D
1007 Dagley, Richard.  GEMS, │ PRINCIPALLY FROM THE ANTIQUE, │ DRAWN AND ETCHED │ BY RICHARD DAGLEY, │ AUTHOR OF "SELECT GEMS," ETC. │ WITH │ [Gothic:] Illustrations in Verse │ BY │ THE REV. GEORGE CROLY, A.M. │ AUTHOR OF "CATILINE, A TRAGEDY;" "PARIS IN 1815," ETC. │ [4-line motto from] ROGERS. │ - │ LONDON: │ PRINTED FOR HURST, ROBINSON, AND CO.; │ AND ARCHIBALD CONSTABLE AND CO. EDINBURGH. │ - │ 1822.
8°, in sound gilt brown ½ morocco over marbled boards with similar marbled end-papers.
The 20 plates are pleasant, simple outlines.
1008 Dagley, Richard.  GEMS, │ SELECTED FROM THE ANTIQUE, │ WITH │ ILLUSTRATIONS. │ [Vignette] │ LONDON: │ PRINTED FOR JOHN MURRAY, 32, FLEET-STREET, │ BY C. WHITTINGHAM, DEAN STREET. │ - │ 1804.
Folio, in handsome full maroon morocco.  The 20 plates are engraved by D. Smith after R. Dagley.
1008A THE │ [Gothic:] Dance of Death; │ FROM THE ORIGINAL DESIGNS OF │ HANS HOLBEIN. │ - │ ILLUSTRATED WITH THIRTY-THREE PLATES, │ ENGRAVED BY │ W. HOLLAR. │ WITH │ DESCRIPTIONS IN ENGLISH AND FRENCH. │ - │ What's yet in this │ That bears the name of life? yet in this life │ Lie hid more thousand deaths; yet death we fear, │ That makes these odds all even. │ SHAKSPEARE. │ - │ LONDON: │ PRINTED FOR J. COXHEAD, HOLYWELL-STREET, STRAND. │ - │ 1816. │ [Price 25s. in Boards.]
8°, in original boards.  Imprint on the verso of the title page:  "- │ London:  Printed by B. M'Millan, │ Bow Street, Covent Garden."
1009 Dante Alighieri.  THE │ DIVINA COMMEDIA │ OF │ DANTE ALIGHIERI: │ CONSISTING OF THE │ INFERNO--PURGATORIO--AND PARADISO. │ - │ TRANSLATED INTO ENGLISH VERSE, │ WITH PRELIMINARY ESSAYS, NOTES, AND ILLUSTRATIONS, │ By the Rev. HENRY BOYD, A.M. │ CHAPLAIN TO THE │ RIGHT HONOURABLE THE LORD VISCOUNT CHARLEVILLE. │ - │ IN THREE VOLUMES. │ Vol. I[-III]. │ LONDON: │ Printed by A. Strahan, New-Street Square; │ FOR T. CADELL JUN. AND W. DAVIES, IN THE STRAND. │ 1802.
3 vols. Bound in stout contemporary ½ calf over marbled boards.  The frontispiece to Vol. I, dated 22 March 1802, is engraved by Cromek after Stothard.
1010 Dante Alighieri.  THE │ VISION; │ OR │ HELL, PURGATORY, AND PARADISE, │ OF │ DANTE ALIGHIERI. │ TRANSLATED BY │ THE REV. HENRY FRANCIS CARY, A.M. │ IN THREE VOLUMES. │ THE SECOND EDITION CORRECTED. │ WITH THE LIFE OF DANTE, ADDITIONAL NOTES, │ AND AN INDEX. │ VOL. I[-III]. │ - │ LONDON: │ PRINTED FOR │ TAYLOR AND HESSEY, FLEET STREET. │ 1819.
3 vols. Bound in sound brown calf.  Book-plate of Carberry Tower Library, DD: 5.
1011 Dante Alighieri.  THE │ VISION; │ OR │ HELL, PURGATORY, AND PARADISE, │ OF │ DANTE ALIGHIERI. │ TRANSLATED BY │ THE REV. HENRY FRANCIS CARY, A.M. │ A NEW EDITION, CORRECTED. │ WITH LIFE OF DANTE, CHRONOLOGICAL VIEW OF HIS │ AGE, ADDITIONAL NOTES AND INDEX. │ LONDON: │ WILLIAM SMITH, 113 FLEET STREET. │ - │ M DCCC XLIV [1844].
1012 Darwin, Erasmus.  THE │ TEMPLE OF NATURE; │ OR, THE │ ORIGIN OF SOCIETY: │ A POEM, │ WITH PHILOSOPHICAL NOTES. │ BY │ ERASMUS DARWIN, M.D.  F.R.S. │ AUTHOR OF THE BOTANIC GARDEN, OF ZOONOMIA, AND OF │ PHYTOLOGIA. │ [3-line motto from] VIRG, Æn. VI. 728. │ LONDON: │ PRINTED FOR J. JOHNSON, ST. PAUL'S CHURCHYARD, │ BY T. BENSLEY, BOLT COURT, FLEET STREET. │ 1803.
4°, rebound in ¾ calf over brown marbled boards, brown end-papers, some foxing.
There is an inserted portrait of Darwin on glossy paper, "'Comet' Portrait Gallery No. 36 Harwood, Printers, Derby".
There are 4 pl. Fuseli-Houghton, published 1 Feb 1803 by Joseph Johnson, at frontispiece and pp. 55 (very fine, of creation of Eve), 99, 146 ("Power of Fancy in Dreams", like Cave of Spleen).  There are no Directions to the Binder and Subscription List.
Pencil checks in the margin, underlining, and occasional marginal comments, at least one of them (p. 48) trimmed off.
1012A Fuseli, Henry.  EROS & DIONE [art print]. Fuseli del. Haughton sculp. Pubd. Feby. 1st. 1803, by I. Iohnson, London.
            Third plate from Erasmus Darwin’s The temple of nature, or, The origin of society, London : Printed for J. Johnson … by T. Bensley …, 1803.
1013 Davies, Edward.  [Gothic:] Celtic Researches, │ ON THE │ ORIGIN, TRADITIONS & LANGUAGE │ OF THE │ ANCIENT BRITONS; │ WITH SOME │ INTRODUCTORY SKETCHES, │ ON │ PRIMITIVE SOCIETY. │ - │ BY EDWARD DAVIES, │ Curate of Olveston, Gloucestershire. │ = │ London: │ PRINTED FOR THE AUTHOR, │ AND SOLD BY J. BOOTH, DUKE-STREET, PORTLAND-PLACE. │ - │ 1804.
In ½ calf over marbled boards.  There are lots of clippings on the end-papers and indeed throughout the volume.  It is also heavily annotated. Lacks p. xxvii-lxxii.
1014 Debrett, John.  DEBRETT'S PEERAGE │ OF │ England, Scotland, and Ireland: │ CONTAINING AN │ ACCOUNT OF ALL THE PEERS │ OF THE UNITED KINGDOM, │ Whether by Tenure, Summons, or Creation; │ THEIR COLLATERAL BRANCHES, │ BIRTHS, MARRIAGES, AND ISSUE; │ FAMILY NAMES, AND THE TITLES OF ELDEST SONS;  │ A Complete and Alphabetical Arrangement of │ THEIR MOTTOES, WITH CORRECT TRANSLATIONS;  │ Extinct, Forfeited, and Dormant Peerages; │ An Account of the different │ ORDERS OF KNIGHTHOOD IN THE THREE KINGDOMS; │ A TABLE OF PRECEDENCY, │ And an Alphabetical List of │ THE PRESENT BARONETS OF GREAT BRITAIN │ AND IRELAND; │ With a List of Persons who have received the Honour of │ Knighthood during the present Reign. │ = │ LONDON: │ Printed for F. and C. Rivington, St. Paul's Churchyard; │ T. Egerton, Whitehall; J. Stockdale, Piccadilly; W. │ Miller, Albemarle Street; Clarke and Sons, Portugal │ Street, Lincoln's Inn; Crosby and Co. Stationers' Court; │ Cuthell and Martin, Middle Row, Holborn; R. Lea, │ Compton Street, Soho; and J. Harding, St. James's Street. │ January 1805.
In ¾ leather, library number on the back.  There is a second, engraved title page for Vol. I but no title page for Vol. II.
1015 Defoe, Daniel.  [Type-set title:]  THE │ LIFE AND ADVENTURES │ OF │ ROBINSON CRUSOE; │ INCLUDING │ An account of his Shipwreck, │ AND │ RESIDENCE FOR TWENTY-NINE YEARS │ ON AN │ UNKNOWN ISLAND; │ THE │ REMARKABLE HISTORY OF HIS DELIVERANCE; AND THE EXTRAORDI- │ NARY CIRCUMSTANCES WHICH AFTERWARDS BEFEL HIM │ IN VARIOUS PARTS OF THE WORLD. │ = │ BY DANIEL DE FOE. │ = │ ---These twenty years │ This rock and these demesnes have been my world, │ Where I have liv'd at honest freedom; paid │ More pious debts to Heaven than in all │ The fore-end of my time. Shakspeare. │ [Ornament] │ ILLUSTRATED WITH ELEGANT ENGRAVINGS. │ = │ [Gothic:] Manchester: │ Printed and Published by J. GLEAVE, 196, Deansgate. │ - │ 1816.
[Engraved title:] [Gothic:] The │ LIFE AND ADVENTURES │ OF │ [Ornamental:] Robinson Crusoe. │ BY │ Daniel Defoe │ [Vignette] │ MANCHESTER │ Printed & Published by J. GLEAVE 196 Deansgate.
Bound by "BAYNTUN, BINDER, BATH, ENGLAND" in full calf, fine inner dentelles.
There are 4 Bewick-like tail-pieces, 6 full-page plates all but the title page inscribed "Engraved for J. Gleaves Edition" (n.d.), plus 6 (out of 7) of the Stothard plates for Harrison and Co.’s 1781 ed.
1016 Delille, Jacques.  THE │ GARDENS, │ A │ POEM. │ = │ TRANSLATED FROM │ THE FRENCH OF THE ABBÉ DE LILLE. │ = │ LONDON. │ PRINTED BY T. BENSLEY. │ - │ 1798.
4°, "Bound by Lewis" (according to a pencil note on a fly-leaf) in full calf; the top of the spine has been heavily gnawed.  The end-papers are WATERMARKED "1799" or "799".  It has the armorial book-plate of Henry Legge.  There are a frontispiece and 8 vignettes engraved and partly designed by Bartolozzi.
1017 Denon, Vivant.  TRAVELS │ IN │ UPPER AND LOWER EGYPT, │ IN COMPANY WITH SEVERAL │ DIVISIONS OF THE FRENCH ARMY, │ During the Campaigns of │ GENERAL BONAPARTE │ IN THAT COUNTRY; │ AND PUBLISHED UNDER HIS IMMEDIATE PATRONAGE, │ BY │ VIVANT DENON. │ - │ EMBELLISHED WITH NUMEROUS ENGRAVINGS. │ - │ TRANSLATED │ BY ARTHUR AIKIN. │ = │ IN THREE VOLUMES. │ VOL. I[-III]. │ - │ [Gothic:] London: │ PRINTED FOR T.N. LONGMAN AND O. REES, PATERNOSTER-ROW; │ AND RICHARD PHILLIPS, 71, ST. PAUL'S. │ By T.Gillet, Salisbury-Square. │ - │ 1803.
Bound in ¾ tree calf over brown marbled boards; missing Vol. I, p. 38, Vol. II, pl. 39, 44.  On the front cover of each volume is the ticket and lending conditions of BERKHAMSTED MECHANICS' INSTITUTE.
1018 De Quincey, Thomas.  CONFESSIONS │ OF AN │ ENGLISH OPIUM-EATER. │ - │ To weep afresh a long since cancell'd woe, │ And moan the expense of many a vanish'd sight. │ SHAKSPEARE'S Sonnets. │ - │ THIRD EDITION. │ - │ LONDON: │ PRINTED FOR TAYLOR AND HESSEY, │ 93, FLEET STREET, │ and 13, WATERLOO PLACE. │ 1823.
In blue paper paste-board cover.
1019 Dibdin, Charles.  [Caption title:] THE SOLDIER’S ADIEU, │ written & composed │ [Gothic:] By │ MR. DIBDIN │ for his entertainment │ called │ THE WAGS. │ OR THE CAMP OF PLEASURE. │ London Printd & Sold by the Author at his Music Warehouse Leicester Place. │ Leicester Square.
Music for voice and piano.
Bound with:
Corri, Domenico.  [Caption title:]  THE CABINET. │ The Bird in Yonder Cage Confined. │ The Words by T. Dibdin. │ Sung with Universal Applause │ at the Theatre Royal Covent Garden, │ By Signora Storace, │ Composed by D. Corri. │ Accompanied on the Flageolet by Mr. Sharp, │ London Printed by Corri. Pearce & Co. Music Seller’s to their Majesties at their │ New Musical Circulating Library, No. 28 Haymarket …
Music for high voice and piano.
And
[Caption title:]  YE BANKS AND BRAES │ of │ Bonny Doon. │ A Favorite Scotch Song │ The Words by│ The Celebrated Robt. Burns │ London: │ Printed by G Walker No. 106 Great Portalnd Street
Music for voice and piano.
And
[Caption title:]  A SMILE AND A TEAR, │ - │ A Favorite Song │ The Words by M. P. Andrews, Esqr. │ And Set to Music │ By Miss Abrams. │ - │ [Situated above title] London Printed by L. Lavenu MusicSeller to his R.H. the Prince of Wales │ at his New Musical Circulating Library, 26 New BondStreet.
Music for high voice and piano. Library copy has bottom third of p. 1-2 torn away with loss of text and music.
And
Davy, John.  [Caption title:]  THE LADDIE O’ MY HEART │ a favorite Scots Song │ written by John Rannie │ Sung with the utmost applause by │ MISS DANIELS, │ AT VAUXHALL GARDENS, AND │ MRS. MOUNTAIN, │ at the Theatre Royal Drury Lane, │ COMPOSED BY JOHN DAVY. │ - │ LONDON │ Printed & Sold by Preston at his Warehouse 97, Strand.
Music for voice and piano.
And
Moore, Thomas.  Here’s the Bower, │ [Gothic:] A Ballad, │ Dedicated to │ her Grace the │ [Gothic:] Duchess OF Bedford │ LONDON. │ Published at J. Powers Music Ware House (34) Strand │ & Sold at W. Powers,(4) Westmorland Strt. Dublin.
Music for medium voice with piano.
And
Mazzinghi, Joseph.  [Caption title:]  See from Ocean Rising │ A Favorite Duett Sung by Mrs. Johnstone & Mr. Incledon │at the Theatre Royal Covent Garden in │ PAUL & VIRGINIA, │ Composed by J. Mazzinghi │ London Printed by Goulding & Compy. 124 New Bond Street &c 7 Westmorland St. Dublin
Excerpt from opera arranged for 2 voices and piano.
And
[Caption title:] The MORNING & EVENING HYMN │ & Morning Anthem │ London, Printed by Henry Thompson, 75 Saint Paul’s Church Yard.
And
Suett, Richard.  [Caption title:] THE TRANQUIL THATCH, │ a favorite Ballad, │ Sung by Mr. Incledon, │ with the greatest Applause, │ Composed │ by MR. SUETT. │ - │ LONDON. │ Printed & Sold at Bland & Wellers Music Warehouse, 23, Oxford St.
Music for piano and voice.
And
Kelly, Michael.  [Caption title:]  The Maid of Snowden, │ Sung with unbounded applause by │ Mrs. Liston, │ at the │ T. R. C. G. │ In the Comedy of │ TOWN OR COUNTRY, │ Written by Thos. Morton Esqr. │ Composed by │ ML. KELLY. │ - │ London: Printed & Sold by ML. Kelly at his Opera Saloon Pall Mall
Excerpt from opera arranged for voice and piano.
And
Devonshire, Georgiana Spencer Cavendish, Duchess of.  [Caption title:]  DUETTO IV. The words by a Lady.
Music for voice and piano or harp.
And
[Caption title:] The │ YELLOW HAIR’D LADDIE │ - │ Printed and Sold at A BLAND and WELLER’S Music Warehouse No. 23 Oxford Street.
Music for voice and piano.
And
Reeve, William.  [Caption title:] THE WEALTH OF THE COTTAGE IS LOVE │ A Favorite Song │ Sung by Mr. Incledon at the Theatre Royal Covent Garden in │ PAUL & VIRGINIA, │ Composed by MR. REEVE. │ - │ London Printed by Goulding & Co 117 New Bond Street & 7 Westmorland Street Dublin.
Excerpt from opera arranged for voice and piano.
And
Haydn, Joseph.  [Caption title:] THE MERMAID’S SONG, │ [Gothic:] A Canzonet. │ with Italian & English Words, │ Composed by │ DR. HAYDN. │ London Publish’d by G. Walker at his Music Warehouse 106 Gt. Portland Street.
Music for voice and piano.
And
Braham, John.  [Caption title:]  On this cold flinty rock I will lay down my head │ Sung by │ Mr. Braham │ Also by Mr. Phillips at the Theatre Royal Dublin │ in the │ Favorite Opera of │ KAIS or LOVE in the DESERTS │ as perform’d at the │ Theatre Royal Drury Lane │ Composed by │ MR. BRAHAM. │ - │ London Printed by Goulding D’Almaine Potter and Comy. 124 New Bond St. │ & 7, Westmorland Strt. Dublin
Excerpt from opera arranged for voice and piano.
And
Braham, John.  [Caption title:]  The Bewildered Maid, │ A Ballad │ Sung by Mr. Braham, │ in the favorite Opera of │ KAIS or LOVE in the DESERTS │ as performd at the │ Theatre Royal Drury Lane │ Composed by │ Mr. Braham. │ - │ London, Printed by Goulding, Phipps, D’Almaine & Co. 124, New Bound Street & │ 7, Westmorland Street, Dublin.
Excerpt from opera arranged for high voice and piano.
And
Clarke-Whitfeld, John.  [Caption title:]  The Song of │ FITZ-EUSTACE, │ The Poetry from │ Marmion, a Tale of Flodden Field, │ As Sung by Mrs. Ashe, at the Bath Concerts, │ Composed by │ Dr. John Clarke, │ of Cambridge. │ - │ LONDON, │ Printed & Sold by Preston, at his Wholesale Warehouses, 97, Strand, │ where may be had all Dr. Clarke’s Glees & his other Works.
Music for high voice, chorus and piano.
And
King, M. P. (Matthew Peter)  [Caption title:]  The way was dark & dreary, │ Sung by │ Mrs. Bishop, │ IN │ UP ALL NIGHT │ OR │ The Smugglers Cave, │ Composed by │ M. P. King. │ - │ London, Printed by Goulding & Co. 124, New Bond Street & 7, Westmorland St. Dublin.
Excerpt from opera arranged for voice and piano.
And
King, M. P. (Matthew Peter)  [Caption title:]  SIGH NOT FOR LOVE. │ Sung by │ Mr. Philipps, │ In │ UP ALL NIGHT, │ or │ The Smugglers Cave │ Composed by M. P. KING. │ London Printed by Goulding & Co. 124 New Bound Street & 7 Westmorland Street Dublin.
Excerpt from opera arranged for voice and piano.
And
Whitaker, John.  [Caption title:]  YOUNG LOCHINVAR, │ Lady Heron’s Song │ from the Celebrated Poem entitled │ MARMION │ Written by │ Walter Scott Esqr. │ Composed with an Accompaniment for the Piano Forte & respectfully Inscribed to │ Mrs. Liston │ By │ JOHN WHITAKER. │ LONDON. │ Printed at BUTTON & WHITAKER’s Music & Musical Instrument Warehe. 75, St. Paul’s Church Yard.
Music for voice and piano.
And
Whitaker, John.  [Caption title:]  “O come to the Dale” │ a favorite Song sung with the greatest applause at the │ PUBLIC CONCERTS │ by Miss Stephens, │ Pupil of Sigr. G. Lanza Junr. │ Composed with an Accompaniment for the │ PIANO FORTE, │ BY │ John Whitaker. │- │ London, Published by Button & Whitaker, 75 St. Paul’s Church Yard.
Music for voice and piano.
And
Whitaker, John.  [Caption title:]  Offspring fair of Love Divine │ A CANZONET. │ Sung by Mr. Bourk, │ at the Bath Concerts. │ Compos’d & Inscrib’d to his friend Willm. Russell, by │ JOHN WHITAKER │ Written by Mr. Rannie. │ London Printed by BUTTON & WHITAKER, No. 75, Saint Paul’s Church Yard.
Music for voice and piano.
And
Reeve, William.  [Caption title:]  Sad, Sad is my breast │ Sung by │ Miss Lyon │ in the favorite Opera of │ KAIS or LOVE in the DESERTS │ as performed at the │ Theatre Royal Drury Lane │ Composed by MR. REEVE. │- │ London, Printed by Goulding, Phipps, D’Almaine & Co. 124 New Bond Street, and 7, Westmorland Street Dublin.
Excerpt from opera arranged for voice and piano.
And
Lanza, Gesualdo.  HENRY │ A │ Favorite Ballad │ Sung with unbounded applause │ AT MADAME CATALANI’S MRS. BILLINGTON’S MR. HARRISON’S │ and at the │ Nobilities Concerts │ BY │ MRS. ASHE, │ Written by │ LUMLEY ST. GEORGE SKEFFINGTON ESQR. │ the Music by │ G. LANZA JUNR. │ Pubd. Decr. 2, 1808 for the Author 8 South Crescent Alfred Place Bedford Square by BUTTON and WHITAKER, 75, St. Pauls Church Yard, London │ & to be had of all the Music Sellers in the United Kingdom.
Music for voice and piano.
And
Reeve, William.  [Caption title:]  LOVE IS ALL FOLLY, │ Sung by Mr. Phillips, │ In the Comic Opera of │ [Gothic:] Tricks Upon Travellers, │ Written by │ SIR JAMES BLAND BURGESS, │ The Music Composed by │ W. Reeve. │ London Printed by Button & Whitaker 75 St. Paul’s Church Yard.
Excerpt from opera arranged for voice and piano.
And
Clarke-Whitfeld, John.  THE │ CORONACH │ [Gothic:] OR │ Funeral Song, │ “He’s gone on the Mountain,” │ The Poetry from │ The Lady of the Lake, │ written by │ WALTER SCOTT, ESQR. │ composed expressly for Mrs. Ashe, & Respectfully Inscribed to │ The Rt. Honble. Lady Harriet Clive, │ BY │ DR. JOHN CLARKE of CAMBRIDGE │ Author of The last words of Marmion, Fitz Eustace, Lochinvar & Alice │ Brand, from the Lady of the Lake. │ London; Published for the Author by Messrs. Phipps & Co. at their Music │ Warerooms, No. 25, Duke Street, Grosvenor Square. │ Where may be had Coronach Harmonized for Four Voices, Norman’s │ Song, Blanche of Devan’s Song and Ave Maria, (by Dr. Clarke) all from │ the same Poem.
Music for voice and piano.
And
Holst, M. (Matthias)   GUSTAVUS, │ [Gothic:] A │ Grand Military Piece │ in the │ Swedish Style, │ For the │ PIANO FORTE, │ With or without Additional Keys, │ [Gothic:] By │ M. HOLST. │ - │ LONDON │ Published & Sold by G. Walker, at his Music Warehouse, 106 Grt. Portland Street. │ Where may be had many Celebrated Pieces by the same Composer.
Music for piano.
And
Cramer, J. B. (Johann Baptist)  Cramer’s │ GRAND MARCH. │ For the Piano Forte or Harp, │ with or Without the Additional Keys. │ - │ London, Printed & Sold by Rt. Birchall at his Musical Circulating Library 133, N. Bond St. │ where may be had by the same Author │ Three Sonatas for the Piano Forte Op.7. 7s/6 │ 2 Sonatas Op.8. 6s.o __ A second Grand Concerto Op16 . 7/6 │ And all his other Works
Music for piano.
And
Esch, Louis von.  Il Passo Tempo │ consisting of various │ Elegant & Interesting │ PIECES │ for the [Gothic:] Piano Forte Composed by │ Louis Von Esch. │ - │ [Gothic:] No. 3 │ Containing │ Durandarte & Belerma │ with a Military Piece. │ - │ London, Printed & Sold by Preston at his Wholesale Warehouses. 97 Strand
Music for piano.
And
Reeve, William.  [Caption title:] OVERTURE to OSCAR & MALVINA │ with the Highland March & Battle Pieces, │ COMPOSED by WM. REEVE. │ LONDON, Printed by Goulding, Phipps, D’Almaine & Co. │ 117 New Bond Street, & 7 Westmorland Street, DUBLIN.
Music for piano.
And
Richards, W. H.  A Favorite │ WALTZ, │ with Variations for the │ [Gothic:] Harp │ OR │ PIANO FORTE, │ Composed & Dedicated by Permission to │ Lady Twysden │ ROYDEN HALL, │ BY Mr. W. Richards │ Organist of Tunbridge. │ LONDON │ Printed for the Author & to be had at Bland & Weller’s Music Warehouse 23 Oxford St.
Music for piano or harp.
And
Richards, W. H.  THE │ Much Admired Air, │ MORGIANA, │ Arranged as a │ [Gothic:] Rondo │ for the │ PIANO FORTE, │ BY │ W. H. Richards │ - │ London Printed for the Author & Sold at Bland & Wellers Music Warehouse 23 Caford Street.
Music for piano.
And
Holst, M. (Matthias)  [At bottom of Illustrated engraved title-page:] The COTTAGE ROND, Composed by M. HOLST. │ [At top of Illustrated engraved title-page:] London Published by G. Walker at his Original Music Warehouse No. 106 Great Portland Street.
Music for piano.
And
Pleyel, Ignaz.  [Gothic:]  Pleye’s │ celebrated │ CONCERTANTE │ as performed with the greatest applause │ at the Pantheon and Hanover Square │ [Gothic:] Concerts │ adapted for the │ PIANO-FORTE or HARPSICHORD, │ with an Accompaniment for a │ VIOLIN ad libitum. │ Price 2/6. │ LONDON: │ Printed for Henry Thompson No. 75 St. Paul’s Church Yard. │ Where may be had …
Music for violin and piano.
And
Kemp, Joseph.  [Illustrated engraved title-page:] THE HUNTER’S RONDO, │ Composed for the Piano Forte, │ And Dedicated │ [Gothic:] To │ Miss Franklin of Henbury Hill. │ [Picture of stag hunt] │ [Gothic:] By │ JOSEPH KEMP Mus. Bac. Cambridge. │ - │ LONDON │ Published & Sold by G. Walker 106 Gt. Portland Street. │ Where may be had the Cottage Rondo …
Music for piano.
1020 Dix, John Ross.  The Life of Thomas Chatterton, Including His Unpublished Poems and Correspondence (London:  Hamilton, Adams, & Co., 1837)
12°, in original stained faded brown pebble-grain cloth; the spine has lost its label.
Includes "Appendix A.  Communicated by G. Cumberland, Esq."
1021 Dodsley, Robert.  CLEONE │ = │ A │ TRAGEDY, │ BY MR. R. DODSLEY. │ = │ ADAPTED FOR │ THEATRICAL REPRESENTATION, │ AS PERFORMED AT THE │ THEATRE-ROYAL, IN COVENT-GARDEN. │ = │ REGULATED FROM THE PROMPT-BOOKS, │ By Permission of the Managers. │ = │ “The lines distinguished by inverted Commas, are omitted in the Representation.” │ = │ LONDON: │ = │ Printed for the Proprietors, under the Direction of │ JOHN BELL, [Gothic:] British Library, STRAND, │ Bookseller to His Royal Highness the Prince of Wales. │ - │ M DCC XCII [1792]
Bound with:
Cibber, Colley.  XIMENA; │ OR, │ THE HEROIC DAUGHTER. │ = │ A │ TRAGEDY, │ BY COLLEY CIBBER. │ = │ ADAPTED FOR │ THEATRICAL REPRESENTATION, │ AS PERFORMED AT THE │ THEATRE-ROYAL, COVENT-GARDEN. │ = │ REGULATED FROM THE PROMPT-BOOK, │ By Permission of the Manager. │ = │ “The Lines distinguished by inverted Commas, are omitted in the Representation. │ = │ LONDON: │ = │ Printed for the Proprietors, under the Direction of │ JOHN BELL, [Gothic:] British Library, STRAND, │ Bookseller to His Royal Highness the Prince of Wales. │ - │ MDCCXCII [1792].
            And
            Dryden, John.  ALL FOR LOVE; │ OR, │ THE WORLD WELL LOST. │ = │ A │ TRAGEDY, │ BY MR. DRYDEN. │ = │ ADAPTED FOR │ THEATRICAL REPRESENTATION, │ AS PERFORMED AT THE │ THEATRES-ROYAL, │ DRURY-LANE AND COVENT-GARDEN. │ = │ REGULATED FROM THE PROMPT-BOOKS, │ By Permission of the Managers. │ = │ “The Lines distinguished by inverted Commas, are omitted in the Representation.” │ = │ LONDON: │ = │ Printed for the Proprietors, under the Direction of │ JOHN BELL, [Gothic:] British Library, STRAND, │ Bookseller to His Royal Highness the Prince of Wales. │ - │ MDCCXCII [1792].
And
Rowe, Nicholas.  TAMERLANE. │ = │ A │ TRAGEDY, │ BY N. ROWE, ESQ. │ = │ ADAPTED FOR │ THEATRICAL REPRESENTATION, │ AS PERFORMED AT THE │ THEATRE-ROYAL, COVENT-GARDEN. │ = │ REGULATED FROM THE PROMPT-BOOK, │ By Permission of the Manager. │ = │ “The Lines distinguished by inverted Commas, are omitted in the Representation;” │ And those printed in Italics have been altered from the Original. │ = │ LONDON: │ = │ Printed for the Proprietors, under the Direction of │ JOHN BELL, [Gothic:], STRAND, │ Bookseller to His Royal Highness the Prince of Wales. │ - │ MDCCXCII [1792].
1022 Dodsley, Robert.  THE │ ŒCONOMY │ OF │ HUMAN LIFE. │ TRANSLATED FROM │ AN INDIAN MANUSCRIPT, │ WRITTEN BY AN ANCIENT BRAMIN. │ TO WHICH IS PREFIXED │ AN ACCOUNT OF THE MANNER IN WHICH THE SAID │ MANUSCRIPT WAS DISCOVERED. │ IN A │ LETTER │ FROM AN ENGLISH GENTLEMAN NOW RESIDING │ IN CHINA │ TO THE EARL OF E****. │ = │ [Gothic:] London: │ PRINTED BY T. RICKABY, │ FOR S. AND E. HARDING, PALL-MALL. │ 1795.
6°. There are 49 pleasant, rather Stothard-like cherubic plates, mostly designed by Harding and "Published 1 May 1793 by E. & S. Harding, Pall Mall". At the end is a list of "BOOKS PUBLISHED by S. and E. HARDING".
Copy 1: In full tree calf.
Copy 2: In pretty sound green morocco elaborately tooled and gilt.  There is an inscription on the fly-leaf:  "To Miss Bowen │ this Book is presented, not as the measure, but as a small token, of the unfeigned regard of her most sincere friend │ G Woodfall".
Copy 3: Bound in sound contemporary calf, with the signature of "Benjamin Grubb │ 11 month 1818".
1023 Dodsley, Robert.  THE │ ECONOMY │ OF │ HUMAN LIFE. │ TRANSLATED FROM AN INDIAN MANUSCRIPT, │ WRITTEN BY │ AN ANCIENT BRAMIN. │ TO WHICH IS PREFIXED, │ AN ACCOUNT OF THE MANNER IN WHICH │ THE SAID MANUSCRIPT WAS │ DISCOVERED, │ IN A LETTER FROM AN ENGLISH GENTLEMAN NOW │ RESIDING IN CHINA TO THE EARL OF E----. │ = │ LONDON: │ PRINTED BY T. BENSLEY, │ FOR S. SAEL AND CO. No 192, STRAND. │ = │ 1799.
8°, in handsome contemporary full dappled calf with marbled end-papers; it has the armorial bookplate of John Church and another of Roger Senhouse and his MS notes. There are 3 Stothard plates, with a Blake-like old man in the background.
1024 A │ COLLECTION │ OF │ POEMS │ IN SIX VOLUMES. │ BY │ SEVERAL HANDS. │ WITH NOTES. │ [Vignette] │ LONDON: │ Printed for J. DODSLEY, │ in PALL-MALL. │ MDCCLXXXII [1782]. Edited by Robert Dodsley.
In tree calf.  There is no title page indication of volume-number.  At the end is a list of 12 works published by Harding. There are identical small vignettes on each title page plus different ones on the first poem-page of each volume and on the last poem-page of some; the one at the end of Vol. III is by Basire, the one at the end of Vol. VI, concluding Gray's "The Bard", is Richard Bentley's plate for it in the folio Gray, though darker.
1025 Dryden, John.  THE │ FABLES │ OF │ JOHN DRYDEN, │ ORNAMENTED WITH │ ENGRAVINGS │ FROM THE PENCIL OF │ THE RIGHT HON. │ LADY DIANA BEAUCLERC. │ = │ LONDON. │ PRINTED BY T. BENSLEY, │ FOR J. EDWARDS, No 77, AND E. HARDING, No 98, PALL MALL. │ = │ MDCCXCVII [1797].
Folio, in full red morocco, with the large bear book-plate of the Earl of Cromer, 1912.  There are 9 full-page plates and 15 large vignettes engraved by Vandenburg, Bartolozzi, W.N. Gardiner, and T. Cheesman.  Lacks half-title page.  WATERMARK:  1794 │ J WHATMAN
1026 Dryden, John.  THE │ POETICAL WORKS │ OF │ JOHN DRYDEN. │ WITH │ THE LIFE OF THE AUTHOR. │ = │ [Gothic:] Cooke’s Edition. │ = │ [4 lines of verse from Pope] │ [9 lines of verse from Gray] │ - │ VOL. I[-III]. │ = │ EMBELLISHED WITH SUPERB ENGRAVINGS. │ = │ [Gothic:] London: │ Printed for C. COOKE, NO. 17, Paternoster-Row; │ and sold by all the Booksellers in │ Great Britain and │ Ireland.
Engravings drawn by Corbould, engraved by C. Warren and Hawkins, dated 1798-1799.
[Added engraved Series title-page:] DRYDEN’s POEMS. │ Vol. I[-III] forming part of │ [Gothic:] Cooke’s Pocket Edition of │ the Original & Complete Works of │ SELECT BRITISH POETS, │ [Gothic:] or Entertaining Poetical Library Library │ containing the most Esteemed │ [Gothic:] Poetic Productions, │ Superbly Embellished. [dated 1798].
1027 Duhamel du Monceau, M..  A │ PRACTICAL TREATISE │ OF │ HUSBANDRY: │ Wherein are contained, many │ USEFUL and VALUABLE │ EXPERIMENTS and OBSERVATIONS │ IN THE │ NEW HUSBANDRY, │ Collected during a SERIES of YEARS, by the Celebrated │ M. DUHAMEL DU MONCEAU, │ Member of the Royal Academy of Sciences at Paris, Fellow of the │ Royal Society, London, &c. │ ALSO, │ The most approved Practice of the best ENGLISH FARMERS, │ in the OLD METHOD of HUSBANDRY, │ WITH │ COPPER-PLATES of several new and useful INSTRUMENTS. │ - │ Agricola incurve terram dimovet aratro. │ Hinc anni labor; hinc patriam, parvosque nepotes │ Sustinat; hinc armenta bonum, meritosque juvencos. │ VIRG. Georg. 1. 2. │ = │ LONDON: │ Printed for J. WHISTON and B. WHITE, in Fleet-street, │ R. BALDWIN in Pater-noster-Row, W. JOHNSTON in Ludgate-street, │ P. DAVEY and B. LAW, in Ave-mary-Lane. │ - │ MDCCLIX [1759].
4°, in contemporary somewhat frail full leather, with the book-plate of Hugh Rose Young of Kilraick Esq.  The first fly-leaf is inscribed by Hugh Ross of Kilraick, Esq.  On some pages (e.g., p. 72) are 18th century addenda, and a fragment of writing on an agricultural subject is inserted.  There are 6 plates.
  * ** *** ** *
  E
1028 Edwards, Richard.  [Commission, 1799 Aug. 1 to] grant, constitute and appoint Dr. Peter Ramis to be … Deputy Registrar and Scribe of the Acts … in the Vice Admiralty Court within the Island of Minorca [manuscript]
A folded legal size sheet (32 x 42 cm. when opened), creased, spine joint perishing; WATERMARK: T HOOKE & SON 1798 on the left, and on the right an oval holding within it Britannia seated, with vertical chain lines.
1029 Egan, Pierce. [Vol. I engraved title:]  BOXIANA; │OR, [Gothic:] Sketches OF │ Antient & Modern │ PUGILISM. │ [Vignette of 2 fighters] │ LONDON. │ Published by G. SMEETON, 139 St. Martin's Lane, Charing Cross. │ JULY, 1812.
[Vol. I type-set title:] BOXIANA; │ OR, │ SKETCHES │ OF │ ANCIENT AND MODERN │ [Gothic:] Pugilism; │ FROM THE DAYS OF THE RENOWNED │ BROUGHTON AND SLACK │ TO │ THE HEROES OF THE PRESENT MILLING ÆRA! │ = │ DEDICATED TO THAT DISTINGUISHED PATRON OF │ [Gothic:] Old English Sports, │ CAPTAIN BARCLAY. │ = │ BY ONE OF THE FANCY. │ = │ LONDON: │ PRINTED BY AND FOR G. SMEETON, 139, ST. MARTIN'S LANE; │ AND SOLD BY │ SHERWOOD, NEELY, and JONES, Paternoster-Row, and all other Booksellers. │ - │ M.DCCC.XII [1812].
[Vol. II type-set title:] BOXIANA; │ OR │ SKETCHES OF MODERN │ [Gothic:] Pugilism, │ FROM THE │ CHAMPIONSHIP OF CRIBB │ TO THE PRESENT TIME. │ - │ BY P. EGAN. │ - │ [Motto in Greek from] HOMER. │ Homo sum, humani nil a me alienus puto.--TERENCE. │ - │ DEDICATED TO │ THE RIGHT HONOURABLE THE │ EARL OF YARMOUTH. │ - │ IN TWO [sic] VOLUMES. │ - │ VOL. II. │ [Gothic:] London: │ PRINTED FOR SHERWOOD, JONES, AND CO. │ PATERNOSTER-ROW. │ - │ 1824.
[Engraved cover-label pasted to the back paste-down of Vol. III:] BOXIANA; │ OR, │ SKETCHES OF MODERN │ [Gothic:] Pugilism; │ FROM THE │ CHAMPIONSHIP OF CRIBB │ TO THE PRESENT TIME; │ EMBELLISHED WITH │ ORIGINAL PORTRAITS. │ AND INTERSPERSED WITH A GREAT │ VARIETY OF CHARACTERISTIC ANECDOTES. │ Respecting the Professors of Pugilism, │ NEVER BEFORE MADE PUBLIC │ WITH │ BIOGRAPHICAL MEMOIRS OF ALL THE BOXERS. │ = │ DEDICATED TO THE │  RIGHT HON. THE EARL OF YARMOUTH. │  = │  [Vignette, a reversed version of that on the engraved Vol. I title page] │ = │ BY P. EGAN. │ = │ [Gothic:] London: │ PRINTED FOR  SHERWOOD, NEELY, AND JONES, │ PATERNOSTER-ROW [n.d.].
[Vol. III type-set title:]  BOXIANA; │ OR, │ SKETCHES OF MODERN │ [Gothic:] Pugilism, │ DURING THE │ CHAMPIONSHIP OF CRIBB │ TO │ SPRING'S CHALLENGE │ [Gothic:]  To all England. │ - │ BY P. EGAN. │ [Mottos as before] │ DEDICATED TO │ THE MOST NOBLE THE │ MARQUIS OF WORCESTER. │ - │ IN THREE VOLUMES. │ - │ VOL. III. │ - │ [Gothic:] London: │ PRINTED FOR SHERWOOD, NEELY, AND JONES, │ PATERNOSTER ROW. │ - │ 1821.
4°, 3 volumes in modern ½ red morocco, with the ticket in the bottom left corner of the front paste-down of each volume, of "J. Sampson, │ Bookseller & Stationer, │ 13, Coney Street, York."  Vol. I and III are first editions, Vol. II a Second Edition.  There are 34 plates, the portraits merely fair, the fold-out plates of matches rather good.
1030 Ellis, George.  HISTORY │ OF THE │ LATE REVOLUTION │ IN THE │ DUTCH REPUBLIC. │ [Flower ornament] │ = │ LONDON: │ PRINTED FOR J. EDWARDS, PALL-MALL. │ = │ M,DCC,LXXXIX [1789].
8°, in ¾ Red roan over old and scratched pale Green glazed paste boards.
1031 Ellis, George.  SPECIMENS │ OF │ [Gothic:] Early English Metrical Romances, │ CHIEFLY WRITTEN │ DURING THE EARLY PART │ OF │ THE FOURTEENTH CENTURY; │ TO WHICH IS PREFIXED │ AN HISTORICAL INTRODUCTION, │ INTENDED TO ILLUSTRATE THE │ RISE AND PROGRESS OF ROMANTIC COMPOSITION │ IN FRANCE AND ENGLAND. │ = │ BY GEORGE ELLIS, ESQ. │ = │ SECOND EDITION. │ IN THREE VOLUMES. │ VOL. I[-III]. │ LONDON: │ = │ PRINTED FOR LONGMAN, HURST, REES, ORME, AND │ BROWN, PATERNOSTER-ROW. │ 1811.
            8°, 3 volumes.
1032 SPECIMENS │ OF THE │ [Gothic:] Early English Poets. │ LONDON, PRINTED FOR EDWARDS, PALL-MALL. │ 1790.
8°. Compiled and edited by George Ellis.
Copy 1: Armorial bookplate of Sir Joseph Verdin Bart.
Copy 2: In contemporary mottled calf; on the contemporary marbled end-pages is the elaborate book-plate of MATTHEW WHITE │ VISCOUNT RIDLEY │ 2nd BARON WENSLEYDALE with quartered arms, the left of which is repeated in the unlettered armiferous book-plate on the facing (verso) page.
1033 Elmes, James.  A │ GENERAL AND BIBLIOGRAPHICAL │ DICTIONARY OF THE FINE ARTS. │ CONTAINING │ EXPLANATIONS OF THE PRINCIPLE TERMS │ USED IN THE │ Arts of Painting, Sculpture, Architecture, and Engraving, │ IN ALL THEIR VARIOUS BRANCHES; │ HISTORICAL SKETCHES │ OF THE │ RISE AND PROGRESS OF THEIR DIFFERENT SCHOOLS; │ DESCRIPTIVE │ ACCOUNTS OF THE BEST BOOKS AND TREATISES ON THE FINE ARTS; │ And every useful Topic connected therewith. │ - │ BY JAMES ELMES, M.R.I.A. ARCHITECT; │ Author of "Lectures on Architecture;" "The Life of Sir Christopher Wren;" "An Essay on the Law of │ Dilapidations," &c. &c. │ - │ [Motto from] CICERO pro Archia. │ = │ LONDON: │ PRINTED FOR THOMAS TEGG, 73, CHEAPSIDE; │ R.M. TIMES, DUBLIN; AND R. GRIFFIN AND CO. GLASGOW. │ - │ 1826.
1034 THE │ ELOPEMENT; │ OR, │ THE HISTORY OF │ HENRY AND MARIA. │ Containing a Narrative of their various Adventures; │ and an Account of Maria's tragical Death:--Intend- │ ed as a warning to young Persons of both Sexes to │ avoid improper connections. │ = │ Love various minds does variously inspire. │ DRYDEN. │ = │ LONDON: │ Sold by CHAMPANTE and WHITROW, Jewry-Street, Aldgate; │ TURNER, Coventry; THOMSON and SON, Manchester; │ COPE, Macclesfield; C. WOODWARD, Liverpool; │ WILKES & GRAFTON, Birmingham; and │ LONG & DENNIS, Bristol. │ - │ Price Sixpence [?1800].
6°.  Lacks covers, frontispiece and pp. 5-8.
1034A Eloquent Witnesses: Bookbindings and Their History: A volume of essays dedicated to the memory of Dr Phiroze Randeria. Edited by Mirjam M. Foot. (London: The Bibliographical Society, The British Library; New Castle, Delaware: Oak Knoll Press, 2004)
4°, in plain dark blue cloth with handsome decorated dust-jacket.
1035 English, George Bethune. A | NARRATIVE | OF THE | EXPEDITION | TO | DONGOLA AND SENNAAR, | UNDER THE | COMMAND OF HIS EXELLENCE ISMAEL PASHA, | UNDERTAKEN BY ORDER OF | HIS HIGHNESS MEHEMMED ALI PASHA, | VICEROY OF EGYPT. | -  | BY | AN AMERICAN IN THE SERVICE OF THE VICEROY. | = | LONDON: | JOHN MURRAY, ALBEMARLE STREET. | 1822.
8°, in contemporary brown pasteboard, spine pulled free of case, inside and outside cover and back inner cover with contemporary signature of signed “GWH[?] Drummond Hay”, inside with “Adam Wilson”.
1036 THE | EUROPEAN MAGAZINE, | AND | LONDON REVIEW | - |FOR MARCH[-MAY] 1799. |- | LONDON: | Printed for J. SEWELL, Cornhill, | and J. DEBRETT, Piccadilly. | VOL.  XXXV. MARCH[-MAY] 1799.
March issue includes review of G. Cumberland’s “The captive of the Castle of Sennair”.  Issues lack covers.  March and May issues lack plates.
1036A Evelyn, John.   Sculptura Historico-Technica: | OR, THE | HISTORY AND ART | OF | ENGRAVING. | CONTAINING, | I. The Rise and Progress of ENGRAVING. | II. Of ENGRAVING in general. | III. Of ENGRAVING, ETCHING, and SCRAPING | on COPPER, as now practised. | IV. An Idea of a Fine Collection of PRINTS. | V. The REPERTORIUM; or A COLLECTION | of various MARKS and CYPHERS, with | Additions. | To which is now added, | A Chronological and Historical Series of the | PAINTERS from the Eleventh Century. | Extracted from | BALDINUCCI, FLORENT LE COMPTE, FAIRTHORNE [sic], | the ABECEDARIO PITTORICO, and other Authors. | with COPPER-PLATES. |- | The FOURTH EDITION. | = | LONDON: | Printed for J. MARKS, in St. Martin’s Lane. | M DCC LXX [1770].
  * ** *** ** *
  F
1037 Falconer, William.  THE | SHIPWRECK. | BY | WILLIAM FALCONER. | = | [Two-line motto in Latin from Virg. Æn. Lib. II.] | = | THE TENTH EDITION. | - | LONDON: | PRINTED FOR T. CADELL, JUN. AND W. DAVIES, | IN THE STRAND. | = | 1800. | (R. NOBLE, Printer, Old Bailey.)
             8°.  Four plates engraved after designs by T. Stothard.  Has bookplate with Tudor Rose of B.C.T.
1038 Farquhar, George.  THE | RECRUITING OFFICER. | = | A | COMEDY, | BY GEORGE FARQUHAR, ESQ. | = | ADAPTED FOR | THEATRICAL REPRESENTATION, | AS PERFORMED AT THE | THEATRES-ROYAL, | DRURY-LANE AND COVENT-GARDEN. | = | REGULATED FROM THE PROMPT-BOOKS, | By Permission of the Managers. | = | “The lines distinguished by inverted Commas, are omitted in the Representation.” | = | LONDON: | = | Printed for the Proprietors, under the Direction of | JOHN BELL, [Gothic:] British Library, STRAND, | Bookseller to His Royal Highness the Prince of Wales. | - | M DCC XCII [1792].
Bound with:
Farquhar, George.  THE | CONSTANT COUPLE; | OR, | A TRIP TO THE JUBILEE. | = | A | COMEDY, | BY GEORGE FARQUHAR, ESQ. | = | ADAPTED FOR | THEATRICAL REPRESENTATION, | AS PERFORMED AT THE | THEATRES-ROYAL, | DRURY-LANE AND COVENT-GARDEN. | = | REGULATED FROM THE PROMPT-BOOKS, | By Permission of the Managers. | = | “The Lines distinguished by inverted Commas, are omitted in the Representation.” | = | LONDON: | = | Printed for the Proprietors, under the Direction of | JOHN BELL, [Gothic:] British-Library, STRAND, | Bookseller to His Royal Highness the PRINCE of WALES. | - | M DCC XCII [1892].
And
            Cumberland, Richard.  THE │ WEST INDIAN. │ = │ A │ COMEDY, │ BY RICHARD CUMBERLAND, ESQ. │ = │ ADAPTED FOR │ THEATRICAL REPRESENTATION, │ AS PERFORMED AT THE │ THEATRES-ROYAL, │ DRURY-LANE AND COVENT-GARDEN. │ = │ REGULATED FROM THE PROMPT-BOOKS, │ By Permission of the Managers. │ = │ “The Lines distinguished by inverted Commas, are omitted in the Representation.” │ = │ LONDON: │ = │ Printed for the Proprietors, under the Direction of │ JOHN BELL, [Gothic:] British-Library, STRAND, │ Bookseller to his Royal Highness the PRINCE of WALES. │ - │ M DCC XCII [1792].
            And
            Moore, Edward.  THE FOUNDLING. │ = │ A │ COMEDY, │ BY MR. EDWARD MOORE. │ = │ ADAPTED FOR │ THEATRICAL REPRESENTATION, │ AS PERFORMED AT THE │ THEATRES-ROYAL, │ DRURY-LANE AND COVENT-GARDEN. │ = │ REGULATED FROM THE PROMPT-BOOKS, │ By Permission of the Managers. │ = │ “The Lines distinguished by inverted Commas, are omitted in the Representation. │ = │ LONDON: │ = │ Printed for the Proprietors, under the Direction of │ JOHN BELL, [Gothic:] British-Library, STRAND, │ Bookseller to His Royal Highness the PRINCE of WALES. │ - │ MDCCXCII [1892].
  1792
1039 Fénelon, François de Salignac de La Mothe-.  [Engraved title:]  THE │ ADVENTURES, │ OF │ TELEMACHUS, │ SON OF ULYSSES. │ From the French of Messire FRANÇOIS SALIGNAC │ de la MOTHE FENELON; Archbishop of CAMBRAY. │ IN TWENTY-FOUR BOOKS. │ A New Translation: revised by │ FRANCIS FITZGERALD Esq. │ Author of the LECTURES  in the ARTISTS REPOSITORY. │  [Busts as if on coins of Telemachus and of Ulysses] │ LONDON │ Printed for C. TAYLOR N. 10 Holborn │ MDCCXCII [1792].
[Type set title:]  THE │ ADVENTURES │ OF │ TELEMACHUS. │ LONDON: │ PRINTED BY J. DAVIS, CHANCERY LANE, FOR C. TAYLOR, HOLBORN.
4°, in modern quarter oasis morocco. Fly-leaf stamped in ink of about 1910 "Bound by Charles Winstanley │ 2, Oak St Manchester".  Stamp on title:  "THOMPSON LIBRARY │ MANCHESTER GRAMMAR SCHOOL".Besides the title, there are 24 rather good oval, 8° size plates, designed by Corbould and engraved by C. Taylor (22) and W. Nutter (2) with the imprint of C. Taylor, 1 February 1790-1 January 1792.
  1795
1040 Fénelon, François de Salignac de La Mothe-.  THE │ ADVENTURES │ OF │ TELEMACHUS, │ THE │ SON OF ULYSSES. │ FROM THE FRENCH OF │ SALIGNAC DE LA MOTHE-FENELON, │ ARCHBISHOP OF CAMBRAY, │ BY THE LATE │ JOHN HAWKESWORTH, LL.D. │ CORRECTED AND REVISED BY │ G. GREGORY, D.D. │ JOINT EVENING PREACHER AT THE FOUNDLING HOSPITAL, AND AUTHOR OF │ ESSAYS, HISTORICAL AND MORAL, &c. │ WITH │ A LIFE OF THE AUTHOR, AND A COMPLETE INDEX, HISTORICAL AND GEOGRAPHICAL. │ EMBELLISHED WITH TWELVE ELEGANT ENGRAVINGS. │ IN TWO VOLUMES. │ VOL. I[-II]. │ = │ LONDON: │ PRINTED FOR C. AND G. KEARSLEY, FLEET-STREET. │- │ 1795.
Two 4° volumes in one, continuously paginated. There are 12 plates designed by Stothard (10) and E.F. Burney (2), two engraved by Parker.
            Copy 1: in sound green morocco with a Greek key border, yellow end-papers. Many of the plates in this copy are without imprints; all are without titles; plate opposite page 29 is misidentified as a Stothard design (it is actually 1 of 2 plates designed by E.F. Burney).
            Copy 2:  in sound calf extensively rebacked and repaired, old marbled end-papers.  The plates have imprints and titles. The plates in this copy are colour-printed in greens and browns, though perhaps the blues, pinks, reds, and yellows were added by hand.  The printing is not infallible; e.g., at p. 436 the grass-green goes partly over Minerva's toes. Plate opposite p. 29 correctly identified as an E.F. Burney design.
  1817
1041 Fénelon, François de Salignac de La Mothe-.  [Engraved title:]  THE │ ADVENTURES │ OF │ TELEMACHUS │ THE SON OF ULYSSES. │ Translated from the French of │ S.DE LA MOTHE FENELON │ by │ JOHN HAWKESWORTH, L.L.D. │ [Vignette] │ LONDON. │ Printed for J. Coxhead, 249 High Holborn. │ 1817.
12°, in ¾ black morocco over marbled boards, the front end-paper stamped handsomely in gold "BENJAMIN PARSONS".  Frontispiece after Westall, engraved by Charles Heath.
1042 Fielding, Henry.  THE MISER. │ = │ A │ COMEDY, │ BY HENRY FIELDING, ESQ. │ = │ ADAPTED FOR │ THEATRICAL REPRESENTATION, │ AS PERFORMED AT THE │ THEATRES-ROYAL, │ DRURY-LANE AND COVENT-GARDEN. │ = │ REGULATED FROM THE PROMPT-BOOKS, │ By Permission of the Managers. │ = │ “The lines distinguished by inverted Commas, are omitted in the Representation │ and those printed in Italics are the additions of the Theatres.” │ = │ LONDON: │ = │ Printed for the Proprietors, under the Direction of │ JOHN BELL, [Gothic:] British Library, STRAND, │ Bookseller to His Royal Highness the Prince of Wales. │ - │ MDCC XCI [1791].
Bound with:
Murphy, Arthur.  THE │ WAY TO KEEP HIM. │ = │ A │ COMEDY, │ BY ARTHUR MURPHY, ESQ. │ = │ ADAPTED FOR │ THEATRICAL REPRESENTATION, │ AS PERFORMED AT THE │ THEATRE-ROYAL, DRURY-LANE. │ = │ REGULATED FROM THE PROMPT-BOOKS │ By Permission of the Manager. │ = │ “The Lines distinguished by inverted Commas, are omitted in the Representation.” │ = │ LONDON: │ = │ Printed for the Proprietors, under the Direction of │ JOHN BELL, [Gothic:] British Library, STRAND, │ Bookseller to His Royal Highness the Prince of Wales. │ - │ MDCCXCII [1792].
And
Murphy, Arthur.  ALL IN THE WRONG. │ = │ A │ COMEDY, │ BY ARTHUR MURPHY, ESQ. │ = │ ADAPTED FOR │ THEATRICAL REPRESENTATION, │ AS PERFORMED AT THE │ THEATRES-ROYALE, │ DRURY-LANE AND COVENT-GARDEN. │ = │ REGULATED FROM THE PROMPT-BOOKS, │ By Permission of the Managers. │ = │ “The Lines distinguished by inverted Commas, are omitted in the Representation.” │ = │ LONDON: │ = │ Printed for the Proprietors, under the Direction of │ JOHN BELL, [Gothic:] British-Library, STRAND, │ Bookseller to His Royal Highness the PRINCE of WALES. │ - │ M DCC XCII [1792].
And
Garrick, David.  THE │ GAMESTERS. │ = │ A │ COMEDY, │ AS ALTERED FROM │ SHIRLEY AND C. JOHNSON [by David Garrick]. │ = │ ADAPTED FOR │ THEATRICAL REPRESENTATION, │ AS PERFORMED AT THE │ THEATRES-ROYAL, │ DRURY-LANE AND COVENT-GARDEN. │ = │ REGULATED FROM THE PROMPT-BOOKS, │ By Permission of the Managers. │ = │ “The Lines distinguished by inverted Commas, are omitted in the Representation.” │ = │ LONDON: │ = │ Printed for the Proprietors, under the Direction of │ JOHN BELL, [Gothic:] British-Library, STRAND, │ Bookseller to His Royal Highness the PRINCE of WALES. │ - │ M DCC XCII [1792].
1043 Fielding, Henry. THE │ TRAGEDY │ OF │ TRAGEDIES; │ OR THE │ LIFE AND DEATH │ OF │ TOM THUMB the Great. │ As it is Acted at the │ THEATRE IN THE HAY-MARKET.│ With the ANNOTATIONS of │ H. SCRIBLERUS SECUNDUS. │ - │ The FIFTH EDITION. │ = │ LONDON: │ Printed for T. Davies, T. Lowndes, W. Caslon, T. Becket, │ T. Cadell, G. Robinson, W. Nicoll, W. Woodfall, Wil- │ son and Nichol, T. Evans in the Strand, and S. Bladon. │ - │ MDCCLXXVI [1776]. │   Price One Shilling.
8°, in original $1°leather over marbled boards.  There are three signatures of Edward Ballard Jr Cowbridge.  The frontispiece is engraved after Hogarth by Vandergucht.
  * ** *** ** *
  FLAXMAN, John
  Classical Designs
1044 Flaxman, John.  [Engraved cover title:] L'ILIADE E L'ODISSEA │ D'OMERO │ LE │ TRAGEDIE D'ESCHILO │ LE │ GIORNATE E LA TEOGONIA │ D'ESIODO ASCREO │ RAPPRESENTATE IN FIGURE │ DA │ GIOVANNI FLAXMAN │ IN 140 TAVOLE IN RAME │- │ PREZZO PAOLI 90 │- │ FIRENZE │ PRESSO LUIGI PIAZZINI │ LIBRAIO IN PORTA ROSSA [1826]
[Engraved ILIAD title: ]  ILIADE D'OMERO │ RAPPRESENTATA IN FIGURE │ DA GIOVANNI FLAXMAN │ CONTENENTE XXXIX TAVOLE IN RAME │ CONFORME ALLA EDIZIONE DI LONDRA DEL MDCCCV [1805] │ - │ [Ornamental:] FIRENZE │ PRESSO LUIGI PIAZZINI LIBRAJO IN PORTA ROSSA │ MDCCCXXVI [1826].
[Engraved ODYSSEY title:] ODISSEA D'OMERO │ RAPPRESENTATA IN FIGURE │ DA │ GIOVANNI FLAXMAN │ CONTENENTE XXXIV TAVOLE IN RAME │ CONFORME ALLA EDIZIONE DI LONDRA DEL MDCCCV [1805] │ - │ [Ornamental:] FIRENZE │ PRESSO LUIGI PIAZZINI LIBRAJO IN PORTA ROSSA │ MDCCCXXVI [1826].
[Engraved Aeschylus title:] LE TRAGEDIE │ D'ESCHILO │ RAPPRESENTATE IN FIGURE │ DA GIOVANNI FLAXMAN │ CONTENENTE XXX TAVOLE IN RAME │ CONFORME ALLA EDIZIONE DI LONDRA DEL MDCCCV [1805, i.e., 1795] │ - │ [Ornamental:] FIRENZE │ PRESSO LUIGI PIAZZINI LIBRAJO IN PORTA ROSSA │ MDCCCXXVI [1826].
[Engraved Hesiod title:] LE │ GIORNATE E LA TEOGONIA │ DI ESIODO ASCREO │ RAPPRESENTATE IN FIGURE │ DA GIOVANNI FLAXMAN │ CONTENENTE XXXVII TAVOLE IN RAME │ CONFORME ALLA EDIZIONE DI LONDRA DEL MDCCCV [1805, i.e., 1817] │ - │ [Ornamental:] FIRENZE │ PRESSO LUIGI PIAZZINI LIBRAJO IN PORTA ROSSA │ MDCCCXXVI [1826].
4° height, much wider than it is high (Flaxman 4°) in original boards, covers detached.
  Aeschylus
  1795
1045 Flaxman, John.  [Engraved title:]  COMPOSITIONS │ FROM THE │ TRAGEDIES OF ÆSCHYLVS │ DESIGNED BY IOHN FLAXMAN │ ENGRAVED BY THOMAS PIROLI │ [Vignette] │ THE ORIGINAL DRAWINGS IN THE POSSESSION OF THE COVNTESS DOWAGER SPENCER │ London Published for I. Flaxman Jun. Jan 12. 1795, by J. Matthews, N. 441 Strand.
Flaxman 4°, in original half-leather over marbled boards.  Most of the 31 numbered plates have offsets of the same design on the versos.  WATERMARKS:  E & P │ 1804 (pl. 3, 5, 21, 22, 24-26, 30); C ANSELL │ 1807 (the last two fly-leaves); RUSE & TURNERS │ 1810 (the second fly-leaf).  The size of the title page outer border is c. 15.2 x 15.1 cm.
  1831
1046 Flaxman, John.  [Engraved title:]  COMPOSITIONS │ FROM THE │ TRAGEDIES OF ÆSCHYLUS, │ DESIGNED BY JOHN FLAXMAN, │ ENGRAVED BY THOMAS PIROLI, │ AND FRANK HOWARD. │ [Vignette] │ London, Publish'd April 15h 1831, by Miss Flaxman, & Miss Maria Denman, 74, Upper Norton Street, Fitzroy Square.
[Engraved 1795 title:]  COMPOSITIONS │ FROM THE │ TRAGEDIES OF ÆSCHYLVS │ DESIGNED BY IOHN FLAXMAN │ ENGRAVED BY THOMAS PIROLI │ [Vignette] │ London, Publish'd April 15h 1831, by Miss Flaxman, & Miss Maria Denman, 74, Upper Norton Street, Fitzroy Square.
Flaxman 4°.  Only the 4 plates by Howard bear the engraver's name.
Copy 1: In original pink boards. Armorial bookplate of Allan Wyon.
Copy 2: Without original boards.  Rebound in coil ring binder with stiff cardboard covers.
  1879?
1047 Flaxman, John.  [Engraved title:]  COMPOSITIONS │ FROM THE │ TRAGEDIES OF ÆSCHYLUS, │ DESIGNED BY JOHN FLAXMAN, │ ENGRAVED BY THOMAS PIROLI, │ AND FRANK HOWARD. │ LONDON.  SEELEY JACKSON & HALLIDAY.  54 FLEET STREET [?1879]
[Another engraved title, with a different vignette:]  COMPOSITIONS │ FROM THE │ TRAGEDIES OF ÆSCHYLVS, │ DESIGNED BY IOHN FLAXMAN, │ ENGRAVED BY THOMAS PIROLI │ LONDON.  SEELEY JACKSON & HALLIDAY.  54 FLEET STREET [?1879].
Oblong 8°, a reduced-size reproduction (c. 17.5 x 18.3 cm), in plain blue cloth.  On the first fly-leaf is a stamp:  'MARGARET HALL LIBRARY │ OXFORD".
  Anatomical Studies
1048 Flaxman, John.  ANATOMICAL STUDIES │ OF THE │ BONES AND MUSCLES, │ FOR │ THE USE OF ARTISTS, │ FROM DRAWINGS BY THE LATE │ JOHN FLAXMAN, ESQ. R.A. │  ENGRAVED BY │ HENRY LANDSEER; │ WITH TWO ADDITIONAL PLATES; │ AND │ EXPLANATORY NOTES, │ BY │ WILLIAM ROBERTSON. │ LONDON: │ M.A. NATTALI, 24, TAVISTOCK-STREET, COVENT-GARDEN. │ M.DCCC.XXXIII [1833].
Tall folio, in contemporary brown cloth.  There is an elaborate table of descriptions of muscles, their functions, &c.  Plates 3-20 are in the name of Flaxman; plate 21 is by Michael Angelo Buonarotti. Plates 1-2 are by William Robertson.
  DANTE
  1807
1049 Flaxman, John.  [Typeset title:]  COMPOSITIONS │ BY │ JOHN FLAXMAN, SCULPTOR, R.A. │ FROM │ THE DIVINE POEM OF DANTE ALIGHIERI, │ CONTAINING │ HELL, PURGATORY AND PARADISE. │ WITH QUOTATIONS FROM THE ITALIAN, │ AND TRANSLATIONS FROM THE VERSION OF THE REVEREND H. BOYD, │ TO EACH PLATE. │ = │ LONDON. │ Published May 1. 1807, by Longman, Hurst, Rees, and Orme, │ PATERNOSTER ROW. │ -
[Engraved title:]  COMPOSITIONS │ FROM │ THE HELL, PVRGATORY, AND PARADISE, │ OF │ DANTE ALIGHIERI, │ BY IOHN FLAXMAN, SCVLPTOR. │ [Head of Dante, surmounted by an angel, surrounded by ten stars over a devilish head swallowing a man] │ Engraved by Thomas Piroli, from the Drawings in Possession of Thomas Hope Esq. 1793. │ [Below the framing line:] LONDON, Printed for LONGMAN, HURST, REES, & ORME, Paternoster Row, R.H. EVANS, Pall Mall, W. MILLER, Albemarle Street, & I & A. ARCH, Cornhill, May 1. 1807.
Flaxman 4°. There are 38 plates for Hell, 39 for Purgatory, and 33 for Paradiso, plus the 2 title pages.
Copy 1: [Binder’s spine title:] FLAXMAN’S │ COMPOSITIONS │ FROM │ DANTE.  No watermarks.  Bookplate of Mary. Eliz. Moses.
Copy 2: [Binder’s spine title:] COMPOSITIONS │ FROM THE HELL, │ PURGATORY & │ PARADISE OF │ DANTEALIGHIERI.  In original boards, recently re-backed, with the original label pasted on and a printed catalogue description of the 1793 Dante, torn.  Inside front cover is the armorial bookplate of "THE REV. W.M. GUNN, B.D. │ SMALLEBURGH, NORFOLK".  WATERMARKS:  1803 (48 leaves); LEP[ARD] (pl. 4, 7, 14 of the Inferno).  On the back fly-leaf is a pencil note:
Flaxman made the designs for the Divina Commedia at Rome about 1790.  He was there with the Revd. W. Gunn, (father to my uncle J. Gunn), & they were great friends[.]  Hence this copy was probably a gift from Flaxman to Mr. W. Gunn.
F.T. Palgrave
Jan 1891
  1822
1050 Flaxman, John.  [Italian engraved title:]  ATLANTE DANTESCO │ Da poter servire ad ogni edizione │ Della │ DIVINA COMMEDIA  │ Ossia │ L'Inferno, il Purgatorio e il Paradiso │ Composti │ DAL SIG. GIOVANNI FLAXMAN │ E già incisi dal Sig. Tommaso Piroli │ Ed ora rintagliati │ Dal Signor Filippo Pistrucci │ Con aggiunta di nuovi intaglio. │ - │ [Gothic:] Milano │ Presso Batelli e Fanfani, a sì pure presso il Pistrucci suddetto. │ MDCCCXXII [1822].
[French engraved title:]  Atlas Dantesque │ De la │ DIVINE COMÉDIE │ Pouvant servir à toutes les éditions │ ou │ L'ENFER, LE PURGATOIRE ET LE PARADIS │ Gravés par m. Thomas Piroli │ D'après les dessins │ DE M. JEAN FLAXMAN SCULPTEUR │ Nouvelle édition │ Gravée par m. Philippe Pistrucci │ et augmentée de │ nouvelles figures de sa composition │ = │ MILAN │ Chez Batelli et Fanfani, et chez m. Pistrucci. │ MDCCCXXII [1822].
4°, in dark brownish red | contemporary blind-tooled morocco over swirling brown marbled boards.  WATERMARK:  FAG (several plates).  At the end is a list indicating which 6 plates come in which fascicle, headed in Italian and French:  "INDEX │ DES 127 PLANCHES │ Comprises dans les vingt cahiers │ de l'ATLAS DANTESQUE. │ Milan, 1822."  There is a armorial bookplate of "Gilbert Nicholson of Balrath, in the County of Meath Esq 1669."
  1826?
1051 Flaxman, John.  [Engraved title:]  Invenzioni di Giovanni Flaxman │ Sulla Divina Commedia di Dante Alighieri │ Inferno, Purgatorio e Paradiso.  [Design of an angel, Dante, a devil] │ Pubblicate da Beniamino del Vecchio Incisore [1826?]
Flaxman 4°,
Copy 1: In half-leather over green marbled boards. WATERMARKS:  PETRO MIL (vertically, usually at top right, on half the leaves); NI FABRIANO (vertically, usually at top left, on half the leaves; "b" or "P" (vertically, usually at top left, on a few leaves); "M" (vertically, generally at top left, on many leaves); MILIANI (1 front and 1 back fly-leaves).  Title page plate-mark 20.0 x 13.5 cm.
Copy 2: Three volumes, in original dirty-blue paper covers, in three parts.  WATERMARK:  PETRO MIL in one part, ANI FABRIANO on another.  On the covers are pasted pale yellow labels:  "DANTE INFERNO [price] SC: 2 40. │ OPERE │ Di Giovanni Flaxman Scultore Inglese │ PUBLICATE DA BENIAMINO DEL VECCHIO IN ROMA │… Si vendone dal sud. B. Del Vecchio, e presso D. Parente │ in Via dell'Impresa N. 19.
  HOMER, The Iliad
  1793
1052

Flaxman, John.  [Engraved title:]  THE │ ILIAD OF HOMER │ ENGRAVED BY THOMAS PIROLI │ FROM │ THE COMPOSITIONS OF IOHN FLAXMAN SCVLPTOR │ ROME │[Vignette of Zeus with his eagle within a wreath] │ 1793
            Oblong folio.  The 34 engravings have an imprint:  "Published as the Act directs June 1st 1793."
Copy 1: The title and plates are quite distinct though the title is identical in facsimile transcription.  For instance, in the "1793" on the title page, the "1" is shorter than the "7", and the "9" touches the framing-line in the PMF copy, while in others the "1" is the same size as the "7", and the "9" does not touch the framing-line.† Bound c. 1820 in gilt and blind-stamped dark black morocco with "FLAXMAN'S DESIGNS FOR THE ILIAD OF HOMER" on WATERMARKS:  circular emblem like a distorted fleur de lis; PIETRO │ MILANI │ FABRIANO; PM │ F on the plates; J WHATMAN │ 1820 on front and back end-papers.  All the plates have inscriptions from Pope in the same hand which Bentley identifies as that of John Flaxman (compared with Flaxman's letter of 20 Nov 1792). 
Copy 2: Bound in maroon morocco over brown boards, with "FLAXMAN'S │ HOMER" on the front board and the spine.  Embossed, wall-paper-like end-papers.  WATERMARK:  AG │ C (throughout).  The title page is cut down beyond both the plate-mark and the outside framing line and pasted on grey paper.  There are two (?or three) stab holes throughout.  The fly-leaf is inscribed "For dear Charles & Maria Beckford, │ from their very affectionate & sympathetic Cousin │ Harriet Seymor │ Dec 16 1853".
Bound with:
Flaxman, John.  [Engraved title:]  THE │ ODYSSEY OF HOMER │ ENGRAVED BY THOMAS PIROLI │ FROM │ THE COMPOSITIONS OF IOHN FLAXMAN SCULPTOR │ ROME │ [Bust of Homer in a wreathed circle] │ 1793.
The plates in this edition (all the printing is from plates) are quite distinct from the ZOONEN Odyssey (1793); for instance on the title page "1793", the "7" is shorter than the "9" in the AGC copy, while in the ZOONEN copy they are the same length; on pl. 4, there are no shading lines by the child's head in the AGC copy, whereas there are shading lines in the ZOONEN copy.
The Odyssey is followed by a leaf of type-set "SPIEGAZIONE DELLE TAVOLE", backed by different, heavy paper.
Copy 3: Bound about 1800 in | dark green morocco over purple marbled boards, the spine gilt with "FLAXMAN │ ILIAD │ ODYSSEY │ AESCHYLUS OF[?] │ HOMER │ CARSTENS │ LES │ ARGONAUTS".  Each title page has stab holes and plates mounted on stubs.  The paper is clearly blue.  WATERMARK:  a crest with GL │ C (on the plates); a profile face in the moon and I M C (on the white end-papers and the leaves after The Iliad and Aeschylus).
Bound with:
Flaxman, John.  [Engraved title:]  THE │ ODYSSEY OF HOMER │ ENGRAVED BY THOMAS PIROLI │ FROM │ THE COMPOSITIONS OF IOHN FLAXMAN SCULPTOR │ ROME │ [Bust of Homer in a wreathed circle] │ 1793.
On blue paper, WATERMARK:  GLC.  It is followed by "SPIEGAZIONE DELLE TAVOLE" (different from that in The Iliad) on the same blue paper watermarked GLC.
And
Flaxman, John.  [Engraved title:]  COMPOSITIONS │ FROM THE │ TRAGEDIES OF ÆSCHYLVS │ DESIGNED BY IOHN FLAXMAN │ ENGRAVED BY THOMAS PIROLI │ [Vignette] │ THE ORIGINAL DRAWINGS IN THE POSSESSION OF THE COVNTESS DOWAGER SPENCER │ London Published for I. Flaxman Jun. Jan 12. 1795, by J. Matthews, N. 441 Strand.
WATERMARK: GL │ C on bluish, almost white paper.
And
Carstens, Asmus Jakob.  [Engraved title:]  LES ARGONAUTES │ SELON │ PINDARE, ORPHÉE ET APOLLONIUS DE RHODES │ En vingt-quatre planches │ Inventées et dessinées par Asmus Jacques Carstens │ Et gravées par Joseph Koch. │ [bust] │ À ROME AN MDCCXCIX [1799].
The paper is buff-white (not blue like the others) occasionally WATERMARKED with a fleur-de-lis over a B.  Besides the title page, there are 24 fine, Flaxman-like numbered plates (I-XXIV).

†See "The Unrecognized First Printing of Flaxman's Iliad (1793)", A & B, N.S., IX (1995), 102-120.
  1843
1053 Homer.  The Iliads of Homer, Prince of Poets, Never Before in Any Language Truly Translated, with a Comment upon Some of his Chief Places.  Done According to the Greek by George Chapman.  A New Edition, with Introductions and Notes, By W. Cooke Taylor.  With Forty Engravings on Wood, from the Compositions of John Flaxman, R.A.  In Two Volumes (London:  Charles Knight and Co., 1843)
Square 8°, 2 vols. in 1, worn green morocco with green marbled end-papers.  It has the armorial book-plate of Reginald Harding inscribed at the top "To Muriel James from Sir Reginald Harding" and, at the bottom, "to 'Corinna' from an old man of Boetia".  Above it is the oval ticket of "PICKERING BOOKSELLER 19 PICCADILLY". 
  HOMER, The Odyssey
  1793
1054 Flaxman, John.  [Engraved title:]  THE │ ODYSSEY OF HOMER │ ENGRAVED BY THOMAS PIROLI │ FROM │ THE COMPOSITIONS OF IOHN FLAXMAN SCULPTOR │ ROME │ [Bust of Homer in a wreathed circle] │ 1793.
Flaxman 4°
Copy 1: Bound c. 1820 in gilt and blind-stamped dark green morocco with, on the spine, "FLAXMAN'S DESIGNS FOR THE ODYSSEY OF HOMER".  WATERMARKS:  J KOOL under half a crest; J HONIG; J H & Z plus the bottom half of a different crest; ZOONEN; half of a crowned crest, all on cream laid paper with vertical chain lines. All the plates have inscriptions from Pope in the same hand which Bentley identifies as that of John Flaxman (compared with Flaxman's letter of 20 Nov 1792).
Copy 2: WATERMARKS:  J KOOL under a fleur de lis on laid paper with vertical chain lines (title page and pl. 1, 16); same chain lines but unwatermarked (pl. 9, 23); ADRIA (pl. 2, 4, 22, 26); N[?] ROGGE (pl. 6-7, 10, 15, 17, 19, 24-25, 28); wove paper with a pronounced weave but no watermark (pl. 3, 5, 8, 11-14, 18, 20-21, 27).  Inscribed in old brown ink "To │ His Friend and Patron Edward Knight Esquire │ from the Author".  Bound in contemporary? | brown morocco over khaki cloth labeled on the spine in gold;  FLAXMAN'S │ HOMER │ AND │ ESCHYLUS.  The first fly-leaf is signed at the top right of the recto "JHW │ 1922", with the book-plate on the first board of "JOYCE HERBERT WARD │ 1922".  There is a rather disfiguring ink stain at the bottom outer corner from the outside affecting all leaves.
Bound with:
Flaxman, John.  [Engraved title:]  COMPOSITIONS │ FROM THE │ TRAGEDIES OF ÆSCHYLVS │ DESIGNED BY IOHN FLAXMAN │ ENGRAVED BY THOMAS PIROLI │ [Vignette] │ THE ORIGINAL DRAWINGS IN THE POSSESSION OF THE COVNTESS DOWAGER SPENCER │ London Published for I. Flaxman Jun. Jan 12. 1795, by J. Matthews, N. 441 Strand.
Wove paper with a scarcely visible weaving pattern.  Five plates are so wide they had to be folded. Lacks plates 6 and 14.
  1805
1055 Flaxman, John.  [Engraved title:]  THE │ ODYSSEY OF HOMER │ ENGRAVED FROM THE COMPOSITIONS │ OF IOHN FLAXMAN R.A. SCVLPTOR, │ LONDON. │ [Head of Homer within a wreath] │ LONDON:  Printed for LONGMAN, HURST, REES & ORME, Paternoster Row, R.H. EVANS, Pall Mall, W. MILLER, Albemarle Street, & I & A. ARCH, Cornhill, March 1t. 1805.
Flaxman 4°, with a rather dirty label which seems to be printed from the top half of the title plate (up to the vignette). Has armorial bookplate of Allan Wyon.
1056 Homer.  The Odyssey of Homer in the English Verse Translation of Alexander Pope Illustrated with the Classical Designs of John Flaxman (New York:  The Heritage Press, c1942)
4°, in dark blue blind-stamped cloth.
  Lectures on Sculpture
1057 Flaxman, John.  LECTURES │ ON │ SCULPTURE. │ - │ BY │ JOHN FLAXMAN, ESQ. R.A. │ PROFESSOR OF SCULPTURE IN THE ROYAL ACADEMY OF GREAT BRITAIN, │ MEMBER OF THE ACADEMIES OF ST. LUKE, ROME, │ FLORENCE, CARRARA, &c. │ - │ AS DELIVERED BY HIM BEFORE THE PRESIDENT AND MEMBERS │ OF THE ROYAL ACADEMY. │ WITH A BRIEF MEMOIR OF THE AUTHOR. │ = │ LONDON: │ JOHN MURRAY, ALBEMARLE-STREET. │ MDCCCXXIX [1829].
8°, in contemporary publisher's cloth with the ticket of the dealer C.F. Cock of Fleet Street and the book-plate of John Harrison. Lacks plate 18.
  The Lord's Prayer
1058 Flaxman, John.  EIGHT ILLUSTRATIONS │ OF │ THE LORD'S PRAYER, │ FROM │ THE DESIGNS │ OF THE LATE │ JOHN FLAXMAN, R.A. │ Drawn on Stone │ BY │ RICHARD LANE, A.R.A. │ AND NOW FIRST PUBLISHED. │ - │ LONDON: │ CHARLES KNIGHT, 22, LUDGATE STREET. │ - │ MDCCCXXXV [1835].
1058A Flaxman, John.  Mother and Child [art reproduction] (New York: Dover Publications, 1977)
            Gift card.  Original is a pen and gray wash.
  Works about FLAXMAN in Chronological Order
1059 Constable, W. G. (William George)  John Flaxman 1755-1826 (London: University of London Press, Ltd., 1927)
1059A Dennis, Rodney G.  “Friedrich Gottlieb Klopstock and John Flaxman,” in Harvard Library Bulletin, Volume XVI, Number 1 (January 1968), pp. 5-17.
1060 Flaxman Gallery.  Catalogue of Works of Art in The Flaxman Gallery, University College, London. Compiled by Talfourd Ely, M.A., F.S.A., Fellow of the College ([London: University College, 1900) [Revised edition]  Corrigenda slip inserted.
1061 Irwin, David G.  John Flaxman 1755-1826: Sculptor Illustrator Designer (London:  Studio Vista/Christie's, 1979)
1062 Symmons, Sarah.  Flaxman and Europe:  The Outline Illustrations and their Influence (New York ; London:  Garland Publishing, Inc., 1984) A Garland Series: Outstanding Theses from the Courtauld Institute of Art
1063 University College, London.  John Flaxman 1755-1826. (London: University College, 1955) [4] p. pamphlet to accompany exhibition held at University College Library.
1064 Wedgwood International Seminar (3rd : 1958 : Boston, Mass.) The Third Annual Wedgwood International Seminar ([Boston, Mass. : The Museum], 1958) Includes “Flaxman as a draughtsman” by Peter A. Wick, pp. 49-58
1065 Whinney, Margaret Dickens and Rupert Gunnis.  The Collection of Models by John Flaxman R.A. at University College London:  A Catalogue and Introduction (London: The Athlone Press, University of London, 1967)
1066 Flaxman, John. John Flaxman:  Mythologie und Industrie. Hamburger Kunsthalle, 20. April-30. Mai 1979 Eine Ausstellung des British Council und der Hamburger Kunsthalle. Herausgeber, Werner Hofmann ; Übersetzung der englischen Beiträge und des Katalogs, Detlef W. Dörrbecker (München: Prestel, 1979) Kunst um 1800
1067 Royal Academy of Arts (Great Britain)  John Flaxman, R.A. Royal Academy of Arts 26 October – 9 December 1979. Edited by David Bindman.  English-language edition. (London: Thames and Hudson for the Royal Academy of Arts, 1979)
  * ** *** ** *
1068 Flaxman, Maria [Letter] 1830 April 30, Upper Norton Street, London [to] Mr. White [about selling Flaxman's copyrights].
1069 Fletcher, Phineas.  THE │ PURPLE ISLAND, │ OR │ THE ISLE OF MAN. │ AN │ ALLEGORICAL POEM. │ BY PHINEAS FLETCHER, │ ESTEEMED THE SPENSER OF HIS AGE. │ TO WHICH IS ADDED │ CHRIST'S │ VICTORY AND TRIUMPH, │ A POEM, in Four Parts. │ By GILES FLETCHER. │ Both written in the last Century. │ [3-line puff] │ A NEW EDITION, │ Corrected and revised; with additional Notes by the Editor. │ LONDON: │ Printed by FRYS & COUCHMAN, Worship-Street, Upper-Moorfields │ And Sold by J. BUCKLAND, No. 57, Paternoster-Row; T. WILKIE, No. 71 │ St. Paul's Church-Yard; and J. MATTHEWS, No. 18, in the Strand. │ M DCC LXXXIII [1783].
[2nd title:]  CHRIST's VICTORY │ IN │ HEAVEN, and on EARTH; │ AND │ TRIUMPH │ OVER, and AFTER DEATH. │ A POEM, │ IN FOUR PARTS. │ By GILES FLETCHER. │ [11 lines from NIGHT THOUGHTS] │ A NEW EDITION, │ Corrected and Revised; with an Introduction and additional Notes by │ the EDITOR. │ LONDON: │ Printed by FRYS and COUCHMAN, Worship-Street, Upper-Moorfields. │ MDCCLXXXIII [1783].
4°, in sound calf, with marbled end-papers. 
Bound with:
Jonson, Ben.  THE │ SAD SHEPHERD: │ OR, │ A TALE OF │ ROBIN HOOD, │ A FRAGMENT, │ WRITTEN BY │ BEN JONSON. │ - │ [Line from Virgil] │ - │ WITH │ A CONTINUATION, NOTES, AND AN APPENDIX. │ [Line from Virgil] │ = │ LONDON, │ Printed for J. NICHOLS, Red-Lion Passage, Fleet- │ street; and sold by C. DILLY, in the Poultry. │ MDCCLXXXIII [1783].
8°. The leaf between the second and third works is inscribed:  "From the Editor, │ with his respectful compliments to │ Charles Macklin Esq. │ The Father, Wonder, and Glory of │ The Stage."  There are extensive corrections and notes in an 18th century hand, as if by the editor, Francis Godolphin Waldron (1744-1818).
1070 FLOWERS │ OF │ LITERATURE; │ FOR 1804: │ OR │ CHARACTERISTIC SKETCHES OF HUMAN NATURE │ AND MODERN MANNERS. │ = │ To which are added, │ [Gothic:] A general View of Literature │ DURING THAT PERIOD. │ PORTRAITS AND BIOGRAPHICAL NOTICES │ Of Eminent Literary Characters, │ WITH NOTES, │ Historical, Critical, and Explanatory. │ - │ BY FRANCIS WILLIAM BLAGDON, ESQ. │ Author of the imperial folio History of India, (published under the Patronage │ of his majesty,) │ &c. &c. │ - │ To be continued annually. │ = │ [Mottos from Horace and Roscommon] │ = │ LONDON: │ Printed by J. Swan, 76, Fleet Street, │ FOR R. CROSBY AND CO. STATIONERS' COURT, │ PATERNOSTER ROW. │ - │ 1805.
12°, in original tree calf.  The frontispiece is 5 portraits, including William Hayley. Edited by Francis William Blagdon.  Includes selections from Hayley, Richard Cumberland, and Erasmus Darwin among many others.
1071 Francklin, Thomas.  THE EARL OF WARWICK. │ = │ A │ TRAGEDY, │ BY DR. FRANKLIN. │ = │ ADAPTED FOR │ THEATRICAL REPRESENTATION, │ AS PERFORMED AT THE │ THEATRES-ROYAL, │ DRURY-LANE AND COVENT-GARDEN. │ = │ REGULATED FROM THE PROMPT-BOOKS, │ By Permission of the Managers. │ = │ “The Lines distinguished by inverted Commas, are omitted in the Representation.” │ = │ LONDON: │ = │ Printed for the Proprietors, under the Direction of │ JOHN BELL, [Gothic:] British-Library, STRAND, │ Bookseller to His Royal Highness the PRINCE of WALE │ - │ MDCCXCII [1792].
            Bound with:
            Whitehead, William.  THE ROMAN FATHER. │ = │ A │ TRAGEDY, │ ALTERED FROM MR. W. WHITEHEAD. │ = │ ADAPTED FOR │ THEATRICAL REPRESENTATION, │ AS PERFORMED AT THE │ THEATRES-ROYAL, │ DRURY-LANE AND COVENT-GARDEN. │ = │ REGULATED FROM THE PROMPT-BOOKS, │ By Permission of the Managers. │ = │ “The Lines distinguished by inverted Commas, are omitted in the Representation.” │ LONDON: │ = │ Printed for the Proprietors, under the Direction [of] │ JOHN BELL, [Gothic:] British-Library, STRAND, │ Bookseller to His Royal Highness the PRINCE of WALES. │ - │ MDCCXCII [1792].
            And
            Hartson, Hall.  THE │ COUNTESS OF SALISBURY. │ = │ A │ TRAGEDY, │ BY HALL HARTSON, ESQ. │ = │ ADAPTED FOR │ THEATRICAL REPRESENTATION, │ AS PERFORMED AT THE │ THEATRES-ROYAL, │ DRURY-LANE AND COVENT-GARDEN. │= │ REGULATED FROM THE PROMPT-BOOKS, │ By Permission of the Managers. │  = │ “The Lines distinguished by inverted Commas, are omitted in the Representation.” │ = │ LONDON: │ = │ Printed for the Proprietors, under the Direction of │ JOHN BELL, [Gothic:] British Library, STRAND, │ Bookseller to His Royal Highness the PRINCE of WALES. │ - │ M DCC XCIII [1793].
            And
            Cumberland, Richard.  THE │ BATTLE OF HASTINGS. │ = │ A │ TRAGEDY, │ BY RICHARD CUMBERLAND, ESQ. │ = │ ADAPTED FOR │ THEATRICAL REPRESENTATION, │ AS PERFORMED AT THE │ THEATRES-ROYAL, │ DRURY-LANE AND COVENT-GARDEN. │ = │ REGULATED FROM THE PROMPT-BOOKS, │ By Permission of the Managers. │ = │ The Lines distinguished by inverted Commas, are omitted in the Representation. │ = │ LONDON: │ = │ Printed for the Proprietors, under the Direction of │ JOHN BELL, [Gothic:] British Library, STRAND, │ Bookseller to His Royal Highness the PRINCE of WALES. │ - │ MDCCXCIII [1893].
            And
            Havard, Mr. (William)  KING CHARLES I. │ = │ A │ TRAGEDY, │ BY MR. WILLIAM HAVARD. │ = │ ADAPTED FOR │ THEATRICAL REPRESENTATION, │ AS PERFORMED AT THE │ THEATRES-ROYAL, │ DRURY-LANE AND COVENT-GARDEN. │ = │ REGULATED FROM THE PROMPT-BOOKS, │ By Permission of the Managers. │ = │ The Lines distinguished by inverted Commas, are omitted in the Representation. │ = │ LONDON: │ = │ Printed for the Proprietors, under the Direction of │ JOHN BELL, [Gothic:] British Library, STRAND, │ Bookseller to His Royal Highness the PRINCE of WALES. │ - │ MDCCXCIII [1793].
1072 FRIENDSHIP'S OFFERING: │ [Gothic:] A Literary Album, │ AND │ CHRISTMAS AND NEW YEAR'S PRESENT, │ FOR │ MDCCCXXXI [1831]. │ [Motto] │ LONDON: │ SMITH, ELDER AND CO., 65, CORNHILL. │ - │ 1831.
[Engraved title-page:] FRIENDSHIP’S OFFERING, │ [Gothic:] A Literary Album │ and │ ANNUAL REMEMBRANCER. │ [Motto] │ LONDON. │ SMITH, ELDER & CO. 65, CORNHILL │ H. Corbould del. J.W. Cook sculp.
1073 FRIENDSHIP'S OFFERING; │ AND │  [Gothic:] Winter's Wreath: │ A CHRISTMAS AND NEW YEAR'S PRESENT, │ FOR │ MDCCCXXXIV [1834]. │ [Motto] │ LONDON: │ SMITH, ELDER AND CO., 65, CORNHILL. │ - │ 1834.
[Engraved title-page:] FRIENDSHIP’S OFFERING, │ [Gothic:] A Literary Album │ and │ ANNUAL REMEMBRANCER. │ [Motto] │ LONDON. │ SMITH, ELDER & CO. 65, CORNHILL │ H. Corbould del. J.W. Cook sculp.
in original, elaborately blind-stamped reddish brown leather with "FRIENDSHIP'S OFFERING" blind-stamped on it, edges gilt.  On the engraved title page, the space left for the donee is filled in with "Ellen Viveash[?]".  The work includes poems by Coleridge.
1074 Froissart, Jean.  SIR JOHN FROISSART'S │ CHRONICLES │ OF │ ENGLAND, FRANCE AND THE ADJOINING COUNTRIES, │ FROM THE LATTER PART OF THE REIGN OF │ EDWARD II. TO THE CORONATION OF HENRY IV. │ NEWLY TRANSLATED │ From the best French Editions, with Variations and Additions from many celebrated Manuscripts. │ = │ BY THOMAS JOHNES. │ [4-line motto from CHAUCER'S PROLOGUE] │- │ VOL. I[-IV]. │ [Charming vignette of Hafod, Britton-Angus] │ AT THE HAFOD PRESS, │ BY JAMES HENDERSON. │ = │ [Vol. I] MDCCCIII [1803], [Vol. II-III] MDCCIV [1804], [Vol. IV] MDCCV [1805].
4°, 4 volumes in full contemporary brown russia, diaper-work blind-stamping on boards.  Each volume bears the ex libris plate of Hygonis Law, and on the title page is the signature of William Chas Smith │ 1850.  There are lots of plates including a map by Cary, many engravings by Jas Harris.
  * ** *** ** *
  Henry FUSELI
1075 Schiff, Gert.  Johann Heinrich Füssli 1741-1825.  [Vol. I:] Text und Oeuvrekatalog [Vol. II:]  Abbildungen (Zürich: Verlag Berichthaus ; München: Prestel-Verlag, 1973) Oeuvrekatalog Schweizer Künstler Band I/1-2
1076 Fuseli, Henry.  The Collected English Letters of Henry Fuseli.  Edited by David H. Weinglass (Millwood, New York ; London, England ; Nendeln, Liechtenstein:  Kraus International Publications, 1982)
1077 Fuseli, Henry.  A Collection of Drawings by Henry Fuseli, R.A.  [Catalog prepared by P.A. Tomory] (Auckland:  Auckland City Art  Gallery, 1967)
1078 Auckland City Art Gallery. Quarterly, Number 40 (1968), “Drawings by Henry Fuseli”, pp. 3-11 (the whole issue)
1079 Ganz, Paul.  The Drawings of Henry Fuseli.  With a Foreword by John Piper. [Translated by F.B. Aikin-Sneath] (London: Max Parrish & Co. Limited, 1949)
1080 Fuseli, Henry.  The Drawings of Henry Fuseli.  Nicholas Powell (London:  Faber and Faber Ltd., 1951)
1081 Fuseli, Henry.  Briefe.  [Herausgegeben von Walter Muschg. Mit einer Wiedergabe der Füssli-Büste von Tobias Sergel und drei Zeichnungen Füsslis.  (Klosterberg, Basel: Verlag Benno Schwabe & Co., 1942)  Sammlung Klosterberg. Schweizerische Reihe.
1081A Fuseli, Henry.  Henry Fuseli. Carolyn Keay (London: Academy Editions ; New York: St. Martin’s Press, 1974)
1082 Fuseli, Henry.  Johann Heinrich Füssli: 1741-1825 Zur Zweihundertjahrfeier und Gedächtnisausstellung ([Zurich: Kunsthaus Zürich, 1941) Text by Wilhelm Wartmann.
1083 Fuseli, Henry.  The Mind of Henry Fuseli:  Selections from his Writings with an Introductory Study by Eudo C. Mason (London: Routledge & Kegan Paul, 1951)
1084 Fischer, Marcel.  Das Römische Skizzenbuch von Johann Heinrich Füssli 1741-1825. Von Marcel Fischer mit 23 Abbildungen (Zurich: Verlag der Zürcher Kunstgesellschaft Kunsthaus Zürich, 1942)  Zurich Kunstgesellschaft Neujahrsblatt 1942
1085 Fuseli, Henry.  Tout l'œuvre peint de Füssli.  Introduction par Gert Schiff.  Documentation par Paola Viotto.  [Traduit de l'italien par Claude Lauriol] (Paris:  Flammarion, 1980) Les Classiques de l’Art
1085A Fuseli, Henry.  The Correspondence of Henry Fuseli (1759-1831) Ed. D.H. Weinglass (1978)
            Typescript.
  Works about FUSELI in Chronological Order
1086 Tomory, P. A. The Life and Art of Henry Fuseli with 267 plates, 13 in colour (London:  Thames and Hudson, 1972)
1086A Weinglass, David H.  The Painter’s Muse: Henry Fuseli and Maria Riddell. Extrait de la Gazette des Beaux-arts, Septembre 1978 (Paris: Gazette des Beaux-arts, 1978), pp. [75]-83.
1086B National Gallery of Victoria. Council of Trustees.  Art Bulletin of Victoria  Number 27, 1986 (Melbourne: Council of the National Gallery of Victoria, 1986)
            Article: Henry Fuseli’s ‘Milton when a Youth’ [by] P. A. Tomory, pp. 26-35.
1087 Weinglass, David H.  Prints and Engraved Illustrations By and After Henry Fuseli:  A Catalogue Raisonné (Aldershot, hants, England:  Scolar Press ; Brookfield, Vermont: Ashgate Publishing Company, 1994)
1087A The Huntington Library Quarterly  Volume 62, Numbers 1 & 2, 2000 (San Marino, Calif.: Henry E. Huntington Library and Art Gallery, 2000)
            Article: Self-Promotion and the Sublime: Fuseli’s Dido on the Funeral Pyre [by] David A. Brenneman, pp. 68-87.
1087B Calè, Luisa.  Fuseli’s Milton Gallery ‘Turning Readers into Spectators’ (Oxford: Clarendon Press, 2006)
1088 Waldkirch, Bernhard von.  Füssli und Shakespeare:  Gemälde, Zeichnungen und Druckgraphik 25. Juni-19. September [1999].
A 2-page flyer for the exhibition at the Zurich Kunsthaus.
1088A Lawrence, Thomas, Sir.  Hy. Fuseli [art reproduction] [drawn by] Sir T. Lawrence F.R.A. [engraved by] W.C. Edwards. London. Published by John Murray Albemarle St. 1830.
Portrait taken from an unidentified source.
                                                                * ** *** ** *