Smith. THE │ FALL OF MAN, │ OR, │ MILTON'S │ PARADISE LOST. │ IN PROSE. │ With Critical, Philosophical, and Explanatory │ NOTES, │ From several AUTHORS; wherein the TECHNICAL TERMS in │ the ARTS and SCIENCES are explained, CITIES, TOWNS, │ and RIVERS faithfully described, and the MYTHO- │ LOGICAL FABLES of the HEATHENS │ historically related. │ - │ A NEW TRANSLATION, FROM THE FRENCH: │ - │ ADORNED WITH COPPER-PLATES. │ = │ LONDON: │ Printed for M. COOPER, in Pater-Noster-Row [c. 1745]. [Printed in red and black] 4°, in sound, worn, plain calf. A retranslation into English from the French prose translation of N. F. Dupré de Saint-Maur. Inscribed on the 2nd fly-leaf: "James Strachan │ May 4h 1780" and on its verso "James Strachan his Book │ [an illegible line] │ James Strachan Plymh". The 13 large anonymous plates are poor, without imprint.
	Paradise Regained, &c
	1772
1231	Milton, John. PARADISE REGAIN'D. │ A │ POEM, │ IN │ FOUR BOOKS. │ To which is added │ SAMSON AGONISTES; │ AND │ POEMS upon Several Occasions: │ With a Tractate of EDUCATION. │ THE AUTHOR │ JOHN MILTON. │ = │ LONDON: │ Printed for J. BEECROFT, W. STRAHAN, J. and F. RIVINGTON, │ HAWES, CLARKE and COLLINS, R. HORSFIELD, W. JOHNSTON, │ B. WHITE, T. CASLON, S. CROWDER, T. LONGMAN, │ C. CORBETT, Z. STUART, T. CADELL, G. PEARCH, T. │ LOWNDES, T. DAVIES, J. ROBSON, W. NICOLL, W. FLEX- │ NEY, S. BLADON, G. ROBINSON, and R. BALDWIN. │ - │ M DCC LXXII [1772]. 12°. There are 6 plates, 5 by F. Hayman-J. Miller. Copy 1: in full polished calf, spines elaborately gilt, joints weak. Copy 2: in sound contemporary brown suede, gilt, with a red leather label.
	1796
1232	Milton, John. MILTON'S │ PARADISE REGAINED; │ WITH │ SELECT NOTES SUBJOINED: │ TO WHICH IS ADDED │ A COMPLETE COLLECTION │ OF HIS │ MISCELLANEOUS POEMS, │ BOTH │ ENGLISH AND LATIN. │ = │ LONDON: │ [Gothic:] Printed by T. Bensley; │ FOR T. LONGMAN, B. LAW, J. JOHNSON, C. DILLY, G.G. AND J. │ ROBINSON, W. RICHARDSON, W. OTRIDGE AND SON, R. BALDWIN, │ F. AND C. RIVINGTON, J. SCATCHERD, OGILVY AND SPEARE,│ W. LOWNDES, G. AND T. WILKIE, C. KEARSLEY, VERNOR AND │ HOOD, T. CADELL, JUNIOR, AND W. DAVIES, AND S. HAYES. │ - │ 1796. 8°. There are 4 E.F. Burney plates, two quite good. The preface speaks of "The first volume" and "The present volume", "The TWO volumes containing the poetical works of Milton complete" Copy 1: in sound full calf, grey and green marbled end-papers, signed on the second fly-leaf in old Brown ink "W. Baillie". N.B. The spine calls it "MILTON'S POEMS". Copy 2: in sound full calf, grey and red marbled end-papers, signed on the second fly-leaf in old brown ink "M. Winfield │ [?in another hand:] Anne Winfield". The spine calls it "MILTON'S WORKS" and “Vol. 2”.
	1806
1233	Milton, John. [Gothic:] Paradise Regain'd; │ A POEM: │ IN FOUR BOOKS. │ TO WHICH IS ADDED, │ SAMSON AGONISTES. │ = │ BY JOHN MILTON. │ = │ A NEW EDITION: │ WITH AN ABRIDGMENT OF THE COPIOUS AND LEARNED NOTES │ COLLECTED BY │ BISHOP NEWTON. │ - │ ILLUSTRATED BY ENGRAVINGS. │ = │ [Gothic:] Albion Press: │ PRINTED AND PUBLISHED │ BY JAMES CUNDEE, IVY-LANE, │ PATERNOSTER-ROW. │ - │ 1806. 8°. There are 4 anonymous plates plus a vignette for Il Penseroso. Copy 1: in \| parchment over dusty grey-blue boards. Copy 2: bound in modern half-calf over brown marbled boards.
	1816, 1823
1234	Milton, John. [Type-set title:] PARADISE REGAINED, │ SAMSON AGONISTES, │ COMUS, AND ARCADES. │ THE AUTHOR, │ JOHN MILTON. │ = │ LONDON: │ PUBLISHED BY JOHN SHARPE, │ DUKE STREET, PICCADILLY. │ -│ M DCCC XXIII [1823]. [Engraved title:] PARADISE REGAINED │ ETC. │ THE AUTHOR │ JOHN MILTON. │ [Vignette (R. Westall-T. Engleheart] │ LONDON; │ PRINTED FOR JOHN SHARPE, PICCADILLY. │ 1816 12°, handsomely bound in gilt red morocco; the 2nd fly-leaf is inscribed (1) "Thomas Porter │ September 1. 1829." (2) "Clara Porter │ August 1t 1863." (3) in modern black ink "Michael & Maud Gibbons │ Suhudy 1924."
	1824
1235	Milton, John. PARADISE REGAINED, │ AND MINOR POEMS. │ - │ BY JOHN MILTON. │ - │ WITH NOTES. │ - │ LONDON: │ PRINTED FOR N. HAILES, MUSEUM, PICCADILLY; │ J. BUMPUS, HOLBORN BARS; ANDREWS, NEW BOND STREET; │ W. CHARLTON WRIGHT, AND J. WALKER, PATERNOSTER ROW; │ AND GRIFFIN AND CO., GLASGOW. │ - │ M.DCCC.XXIV [1824]. 6°, in sound, unmarked dark Brown calf(?), with Brown marbled end-papers, ornamental book-plate of Arthur Wood, obscure signature on the end-paper of "Mrs Harwood & Hicks", and initials on the title which may read "PWB". Colophon on title page verso and last page (p. 236) of "D. CARTWRIGHT, PRINTER, BARTHOLOMEW CLOSE." The only plate is the frontispiece of a woman strewing flowers, Stothard-R. Cooper, imprint of John Bumpus, 1824.
	1827
1236	Milton, John. [Type-set title:] PARADISE REGAINED, │ SAMSON AGONISTES, │ COMUS, AND ARCADES. │ THE AUTHOR, │ JOHN MILTON. = │ LONDON: │ PRINTED FOR JOHN SHARPE, │ DUKE STREET, PICCADILLY. │ - │ M DCCC XXVII [1827]. [Engraved title:] MILTON'S │ PARADISE REGAINED. │ [Vignette] │ LONDON; │ PUBLISHED BY JOHN SHARPE: │ 1827. 12°, in original dull green cloth looking like watered-silk with paper labels. Colophon on title page verso: C. & C. Whittingham, College House, Chiswick. There are 3 plates (Richard Westall, 1827).
	Poetical Works
	1767
1237	Milton, John. THE │ POETICAL WORKS │ OF │ MILTON, │ WITH │ PREFATORY CHARACTERS of the several │ Pieces; The LIFE of MILTON; │ A GLOSSARY, and an INDEX. │ IN TWO VOLUMES. │ - │ EDINBURGH: │ Printed by A. DONALDSON, and sold at his │ Shops in London and Edinburgh. │ = │ M DCC LXVII [1767]. [Within a double row of ornaments] [Vol. I added title:] MILTON'S │ POETICAL WORKS. │ VOLUME I. │ CONTAINING │ PARADISE LOST. │ A Poem, in Twelve Books. │ ... [Vol. II title-page:] THE │ POETICAL WORKS │ OF │ MILTON. │ VOLUME II. │ CONTAINING │ PARADISE REGAIN’D, │ A Poem, in Four Books; │ SAMSON AGONISTES; │ AND │ POEMS upon several Occasions: │ WITH │ A GLOSSARY. │ … 4°, in contemporary full calf, elaborately gilt on the spines; with a book-plate in each volume depicting a rural house: "EX LIBRIS BIBLIOTHECAE │ DOMUS RECTORIALIS APUD │ ASH IN COM: CANT: A VIRO │ REV THOMA LAMBARDE │ RECTORE IN USUM RECTORUM │ LEGATAE ANO DNI MDCCCXI [1811]".
	1794-1797
1238	Milton, John. THE │ POETICAL WORKS │ OF │ JOHN MILTON. │ WITH │ A LIFE OF THE AUTHOR, │ BY │ WILLIAM HAYLEY. │ VOL. I[-III] │ LONDON: │ = │ PRINTED BY W. BULMER AND CO. │ [Gothic:] Shakspeare Printing-Office, │ FOR JOHN AND JOSIAH BOYDELL, AND GEORGE NICOL; │ From the Types of W. Martin. │ 1794[-1797]. Includes 27 plates after designs by Richard Westall.
	1812
1239	Milton, John. PARADISE LOST; │ A POEM, │ IN TWELVE BOOKS. │ AND │ PARADISE REGAIN'D, │ IN FOUR BOOKS. │ ALSO │ SAMSON AGONISTES, │ AND OTHER POEMS. │ = │ BY JOHN MILTON. │ = │ A NEW EDITION, │ Carefully collated with the best Authorities. │ TO WHICH IS PREFIXED, │ A LIFE OF THE AUTHOR, │ BY THE │ REV. DAVID M'NICOLL. │ = │ LIVERPOOL: │ PRINTED BY NUTTALL, FISHER, AND DIXON, DUKE-STREET. │ = │ Stereotype Edition [1812]. 4°. There are 8 fair plates after W.M. Craig published 1812, 7 for Paradise Lost, 1 for Paradise Regained. Copy 1: in shoddy full calf. On the back end-paper is the faint old signature of "Mary Ann Bentley[?]. Copy 2: a tatty copy, battered, dirty, paper poor and browning, frontispiece much torn. The front board is gilt with "Ms HARRIS"; the front paste-down is signed in modern black ink "Major Geo Harris │ 1930"; the frontispiece recto is inscribed in pencil "Mrs Harris │ Archelette[?] St │ Southampton"; below this in old brown ink is "Geo.[?] ls[?] Harris │ Southampton".
	1839
1240	Milton, John. [Type-set title:] PARADISE LOST, │ [Gothic:] And other Poems. │ BY JOHN MILTON. │ - │ IN TWO VOLUMES. │ VOL. I[-II]. │ LONDON: │ W. S. ORR AND CO., PATERNOSTER ROW │ - │ MDCCCXXXIX [1839]. [Engraved title:] PARADISE LOST; │ and other Poems │ BY JOHN MILTON. │ [Vignette] │ VOL. I[-II]. │ LONDON: │ WM. S. ORR & CO. AMEN CORNER, │ PATERNOSTER ROW. │1839. 8°. Each volume has engraved frontispiece. Each volume inscribed on fly-leaf, “Martha Gray │ April 4. 1857 │ Shrublana Road │ Dalstin │ London”.
	1808-1809
1241	Milton, John. THE │ POETICAL WORKS │ OF │ JOHN MILTON. │ - │ COLLATED WITH THE BEST EDITIONS: │ BY │ THOMAS PARK, F.S.A. │ - │ VOL. III[-IV] │ = │ LONDON: │ [Gothic:] Printed at the Stanhope Press, │ BY CHARLES WHITTINGHAM, │ 103, Goswell Street; │ FOR J. SHARPE, OPPOSITE ALBANY, PICCADILLY; │ AND SOLD BY W. SUTTABY, STATIONERS’ COURT, LUDGATE │ STREET; AND TAYLOR AND HESSEY, FLEET STREET. │ - │ 1808[-1809]. 8°. One plate each after designs by Westall and E.F. Burney.
	Shorter Poems
	1889
1242	Milton, John. THE │ Shorter Poems│ of │ JOHN MILTON │ WITH TWELVE ILLUSTRATIONS │ by │ Samuel Palmer │ Painter & Etcher │ LONDON │ Published by SEELEY & COMPANY │ Essex Street, Strand. 1889 [Title in red and black] Small folio (Large Paper, no. 42 of 135 copies), bound in brown morocco over reddish boards. Armorial book-plate of Charles Alfred Cripps.
1243	Woof, Pamela. Reading Paradise Lost With Engravings From the First Illustrated Edition of the Poem Published in 1688. (Grasmere: The Wordsworth Trust, 2004) ISBN: 1870787935
	* * ***
1243A	THE │ MIRACULOUS │ CHILD: │ OR, │ WONDERFULL │ NEWS │ FROM │ MANCHESTER. │ A most true and certain Account, how one Charles │ Bennet, a Child but Three Years old (on the 22nd. │ of June, 1679,) doth speak Latine, Greek, and │ Hebrew, though never taught those Languages; │ and answers all Questions relating to the Bible, │ &c. in a wonderfull manner. │ And is now brought up to be presented to the King. │ Having all along on his Journeys been visited at Coventry, and │ other Places, by most of the Ministers and other Learned Men; │ to whom he gives such satisfaction, that they depart with Wonder │ and Amazement. │ If any question the Certainty of this Relation, let them repair to │ Mr. Nightingale's, at the Bear Inn, in West Smithfield, (where │ this Child now Resides) and they may be abundantly satisfied. │ - │ London, Printed for F. L. 1679. │ REPRINTED BY A. SWINDELLS, MANCHESTER [1820]. 8 pages, disbound.
1244	Montgomery, Robert. MONTGOMERY’S │ SACRED GIFT. │ A SERIES OF │ MEDITATIONS UPON SCRIPTURE SUBJECTS, │ WITH TWENTY HIGHLY-FINISHED ENGRAVINGS │ AFTER │ [Gothic:] Celebrated Paintings by the Great Masters. │ BY THE AUTHOR OF │ THE OMNIPRESENCE OF THE DEITY—LUTHER—THE MESSIAH, │ &c. &c. &c. │ FISHER, SON, & CO., NEWGATE-ST., LONDON; │ AND RUE ST. HONORÉ, PARIS. [1843] 4°
1245	Moore, Edward. THE │ FOUNDLING. │ A COMEDY, │ As written by Mr. MOORE. │ DISTINGUISHING ALSO THE │ VARIATIONS OF THE THEATRE, │ AS PERFORMED AT THE │ [Gothic:] Theatre-Royal in Drury-Lane. │ Regulated from the Prompt-Book, │ By PERMISSION of the MANAGERS, │ By Mr. HOPKINS, Prompter. │ [Initials of JB] │ LONDON: │ Printed for JOHN BELL, near Exeter-Exchange, in the Strand. │ - │ MDCCLXXVII [1777]. [At head of title-page:] BELL’S EDITION. │ - │ 6°. Disbound.
1246	Moore, Edward. THE GAMESTER. │ = │ A │ TRAGEDY, │ BY MR. EDWARD MOORE. │ = │ ADAPTED FOR │ THEATRICAL REPRESENTATION, │ AS PERFORMED AT THE │ THEATRES-ROYAL, │ DRURY-LANE AND COVENT-GARDEN. │ = │ REGULATED FROM THE PROMPT-BOOKS, │ By Permission of the Managers. │ = │ “The Lines distinguished by inverted Commas, are omitted in the Representation.’ │ = │ LONDON: │ = │ Printed for the Propriestors, under the Direction of │ JOHN BELL, [Gothic:] British-Library, STRAND, │ Bookseller to His Royal Highness the PRINCE of WALES. │- │ MDCCXCII [1792]. Bound with: Lee, Nathaniel. THEODOSIUS; │ OR, │ THE FORCE OF LOVE. │ = │ A │ TRAGEDY, │ BY NATHANIEL LEE, │ = │ ADAPTED FOR │ THEATRICAL REPRESENTATION, │ AS PERFORMED AT THE │ THEATRES-ROYAL, │ DRURY-LANE AND COVENT-GARDEN. │ = │ REGULATED FROM THE PROMPT-BOOKS, │ By Permission of the Managers. │ = │ The Lines distinguished by inverted Commas, are omitted in the Representation. │ = │ LONDON: │ = │ Printed for the Proprietors, under the Direction of │ JOHN BELL, [Gothic:] British Library, STRAND, │ Bookseller to His Royal Highness the PRINCE of WALES. │ - │ MDCCXCIII [1793]. And Lee, Nathaniel. THE RIVAL QUEENS; │ OR, THE DEATH │ OF │ ALEXANDER THE GREAT. │ = │ A │ TRAGEDY, │ BY NATHANIEL LEE. │ = │ ADAPTED FOR │ THEATRICAL REPRESENTATION, │ AS PERFORMED AT THE THEATRES-ROYAL, │ DRURY-LANE AND COVENT-GARDEN. │ = │ REGULATED FROM THE PROMPT-BOOKS, │ By Permission of the Managers. │ = │ THE Number and Nature of the Alterations, &c. in this Play, have induced the │ author to deviate from his general Plan, and present it to the Public as literally │ represented. │= │LONDON: │ = │ Printed for the Proprietors, under the Direction of │ JOHN BELL, [Gothic:] British Library, STRAND, │ Bookseller to His Royal Highness the PRINCE of WALES. │ - │ MDCCXCIII [1793]. And Young, Edward. THE REVENGE. │ = │ A │ TRAGEDY, │ BY EDWARD YOUNG, L. L. D. │ = │ ADAPTED FOR │ THEATRICAL REPRESENTATION, │ AS PERFORMED AT THE │ THEATRES-ROYAL, │ DRURY-LANE AND COVENT-GARDEN. │ = │ REGULATED FROM THE PROMPT-BOOKS, │ By Permission of the Managers. │ = │ “The Lines distinguished by inverted Commas, are omitted in the Representation.” │ = │ LONDON: │ = │ Printed for the Proprietors, under the Direction of │ JOHN BELL, [Gothic:] British-Library, STRAND, │ Bookseller to His Royal Highness the PRINCE of WALES. │ - │ MDCCXCII [1792].
1247	Moore, Thomas. THE │ EPICUREAN, │ A TALE. │ BY │ THOMAS MOORE. │ - │ LONDON: │ PRINTED FOR │ LONGMAN, REES, ORME, BROWN, AND GREEN, │ PATERNOSTER-ROW. │ 1827. 12°. Has armorial bookplate of Francis William Medley.
1248	Moore, Thomas. [Typeset title:] THE EPICUREAN, │ [Gothic:] A TALE. │ WITH VIGNETTE ILLUSTRATIONS │ BY │ J.M.W. TURNER, ESQ. R.A. │ AND │ ALCIPHRON. │ [Gothic:] A Poem. │ BY THOMAS MOORE, ESQ. │ AUTHOR OF LALLA ROOKH, &c. &c. │ - │ LONDON; │ JOHN MACRONE, 3, S JAMES'S SQUARE; │ SOLD BY │ SIMPKIN AND MARSHALL, STATIONERS' COURT, AND ROBERT │ JENNINGS, CHEAPSIDE. │ 1839. [Engraved title-page:] THE EPICUREAN, │ [Gothic:] A TALE. │ WITH VIGNETTE ILLUSTRATIONS BY J.M.W. TURNER, ESQ: R.A. │ AND │ ALCIPHRON, │ [Gothic:] A Poem. │ BY │ THOMAS MOORE, ESQ: │ AUTHOR OF LALLA ROOKH, &c. &c. &c. │ - │ LONDON; │ JOHN MACRONE, 3, S JAMES'S SQUARE, │ Sold by Simpkin & Marshall, Stationers Court, & Robert Jennings, Cheapside. │ 1839. 8°, in handsome original blind-stamped and gilt brown cloth with an angel on the spine, with a ticket on the back paste-down: "BOUND BY WESTLEY & CLARK. LONDON." Colophon on type-set title page verso: "PRINTED BY C. WHITING, BEAUFORT HOUSE, STRAND." Inscribed on the front free end-paper: "A.M. Bamford │ 4th December 1823" and on the half-title: "A.M. Bamford. │ The Gift of her Brother." There are fine, rather faint classicizing steel plates, rather faint signed J.M.W. Turner-E. Goodell as the frontispiece and at pp. 58, 104, 208 of The Epicurean.
1249	Moore, Thomas. IRISH MELODIES, │ BY │ THOMAS MOORE, ESQ. │ WITH AN APPENDIX, CONTAINING THE ORIGINAL │ ADVERTISEMENTS, AND THE PREFATORY │ LETTER ON MUSIC. │ [Vignette] │ LONDON: │ PRINTED FOR J. POWER, 34, STRAND, │ AND │ LONGMAN, HURST, REES, ORME, AND BROWN, │ PATERNOSTER-ROW. │ - │ MDCCCXXI [1821]. 8°. Includes 1 vignette by T. Stothard. Inscribed on half-title page, “John Reynolds to Ellen Austice Greenfield 17th May 1822”.
1250	Moore, Thomas. [Typeset title:] MOORE’S │ IRISH MELODIES. │ ILLUSTRATED BY D. MACLISE, R.A. │ NEW EDITION. │ LONDON: │ LONGMAN, BROWN, GREEN, AND LONGMANS. │1851. │ [Engraved title-page:] MOORE’S │ IRISH │ MELODIES │ LONDON │ Longman & Co. Paternoster Row. │ Engraved by F.P. Becker. The Plates Printed by Mc. Queen. Text within ornamental borders with illustrations. Has bookplates of W.H. Lever and Baron Leverhulme of Bolton-Le-Moors. Bound in calf with leather label on spine, gilt embossed and gilt-edged, marble end papers.
1252	Moore, Thomas. [Typeset title:] THE │ LOVES OF THE ANGELS, │ [Gothic:] A Poem. │ BY THOMAS MOORE. │ - │ [Three lines from The Book of Enoch, chap. vii, sect. 2.] │ - │ LONDON: │ PRINTED FOR │ LONGMAN, HURST, REES, ORME, AND BROWN, │ PATERNOSTER-ROW. │ 1823. [Added engraved title-page:] ILLUSTRATIONS │ OF │ THE LOVES OF THE ANGELS. │ A POEM │ BY THOMAS MOORE. │ Engraved by [Gothic:] Charles Heath, from drawings by │ R. WESTALL R.A. │ [Vignette] │ [Three lines from p. 101] │ LONDON │ Published by Longman, Hurst, Rees, Orme & Brown. │ 1823 │ Perkins & Heath. Patent Hardened Steel Plate. 8°. Three plates.
1253	Moore, Thomas. THE │ LOVES OF THE ANGELS, │ [Gothic:] A Poem. │ BY THOMAS MOORE. │ - │ [Three lines from The Book of Enoch, chap. vii, sect. 2.] │ - │ SECOND EDITION. │ LONDON : │ PRINTED FOR │ LONGMAN, HURST, REES, ORME, AND BROWN, │ PATERNOSTER-ROW. │ 1823. 8°
1253	Moore, Thomas. [Typeset title:] THE │ LOVES OF THE ANGELS, │ [Gothic:] A Poem. │ BY THOMAS MOORE. │ - │ [Three lines from The Book of Enoch, chap. vii, sect. 2.] │ - │ FOURTH EDITION. │ LONDON: │ PRINTED FOR │ LONGMAN, HURST, REES, ORME, AND BROWN, │ PATERNOSTER-ROW. │ 1823. [Added engraved title-page:] ILLUSTRATIONS │ OF │ THE LOVES OF THE ANGELS. │ A POEM │ BY THOMAS MOORE. │ Engraved by [Gothic:] Charles Heath, from drawings by │ R. WESTALL R.A. │ [Vignette] │ [Three lines from p. 101] │ LONDON │ Published by Longman, Hurst, Rees, Orme & Brown. │ 1823 │ Perkins & Heath. Patent Hardened Steel Plate. 8°. Three plates. Copy 1 Copy 2: Lacks added engraved title-page and three plates.
1254	Moore, Thomas. [No. 1. title-page:] A SELECTION OF │ POPULAR NATIONAL AIRS, │ WITH │ Symphonies and Accompaniments │ BY │ SIR JOHN STEVENSON, Mus.Doc. │ THE WORDS BY │ THOMAS MOORE, Esqr. │ [Vignette – Stothard-J. Mitan] │ Ent.at Sta.Hall. – LONDON, - Price 12/o │ Published April 23rd. 1818, by J. Power, 34, Strand. [Fourth number title-page:] Fourth Number. │ - │ A SELECTION OF │ POPULAR NATIONAL AIRS, │ [Gothic:] with Symphonies and Accompaniments │ [Gothic:] By │ HENRY R. BISHOP, │ The Words by │ THOMAS MOORE ESQR. │ [Vignette – Stothard-Chas. Marr] │ [8 lines of verse] │ - │ Ent. At Sta.Hall. Price 12s. │ LONDON, │ Published Decr. 2, 1822, by J. Power, 34, Strand. │ Hunter Sc. Title-page vignettes and plates after Stothard. Library has 2 copies of No. 1.
1255	More, Hannah. Cheap Repository. │ - │ THE │ HISTORY │ OF │ CHARLES JONES, │ THE FOOTMAN. │ - │ WRITTEN BY HIMSELF. │ - │ [Vignette] │ SOLD BY J. EVANS & SON, │ (Printers to the CHEAP REPOSITORY for Moral and Religious │ Tracts) No. 42, Long-lane, West-smithfield; and J. │ HATCHARD, No. 190, Piccadilly, London; by J. BINNS, │ Bath:--And by all Booksellers, Newsmen and Hawkers in │ Town and Country. │ *** Great allowance will be made to Shopkeepers and Hawkers │ Price ONE PENNY, or 6s. 6d. per Hundred. │ Entered at Stationers=Hall [?1796]. Chapbook, 16 pp., with an advertisement at the end for Cheap Repository tracts on the verso of the last leaf. Bound with: More, Hannah. Cheap Repository. │ - │ THE │ BLACK PRINCE, │ A TRUE STORY; │ Being an Account of the Life and Death of │ NAIMBANNA, │ AN AFRICAN KING's SON, │ Who arrived in England in the Year 1791, and set sail on his │ return in June, 1793. │ [Vignette] │ SOLD BY J. EVANS & SON, │ (Printers to the CHEAP REPOSITORY for Moral and Religious │ Tracts) No. 42, Long-lane, West-smithfield; and J. │ HATCHARD, No. 190, Piccadilly, London; by J. BINNS, │ Bath;--And by all Booksellers, Newsmen, and Hawkers in │ Town and Country. │ *** Great Allowance will be made to Shopkeepers and Hawkers │ Price ONE PENNY, or 6s. 6d. per Hundred. │ Entered at Stationers-Hall [?1811-1819]. Chapbook, 16 pp. And Cheap Repository. │ - │ THE │ TROUBLES OF LIFE; │ Being a familiar description of the Troubles of │ [2 columns; column 1:] The POOR LABORER; │ The LITTLE SHOPKEEPER; │ The GREAT TRADESMAN; │ The SICKLY MAN; [Column 2:] The DISAPPOINTED LOVER; │ The UNHAPPY HUSBAND; │ The WIDOWER; and lastly, │ The CHILD OF SORROW. [End of columns] │ TO WHICH IS ADDED, │ [Gothic:] The Story of the Guinea and the Shilling, │ BEING A CURE FOR TROUBLE IN GENERAL. │ [Woodcut vignette] │ SOLD BY J. EVANS & SON, │ (Printers to the CHEAP REPOSITORY for Moral and Religious │ Tracts,) No. 41 and 42, Long-lane, West-smithfield; and │ J. HATCHARD, 190, Piccadilly. London; by J. BINNS, │ Bath;--And by all Booksellers, Newsmen and Hawkers in │ Town and Country. │ *** [sic] Great allowance will be made to Shopkeepers and Hawkers. │ PRICE THREE-HALFPENCE. │ Entered at Stationers=Hall [?1797 or 1798]. Chapbook, 20 pp. And More, Hannah. Cheap Repository. │ - │ THE │ GRAND ASSIZES; │ OR, │ General Goal Delivery. │ [Vignette] │ SOLD BY J. EVANS & SON, │ (Printers to the Cheap Repository for Moral and Religious │ Tracts) No. 41 and 42, Long-lane, West-smithfield; │ and J. HATCHARD, No. 190, Piccadilly, London ; by │ J. BINNS, Bath;--And by all Booksellers, Newsmen │ and Hawkers in Town and Country. │ *** Great allowance will be made to Shopkeepers and Hawkers. │ Price One Penny, or 6s. 6d. per Hundred. │ [Gothic:] Entered at Stationers=Hall [?1796]. 16 pp., signed "Z", i.e., by Hannah More. And More, Hannah. Cheap Repository. │ - │ SUNDAY READING. │ - │ THE │ HARVEST HOME. │ [Woodcut vignette] │ SOLD BY J. EVANS & SON, │ (Printers to the CHEAP REPOSITORY for Moral and Religious │ Tracts,) No. 41 and 42, Long-lane, West-smithfield; │ and J. HATCHARD, No. 190, Piccadilly, London; by │ J. BINNS, Bath;--And by all Booksellers, Newsmen, │ and Hawkers in Town and Country. │ *** Great allowance will be made to Shopkeepers and Hawkers. │ Price One Penny, or 6s. 6d. per Hundred. │ [Gothic:] Entered at Stationers=Hall [between 1813 and 1820]. Chapbook, 16 pp., with an extra leaf list Cheap Repository tracts at the end.
1256	More, Hannah. Cheap Repository. │ - │ PARLEY THE PORTER, │ An ALLEGORY: │ Shewing how Robbers without can never get into an │ House unless there are Traitors within. │ [Vignette] │ SOLD BY HOWARD AND EVANS │ (Printers to the Cheap Repository for Moral and Religious │ Tracts) No. 41 and 42, Long-Lane, West-Smithfield, and │ J. HATCHARD, No. 190, Piccadilly, London. By S. │ HAZARD, Bath; And by all Booksellers, Newsmen, and │ Hawkers in Town and Country. │ *** Great Allowance will be made to Shopkeepers and Hawkers. │ Price One Penny, Or 6s. per Hundred. │ [Gothic:] Entered at Stationers Hall [?1810] 16 pp., disbound, signed by Z, i.e., Hannah More.
1256A	Morell, Charles, Sir. [Typeset title:] THE │ TALES OF THE GENII; │ OR, THE │ DELIGHTFUL LESSONS │ OF │ HORAM, THE SON OF ASMAR. │ FAITHFULLY TRANSLATED FROM │ THE PERSIAN MANUSCRIPT; │ AND │ COMPARED WITH THE FRENCH AND SPANISH EDITIONS │ PUBLISHED AT PARIS AND MADRID. │ IN TWO VOLUMES. │ BY SIR CHARLES MORELL, │ FORMERLY AMBASSADOR FROM THE BRITISH SETTLEMENTS IN INDIA TO │ THE GREAT MOGUL. │ [Ornament.] │ LONDON: │ Printed for HARRISON and Co. No. 18, Paternoster-Row. │ M DCC LXXX [1780]. Bound with: Fielding, Henry. [Typeset title:] THE │ HISTORY │ OF │ TOM JONES, │ A │ FOUNDLING. │ IN FOUR VOLUMES. │ BY HENRY FIELDING, ESQ. │ ---MORES HOMINUM MULTORUM VIDIT--- │ [Ornament] │ LONDON: │ Printed for HARRISON and Co. No. 18, Paternoster-Row. │ M DCC LXXX [1780]. [Engraved title:] THE │ [Gothic:] Novelist's Magazine │ --- VOL. III. │ --- │ CONTAINING │ The Tales of the Genii, │ and │ Tom Jones. │ [Vignette] │ LONDON: │ Printed for Harrison and C │ N 18 Paternoster Row. │ 1781. 4°, in cheap and perishing contemporary \| leather over faded and torn marbled boards. Inscribed sideways on the verso of the second fly-leaf in old brown ink in an 18th-century hand "Ann Fox". There are 18 plates after Stothard.
1257	Mosheim, Johann Lorenz. AN │ ECCLESIASTICAL HISTORY, │ ANCIENT AND MODERN; │ IN WHICH │ The Rise, Progress, and Variations of Church-Power, are considered in their │ Connexion with the State of Learning and Philosophy, and the │ Political History of Europe during that Period; │ BY THE LATE LEARNED │ JOHN LAURENCE MOSHEIM, D.D. │ CHANCELLOR OF THE UNIVERSITY OF GÖTTINGEN; │ TRANSLATED FROM THE ORIGINAL LATIN, │ AND ILLUSTRATED WITH NOTES, CHRONOLOGICAL TABLES, AND AN APPENDIX, │ BY ARCHIBALD MACLAINE, D.D. │ - │ A NEW EDITION IN SIX VOLUMES, │ CONTINUED TO THE PRESENT TIME │ BY CHARLES COOTE, LL.D. │ AND FURNISHED WITH │ A DISSERTATION ON THE STATE OF THE │ PRIMITIVE CHURCH, │ BY THE RIGHT REV. │ DR. GEORGE GLEIG OF STIRLING. │ - │ VOL. I[-VI]. │ - │ LONDON: │ PRINTED FOR T. CADELL; C. AND J. RIVINGTON; J. CUTHELL; J. NUNN; LONGMAN AND CO.; JEFFERY │ AND SON; STEWART AND CO.; S. BAGSTER; R.H. EVANS; J. RICHARDSON; R. SCHOLEY; HATCHARD │ AND SON; J. BOHN; BALDWIN AND CO.; J. AND W.T. CLARKE; SAUNDERS AND CO.; J. DUNCAN; │ W. BOONE, HAMILTON AND CO.; SIMPKIN AND MARSHALL; HARDING AND LEPARD; G.B. WHITTAKER; │ R. HUNTER; J. BUMPUS; W. MASON; J. NISBET; J. DOWDING; T. BUMPUS; SMITH, ELDER, AND CO.; │ J. BIGG; J. COLLINGWOOD: C. TAYLOR, AND J. PARKER, AT OXFORD. │- │ 1826. 6 vols., 8°. Prize awarded to Digby Octavo Cotes, A.D. 1836. Each volume embossed with crest of Magdalene College, Oxford University.
	* * ** *

	MUGGLETON ARCHIVE
	The Muggleton archive had been accumulated by the Muggletonians who gradually dwindled away; the last Muggletonian and this archive were discovered by E.P. Thompson. Muggleton's A True Interpretation bound with A Letter to Thomas Taylor were acquired separately. Most of the works are as issued, still unopened in 1983; a few are in wrappers which may be new. Linda Joy of the Fisher Library put them in acid-free cases 7 December 1983.
1258	DIVINE SONGS │ OF THE │ [Gothic:] Muggletonians, │ IN GRATEFUL PRAISE TO THE │ ONLY TRUE GOD, │ THE │ LORD JESUS CHRIST. │ = │ [Motto from Jack Nichols] │ - │ PRINTED BY SUBSCRIPTION. │ - │ [Gothic:] London: │ PRINTED BY │ R. BROWN, 26, ST. JOHN-STREET, CLERKENWELL. │ - │ 1829. 621 p., in original untouched boards with label; folding frontispiece of Muggleton (Wm Wood-J. Kennerley, published by Joseph & Isaac Frost, 1829).
1259	Frost, Joseph. GENERAL INDEX │ TO │ JOHN REEVE & LODOWICKE MUGGLETON'S │ WORKS. │ = │ INTENDED FOR THREE VOLUMES. │ [Woodcut of a dove] │ BELOVED BRETHREN, │ The following Books may be considered the whole of │ the Writings of the Lord's last Prophets, JOHN REEVE and │ LODOWICKE MUGGLETON as far as the Church is in │ possession of. │ We have given the contents of each Book to render reference │ more easy to those that would willingly be instructed in the know- │ ledge of the true God and their own eternal salvation. │ JOSEPH and ISAAC FROST. │ SAINT JOHN's SQUARE. │ London, A.D. 1831. 40 pages in green paper wrappers watermarked 1824. Colophon (p. 40: R. BROWN, PRINTER, 26, ST. JOHN STREET, CLERKENWELL.
1260	Frost, Joseph. [Gothic:] A List of Books │ AND │ GENERAL INDEX │ TO │ JOHN REEVE & LODOWICK MUGGLETON'S │ WORKS: │ BEING THE THIRD AND LAST TESTAMENT OF THE ONLY GOD OUR LORD │ JESUS CHRIST. │ - │ [3 mottos] │ - │ LONDON: │ PRINTED BY FEENY AND CO., 26, ST. JOHN STREET, CLERKENWELL │ - │ 1846. 24 pages, in dark green paper wrappers; on the inside of the back wrapper is a list of books which may be had of Messrs. J. & J. Frost, mostly Muggletonian, with prices.
1261	Frost, Joseph. A │ LIST OF THE BOOKS, │ WITH PART OF THEIR TITLE PAGES AND THE PRICE OF EACH BOOK, │ OF THE │ THIRD AND LAST TESTAMENT │ OF THE ONLY GOD, │ OUR LORD JESUS CHRIST. │ - │ WRITTEN BY JOHN REEVE │ AND │ LODOWICK MUGGLETON, │ THE TWO WITNESSES PROPHECIED OF IN THE ELEVENTH CHAPTER │ OF THE REVELATIONS OF SAINT JOHN │ THE DIVINE. │ [2 MOTTOS] │ - │ LONDON: │ PRINTED BY R. FEENY, 26 ST. JOHN STREET, CLERKENWELL. │ - │ 1843. 16 pages, with, on the inside of the back cover, a list of "Books Written by the Believers of John Reeve and Lodowick Muggleton's Commission", with prices 1s to 5s. In plain buff-grey wrappers, unopened.
1262	Muggleton, Lodowick. AN │ ANSWER │ TO │ ISAAC PENNINGTON, ESQ. │ HIS BOOK ENTITULED, │ 'OBSERVATIONS ON SOME PASSAGES OF │ LODOWICK MUGGLETON'S INTERPRE- │ TATION OF THE 11TH CHAPTER OF │ THE REVELATIONS.' │ ALSO, SOME PASSAGES OF THAT BOOK OF HIS │ ENTITULED, │ 'THE NECK OF THE QUAKERS BROKEN.' │ AND IN HIS LETTER TO THOMAS TAYLOR. │ Whereby it might appear what Spirit the said LODO- │ WICK MUGGLETON is of, and from what God his │ Commission is. As by what authority his Spirit is │ moved to write against the people called Quakers. │ - │ Written to inform those that do not know the Antichristian spirit of false │ Teachers, in these our days, │ BY LODOWICK MUGGLETON. │ - │ WRITTEN IN THE YEAR 1669. │ - │ [Gothic:] London: │ PRINTED BY SUBSCRIPTION IN THE YEAR 1719; │ And Re-printed in the Year 1831, by R. BROWN, 26, St. John-street, Clerkenwell. 36 pages, in unmarked buff wrappers.
1263	Muggleton, Lodowick. A │ LOOKING-GLASS │ FOR │ GEORGE FOX │ The QUAKER, and other QUAKERS; │ WHEREIN │ They may see themselves to be right │ Devils. │ In Answer to GEORGE FOX'S Book, called, │ Something in Answer to LODOWICK MUGGLETON's │ Book, which he calls, The QUAKER's Neck broken. │ Wherein is set forth │ The Ignorance and Blindness of the Quakers Doctrine │ of Christ within them; and that they cannot, nor doth not │ know the true Meaning of the Scriptures, neither have │ they the Gift of Interpretation of Scripture, as will appear │ in those several Heads set down in the next Page following. │ Written by LODOWICK MUGGLETON, one of the two │ last Prophets and Witnesses unto the High and Mighty │ God, the Man Christ Jesus in Glory. │ Re-printed in the YEAR M.DCC.LVI [1756]. In unmarked dark blue paper wrappers.
1264	Muggleton, Lodowick. A │ STREAM │ FROM THE │ TREE OF LIFE: │ OR, THE │ THIRD RECORD │ VINDICATED. │ BEING THE │ COPIES OF SEVERAL LETTERS AND EPISTLES │ Wrote by the two last Witnesses of Jesus Christ. │ WHEREIN │ TRUTH RIDES TRIUMPHANT AND IMAGINATION IS CONFOUNDED. │ = │ These were not included in the volume of SPIRITUAL EPISTLES because of the great expence. │ = │ Printed from the original Manuscript in the year of our Lord │ M.DCC.LVIII [1758]. In original blue paper wrappers.
1265	Muggleton, Lodowick. [Within a border of ornaments:] A TRUE │ INTERPRETATION │ OF │ All the Chief TEXTS, and Mysterious │ SAYINGS and VISIONS opened, of the │ whole Book of the │ REVELATION of St. JOHN. │ Whereby is unfolded, and plainly decla- │ red those wonderful deep Mysteries │ and Visions interpreted, concerning │ the true God, the Alpha and Omega; │ With variety of other Heavenly Secrets, which hath │ never been opened, nor revealed to any man │ since the Creation of the World to │ this day, until now. │ - │ By Lodowick Muggleton, one of the two │ last Commissionated Witnesses & Prophets │ of the onely high, immortal, glorious God, │ CHRIST JESUS. │ - │ Printed in the Year of our Lord, 1665, for the Author Lodowick │ Muggleton, in Great Trinity-Lane London, near the Sign │ of the Lyon and Lamb. Small 4°, in recently rebacked 18th century calf. The title page is torn off at the top right corner, the paper is replaced and relettered; the end of Chapter LXXX and all of Chapters LXXXI-LXXXII are missing and are replaced by neat hand-printing in an 18th Century hand (with the long "s"), numbered 233-244. On the front marbled paste-down is a pressmark in a Victorian(?) hand: "289.9 │ M.1". Bound with: Muggleton, Lodowick. A LETTER │ SENT TO │ THOMAS TAYLOR, Quaker, │ In the Year 1664. │ In Answer to many blasphemous Sayings │ of his in several pieces of Paper, and in │ the Margent of a Book. │ Amongst many of his wicked ignorant Sayings, I have │ given an Answer to some of the chief and main things of Con- │ cernment, for the Reader to know: The particular Heads are seven. │ I. That Christ could not make all things of nothing. │ II. That earth and waters were eternal, and out of that matter God cre- │ ated all living creatures. │ III. That there was a place of residence for God to be in, when he created │ this World. │ IV. How all children are saved, though the seed of the Serpent, if they die │ in their childhood. │ V. Of the difference between the fruit of the womb, and the fruits of the │ flesh, and how they are two several trees, and two several fruits. │ VI. How the Seed of Faith, the Elect Seed, did all fall in Adam, and │ therefore made alive in Christ, and how the reprobate seed did not fall │ in Adam, so as not made alive in Christ; and what it is that purifies │ the Quakers hearts. │ VII. How Adam and Eve were not capable of any kinde of death before │ their fall: and how their fall did procure but a temporal death to all the │ seed of Adam; but the fall of the serpent did procure an eternal death │ to all his seed, who live to men and womens estates, and more especially │ to those that doth deny the person and body of Christ to be now living │ in heaven, above the stars without a man, as all the Speakers of the │ Quakers do. │ By Lodowick Muggleton. │ - │ Printed in the Year of our Lord. 1665. Small 4°. Library copy lacks final leaf (p. 15-16).
1266	Muggleton, Lodowick. A │ TRUE INTERPRETATION │ OF THE │ ELEVENTH CHAPTER │ OF THE │ REVELATION OF ST. JOHN, │ AND OTHER TEXTS IN THAT BOOK: │ AS ALSO │ MANY OTHER PLACES OF SCRIPTURE. │ Whereby is unfolded, and plainly declared, the whole counsel of God, │ concerning Himself, the Devil, and all Mankind, from the │ foundation of the world to all eternity. │ NEVER BEFORE REVEALED BY ANY OF THE SONS OF MEN UNTIL NOW. │ - │ LODOWICK MUGGLETON, │ One of the two last Commissionated Witnesses and Prophets of the only │ high, immortal, glorious God, Christ Jesus. │ - │ [Gothic:] London: │ Printed for the Author in the year 1662. │ Re-printed by SUBSCRIPTION IN THE YEAR 1753. │ AND RE-PRINTED BY SUBSCRIPTION IN THE YEAR 1833, │ BY R. BROWN, ST. JOHN-STREET, CLERKENWELL. 199 pages, in the original pale blue wrappers.
1267	Muggleton, Lodowick. A │ TRUE INTERPRETATION │ OF THE │ WITCH OF ENDOR, │ SPOKEN OF IN │ The First Book of SAMUEL, xxviii. chap. beginning │ at the 11th verse │ SHEWING │ 1. How she and all other Witches do beget or produce that Familiar │ Spirit they deal with, and what a Familiar Spirit is, and how those voices │ are procured, and shapes appear unto them, whereby the ignorant and the un- │ believing people are deceived by them. │ 2. It is clearly made to appear in this Treatise, that no Spirit can be │ raised without its Body, neither can any Spirit assume any Body after │ death; for if the Spirit doth walk, the Body must walk also. │ 3. An interpretation of all those Scriptures, that doth seem as if Spirits │ might go out of Men's bodies when they die, and subsist in some or other │ without bodies. │ Lastly, Several other things needful for the mind of man to know, which │ whoever doth understand, it will be great satisfaction. │ - │ BY LODOWICK MUGGLETON, │ Penman hereof, and the last chosen Witness unto that ever-blessed Body │ of Christ Jesus glorified, to be the only wise, very true God alone.-- │ Everlasting Father and Creator of both Worlds, and all that are made │ in them. │ - │ THE FOURTH EDITION. │ [Gothic:] London: │ Printed by Subscription in the Year 1724, Re-printed in 1793. │ AND RE-PRINTED IN THE YEAR 1831, │ BY R. BROWN, 26, ST. JOHN STREET, CLERKENWELL. 72 pages, in dark blue wrappers.
1268	Muggleton, Lodowick. A │ TRUE INTERPRETATION │ OF │ THE WITCH OF ENDOR, │ SPOKEN OF IN │ THE FIRST BOOK OF SAMUEL, CHAP. XXVIII., BEGINNING │ AT THE ELEVENTH VERSE, │ SHEWING │ I. HOW SHE AND ALL OTHER WITCHES DID BEGET OR PRODUCE THAT │ FAMILIAR SPIRIT THEY DEAL WITH, AND WHAT A FAMILIAR SPIRIT │ IS, AND HOW THOSE VOICES ARE PROCURED, AND SHAPES APPEAR │ UNTO THEM, WHEREBY THE IGNORANT AND UNBELIEVING PEOPLE │ ARE DECEIVED BY THEM. │ II. IT IS CLEARLY MADE APPEAR IN THIS TREATISE, THAT NO SPIRIT │ CAN BE RAISED WITHOUT ITS BODY, NEITHER CAN ANY SPIRIT │ ASSUME ANY BODY AFTER DEATH; FOR IF THE SPIRIT DOTH WALK, │ THE BODY MUST WALK ALSO. │ III. AN INTERPRETATION OF ALL THOSE SCRIPTURES, THAT DO SEEM AS │ IF SPIRITS MIGHT GO OUT OF MEN'S BODIES WHEN THEY DIE, AND │ SUBSIST IN SOME PLACE OR OTHER WITHOUT BODIES. │ LASTLY. SEVERAL OTHER THINGS NEEDFUL FOR THE MIND OF MAN TO │ KNOW, WHICH WHOEVER DOTH UNDERSTAND, IT WILL BE GREAT │ SATISFACTION. │ BY │ LODOWICK MUGGLETON, │ PENMAN HEREOF, AND ONE OF THE TWO LAST CHOSEN WITNESSES UNTO THAT │ EVER BLESSED BODY OF CHRIST JESUS GLORIFIED, TO BE │ THE ONLY WISE, VERY TRUE GOD ALONE,-- │ EVERLASTING FATHER AND CREATOR OF BOTH WORLDS, │ AND ALL THAT ARE MADE IN THEM. │ - │ [Gothic:] Fifth Edition. │ - │ LONDON: │ CAREFULLY EXAMINED BY THE ORIGINAL, PRINTED IN CHAPTER FOR THE AUTHOR IN │ THE YEAR 1669, THEN RESIDING IN LONDON; AND IS NOW PUT INTO VERSE IN THE YEAR 1856. │ PRINTED FOR JOSEPH FROST, 17, HALF-MOON STREET, BISHOPSGATE STREET. │ BY ANDREW T. ROBERTS, 2, HACKNEY ROAD, OPPOSITE SHOREDITCH CHURCH. │ - │ 1856. 43 pages, with a 2-leaf list of works available from Joseph Frost; the original untouched pale green cover has the same text as the title page.
1269	Powell, Nathaniel. A TRUE ACCOUNT │ OF THE │ TRIAL AND SUFFERINGS │ OF │ LODOWICK MUGGLETON, │ One of the two last Prophets and Witnesses of the Spirit, │ LEFT BY │ OUR FRIEND POWELL, │ WHO WITNESSED THE TRIAL AND ALL HIS SUFFERINGS, │ THEREFORE │ He gives a more full and particular Account of the Whole Pro- │ ceedings than the Prophet has left on Record, │ WHICH IS THE CAUSE OF MY PRINTING IT, │ That Believers may see how patiently our Prophet bore those Sufferings │ on Truths Account. │ Knowing when Time is ended, he should meet his God, his King and │ Redeemer, with all those that truly believe Jesus Christ, │ that was Crucified, was the only and alone eternal │ God, one glorious distinct Person in the form of │ a Man, who now reigns in the highest │ Heavens, where we shall behold his │ glorious Face, to live with him, │ and praise his Holy Name │ for ever! │ = │ Printed for T. FEVER-- 1808. │ = │ By MORRIS and REEVES, 53, Red-Cross Street, Southwark. 24 pages in original blue wrappers, not stitched.
1270	Powell, Nathaniel. A TRUE ACCOUNT │ OF THE │ TRIAL AND SUFFERINGS │ OF │ LODOWICK MUGGLETON, │ One of the two last Prophets and Witnesses of the Spirit, │ LEFT BY │ OUR FRIEND POWELL, │ WHO WITNESSED THE TRIAL AND ALL HIS SUFFERINGS, │ THEREFORE │ He gives a more full and particular Account of the Whole Pro- │ ceedings than the Prophet has left on Record, │ WHICH IS THE CAUSE OF MY PRINTING IT, │ That Believers may see how patiently our Prophet bore those Sufferings │ on Truths Account. │ Knowing when Time is ended, he should meet his God, his King and │ Redeemer, with all those that truly believe Jesus Christ, │ that was Crucified, was the only and alone eternal │ God, one glorious distinct Person in the form of │ a Man, who now reigns in the highest │ Heavens, where we shall behold his │ glorious Face, to live with him, │ and praise his Holy Name │ for ever! │ = │ Printed for T. FEVER-- 1808. │ = │ By MORRIS and REEVES, 53, Red-Cross Street, Southwark. [On verso of title-page:] First printed 1808 │ Reprinted for Michael Cole of York │ 41 Fossgate York England │ 1983.
1271	Reeve, John. A │ DIVINE LOOKING-GLASS; │ OR, │ THE THIRD AND LAST TESTAMENT │ OF │ OUR LORD JESUS CHRIST, │ WHOSE │ PERSONAL RESIDENCE IS SEATED ON HIS THRONE OF ETERNAL │ GLORY IN ANOTHER WORLD: │ BEING │ THE COMMISSION OF THE SPIRIT, AGREEING WITH, AND EXPLAINING OF │ THE TWO FORMER COMMISSIONS OF THE LAW AND THE GOSPEL, │ DIFFERING ONLY IN POINT OF WORSHIP. │ SET FORTH FOR THE TRIAL OF ALL SORTS OF SUPPOSED SPIRITUAL │ LIGHTS IN THE WORLD, UNTIL THE EVER-LIVING TRUE JESUS, THE │ ONLY HIGH AND MIGHTY GOD, PERSONALLY APPEAR IN THE AIR │ WITH HIS SAINTS AND ANGELS. │ BY │ JOHN REEVE & LODOWICK MUGGLETON, │ PENMEN HEREOF, AND THE LAST CHOSEN WITNESSES UNTO THAT EVER-BLESSED BODY OF │ CHRIST JESUS GLORIFIED, TO BE THE ONLY WISE, VERY TRUE GOD ALONE, EVERLASTING │ FATHER AND CREATOR OF BOTH WORLDS, AND ALL THAT WERE MADE IN THEM. │ - │ [Motto] │ - │ [Gothic:] Fifth Edition. │ LONDON: │ FIRST PRINTED IN 1656; REVISED BY, AND PRINTED FOR LODOWICK MUGGLETON, IN 1661; │ RE-PRINTED (BY SUBSCRIPTION) IN 1846, BY CATCHPOOL & TRENT, 5, ST. JOHN'S SQUARE, │ FROM THE SECOND EDITION REVISED BY THE PROPHET LODOWICK MUGGLETON: │ AND MAY BE HAD OF │ JOSEPH AND ISAAC FROST, ST. JOHN'S SQUARE, CLERKENWELL; JOSEPH GANDAR, │ 18, NORTHAMPTON PARK, ISLINGTON; AND WILLIAM RIDSDALE, LENTON, NEAR │ NOTTINGHAM; AND OF BOOKSELLERS [sic]. 184 pages, in pale grey paper wrappers printed with the title page texts; and on the back cover is listed "THE FOLLOWING BOOKS MAY BE HAD OF MESSRS. J. & L. FROST ...', with prices. It has the same frontispiece as in the Divine Songs (1829), but here it is the correct size.
1272	Reeve, John. A │ GENERAL EPISTLE │ FROM THE │ HOLY SPIRIT, │ UNTO ALL │ PROPHETS, MINISTERS, OR SPEAKERS │ IN THE WORLD: │ Wherefore, if any Man in the World, shall be left to │ despise this writing, from the greatest to the least, │ by calling of it blasphemy, a devil, delusion, or a lie; │ in so doing they have committed that unpardonable │ sin against the holy Spirit that sent us: wherefore, │ from the presence of the Lord Jesus, elect men and an- │ gels, we pronounce them cursed and damned soul and │ body, to all eternity. │ JOHN REEVE AND LODOWICKE MUGGLETON, │ the two last Spiritual Witnesses, and alone true Pro- │ phets of the Holy Spirit, by Commission from the │ true God, that ever shall write or speak unto unbeliev- │ ing Magistrates, Ministers, and People, until the │ only Lord of Life and Glory, the Man JESUS, person- │ ally appeareth in the air, with his mighty Angels, to │ bear witness to this testimony: even so come Lord │ JESUS. │ - │ From Great Trinity Lane, at a Chandler's Shop, against one │ Mr. Millis a Brown Baker, near Bow Lane End, London, 1653, │ in the Second Year of our Commission by voice from heaven. │ - [no imprint; text begins on this page] 8 pages, colophon on p. 8: R. BROWN, Printer, 26, St. John Street, Clerkenwell." In blue wrappers. It is clearly a reprint of c. 1829.
1273	Reeve, John. A │ GENERAL EPISTLE │ TO │ MINISTERS, │ WITH EXTRACTS FROM “SACRED REMAINS;” │ COMPRISING │ A GENERAL TREATISE ON THE THREE RECORDS, │ WHAT WAS FROM ETERNITY, │ THE ONE PERSONAL UNCREATED GLORY, │ AND │ A CLOUD OF UNERRING WITNESSES. │ BY JOHN REEVE & LODOWICK MUGGLETON, │ THE TWO LAST SPIRITUAL WITNESSES, AND ALONE TRUE PROPHETS OF THE HOLY SPIRIT, BY │ COMMISSION FROM THE TRUE GOD, THAT EVER SHALL WRITE OR SPEAK UNTO UNBELIEVING │ MAGISTRATES, MINISTERS, AND PEOPLE, UNTIL THE ONLY LORD OF LIFE AND GLORY, THE │ MAN JESUS, PERSONALLY APPEARETH IN THE AIR WITH HIS MIGHTY ANGELS, TO BEAR │ WITNESS TO THIS TESTIMONY: EVEN SO, COME, LORD JESUS. │ - │ FIRST PRINTED FOR THE AUTHORS IN THE YEAR OF OUR LORD, 1653, │ THEN RESIDING IN LONDON. │ FOURTH EDITION. │ - │ LONDON: │ PRINTED FOR JOSEPH FROST, 17, HALF MOON STREET, BISHOPSGATE STREET, │ BY LUKE JAMES HANSARD, 5, PEMBERTON ROW, GOUGH SQUARE, FLEET STREET. │ - │ 1854. 60 pages, in pale green paper wrappers.
1274	Reeve, John. JOYFUL NEWS FROM HEAVEN: │ OR, │ THE LAST INTELLIGENCE │ FROM │ OUR GLORIFIED JESUS ABOVE THE STARS, │ WHEREIN IS INFALLIBLY RECORDED │ HOW THAT THE SOUL DIETH IN THE BODY; │ ALSO IS DISCOVERED, │ [2 columns; column 1:] I. WHAT THAT IS WHICH SLEEPS IN THE DUST. │ II. THE NATURE OF ITS REST. │ III. THE MANNER OF ITS WAKING. │ [Column 2:] IV. THE MYSTERY OF THE DISPUTE BETWEEN │ CHRIST AND THE WOMAN OF SAMARIA, AS │ TOUCHING THE TRUE POINT OF WORSHIP, │ CLEARLY OPENED. [end of columns] │ WHEREIN YOU HAVE, DRAWN UP, │ A DIVINE CHARGE AGAINST THE TEACHERS OF THE BAPTISTS; │ WITH ALL OTHER TEACHERS, PUBLIC AND PRIVATE, FOR COUNTER- │ FEITING THE COMMISSION OF │ THE MAN JESUS, │ BEING THEREIN CONVICTED OF SPIRITUAL HIGH TREASON AGAINST CHRIST, THE GREAT │ COMMISSIONER OF HEAVEN AND EARTH. │ WITH A TRUE DESCRIPTION OF THE KINGDOM OF GLORY, PREPARED ONLY FOR │ THE SEED OF ADAM, THAT BLESSED SEED OF FAITH; │ AND TRUE RELATION OF THE KINGDOM OF DARKNESS, PREPARED FOR THE CURSED SEED OF CAIN, │ WORLD WITHOUT END. │ WRITTEN BY JOHN REEVE AND LODOWICK MUGGLETON. │ THE LAST COMMISSIONATED WITNESSES AND PROPHETS OF THAT ONLY HIGH, │ IMMORTAL, GLORIOUS GOD, CHRIST JESUS. │ - │ FIRST PRINTED FOR THE AUTHOR, IN THE YEAR OF OUR LORD, 1658, │ THEN RESIDING IN LONDON.│ THIRD EDITION. │ - │ LONDON: │ PRINTED FOR JOSEPH FROST, 17, HALF MOON STREET, BISHOPSGATE STREET, │ BY LUKE JAMES HANSARD, 5, PEMBERTON ROW, GOUGH SQUARE, FLEET STREET. │ - │ 1854. 50 p., in original pale green wrappers (bearing the same text as the title page).
1275	Reeve, John. A │ REMONSTRANCE │ FROM THE │ ETERNAL GOD; │ DECLARING │ SEVERAL SPIRITUAL TRANSACTIONS │ UNTO THE │ [Gothic:] Parliament & Commonwealth of England, │ UNTO │ HIS EXCELLENCY, THE LORD GENERAL CROMWELL, │ THE COUNCIL OF STATE, THE COUNCIL OF WAR; │ AND TO │ ALL THAT LOVE THE SECOND APPEARING OF THE LORD │ JESUS, THE ONLY WISE GOD AND EVERLASTING │ FATHER, BLESSED FOR EVER. │ - │ BY │ JOHN REEVE AND LODOWICKE MUGGLETON, │ The two last Witnesses and true Prophets, imprisoned for the testimony │ of JESUS CHRIST, in Old Bridewell. │ - │ [Gothic:] London: │ PRINTED IN THE YEAR 1653, │ RE-PRINTED IN 1791. │ AND RE-PRINTED IN THE YEAR 1831, │ BY R. BROWN, 26, ST. JOHN STREET, CLERKENWELL. 23 pp., in original dark blue paper wrappers.
1276	Reeve, John. SACRED REMAINS, │ OR, A │ DIVINE APPENDIX; │ BEING A │ [Gothic:] Collection │ OF │ FIVE SPIRITUAL EPISTLES, │ ORIGINALLY WRITTEN ABOUT THE YEAR 1654; │ ALSO │ WILLIAM SEDGWICK'S │ REPLIES TO SEVERAL QUERIES SENT TO HIM. │ BY THE LORD'S LAST IMMEDIATE MESSENGER │ JOHN REEVE, │ THEN RESIDING IN LONDON. │ - │ THIRD EDITION. │ - │ AND NOW, AFTER CAREFUL EXAMINATION BY THE MOST CORRECT │ COPIES, COMMUNICATED FOR THE CONSOLATION AND │ ESTABLISHMENT OF THE CHURCH OF CHRIST BY │ THEIR BRETHREN, WHOSE FAITH IN THESE │ AND ALL OTHER HIS IRREMANDABLE │ DECLARATIONS, │ DOTH (AND BY DIVINE PROTECTION WILL) REMAIN UNSHAKEN │ TO ETERNITY. │ - │ [Gothic:] London:-- │ RE-PRINTED FOR JOSEPH FROST, 17, HALF MOON STREET, │ BISHOPSGATE STREET; │ BY ANDREW T. ROBERTS, 2, HACKNEY ROAD, OPPOSITE SHOREDITCH CHURCH. │ - │ 1856. 73 pages, in buff-green wrappers (with the same text on the cover).
1277	Reeve, John. SUPPLEMENT │ TO │ THE BOOK OF LETTERS, │ WRITTEN BY │ JOHN REEVE AND LODOWICKE MUGGLETON, │ THE TWO │ [Gothic:] Last Prophets of the only true God, │ OUR │ LORD JESUS CHRIST. │ - │ BELOVED BRETHREN, │ WITH the authority of the Church we have made diligent │ search through the Manuscript Records of the Church, and have found │ the following Letters, not in print in the "Book of Letters." The fol- │ lowing Letters may be considered the conclusion of all the Writings of │ the Prophets REEVE and MUGGLETON, both of spiritual matter and │ temperal advice, as far as the Church is in possession of. │ JOSEPH & ISAAC FROST. │ - │ LONDON: │ PRINTED BY R. BROWN, 26, ST. JOHN STREET, CLERKENWELL. │ - │ 1831. 55 pages, in dark blue wrappers.
1278	Reeve, John. A │ TRANSCENDENT │ SPIRITUAL TREATISE, │ UPON │ SEVERAL HEAVENLY DOCTRINES, │ FROM │ THE HOLY SPIRIT OF THE MAN JESUS, THE ONLY TRUE GOD │ SENT UNTO ALL HIS ELECT, │ AS │ A TOKEN OF HIS ETERNAL LOVE UNTO THEM BY THE HAND OF HIS OWN │ PROPHET, BEING HIS LAST MESSENGER, AND WITNESS, AND FORE- │ RUNNER OF THE VISIBLE APPEARING OF THE DISTINCT PERSONAL GOD │ IN POWER AND GREAT GLORY, IN THE CLOUDS OF HEAVEN, WITH HIS │ TEN THOUSANDS OF PERSONAL SAINTS, TO SEPARATE BETWEEN THE │ ELECT WORLD, AND THE REPROBATE WORLD, TO ALL ETERNITY │ CONTAINING │ THOSE SEVERAL HEADS SET DOWN IN THE INDEX │ OF THIS WORK. │ - │ JOHN REEVE & LODOWICK MUGGLETON, │ [Gothic:] The two last Witnesses and true Prophets │ OF │ THE MAN JESUS, THE ONLY LORD OF LIFE AND GLORY, SENT BY HIS HOLY SPIRIT TO SEAL │ THE FOREHEADS OF THE ELECT, AND THE FOREHEADS OF THE REPROBATE, WITH THE │ ETERNAL SEALS OF LIFE AND DEATH; AND SUDDENLY AFTER WE HAVE DELIVERED THIS │ DREADFULL MESSAGE, THIS GOD, THE MAN JESUS, WILL VISIBLY APPEAR TO BEAR WITNESS │ WHETHER HE SENT US OR NOT. │ Ye that are the Blessed shall patiently wait for the Truth of this thing. │ = │ [Gothic:] Fifth Edition. │ CAREFULLY EXAMINED BY THE ORIGINAL, PRINTED IN CHAPTER FOR THE AUTHOR IN │ THE YEAR 1652, THEN RESIDENT IN LONDON; AND IS NOW PUT INTO VERSE, 1857. │ LONDON: │ PRINTED FOR JOSEPH FROST, BY ANDREW T. ROBERTS, HACKNEY ROAD, │ OPPOSITE SHOREDITCH CHURCH. │ - │ 1857. 39 pages, in immaculate pale green paper wrappers with the same title on the front cover. The first two pages seem to be an advertisement for THE THIRD AND LAST TESTAMENT OF OUR LORD JESUS CHRIST BEING THE COMMISSION OF THE SPIRIT ... THE LAW AND GOSPEL ... IN THREE VOLUMES, with the contents of each volume, plus a List of the Books which may be had separately, with prices, February 1857 (one corrected in MS) available from Joseph Frost. The first piece in Vol. I is this Transcendent Spiritual Treatise. The Treatise is not rhymed; it is in verse in the same sense that the Bible is in verse.
1279	Reeve, John. Veræ Fidei Gloria est Corona Vitæ. │ = │ A │ VOLUME │ OF │ SPIRITUAL EPISTLES: │ BEING THE │ [Gothic:] Copies of several Letters │ WRITTEN BY │ The two last PROPHETS and MESSENGERS of GOD, │ JOHN REEVES AND LODOWICKE MUGGLETON; │ CONTAINING │ Variety of Spiritual Revelations, and deep Mysteries, manifesting │ to the Elect Seed the Prerogative Power of a true Prophet; who, │ by Virtue of their Commissions, did truly give Blessings of Life │ Everlasting to those that believed their Declarations; and to all │ despising Reprobates the Curse or Sentence of Eternal Damnation. │ COLLECTED BY THE GREAT PAINS OF │ ALEXANDER DELAMAIN, THE ELDER, │ A true Believer of God's last Commission of the Spirit. │ INTENDED │ At first only for his own spiritual Solace; but finding they increased to so great a │ Volume, he leaves it to his Posterity, that Ages to come may rejoice in the │ comfortable View of so blessed and heavenly a Treasure. │ TRANSCRIBED FROM │ ALEXANDER DELAMAINE's ORIGINAL COPY │ BY TOBIAH TERRY, │ A true Believer of the like precious Faith in the true God the Man Christ Jesus, which │ most holy Faith the reprobate World despises. │ = │ PRINTED, BY SUBSCRIPTION, IN THE YEAR 1755: │ RE-PRINTED, BY SUBSCRIPTION, IN THE YEAR 1820 │ BY W. SMITH, KING STREET, LONG ACRE. 604 pages in original buff boards, without a label.
1280	Saddington, John. THE │ ARTICLES │ OF │ TRUE FAITH, │ DEPENDING UPON THE │ COMMISSION OF THE SPIRIT. │ - │ DRAWN UP INTO │ FORTY-EIGHT HEADS, │ BY │ - │ JOHN SADDINGTON, │ AN ANCIENT BELIEVER, │ - │ FOR THE │ BENEFIT OF OTHER BELIEVERS, │ That now are, or hereafter shall come to believe; │ AND TO CONFOUND AND DISPROVE ALL DESPISERS, │ THAT SAY, │ "WE KNOW NOT WHAT WE BELIEVE." │ ANNO M.DC.LXXV [1675]. │ = │ PRINTED 1830. │ = │ REPRINTED SEPTEMBER, 1880, │ FOR │ ISAAC FROST, SON OF ISAAC FROST, St. John's Square, Clerkenwell; │ AND │ MRS. HUNTLEY, DAUGHTER OF JOSEPH FROST, " " " │ - │ H. DONGRAY, Printer, Walthamstow. 13 pages, in pinkish brown wrappers with the same title on the front.
1281	Saddington, John. A │ PROSPECTIVE-GLASS │ FOR │ SAINTS & SINNERS: │ = │ Whereby may appear and be seen, │ 1. The Author's Life expressed in the first Epistle. │ 2. That there is no true Peace of mind in those that │ account themselves Believers, so long as they lead a │ corrupt life. │ 3. What great Enemies the Riches of this World, and │ Poverty are to Truth. │ 4. What that truth and true knowledge is, which giveth │ satisfaction to the mind of Man in this life. │ And several other things necessary to salvation. │ = │ BY JOHN SADDINGTON, │ A true Believer of the Witnesses of the Spirit, sent forth │ by the immediate voice of God Almighty, │ in the Year, 1651. │ = │ PRINTED IN THE YEAR 1673, AND REPRINTED FOR J. MAY, │ BY J.B. UNDERDOWN, DEAL. │ 1823. 122 pp., in original unlabeled blue wrappers.
1282	Sola, D. A. de (David Aaron) SIGNIFICATION │ OF THE │ PROPER NAMES, ETC., │ OCCURRING IN │ THE BOOK OF ENOCH, │ FROM THE │ HEBREW AND CHALDEE LANGUAGES. │ BY │ THE REV. D.A. DE SOLA. │ - │ LONDON: │ PUBLISHED BY ISAAC FROST. │ - │ 1852. 18 pages.
1283	Testament of the twelve patriarchs. English. Gilby. 1837. THE │ TESTAMENT │ OF THE │ TWELVE PATRIARCHS, │ THE SONS OF JACOB. │ = │ TRANSLATED OUT OF GREEK INTO LATIN, │ BY ROBERT GROTSHEAD, │ SOME TIME BISHOP OF LINCOLN; AND OUT OF HIS COPY, INTO │ FRENCH AND DUTCH BY OTHERS; AND NOW ENGLISHED. │ TO THE CREDIT WHEREOF AN ANCIENT GREEK COPY, WRITTEN │ ON PARCHMENT, IS KEPT IN THE UNIVERSITY │ LIBRARY OF CAMBRIDGE. │ = │ TO WHICH ARE ADDED │ DERIVATIONS, │ CHIEFLY FROM THE HEBREW, │ AND │ EXPLANATIONS OF SEVERAL PROPER NAMES, │ OCCURRING IN THIS WORK, │ BY A PROFESSOR OF HEBREW. │ = │ LONDON: │ Re-printed for JAMES FROST, 195, Brick Lane, Whitechapel; and │ JOSEPH FROST and ISAAC FROST, St. John's Square, Clerkenwell, │ from a copy printed at London in 1693 for the Company of │ Stationers. │ - │ Printed by R. Feeny, 26, St. John Street, Clerkenwell. │ 1837. xiv, 162, 42 pages, in original boards with label.
1284	Tomkinson, Thomas. THE │ HARMONY │ OF THE │ THREE COMMISSIONS; │ OR, │ NONE BUT CHRIST: │ Wherein is infallibly declared that all Prophets in the │ Time of the Law, or under the first Commission, and │ all Apostles and Ministers in the Time of the Gospel, │ do each of them unanimously agree in their Doctrine │ concerning GOD. │ And that according to the Doctrine of the third Com- │ mission, which Doctrine was in the two first Commis- │ sions, and is more fuller in this, being the Commissions │of the Spirit; namely, that there is None but CHRIST, │ None but CHRIST: no other God but our Lord │ Jesus Christ, now in Heaven glorified. │ THE FRIST [sic] RECORD EVIDENCED. │ Unto us a Child is born: unto us a Son is given: He │ shall be called the mighty God and the everlasting │ Father. Isa. ix. 6. │ THE SECOND RECORD EVIDENCED. │ Great is the Mystery of Godliness; God manifested in │ Flesh. There are three that bear Record in Heaven, │ &c. I. John v. │ THE THIRD RECORD EVIDENCED. │ In the Days of the Voice of the seventh Angel, when │ he shall begin to sound, the Mystery of GOD shall be │ finished. │ = │ BY THOMAS TOMKINSON. │ = │ First written in the Year of our LORD GOD 1692; revised and abridged │ by the AUTHOR, and Printed in the Year 1757. │ - │ REPRINTED FOR J. MAY, BY T.C. ANNALL, DEAL. │ 1822. 172 pages in original unlabeled blue paper wrappers.
1285	Tomkinson, Thomas. THE │ MUGGLETONIAN PRINCIPLES │ PREVAILING: │ BEING │ AN ANSWER IN FULL TO A SCANDALOUS AND │ MALICIOUS PAMPHLET, ENTITLED │ A │ [Gothic:] True Representation │ OF THE │ Absurd and mischievous Principles of the sect called │ MUGGLETONIANS; │ WHEREIN │ The aforesaid Principles are vindicated and proved to │ to [sic] be infallibly true, and │ The author of that Lible, his scandalous title and subject │ proved as false to truth, as light is to darkness: and that he knows │ no more what the true God is, nor what the right devil is; nor any │ true principle or foundation of faith, for all his great learning he so │ much boasts of, than those Jews that put the Lord of life to death: │ for learned and taught reason is but natural, and so falls short of the │ glory of God: as will appear in the following discourse. │ - │ [Motto] │ - │ BY T.T. │ - │ Printed in the year of our Lord God 1695. │ - │ REPRINTED BY T. HAYWARD, BEACH STREET, DEAL. │ 1822. 75 pages, in blue wrappers.
1286	Tomkinson, Thomas. A │ PRACTICAL │ DISCOURSE, │ UPON │ [Gothic:] The Epistle, │ BY JUDE. │ = │ [Gothic:] Originally Written │ BY │ THOMAS TOMKINSON, GENT. │ - │ BEING A COPY OF A MANUSCRIPT LEFT WITH │ THOMAS TOMKINSON, JUN. │ HIS GRANDSON. │ = │ DEAL: │ PRINTED FOR JAMES MAY, & JOSEPH GANDAR, │ BY J.B. UNDERDOWN. │ 1823. 215 pages in unlabeled blue wrappers.
1287	Tomkinson, Thomas. A │ SYSTEM │ OF │ RELIGION, │ TREATING OF THE FOLLOWING HEADS: │ [2 columns; column 1:] I. Of the Nature of GOD, and │ that Jesus Christ is the Only │ One and True GOD. │ II. Of the Trinity, in a manner │ wholly differing from either │ the Athanasians or Arians, │ nearer to the plain literal │ Text of the Scripture, and │ less liable to philosophical │ objections. │ III. Of the Devil; that he is │ no where to be found, but in- │ carnate in man. │ IV. Of the Soul's dying with │ the Body until the Resur- │ rection, shewing that the [column 2:] notion of an immaterial Soul │ distinct from the body, is an │ inconceivable philosophical │ absurdity, and against the │ whole tenor of the Scripture. │ V. That there are in man two │ principles natural to his con- │ stitution, a good and a bad, │ which necessarily determine │ his actions, and are at enmity │ with each other; and how to │ know which is predominant. │ VI. Of Predestination. │ VII. A philosophical manner of │ accounting for the Resur- │ rection. [End of columns] │ - │ FAITHFULLY COLLECTED FROM A CURIOUS MANU- │ SCRIPT FOUND AMONG THE PAPERS OF │ THOMAS TOMKINSON, GENT. │ - │ LONDON: │ RE-PRINTED BY T. GOODE, 30 AYLESBURY STREET, │ CLERKENWELL. │ - │ 1857. 123 pages, in immaculate brown paper wrappers with the title page printed there also.
1288	Tomkinson, Thomas. TRUTH's TRIUMPH; │ OR, │ [Gothic:] A Witness to the two Witnesses; │ FROM THAT UNFOLDED PARABLE │ OF │ [Gothic:] Our Lord and Saviour, Jesus Christ, the High and Mighty God, │ MATTHEW CHAP. 13, VERSE 30 to 42, │ WHEREIN │ THE FUNDAMENTALS OF FAITH ARE CLEARLY DISCUSSED, │ OPENED AND EXAMINED; │ [Gothic:] Being drawn up into these Eight Heads Following: │ THAT IS TO SAY, │ [2 columns; Column 1:] First .. Of the True God. │ Secondly .. Of the Two Seeds. │ Thirdly .. Of the Right Devil. │ Fourthly .. Of Predestination. │ [Column 2:] Fifthly .. Of the Law's Nature. │ Sixthly .. Of the Soul's Mortality. │ Seventhly. Of the Devil's Torments. │ Eighthly .. Of the Saint's Joys. [End of columns] │ BY THOMAS TOMKINSON, │ A Believer and true Lover of the Commission of the Spirit, being written for the │ benefit of himself and others, who are of the Seed of the Son of Man, the Lord Jesus │ Christ the High and Mighty God, being both Father, Son, and Spirit, in one │ single Person, blessed for ever. Amen. │ - │ [Motto] │ = │ WRITTEN IN THE YEAR OF OUR LORD GOD, 1676; │ Transcribed by the Author, with some Alterations, 1690, and Printed by Subscription, 1823. = │ [Gothic:] London: │ PRINTED BY W. SMITH, KING STREET, LONG ACRE. 477 pp, bound in unlabeled blue paper-covered boards, the spine white.
1289	Hill, Christopher, Barry Reay and William Lamont. The World of the Muggletonians (London: Temple Smith, 1983) 6 essays.
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1290	Musée Napoléon. GALERIE │ DU │ MUSÉE NAPOLÉON, │ PUBLIÉE PAR FILHOL, GRAVEUR, │ En rédigée par LAVALLÉE (JOSEPH), Secrétaire perpetual de │ la Socièté phylotechnique, des Académies de Dijou et de Nancy, │ de la Socièté royale des Sciences de Gothingue, etc. │ DÉDIÉE │ A S. M. L’EMPEREUR NAPOLÉON I.ER │ - │ TOME PREMIER-[DIXIÈME]. │ - │ PARIS, │ Chez FILHOL, Artiste-Graveur et Éditeur, rue des Francs-Bourgeois │ Saint-Michel, N.o 785. │ = │ DE L’IMPRIMERIE DE GILLÉ FILS. │ AN XII. – 1804. 10 vols.
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