Norman Jewison Fonds
Series 1: Films directed by Norman Jewison
Title:
Films directed by Norman Jewison
Dates of Material:
1966–2007, predominant 1975–2003
Extent:
5.51 m of textual records and other material
Scope and content
Series consists of production – including pre and post production – records, 1966–2007, relating to the following theatrical films directed and, except for “In the Heat Of The Night” (1967), produced by Norman Jewison: “Fiddler On The Roof” (1971), “Jesus Christ Superstar” (1973), “Rollerball” (1975), “F.I.S.T.” (1978), “And Justice For All” (1979), “Best Friends” (1982), “A Soldier’s Story” (1984), “Agnes Of God” (1985), “Moonstruck” (1987), “In Country” (1989), “Other People’s Money” (1991), “Only You” (1994), “Bogus” (1996), “The Hurricane” (!999), and “The Statement” (2003). Includes correspondence, reports, scripts, schedules, photographs (primarily stills), clippings, call sheets, cast/crew lists, press kits, contracts and other legal agreements, and financial and other records created from a wide range of film making activities, including scripting, budgeting, casting, site location, directing, editing, screening and publicity. There is also material relating to the release of films on dvd; and some material created by Michael Jewison as an associate and co-producer, and location manager on various films.
Note
Accompanying Material:
Includes 1059 photographs: b&w and col., 2 video cassettes and 2 digital video discs
Restrictions on Access:
Files marked RR are restricted for 75 years, based on the last dated item in the file
Authorization to access restricted material to be obtained from the Chief Librarian.
Related Groups of Records Within the Same Fonds:
See also Series 3, Series 7, 10, Series 11.
Access Points:
Provenance access points
Jewison, Michael
File List
| Box | File | Title | Year & Additional Information | |
| Film directed by Norman Jewison | ||||
| “In The Heat Of The Night” | 1967 | |||
| 1 | 1 | Financial/Distribution | 1983 | |
| Films directed and produced by Norman Jewison | ||||
| “Fiddler On The Roof” | 1971, re-issue 1979 | |||
| 1 | 2 | Correspondence | 1966–1970 | |
| 1 | 3 | Distribution financial statements | 1972 | |
| 1 | 4 | Editorial notes | 1971 | |
| 1 | 5 | Legal | 1970ndash;1978 | |
| 1 | 6 | Production notes | 1979 | |
| 1 | 7 | Re-issue/television | 1978–1979 | |
| “Jesus Christ Superstar” | 1973 | |||
| 1 | 8 | Budget | 1972 | |
| 1 | 9 | Cost statements | 1972–1974 | |
| 1 | 10 | Editorial notes | 1972–1973 | |
| 1 | 11 | Grosses | 1973–1978 | |
| 1 | 12 | Legal | 1971–1978 | |
| 1 | 13 | Legalndash;Norman Jewison’s deal | 1972 | |
| 1 | 14 | Publicity publication – From the Motion Picture Jesus Christ Superstar | 1973 | |
| Rollerball | 1975 | |||
| 1 | 15 | Advertising budgets | 1975 | |
| 1 | 16 | Album | 1975 | |
| 1 | 17 | Art Department | 1974–1975 | |
| Photograph : b&w P1 John Box and another man examining a miniature stadium |
[1974?] | |||
| 1 | 18 | Artists correspondence (includes Ralph Richardson) | 1974ndash;1975 | |
| 1 | 19 | Beck, John | 1974–1975 | |
| 1 | 20 | Budget | 1974 | |
| “Rollerball” cont. | 1975 | |||
| 2 | 1 | Caan, James | 1974–1977 | |
| 2 | 2 | Call sheets | 1974 | |
| 2 | 3 | Casting | 1974 | |
| 2 | 4 | Casting correspondence (includes Ralph Richardson) | 1974–1975 | |
| 2 | 5 | Code rating | 1974–1975 | |
| 2 | 6 | Commercials – Faberge and television spots | 1975 | |
| 2 | 7 | Congratulations and thank you letters | 1975 | |
| 2 | 8 | Correspondence, general | 1974–1977 | |
| 2 | 9 | Costumes | 1974 | |
| 2 | 10 | Credits | 1974–1975 | |
| 2 | 11 | Cutting notes | 1975 | |
| 2 | 12 | Featurette | 1975 | |
| 2 | 13 | Game rules | 1971–1975 | |
| 2 | 14 | Gibson, Stromberg and Jaffe | 1974–1975 | |
| 2 | 15 | Grosses | 1975 | |
| 2 | 16 | Gunn | Moses, 1974 | |
| 2 | 17 | Harrelson, Bill | 1973–1975 | |
| 2 | 18 | Harrelson, Bill – Deal | 1974 | |
| 2 | 19 | Houseman | John, 1974 | |
| 2 | 20 | Job applications | 1974 | |
| 2 | 21 | Legal | 1974–1979 | |
| 2 | 22 | Leonard (Lewis) | 1974 | |
| “Rollerball” cont. | 1975 | |||
| 3 | 1 | Memos, telexes | 1974–1975 | |
| 3 | 2 | Multivision | 1974 | |
| 3 | 3 | Music | 1974–1976 | |
| 3 | 4 | Paid advertising | 1975 | |
| Photographs : col. P1 Carlton movie theatre in Cannes with “Rollerball” marquee P2 Advertising drawings P3–4 Advertising sketches |
1975 | |||
| 3 | 5 | Post-production | 1974–1975 | |
| 3 | 6 | Premieres/Release dates | 1975 | |
| 3 | 7 | Premieres/Release dates ndash; London premiere | 1975 | |
| 3 | 8 | Premieres/Release dates ndash; Release pattern ndash; London | 1975 | |
| 3 | 10 | Previn, Andre | 1975–1976 | |
| 3 | 11 | Progress reports | 1974 | |
| 3 | 12 | Promissory notes | 1974 | |
| 3 | 13 | Publicity – Correspondence | 1974–1976 | |
| Photographs : b&w P1 Publicity drawing from French campaign P2 Theatre wall with six “Rollerball” drawings on it |
[1975] | |||
| Photographs : col. P3–18 Publicity drawings P19–23 Publicity sketches P24 Soccer team wearing “Rollerball” tee shirts |
[1975] | |||
| “Rollerball” cont. | 1975 | |||
| 4 | 1 | Publicity–Clippings–Europe | 1974–1975 | |
| 4 | 2 | Publicity–Clippings–United States | 1974–1975 | |
| 4 | 3 | Publicity–Ephemera, press kit and other printed material | 1975 | |
| 4 | 4 | Schedules | 1974 | |
| 4 | 5 | Script, by William Harrison–Notes and revisions | 1974 | |
| 4 | 6 | Short story (“Rollerball Murder”) | 1974 | |
| 4 | 7 | Solters, Sabinson and Roskin | 1974 | |
| 4 | 8 | Stunts/Game rules | 1974 | |
| 4 | 9 | Television cuts | 1979 | |
| 4 | 10 | Trailer | 1975 | |
| 4 | 11 | Unit | 1974–1976 | |
| 4 | 12 | United Artists | 1974–1977 | |
| “F.I.S.T.” | 1978 | |||
| 5 | 1 | Distribution/Financial | 1983–1984 | |
| 5 | 2 | Editorial notes | 1977 | |
| 5 | 3 | Press kit | 1978 | |
| Photographs ; b&w P1 Norman Jewison behind a movie camera P2 Norman Jewison beside a car |
[1977?] | |||
| 5 | 4 | Press kit | 1978 | |
| 5 | 5 | Publicity | 1978 | |
| 5 | 6 | Research inventory | 1977 | |
| 5 | 7 | Script, by Joe Eszterhas | December, 1976 | |
| 5 | 8 | Script | [1977?] | |
| 5 | 9 | Storyboards | [1977?] | |
| “…And Justice For All” | 1979 | |||
| 5 | 10 | Correspondence | general, 1979 | |
| 5 | 11 | Financial/Distribution | 1983 | |
| 5 | 12 | Press kit | 1979 | |
| Photograph : b&w P1 Norman Jewison wearing a “F.I.S.T.” tee shirt Photographs : b&w (cColumbia Pictures, 1979) P2 Al Pacino stars as Arthur Kirkland, a dedicated lawyer who is forced to defend both his clients–and his own career… P3 Al Pacino stars as an outspoken young attorney at odds with the legal establishment… P4 Lee Strasberg plays Grandpa Sam, whose happiest moments at the old-age home come when he’s visited by Al Pacino–the grandson he thinks is still in law school… P5 Christine Lahti as attorney Gail Packer attacks fellow-lawyer Al Pacino’s professional ethics – but awards him high marks as a lover… P6 John Forsythe co-stars as the tough Judge Fleming, a justice feared for his harsh sentences… P7 Courtroom tyrant Judge Fleming, played by John Forsythe, defends himself in this tense moment… P8 Jack Warden as eccentric Judge Rayford becomes a figure of wrath–to quell a courtroom outburst … P9 Lee Strasberg… P10 Christine Lahti makes her film debut as attorney Gail Packer… P11 Jeffrey Tambor makes his film debut as Jay Porter… |
[1977?] | |||
| 5 | 13 | Publicity correspondence (includes clippings) | 1979 | |
| 5 | 14 | Sneak previews. See Posters (60/OS– 1P13, 1P14) | 1979 | |
| “Best Friends” | 1982 | |||
| 6 | 1 | General | 1979 | |
| 6 | 2 | Buffalo shoot clippings | 1982 | |
| 6 | 3 | Contracts | 1981–1986 | |
| 6 | 4 | Cutting notes | 1982 | |
| 6 | 5 | Photo captions | 1982 | |
| 6 | 6 | Pre-production | 1981 | |
| 6 | 7 | Production notes | [1982?] | |
| 6 | 8 | Publicity | 1982 | |
| 6 | 9 | Screenplay notes | 1981 | |
| 6 | 10 | Script, by Valerie Curtin and Barry Levinson – Revised first draft, 8/9/79 | ||
| 6 | 11 | Script – Revised first draft with annotations, 8/9/79 | ||
| 6 | 12 | Television version cassette | 1986 | |
| 6 | 13 | Television version cutting notes | 1985–1986 | |
| “A Soldier’s Story” | 1984 | |||
| 6 | 14 | General (includes records re cast and crew, locations, shooting schedules, research) | 1983 | |
| “A Soldier’s Story” cont. | 1984 | |||
| 7 | 1 | Featurette | 1984 | |
| 7 | 2 | Festivals | 1985 | |
| 7 | 3 | Oscar nominations | 1985 | |
| Photographs : b&w contact sheets P1–2 Cast and others, including Norman Jewison at an event publicizing “A Soldier’s Story” |
[1984 or 1985] | |||
| 7 | 4 | Photographs : b&w (Columbia Pictures, 1984) P1 Howard E. Rollins, Jr. stars as Capt. Richard Davenport, an Army officer investigating the murder of a black sergeant at a Southern U.S. Army base during WWII… P2 Adolph Caesar stars as crusty Sergeant Waters, the irascible leader of a black platoon at a Southern U.S. Army base during WWII… P3 Clockwise from top left, Art Evans, David Allen Grier, David Harris, Dennis Lipscomb, William Allen Young, Denzel Washington, Robert Townsend and Larry Riley… P4 Denzel Washington (left) and Larry Riley exchange words as tempers flare at a Southern U.S. WWII Army base… P5 Howard E. Rollins, Jr. stars as Captain Richard Davenport, a spit-and-polish Army officer investigating a murder at a Southern U.S. Army base… P6 Tough army sergeant Adolph Caesar (right) disciplines Larry Riley (center) as Art Evans (left) looks on… P7 Howard E. Rollins, Jr. … P8 Howard E. Rollins, Jr. and Dennis Lipscomb (right) confront each other on a hot southern night as mystery unfolds… P9 Patti Labelle entertains while Larry Riley backs her on guitar… P10 Art Evans (seated), William Allen Young and David Harris (standing on the right) relax off duty… Photographs : b&w (Ron Phillips), [1983?] P11 Howard E. Rollins, Jr. and Denzel Washington P12 Larry Riley playing guitar P13 Adolph Caesar and other soldiers P14 Howard E. Rollins, Jr. and Dennis Lipscomb P15 Soldiers being filmed marching in front of barracks P16–18 Scenes and actors |
||
| 7 | 5 | Press kit | 1984 | |
| Photographs : b&w (cColumbia Pictures, 1984) P1 Norman Jewison wearing tee shirt P2 Norman Jewison seated on stool P3 Howard E. Rollins, Jr. walking beside marching soldiers P4 Howard E. Rollins, Jr. sitting P5 Soldiers in mess hall listening to Larry Riley playing guitar P6 Dennis Lipscomb and William Allen Young in confrontation |
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| 7 | 6 | Production notes | 1984–1988 | |
| 7 | 9 | Publicity | 1984–1985 | |
| 7 | 10 | Publicity – European | 1984–1985 | |
| 7 | 11 | Publicity – Foreign | 1985 | |
| 7 | 12 | Publicity – French | 1984–1985 | |
| 7 | 13 | Publicity – International release | 1985 | |
| “A Soldier’s Story” cont. (1984) | ||||
| 8 | 1 | Publicity – Play (“A Soldier’s Play”) | 1981–1986 | |
| 8 | 2 | Publicity – South Africa | 1983–1985 | |
| 8 | 3 | Script, by Charles Fuller– First draft (3rd version and second version), December 1982 | ||
| 8 | 4 | Script – Second draft (includes Norman Jewison’s annotations) | March, 1983 | |
| 8 | 5 | Script – Revised second draft | August, 1983 | |
| 8 | 6 | Staff and crew list | 1983 | |
| 8 | 7 | Television version | 1987 | |
| “Agnes Of God” (1985) | ||||
| 8 | 8 | Awards | 1986 | |
| 8 | 9 | Cast/Crew lists | 1984–1985 | |
| 8 | 10 | Photographs : col. slides P1 Norman Jewison at a movie camera P2 Anne Bancroft P3 Anne Bancroft at prayer P4 Meg Tilly kneeling before grave marker in cemetery P5 Meg Tilly kneeling before grave marker in cemetery with Jane Fonda looking on P6 Meg Tilly with head bowed before Anne Bancroft and other nuns P7 Norman Jewison with Meg Tilly P8 Meg Tilly at prayer with other nuns P9 Jane Fonda with Meg Tilly P10 Meg Tilly gardening with other nuns P11 Norman Jewison with Meg Tilly Photograph :col., 1985 P12 Meg Tilly holding lantern |
1985 | |
| 8 | 11 | Press kit | 1985 | |
| Photographs : b&w (cColumbia Pictures, 1985) P1 In Columbia Pictures’ “Agnes Of God”, the case to determine whether Agnes (Meg Tilly, center) is mentally fit to stand trial brings Dr. Livingston (Jane Fonda, standing far left) in conflict with the faith of the Mother Superior (Anne Bancroft, second from right) P2 In Columbia Pictures’ “Agnes Of God”, an investigation causes a struggle of faith vs. reason between Mother Superior (Anne Bancroft,l.) and the court-appointed psychiatrist (Jane Fonda, r.) P3 Meg Tilly (l.) stars as the young nun, Agnes, in Columbia Pictures’ “Agnes Of God”. Court appointed psychiatrist Dr. Livingston (Jane Fonda) has the difficult task of determining whether the girl is mentally fit to stand trial… |
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| 8 | 12 | Publicity | 1985 | |
| 8 | 13 | Publicity – Australia | 1985 | |
| “Agnes Of God” cont. (1985) | ||||
| 9 | 2 | Publicity – Foreign | 1986 | |
| 9 | 3 | Publicity – France | 1986 | |
| 9 | 4 | Publicity – Germany | 1986 | |
| 9 | 5 | Publicity – Norman of Agnes | 1985 | |
| 9 | 6 | Publicity – World Film Festival | 1985 | |
| 9 | 7 | Script – Revised 7/1/84/Letter from John Pielmeier (author) | ||
| 9 | 8 | Script – Revised, July 16 1984 | ||
| 9 | 9 | Script – Second draft | September, 1984 | |
| 9 | 10 | Script – Revised (with annotations) | 10/15/84 | |
| 9 | 11 | Synopsis notes | 1985 | |
| 9 | 12 | Television version | 1989 | |
| “Moonstruck” (1987) | ||||
| 10 | 1 | General | 1987 | |
| 10 | 2 | Academy Award campaign | 1987–1988 | |
| Photographs : col. (cMetro-Goldwyn-Mayer, 1987) P1–2 Norman Jewison best direction P3 Cher and Nicholas Cage holding wine glasses; list of film’s individual achievements P4–6 Cher best actress P7–8 Nicolas Cage best actor P9–10 Olympia Dukakis best supporting actress P11–12 Scenes around kitchen and dining room tables; best original screenplay, John Patrick Shanley P13 Nicolas Cage and Cher; best original screenplay, John Patrick Shanley |
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| 10 | 3 | Advertising release forms | 1986 | |
| 10 | 4 | Award nominations | 1988 | |
| 10 | 5 | Budgets | 1986 | |
| 10 | 6 | Cast/Crew/Staff contact lists | 1986–1987 | |
| 10 | 7 | Casting | 1986 | |
| Photographs : b&w P1–15 Actors considered for minor roles P16–17 Feodor Chaliapin P18 Cindy Williams (Paramount Pictures Corporation) P19 Amy Aquino P20 Christine Lahti P21 Anne De Salvo P22 Melissa Manchester |
[198–?] | |||
| 10 | 8 | Censored lines | 1986 | |
| 10 | 9 | Deal memos | 1986–1987 | |
| 10 | 10 | Extras | 1986 | |
| Photographs : b&w P1–29 Actors considered for extras P30–46 Actors considered for extras (resumes attached) |
[198–?] | |||
| 10 | 11 | Extras – Release forms | 1987 | |
| 10 | 12 | Gala guest list | 1987 | |
| 10 | 13 | Gorman (Greg) shoot | 1987 | |
| 10 | 14 | Grosses | 1988 | |
| 10 | 15 | Insert shots | 1986 | |
| 10 | 16 | International Alliance of Theatrical Stage Employees, Local 667 | [1987?] | |
| 10 | 17 | Leslie Street Studio | 1986 | |
| 10 | 18 | Location agreements | 1986–1987 | |
| 10 | 19 | Lombardo, Lou (Editor) | 1986–1988 | |
| 10 | 20 | Looping script | [1987?] | |
| 10 | 21 | Marketing/Publicity/Advertising | 1987 | |
| 10 | 22 | MGM | 1986 | |
| 10 | 23 | Storyboards | 1986 | |
| 10 | 24 | Music – “On The Beach” correspondence | 1987 | |
| 10 | 25 | Music – Published score – Piano–vocal–guitar | 1988 | |
| “Moonstruck” cont. (1987) | ||||
| 11 | 1 | Music notes | 1987 | |
| 11 | 2 | Oscar campaign | 1988 | |
| Photographs : col P1–3 Norman Jewison best direction P4–10 Cher best actress P11 Scene around kitchen table; Patrick Palmer and Norman Jewison producers best picture P12 Cher and Vincent Gardenia at bedside of Olympia Dukakis; Patrick Palmer and Norman Jewison producers best picture P13 Cher and Vincent Gardenia at a table holding glasses; Patrick Palmer and Norman Jewison producers best picture P14–16 Olympia Dukakis best supporting actress P17 A la famiglia – P18 Olympia Dukakis and John Mahoney at a restaurant table; John Patrick Shanley best original screenplay P19 Feodor Chaliapin walking four dogs; John Patrick Shanley best original screenplay P20–22 Vincent Gardenia best supporting actor |
1987 | |||
| 11 | 3 | Photo stills captions and approval charts | 1987 | |
| 11 | 4 | Photographs : b&w (stills captions in File 3) P1 Mona (ANITA GILLETTE) reacts to Cosmo’s present P2–3 Ronny at the Opera coat check P4 Norman Jewison with Nicolas Cage P5 Cosmo explains how he swindles his plumbing customers P6 Nona (ANITA GILLETTE) listens to Cosmo (VINCENT GARDENIA) P7 COSMO (V. Gardenia) P8 Norman, Vincent, Cher discuss scene P9–12 LORETTA argues with COSMO that she will have good luck with MR. JOHNNY, and defends his motivations P13–14 LORETTA convinces COSMO that marriage to MR. JOHNNY is right P15 Norman Jewison considers a shot on location P16 David Watkin sleeps at the back of the dress shop location P17 An extra, Cher sit in Cinderella Beauty Salon location while David Watkin checks the shot… P18 Norman Jewison adores the mannequin in the Toronto INSINUATION dress shop location P19 MER and LORETTA (Christine Cattell and Cher) in the Insinuation Beauty Shop location – Toronto P20 LORETTA talks on the Castorini kitchen phone to MR. JOHNNY who is in Palermo, Italy P21 LORETTA talks on the phone with MR. JOHNNY P22 THE OLD MAN motions in disgust to ROSE after she tells the dogs to all go upstairs P23 THE OLD MAN undoes his hat having returned from a walk with the dogs P24 THE BEAUTICIAN checks LORETTA’s reaction after her hair colouring In the CINDERELLA’S Beauty salon |
[1986 or 1987] | |
| 11 | 5 | Photographs : b&w (stills captions in File 3) P1 David Watkin, Harold Ortenberger, and Norman Jewison in IL Centro del Fromaggio – Toronto location P2 RITA listens to RAYMOND discussing the night before P3 RAYMOND sings to his wife P4 RAYMOND CAPPOMAGGI sings to LORETTA in his provisions store P5 RITA AND RAYMOND greet LORETTA to their store P6 Norman Jewison discusses shot with cast and Feodor Chaliapin P7–8 Vincent Gardenia, N. Jewison and F. Chaliapin at the table with Dennis Maitland and Bruno De la Celle in the b.g. P9 V.Gardini (sic), F. Chaliapin and J. Bovasso at the table, Norman envisions a shot with Harold Ortenberger (wearing vest) beside him and David Sheridan with the gray scale P10 Norman Jewison talks with Feodor and Julie Bovasso, Bruno De la Celle (asst. propmaster in b.g.) P11 COSMO, THE OLD MAN, RITA discuss LORETTA’s wedding plans and listen to RAYMOND’s story about COSMO’s moon P12 COSMO, THE OLD MAN, RITA, ROSE AND RAYMOND at the Castorini’s P13–14 COSMO tells RAYMOND that he dreamt the incident he recounts P15–17 Having returned from a shopping spree to prepare for the opera, LORETTA admires her hair, and tries on a veil P18 THE FIVE DOGS eagerly await the next plate to be brought over to the Dining room gate by THE OLD MAN P19 LORETTA AND RONNY argue about past experiences of love in Ronny’s apartment kitchen P20–21 LORETTA and RONNY argue about Ronny’s first engagement while they sit at the kitchen table in Ronny’s apartment P1 Nicolas Cage at table, Norman Jewison at camera P2 RONNY speaks to Loretta at Ronny’s kitchen table P3 RONNY explains how his hand was chopped off in a bread slicer P4 RONNY listens in disbelief to LORETTA as she explains her version of his past troubles P5 ROSE CASTORINI (Loretta’s mother) enters her bedroom and sees that COSMO is asleep from drinking too much P6–7 ROSE (Olympia Dukakis) talks to Mr. Johnny in the Castorini livingroom… P8 COSMO arrives in the Castorini front hallway to find Mr. Johnny talking with Rose… P9 ROSE discusses with Mr. Johnny why men chase women P10 MR. JOHNNY in Castorini living room talking with Rose, explaining the Bible story of why men chase women P11 JIMMY (Louis De Bianco) the Maitre D’ and PERRY (John Mahoney) with PATRICIA (Lisa Howard) at the table P12 MR. JOHNNY in the Castorini front hall – he’d like to speak to Loretta P13 MR. JOHNNY talks on the phone with Loretta from the Palermo Italy bedroom of VESTA, Mr. Johnny’s dying mother P14–15 ROSE and MR. JOHNNY talk in the Castorini livingroom about VESTA’s miraculous recovery and why THE OLD MAN seems angry as we entered P16 MR. JOHNNY talks to LORETTA in the Grand Ticino restaurant while they order dinner P17 Vincent Gardenia, Norman Jewison and Danny Aiello outside the Grand Ticino set P18 LORETTA and MR. JOHNNY sit in the Grand Ticino, BOBO offers them some dessert and MR. JOHNNY proposes to LORETTA… P19 PERRY (John Mahoney) speaks with PATRICIA at a table in the Grand Ticino P20 LORETTA explains to Mr. Johnny how she had bad luck with her last marriage |
[1986 or 1987] | |
| 11 | 7 | Photographs : b&w (stills captions in File 3) P1 In the Castorini kitchen… P2 LORETTA is inP3 LORETTA learns from ROSE that Loretta’s fiancé, Mr. Johnny has a gay mood from the night before at the MET returned earlier than expected from Palermo… P4 Rose tells Loretta to get a grip on her life… P5 The CASTORINI family eat oatmeal with RONNY CAMMARERI… P6 RITA CAPPOMAGGI asks the CASTORINI family who they’re waiting for… P7 ROSE, RITA AND RAYMOND at the Castorini kitchen table P8 RONNY CAMMARERI listens to the Castorini and Cappomaggi’s and waits for his brother to arrive P9 RITA AND RAYMOND CAPPOMAGGI drink coffee and wonder what is happening in the Castorini house P10 Nicholas Cage (Ronny) in the Castorini kitchen P11 Seated at the table are Cosmo, Loretta… P12 MR. JOHNNY arrives and is thrilled to see both Loretta and Ronny P13 RITA CAPPOMAGGI announces that Mr. Johnny’s arrived P14 THE CASTORINI FAMILY at the kitchen table... MR. JOHNNY (Danny Aiello tells LORETTA AND RONNY that his mother has recovered and he must break the engagement… P15 PERRY talks to the SHY WAITER as the THE SHY WAITER tells of his failed marriage proposal years earlier P16 A MOURNER by the bedside of VESTA in Palermo, Italy P17 LORETTA listens as RONNY proposes to her in the Castorini kitchen P18 John Mahoney and Lisa Howard (Perry and Patricia) sit at a Grand Ticino table as Norman Jewison walks by P19 Everyone toasts “to family”. Gathered around the Castorini table are (clockwise) RAYMOND, RITA, ROSE, COSMO, THE OLD MAN, MR. JOHNNY, LORETTA AND RONNY P20 LORETTA accepts RONNY’S marriage proposal in the Castorini Kitchen |
[1986 or 1987] | |
| 11 | 8 | Photographs : b&w (stills captions in File 3) P1 MR. JOHNNY (Danny Aiello) is shocked that LORETTA might marry his brother… P2 THE OLD MAN… tells MR. JOHNNY that he should be happy for everyone and toast to the family P3 RAYMOND CAPPOMAGGI (Louis Guss) turns away from the moonlight at his bedroom window and mischievously approaches his wife Rita who is in bed P4 ROSE (Olympia Dukakis) and PERRY (John Mahoney) sit at a table in the Grand Ticino restaurant, getting to know one another P5 David Watkin at the camera, focus-puller Tom Ryan mugging for camera with Cher and Nicolas Cage at the Castorini kitchen table P6 PERRY listens to Rose at their Grand Ticino table P7 MIMI (Martha Collins) and RODOLFO (John Fanning) sing the lovers’ duet of farewell in Act III “La Boheme”… P8 RODOLFO AND MIMI perform Act III of “La Boheme” as focus-puller Tom Ryan and camera operator Harald Ortenberger move in for the shot. Director Norman Jewison kneels behind the camera to experience the shot P9–10 MIMI sings to RODOLFO P11 Martha Collins (Mimi) and John Fanning (Rodolfo) rehearse the duet in Act III of “La Boheme”. First A.D. David McAree stands behind kneeling Best Boy Bob Daprato as Norman Jewison considers the shot in his viewfinder… P12–13 Director’s observer Jeff Woolnough, Norman Jewison speaks with Lotfi Mansouri (General Director of the Canadian Opera Company and “Moonstruck” Opera Sequence Supervisor) as Director’s observer Ann Petrie looks on – in the seats of Markham Theatre, set for “La Boheme” P14–15 MIMI sings to RODOLFO P16 THE OLD MAN (Feodor Chaliapin JR.) peers through his eyeglass for a photo shoot in the Cappomaggi Bedroom set… P17 Feodor Chaliapin (The Old Man) with THE FIVE DOGS, in the Cappomaggi P18 Feodor Chaliapin (The Old Man) in the Cappomaggi bedroom set P19 Feodor Chaliapin (The Old Man) lying with the FIVE DOGS in the Cappomagi bedroom set… P20 Feodor Chaliapin on location shoot in Toronto P21 In a graveyard, THE OLD MAN (Feodor Chaliapin) with his FIVE DOGS, PIETRO (Antonio Paraselli), FRANKO (Michael Barbaro) and three OLD ITALIAN MEN pay tribute to a recently departed friend… |
[1986 or 1987] | |
| 11 | 9 | Photographs : b&w P1–12 Nicolas Cage in the bakery P13–14 Nicolas Cage and Norman Jewison in the bakery P15–16 Vincent Gardenia gesturing P17–18 Vincent Gardenia and Anita Gillette P19–20 Feodor Chaliapin (The Old Man) with five dogs |
[1986 or 1987] | |
| “Moonstruck” cont. (1987) | ||||
| 12 | 1 | Photographs : b&w P1 Cher at the delicatessen P2 Norman Jewison beside movie camera P3 Cher sitting in front of binder P4 Vincent Gardenia looking out car window P5 Cher in church P6 Cher and Olympia Dukakis in church P7 Feodor Chaliapin P8 John Mahoney and Olympia Dukakis walking together P9 Feodor Chaliapin walking five dogs P10 Norman Jewison clasping hand of Feodor Chaliapin P11 Feodor Chaliapin on park bench with an elderly man and woman and their dogs P12 Feodor Chaliapin walking down apartment steps with dogs P13 Norman Jewison with hand on arm of Vincent Gardenia P14 Cher kicking tin can on the street P15 Norman Jewison gesturing beside Nicolas Cage P16 Nicolas Cage walking on street P17 Norman Jewison with Cher and Nicolas Cage P18 Nicolas Cage and Vincent Gardenia at bar during party P19 Feodor Chaliapin P20–21 Norman Jewison and Patrick Palmer standing on the street |
[1986 or 1987] | |
| 12 | 2 | Photographs : b&w (marked with lines or x’s) P1–2 Cher and Nicolas Cage P3 Norman Jewison adjusting Cher’s scarf P4 Vincent Gardenia and Anita Gillette holding glasses at party P5 Cher sitting and holding wine glass P6 Cher examining a pair of shoes P7–8 Feodor Chaliapin on park bench with elderly man and woman and their dogs P9 Feodor Chaliapin walking dogs on street as John Mahoney and Olympia Dukakis look on P10 Vincent Gardenia standing on steps with briefcase and rolled up Document P11 Norman Jewison and Feodor Chaliapin P12 Norman Jewison at park bench with Feodor Chaliapin and elderly man and woman and dogs P13 Vincent Gardenia eating at table |
[1986 or 1987] | |
| 12 | 3 | Photographs : col. slides (cMetro-Goldwyn-Mayer) P1–170 Stills including individual photos and combinations of Cher, Nicolas Cage, Olympia Dukakis, Vincent Gardenia, Anita Gillette, Feodor, Chaliapin, Danny Aiello, John Mahoney and other actors and crew ; and individual photos of Norman Jewison on the set and with Nicolas Cage, Feodor Chaliapin, and crew members P171–182 Duplicate stills with captions |
[1986 or 1987] | |
| 12 | 4 | Photographs: col. slides P1–19 Cher and Nicolas Cage in front of a fountain P20 Cher and Nicolas Cage at the opera P21–24 Norman Jewison with Cher and Nicolas Cage on location at night P25–39 Vincent Gardenia and Anita Gillette at the opera P40–55 Feodor Chaliapin walking dogs at night P56–65 Feodor Chaliapin on park bench with elderly man and woman and their dogs P66–80 Feodor Chaliapin walking dogs P81–95 Vincent Gardenia and Anita Gillette holding wine glasses P96–97 Danny Aiello at the door of a taxi |
1986–[1987?] | |
| 12 | 5 | Photographs : b&w – Cher kills, New York (marked with x’s) P1–2 Norman Jewison and Cher P3 Norman Jewison with Cher and Nicolas Cage P4–19 Cher and Nicolas Cage on date P20 Cher in delicatessen P21–22 Cher P23 Cher holding wine glass P24–25 Cher and Vincent Gardenia |
[1986 or 1987] | |
| 12 | 6 | Photograph : b&w P1 Crew (includes cast) |
[1987?] | |
| 12 | 7 | Photograph : col. (includes neg.) P1 Family |
[1987?] | |
| 12 | 8 | Photographs : col. (Greg Gorman) P1–9 Cher posing in sweater P10–16 Cher and Nicolas Cage posing P17–25 Family posing |
[1986 or 1987] | |
| 12 | 9 | Photograph : col. P1 Kitchen set |
1987 | |
| 12 | 10 | Press information handbook | 1987 | |
| Photographs : b&w (cMetro-Goldwyn-Mayer, 1987) P1 The cast of MOONSTRUCK includes (Seated, from Left) NICOLAS CAGE, CHER, FEODOR CHALIAPIN, and (Standing, from Left) JULIE BOVASSO, OLYMPIA DUKAKIS, LOUIS GUSS, VINCENT GARDENIA, and DANNY AIELLO P2 CHER and NICOLAS CAGE star in MOONSTRUCK… P3 Loretta Castorini (CHER) and her prospective brother-in-law, Ronny (NICOLAS CAGE), encounter a night of surprises when they attend the Metropolitan Opera together… P4 Loretta Castorini (CHER) graciously accepts a proposal of marriage from her suitor, Mr. Johnny (DANNY AIELLO)… P5 Cosmo Castorini (VINCENT GARDENIA), is escorting his devoted Mistress, Mona (ANITA GILLETTE), to the Metropolitan Opera when they unexpectedly see someone else with a secret to keep… P6 Rose Castorini (OLYMPIA DUKAKIS) arranges a heart-to-heart conversation with her daughter’s timid fiancé, Mr. Johnny (Danny Aiello)… P7 CHER stars as Loretta Castorini… P8 NICOLAS CAGE stars as Ronny Cammareri… P9 Director and co-producer NORMAN JEWISON on location in New York for the filming of MOONSTRUCK… |
||||
| 12 | 11 | Press releases and openings | 1987–1988 | |
| 12 | 12 | Preview screening questionnaire cards results | 1987 | |
| 12 | 13 | Production notes | 1987 | |
| 12 | 14 | Production placement | 1986 | |
| 12 | 15 | Production reports (blank) | 1987 | |
| 12 | 16 | Publicity | 1987 | |
| P1 Photograph : col (cNew York Times) People at an outdoor gathering by the Brooklyn Bridge watching scene from “Moonstruck” on a large screen |
[1987 or 1988] | |||
| 12 | 17 | Publicity | 1987 | |
| 12 | 18 | Publicity | 1987–1988 | |
| 12 | 20 | Publicity | 1988 | |
| “Moonstruck” cont. (1987) | ||||
| 13 | 1 | Publicity – Awards | 1988 | |
| 13 | 2 | Publicity – Foreign | 1988 | |
| 13 | 3 | Release – National media plan | 1988 | |
| 13 | 4 | Script, by John Patrick Shanley – “The Bride And The Wolf” aka | ||
| “Moonstruck” [1986?] | ||||
| 13 | 5 | Script – “Blame It On The Moon” (pages from 2nd draft, annotated by Norman Jewison), [1986?] | ||
| 13 | 6 | Script – Revised (annotated), 10/86 | ||
| 13 | 7 | Script – Final revised | December, 1986 | |
| 13 | 8 | Script – Breakdown, June 10 1987 (includes memorandum television breakdown, 1994) | 1987, and | |
| 13 | 9 | Script – Continuity, November 13 1987 | ||
| 13 | 10 | Shanley, John Patrick – Research | 1986 | |
| 13 | 11 | Shipping lists to MGM | 1987 | |
| 13 | 12 | Shipping orders | 1987 | |
| “Moonstruck” cont. (1987) | ||||
| 14 | 1 | Title/Main billing | 1987 | |
| 14 | 2 | Trailer notes | 1987 | |
| 14 | 3 | Wardrobe continuity (includes 164 photographs : col. of actors posing in various outfits, including Cher, Nicolas Cage, Vincent Gardenia, Olympia Dukakis and John Mahoney) | [1986 or 1987] | |
| 14 | 4 | Wardrobe lists from New York | [1987?] | |
| “In Country” (1989) | ||||
| 14 | 5 | Script, by Frank Pierson – Second draft | May 26 1987 | |
| “Other People’s Money” (1991) | ||||
| 14 | 6 | Academy of Canadian Cinema and Television Director Observer Program | 1991 | |
| 14 | 7 | Accommodations | 1991 | |
| 14 | 8 | ADR Studio | 1991 | |
| 14 | 10 | Call sheets | 1990–1991 | |
| 14 | 11 | Continuity | 1991 | |
| 14 | 12 | Cost reports | 1990–1991 | |
| 14 | 13 | Credits – Main and end | 1991 | |
| 14 | 14 | Daily production reports | 1990–1991 | |
| 14 | 15 | Deal memos – Crew | 1991 | |
| 14 | 16 | Directors Guild of Canada | 1990–1991 | |
| 14 | 17 | Directors Guild of Canada – Lists and correspondence | 1990–1991 | |
| 14 | 18 | Editors Guild | 1991 | |
| 14 | 19 | Film House | 1991 | |
| 14 | 20 | Gilbert and Bennet site plans | [1990?] | |
| 14 | 21 | Leberfarb, Warren (Warner Home Video) | 1991–1992 | |
| 14 | 22 | Legal agreements | 1989–1990 | |
| “Other People’s Money” cont. (1991) | ||||
| 15 | 1 | Locations | 1990 | |
| Photographs : col. P1–5 80 Fraser Ave. Toronto P6–23 185/153 Eastern Ave. Toronto P24–38 Inglis Limited 14 Strachan Ave. Toronto P39 Liberty Warehouse 20 Sudbury Toronto P40–53 Kosmer Construction Inc. Buildings 115/129 Vanderhoof Ave. Toronto P54–55 363/365 Sorauren Ave. Toronto P56–63 Liberty Warehouse 132 Liberty St. Toronto P57–59 Westerly Airport, Westerly Rhode Island P60–61 Ridgewood Country Club, Danbury Connecticut |
1990 | |||
| 15 | 2 | Music | 1991 | |
| 15 | 3 | Photographs : b&w (cWarner Bros. 1991) P1–3 Crew and some cast in front of “New England Wire And Cable” building includes Gregory Peck, Dean Jones, Piper Laurie) |
||
| 15 | 4 | Photographs : col. slides (cWarner Bros. Inc. 1990) P1–4 Crew and some cast in front of “New England Wire And Cable” building (includes Gregory Peck, Dean Jones, Piper Laurie) |
||
| 15 | 5 | Photographs : b&w and col. P1–2 Crew and cast in front of “New England Wire And Cable” building with “Merry Christmas” sign (includes Gregory Peck, Dean Jones, Piper Laurie) |
[1990 or 1991] | |
| 15 | 6 | Post budget | 1990–1991 | |
| 15 | 7 | Post production | 1990–1991 | |
| Photographs : b&w contact sheets (Carol McCullough) P1–4 Cast and crew (includes Norman Jewison, Gregory Peck, Dean Jones, Piper Laurie, Danny DeVito, Penelope Ann Miller) on the set and preparing for group photo |
[1990 or 1991] | |||
| 15 | 8 | Post production | 1990–1991 | |
| 15 | 9 | Post production – Schedule | 1991 | |
| 15 | 10 | Pre production | 1990 | |
| 15 | 11 | Production information | 1991 | |
| Photographs : b&w (cWarner Bros. Inc., 1991) P1 Lawyer Kate Sullivan (PENELOPE ANN MILLER) and avaricious corporate raider Lawrence Garfield (DANNY DeVITO) verbally slug it out… P2 (L–R) GREGORY PECK as Andrew Jorgenson, DANNY DeVITO as Lawrence Garfield and PENELOPE ANN MILLER as Kate Sullivan… P3 DANNY DeVITO stars as avaricious corporate raider Lawrence Garfield… |
||||
| 15 | 12 | Production notes | 1990–1991 | |
| 15 | 13 | Production reports (New York, Connecticut) | 1990–1991 | |
| “Other People’s Money” cont. (1991) | ||||
| 16 | 1 | Publicity and promotion | 1989–1991 | |
| 16 | 5 | Publicity and promotion – Screenings | 1991 | |
| 16 | 6 | Release | 1991 | |
| 16 | 7 | Schedule – Norman Jewison | 1991 | |
| 16 | 8 | Schedules | 1990 | |
| 16 | 9 | Screening card | 1991 | |
| 16 | 10 | Script, by Alvin Sargent, June 5 1990 | ||
| 16 | 11 | Script – First draft, June 28 1990 | ||
| 16 | 12 | Script, August 17 1990 | ||
| 16 | 13 | Script – Revised first draft, September 11 1990 | ||
| “Other People’s Money” cont. (1991) | ||||
| 17 | 1 | Script – Second draft, September 24 1990 | ||
| 17 | 2 | Script – Second draft, September 24 1990 with revisions 10/6/90 – 8/28/91 | ||
| 17 | 3 | Script – Memoranda (including Warner Brothers) | 1990 | |
| 17 | 4 | Titles/Credits | 1991 | |
| 17 | 5 | Wall Street articles | 1984–1990 | |
| “Only You” (1994) | ||||
| 17 | 6 | Accommodations | 1993 | |
| 17 | 7 | ADR Voice Services | 1994 | |
| 17 | 8 | Airlines | 1993–1994 | |
| 17 | 9 | Box office reports | 1994 | |
| 17 | 10 | Breakdown | 1993 | |
| 17 | 11 | Broden, Liz | 1993–1994 | |
| 17 | 12 | Budget | 1993 | |
| 17 | 13 | Budget – Information | 1993–1994 | |
| 17 | 14 | Bulloch Entertainment Services Inc. | 1994 | |
| 17 | 15 | Call sheets | 1993 | |
| “Only You” (1994) cont. | ||||
| 18 | 1 | Cast | 1993 | |
| 18 | 2 | Casting – Italy | 1993 | |
| Photographs : b&w P1–2 Actors considered for bit parts P3–4 Actors considered for bit parts with resumes attached |
[ca. 1993] | |||
| 18 | 3 | Casting – USA and Italy | 1993 | |
| Photographs : b&w and col. (CBS), 1993 P1–3 Bonnie Hunt |
||||
| Photographs : b&w and col., P4–35 Actors considered for small roles/bit parts (resumes attached) P36–41 Actors considered for small roles/bit parts |
[ca. 1993] | |||
| Photograph : b&w P42 Siobhan Fallon |
[ca. 1993] | |||
| 18 | 4 | Clearances 1993 | ||
| 18 | 5 | Clearances – Research | 1993 | |
| 18 | 6 | Composers | 1993–1994 | |
| 18 | 7 | Contacts | 1993 | |
| 18 | 8 | Continuity – Post production | 1994 | |
| 18 | 12 | Cost reports 1–16 | 1993 | |
| “Only You” cont. (1994) | ||||
| 19 | 8 | Cost reports 17–56 | 1994 | |
| 19 | 9 | Cost reports – Projections | 1994 | |
| 19 | 10 | Credits part 1 | 1993–1994 | |
| 19 | 11 | Credits part 2 | 1993–1994 | |
| 19 | 12 | Crew lists | 1993–1994 | |
| 19 | 13RR | Deal memos (includes contracts) – Cast part 1 | 1993 | |
| “Only You” cont. (1994) | ||||
| 20 | 1 | RR Deal memos (includes legal agreements) – Cast part 2 | 1993–1994 | |
| 20 | 2 | RR Deal memos – Crew | 1994 | |
| 20 | 3 | Delivery schedule – Post production | 1993 | |
| 20 | 4 | Director observer | 1993 | |
| 20 | 5 | Directors Guild of Canada | 1994 | |
| 20 | 6 | Director’s/Producer’s agreement | 1993 | |
| 20 | 7 | Distribution | 1994 | |
| 20 | 8 | Dolby | 1994 | |
| 20 | 9 | Editing | 1993–1994 | |
| 20 | 10 | Editing notes | 1994–1997 | |
| 20 | 11 | Editing resumes | 1994 | |
| 20 | 12 | Editors | 1993 | |
| 20 | 13 | Immigration | 1993–1994 | |
| 20 | 14 | Information re Rome, Venice | 1993 | |
| 20 | 15 | Legal | 1993–1994 | |
| 20 | 16 | Location scouting | 1993 | |
| 20 | 17 | Locations | 1993 | |
| 20 | 18 | Locations – Italy | 1993 | |
| 20 | 19 | Miscellaneous | 1993 | |
| 20 | 20 | Music | 1994 | |
| 20 | 21 | Music clearances | 1994 | |
| “Only You” cont. (1994) | ||||
| 21 | 1 | Music editor | 1994 | |
| 21 | 2 | Music – Ezio Pinza | 1993 | |
| 21 | 3 | Music – Songs | 1993–1994 | |
| 21 | 4 | Negative cutting | 1994 | |
| 21 | 5 | Panavision | 1993 | |
| 21 | 8 | Pittsburgh crew lists | 1991–1993 | |
| 21 | 9 | Post production schedule | 1993–1994 | |
| 21 | 10 | Premieres | 1994 | |
| 21 | 11 | Premieres and benefit screenings | 1994 | |
| 21 | 12 | Pre-production schedule | 1993 | |
| 21 | 14 | Press coverage | 1994 | |
| 21 | 15 | Press kit Photographs : b&w (cTriStar Pictures, 1994) P1 A case of mistaken identity brings Faith (Marisa Tomei) and Peter (Robert Downey, Jr.) together… P2 Faith (Marisa Tomei) rushes from Pittsburgh to romantic Italy on an impulsive quest to find her soul mate. Peter (Robert Downey, Jr.), a fellow American Faith encounters in Rome, will do anything to make her see that he is the one she is looking for… P3 Faith (Marisa Tomei) keeps looking for her soul mate on a quest that has taken her from Pittsburgh to romantic Italy, while Peter (Robert Downey, Jr.) tries to make her see that he’s the one who’s really meant for her… P4 Top – Kate (Bonnie Hunt), Faith’s sister-in-law; Giovanni (Joaquim De Almeida), Kate’s newfound suitor; and Peter (Robert Downey, Jr.) are swept up in Faith’s quest to find her soul mate. Bottom – (l. to r.) Giovanni (Joaquin De Almeida), Peter (Robert Downey, Jr.), Kate (Bonnie Hunt) and Faith (Marisa Tomei) drive to Positano, along Italy’s beautiful coast… P5 Giovanni (Joaquim De Almeida), a suave Italian businessman, and Kate (Bonnie Hunt), an American housewife, meet in Rome… P6 Giovanni (Joaquim De Almeida), a suave Italian businessman, and Peter (Robert Downey, Jr.), his newfound American friend, are each disappointed in love. Billy Zane stars as a man who may or may not be Faith’s romantic destiny… P7 Norman Jewison is the director and one of the producers… Photographs : col. slides (cTriStar Pictures), 1994 P8 Marissa Tomei P9 Robert Downey Jr. P10–12 Marissa Tomei and Robert Downey Jr. embracing P13 Marissa Tomei and Bonnie Hunt sight seeing in Italy P14–15 Bonnie Hunt and Joaquin De Almeida at a table outdoors P16 Billy Zane at a restaurant table |
1994 | |
| 21 | 16 | Preview screening | 1994 | |
| 21 | 17 | Product placement | 1993 | |
| 21 | 18 | Production binder (includes calendar, cast/crew, shooting schedule, one-line schedule, conduct list, script) | 1993 | |
| 21 | 19 | Production calendar | ||
| “Only You” cont. (1994) | ||||
| 22 | 1 | Production manuals (TriStar) | 1993–1994 | |
| 22 | 3 | Production reports | 1993 | |
| 22 | 4 | Publicity | 1993–1994 | |
| 22 | 5 | Publicity screening (post production) | 1994 | |
| 22 | 6 | Rating | 1994 | |
| 22 | 7 | Recruited audience surveys | 1994 | |
| 22 | 8 | Reviews | 1994 | |
| 22 | 9 | Schedule – Italy | 1993 | |
| 22 | 10 | Schedule – Pittsburgh | 1993 | |
| 22 | 11 | Schedules | 1993 | |
| 22 | 12 | Script (“Him”), by Diane Drake, Dec. 9 | 1992 | |
| 22 | 13 | Script (includes Norman Jewison’s annotations) | [Dec. 9 1992] | |
| “Only You” cont. (1994) | ||||
| 23 | 1 | Script | March 25 1993 | |
| 23 | 2 | Scrip, | April 22 1993 | |
| 23 | 3 | Script (includes Norman Jewison’s annotations); with correspondence to and from Diane Drake | April 22 1993 | |
| 23 | 4 | Script – Changes through page 85 | May 12 1993 | |
| 23 | 5 | Script (“Destino” – “Him”), by Diane Drake, revision by Malia Scotch Marmo | 6/14/93 | |
| 23 | 6 | Script (includes Norman Jewison’s annotations) | 6/14/93 | |
| 23 | 7 | Script – Revision (2) | 6/26/93 | |
| 23 | 8 | Script – Revision (3) (includes Michael Jewison’s annotations) | 7/10/93 | |
| 23 | 9 | Script – Revision (4) | 8/19/93 | |
| 23 | 10 | Script – Final | 8/19/93 with revisions 8/27/93 – 9/2/93 | |
| 23 | 11 | Script – Lined | 8/27/93 – 10/26/93 | |
| “Only You” cont. (1994) | ||||
| 24 | 1 | Script notes part 1 (Scene 1 – 71) | Aug. 30 1993 – Oct. 14 1993 | |
| 24 | 2 | Script notes part 2 (Scene 73 – 144) | Oct. 15 1993 – Dec. 2 1993 | |
| 24 | 3 | Script revisions with notes | April 5 1993 – Nov. 6 1993 | |
| 24 | 4 | Second unit | 1993 | |
| 24 | 5 | Storyboards and blueprints | 1993 | |
| 24 | 6 | Shipping (film) | 1994 | |
| 24 | 7 | Shipping inventory (post production) | 1994 | |
| 24 | 19 | Sketches | 1993 | |
| 24 | 8 | Sound editors | 1994 | |
| 24 | 9 | Stock footage | 1987–1993 | |
| 24 | 10 | Television version | 1994–1997 | |
| 24 | 11 | Titles | 1994 | |
| 24 | 12 | Trailer | 1993–1994 | |
| 24 | 13 | Travel | 1993–1994 | |
| 24 | 14 | Tri-Star | 1994 | |
| 24 | 15 | Visa | 1993 | |
| 24 | 16 | Wardrobe | 1993 | |
| 24 | 17 | Wedding stills – Research | 1994 | |
| Photographs : b&w P1–3 Wedding scenes from movies (includes William Holden, Jean Arthur, Tyrone Power, Kim Novak, James Whitmore) Photographs : b&w P4–13 Wedding scenes from movies (includes Dylan McDermott, Julia Roberts, John Larroquette, Kim Basinger, Cybill Shepherd, Mike Myers, Molly Ringwald, Robert Downey Jr. and Marissa Tomei in “Chaplin”) |
[192–?]–[1956?] [1987?]–[1993?] |
|||
| 24 | 18 | Writing credit | 1994 | |
| “Bogus” (1996) | ||||
| 25 | 1 | Accounting | 1995–1996 | |
| 25 | 2 | Accounting wrap | 1996 | |
| 25 | 3 | ACTRA | 1995 | |
| 25 | 4 | ADR | 1995 | |
| 25 | 5 | Budget – Paramount Pictures | 1993 | |
| 25 | 7 | Budgets | 1994–1995 | |
| 25 | 8 | Call sheets | 1995 | |
| 25 | 9RR | Cast contracts | 1995 | |
| 25 | 10 | Cast lists | 1995 | |
| 25 | 11RR | Casting Photographs : b&w P1–5 Actors considered for small part |
1994–1995 [ca. 1994] |
|
| 25 | 13 | Clearances | 1994–1996 | |
| “Bogus” cont. (1996) | ||||
| 26 | 1 | Continuity | 1995–1996 | |
| 26 | 9 | Cost reports 22–54 | 1995–1996 | |
| “Bogus” cont. (1996) | ||||
| 27 | 1 | Credits | 1995–1996 | |
| 27 | 2 | Crew lists | 1995 | |
| 27 | 3 | Daily production reports | 1995 | |
| 27 | 4 | Daily production reports – United States | 1995 | |
| 27 | 5 | Day out of days | 1995 | |
| 27 | 6 | Delivery schedule (Warner Brothers) | 1994 | |
| 27 | 7 | Distribution (International) | 1997 | |
| 27 | 8 | Dolby sound | 1996 | |
| 27 | 9 | Edit room agreement | 1995 | |
| 27 | 10 | Editing | 1995–1997 | |
| 27 | 11 | Editing – Continuity | 1995–1996 | |
| 27 | 12 | End title song/The Bergmans | 1996 | |
| 27 | 13 | End titles | 1995–1996 | |
| 27 | 14 | Extras breakdown | 1995 | |
| 27 | 15 | Insurance | 1995 | |
| 27 | 16 | Jewison, Norman, (agreement) | 1995–1996 | |
| 27 | 17 | Ledger reports | 1995 | |
| 27 | 18 | Legal | 1991–1996 | |
| “Bogus” cont. (1996) | ||||
| 28 | 1 | Location permit | 1996 | |
| 28 | 2 | Magic | 1995 | |
| 28 | 3 | Memoranda | 1991–1996 | |
| 28 | 4 | Miscellaneous (includes publicity, memoranda) | 1995–1996 | |
| 28 | 5 | Miscellaneous (includes correspondence, casting, spotting notes, crew lists, publicity) | 1992–1995 | |
| 28 | 6 | Mr. Bogus (title use) | 1996 | |
| 28 | 8 | Music | 1995–1996 | |
| 28 | 9 | Music – Choreography | 1995 | |
| 28 | 10 | Music – Composers | 1995–1996 | |
| “Bogus” cont. (1996) | ||||
| 29 | 1 | Music – Supervision | 1995–1996 | |
| 29 | 2 | National Research Group | 1995 | |
| 29 | 3 | Negative cutting | 1995–1996 | |
| 29 | 4 | Negative shipping | 1996 | |
| 29 | 5 | Non-resident tax | 1994–1996 | |
| 29 | 6 | Post production budget | 1995 | |
| 29 | 7 | Post production schedules | 1995–1996 | |
| 29 | 9 | Production binder – Norman Jewison’s copy (includes cast, crew of days, locations, oneline schedule, script with Norman Jewison annotations) | 1995 | |
| 29 | 10 | Publicity | 1996 | |
| 29 | 11 | Publicity – Reviews | 1996 | |
| “Bogus” cont. (1996) | ||||
| 30 | 1 | Recycling sets | 1996 | |
| 30 | 2 | Resumes – Composers | 1995 | |
| 30 | 3 | Resumes – Directors of Photography | 1994 | |
| 30 | 4 | Schedules | 1995 | |
| 30 | 5 | Schedules – Oneline (United States) | 1995 | |
| 30 | 6 | Schedules – United States | 1995 | |
| 30 | 7 | Screenings | 1995–1996 | |
| 30 | 8 | Script (“Bogus”), by Jeff Rothberg and Francis X. McCarthy – Rewrite | 6/20/90 | |
| 30 | 9 | Script, (“Bogus”) [by Alvin Sargent] (includes Norman Jewison’s annotations) | 9/16/92 | |
| 30 | 10 | Script | 9/22/92 | |
| 30 | 11 | Script | 9/22/92 – 10/7/92 | |
| 30 | 12 | Script | 10/23/92 – 11/9/92 | |
| 30 | 13 | Script – First draft, November 11 1992 | ||
| 30 | 14 | Script – Second draft, February 9 1993 | ||
| 30 | 15 | Script (“Bogusland”), 10/1/94 | ||
| “Bogus” cont. (1996) | ||||
| 31 | 1 | Script (“Bogus”) | November 10 1994 | |
| 31 | 2 | Script | December 3 1994 | |
| 31 | 3 | Script, by Alvin Sargent, revisions by Heide Perlman | January 31 1995 | |
| 31 | 4 | Script, by Alvin Sargent | 3/2/95 – 4/20/95 | |
| 31 | 5 | Script – Correspondence and memoranda | 1992–1995 | |
| 31 | 6 | Script notes | 1992–1996 | |
| 31 | 7 | Script revisions with notes | 1994–1995 | |
| 31 | 8 | Second Unit | [1995?] | |
| Photographs : col. P1–10 Locations (Toronto; includes Don Valley Parkway, Dundas, Broadview) |
[1995?] | |||
| 31 | 9 | Shipping | 1996–1999 | |
| 31 | 10 | Sketches and drawings | [1995?] | |
| 31 | 11 | Sound by Deluxe | 1995 | |
| 31 | 12 | Sound editors | 1995–1996 | |
| 31 | 13 | Sub-titles | 1996 | |
| 31 | 14 | Synopsis | [1994?] | |
| 31 | 15 | Tax documentation | 1996 | |
| 31 | 16 | Titles – Main | 1995–1996 | |
| 31 | 17 | Titles – RGA | 1995–1996 | |
| 31 | 18 | Trailer | 1996 | |
| 31 | 19 | Travel | 1993–1996 | |
| 31 | 20 | Visual effects | 1995 | |
| “Bogus” cont. (1996) | ||||
| 32 | 1 | Visual effects – DKP | 1995–1996 | |
| 32 | 2 | Visuals – Payment schedules | 1995–1996 | |
| 32 | 3 | Work permits | 1995 | |
| “The Hurricane” (1999) | ||||
| 32 | 4 | Casting | 1998 | |
| 32 | 5 | Continuity | 1998 | |
| 32 | 6 | Correspondence and memoranda | 1998–1999 | |
| 32 | 7 | Cutting notes | 1999 | |
| 32 | 8 | Langlais, Rudy (Producer) | 1998 | |
| 32 | 9 | Legal | 1998–1999 | |
| 32 | 10 | Locations | 1998 | |
| 32 | 11 | Main titles | 1999 | |
| 32 | 12 | Music scoring | 1999 | |
| 32 | 13 | Press information | 1999 | |
| 32 | 14 | Previews | 1999 | |
| 32 | 17 | Publicity | 1999–2000 | |
| 32 | 18 | Re-score | 1999 | |
| “The Hurricane” cont. (1999) | ||||
| 33 | 1 | Resumes and other records | 1995–1998 | |
| 33 | 2 | Reviews – Opening day | 2000 | |
| 33 | 3 | Screening results | 2000 | |
| 33 | 4 | Screenings | 1999 | |
| 33 | 5 | Script (“Lazarus and the Hurricane”), by Dan Gordon and Armyan Bernstein (includes Norman Jewison’s annotations) | April 4, 1997 | |
| 33 | 6 | Script (“Hurricane”), by Christopher Cleveland, July 6 | 1998 | |
| 33 | 7 | Script – First draft, June 25 1998, revisions to Sept. 1, 1998 | ||
| 33 | 8 | Script – First draft, June 25 1998, revisions to Sept. 17, 1998 | ||
| 33 | 9 | Script – First draft, June 25 1998, revisions to Oct. 2, 1998 | ||
| 33 | 10 | Script – First draft (includes Norman Jewison’s annotations), June 25th, , revisions to Oct. 8, 1998 | ||
| 33 | 11 | Script (“Lazarus and the Hurricane”), by Armyan Bernstein, Christopher Cleveland and Dan Gordon – White production draft, Oct. 14 1998, revisions to Feb. 13, 1999 | ||
| 33 | 12 | Script notes and suggestions | 1998–1999 | |
| 33 | 13 | Script revisions/notes | 1998–1999 | |
| 33 | 14 | Soundtrack | 1999 | |
| 33 | 15 | Sports Illustrated article | 2000 | |
| 33 | 16 | Television ad | 1999 | |
| 33 | 17 | Trailer | 1999 | |
| 33 | 18 | Voiceovers | 1999 | |
| “The Statement” (2003) | ||||
| 34 | 1 | Correspondence (includes incoming and outgoing records relating to script, casting, crew, schedule, legal agreements, notes, writers and other matters) | 1997–2002 | |
| 34 | 2 | Crew/Research | 2002–2003 | |
| 34 | 3 | Letters written in French used in filming | [2003?] | |
| 34 | 4 | Photographs | ||
| Photographs : b&w P1–5 Norman Jewison in priest’s robe and Michael Caine P6 Michael Caine holding a hat across his chest P7–10 Scenes from movie (includes Tilda Swinton, Jeremy Northam) Photographs : col. P11 For Livi (Tilda Swinton) identity card P12 For Brossard (Michael Caine) identity card Photographs : b&w P13 Young Brossard (Michael Caine in composite) and priest P14 Young Brossard and Nicole at their wedding (Michael Caine and Charlotte Rampling, both in composite) Photographs : b&w P15–17 Young Brossard in police uniform Photographs : b&w P18–27 Brossard’s valise (unidentified people and places) Photographs : b&w P28–31 Brides and grooms posing at weddings (includes P31, used for P14 composite) Photographs : b&w P32–45 Photos used in reshoot (includes French politicians) Photographs : col. P46–49 Cemetery for victims by road Photographs : b&w P50–66 Various individuals and groups of people in France |
[2003] [2003] [2003] [194–?] [194–?]–[196–?] [194–?] [192–?]–[198–?] 2003 [194–?]–[195–?] |
|||
| 34 | 5 | Press kit Photographs : col. (Serendipity) P1 Michael Caine P2 Tilda Swinton and Jeremy Northam P3 Tilda Swinton holding a cigarette P4 Jeremy Northam holding a glass of wine P5 Michael Caine with his hands on Charlotte Rampling’s shoulders P6 Norman Jewison wearing a cap and with earphones around neck |
2003 | |
| 34 | 6 | Photographs : col. P1 Michael Caine in front of a crucifix P2 Michael Caine holding a newspaper in front of a crucifix P3–4 Norman Jewison gesturing beside Michael Caine P5 Norman Jewison holding sunglasses in front of equipment |
[2003] | |
| 34 | 7 | Photographs : b&w and col. contact sheets (Jerome Prebois) P1–128 Cast and crew during filming (includes Norman Jewison, Michael Caine, Tilda Swinton, Jeremy Northam, Charlotte Rampling, Alan Bates) |
2003 | |
| 34 | 8 | Post production unit list | 2003 | |
| 34 | 9 | Scene breakdown | [2003?] | |
| “The Statement” (2003) cont. | ||||
| 35 | 1 | Script, by Ronald Harwood – Draft 1 | September, 2001 | |
| 35 | 2 | Script (includes Norman Jewison’s annotations) – Draft 2, October 11 | 2001 | |
| 35 | 3 | Script (includes Norman Jewison’s annotations) – Second draft – polish | February 26, 2002 | |
| 35 | 4 | Script – Third draft | October 30 2002 | |
| 35 | 5 | Script notes | 2002 | |
| 35 | 6 | Shooting schedules | 2003 | |
| (Accession no. 2008 .06) | ||||
|---|---|---|---|---|
| “Fiddler On The Roof” (1971, re-issue, 1979) | ||||
| 1 | 1 | Digital video disc of “ET Canada” interview | 2007 | |
| “Jesus Christ Superstar” (1973) | ||||
| 1 | 2 | Video cassette of interview with Sir Tim Rice for DVD supplemental material | 2004 | |
| “Moonstruck” (1986) | ||||
| 1 | 3 | Digital video disc of “ET Canada”/“Star!Daily”/“eTalk” interviews | 2006 | |
| “The Statement” (2003) | ||||
| 1 | 4 | Correspondence re notification of banning of film in Lebanon and Egypt | 2004 | |