Photo of Paul Bouissac

Paul Antoine Bouissac

Box/File List

Box File Title Year & Additional Information
Box 1
1 1 Les tres riches heures: holograph; "Nono"
1 2 [Les tres riches heures]: holograph; ts., annotated; ts., cc., annotated; Packing envelope states: "TRH" [Tres riches heures].
1 3 Holographs; tss., annotated; tss., cc., annotated; photocopies, annotated; related clippings; Packing envelope states: "TRH" [Tres Riches Heures].
1 4 Le voyage a Tangier: photocopy, annotated; [publisher?]: 1 letter out Contains list of errata. 1969; photocopy.
1 5 Notes: holographs; tss., annotated; ts., cc.; related clipping; Packing envelope states: "Les Demoiselles. Notes incorporated into revision.
1 6 Audio cassettes (8): "Foucault seminar."
1 7 Audio reels (4): "Foucault seminar."
Box 2
2 1 Pour une Semiotique de cirque
2 2 Towards a semiotics of circus
2 3 Articles: Espace per formatif et espace mediatisé; Per siflage de l'institution amureuse; From information to meaning
2 4 Article: Limerick
Box 3
3 1 Deiris vs modelling in the phylogeny of artistic behaviour
3 2 Correspondence re Deiris
3 3–4 Records relating to le cirque est mon royaume
3 5 Le cirque est mon royaume: Firmin Bouglione
3 6 Le cirque est mon royaume: Firmin Bouglione, correspondence 1967-74
Box 4
4 1 Records relating to Cirque et Culture; circus performance as text
4 2 Jugglers and magicians: semiotics of circus performance
4 3 Re "Meaning of circus performance"; circus performance text
4 4 Records relating to circus performance
4 5 Circus and culture
4 6 Myths versus Rites: A study of "wild" animal displays in circus and zoos; circus and culture
4 7 Original graphite drawing of Michel Foucault by Juno Youn for the 1994 Foucault conference.
Box 5
5 1 Notes de recherche sur l'utilisation du modele syntaxique
5 2 "Introduction" re: systems de description, de transcription....  
5 3 Notes de recherche...system de mesure...gestuelles
5 4 "Introduction" and notes and conclusion re: trois dialogues de l'exercise de jauter, et rolliger en Fair....
5 5 "Problemes methodologiques de la description et de la transcription de compartmentsAcrobatiques
5 6 Notes and drafts re: Analyse semiologique et analyse litteraire
5 7 Notes and chapter corrections
5 8 Notes and drafts re: clown performances as meta-semiotic texts; and La grammaire semiotiques du clown
5 9 Drafts and notes re: Mytho-choreographic themes in Indian circus performances
5 10 Dance and Religion in Indian Circus Spectacles
5 11 Some remarks on Iconic Signs [notes, drafts]  
5 12 "Discussant" remarks regarding M. Mathiot's "Towards a meaning-based theory of face to face interaction"
5 13 "Praxis and Semiosis: The Fabrication of History" "Remembrance of Things Past: A Semiotic Rapsody"
Box 6
6 1 "Tradition, Speculation and Cognition: A Prospective Investigation of Semiotic Terminology
6 2 Biological Empiricism....
6 3 Figurative vs `objective' semiotics
6 4 Art or script? A testable semiotic hypothesis
Box 7
7 1 Requests to publish P. Bouissac articles 1969-1971
7 2 Les Demoiselles [ca. 1970]
7 3 Striptease de Madam Bovary: typescript
7 4 Striptease de Madam Bovary [ca. 1971]: notes, drafts, typescript
7 5 Thomas A. Sebeok correspondence 1974-1988
7 6 Semiotics and the Gala Hypothesis [1990?]
7 7 From calculus to language: The case of circus equine displays 1991
7 8 Extradisciplinarity 1991-1992
7 9 Interview with P. Bouissac re Striptease de Madam Bovary and other topics 2005: video cassette
Box 8
8 1 Binder of records 1964-1965, containing: Copy of charter/By-laws/Minutes of Directors/Minutes of Shareholders
8 2 Stock certificates and other records relating to shareholders 1964-1965
8 3 Tax records 1966-1968
8 4 Insurance records 1965-1966
8 5 Correspondence 1963-1966
8 6 Correspondence 1964-1965
8 7 Employee records 1964-1965
8 8 Financial records re performances 1965
8 8A O/S Poster announcing circus [1965?]
8 9 Notes and other records re performances, circus materials and other entertainments 1964
8 10 Tickets and other printed material 1965
8 11 Maps, professional publications and other records 1964-1966
8 12 Newspaper clippings relating primarily to seized animals 1965-1972
8 13 Maclean's issue containing article on circus June, 1965 O/S Poster announcing circus [1965?]
8 14 Photo album of Girard Debord [ca. 1961]
8 15 Photographs and publicity material [1965?]
8 16 Photographs [1965?]
8 17 Photographs of the Baglione Circus and other subjects [between 1955 and 1965]
8 18 Photonegatives, slides, photographs, and printed material relating to Circus and Culture [before 1976]
8 19 Photographs relating to Circus and Culture [before 1976]
8 20 Photograph of P. Bouissac [1957 or 1958]
Box 9
9 1 Appointment calendars 1964-1965
9 2 Martin Down's Ring Notes 1965
9 3 Drawings and plans 1964
9 4 Music written by Dimitri Maximov for circus 1964
9 5–7 Financial correspondence and records 1965
9 8 Monthly expenses [1965?]
9 9 Financial records 1964
9 10–13 Financial records 1965
9 14 Pending bills 1965-1966
9 15 Clippings, published material re circuses 1965-1968
9 16 Photographs of Girard Debord and circus animals 1964-1965
9 17 Photographs, clippings and published material re circuses 1965-1975
9 18 Compact disc of music played at circus - Sousa and piano
Box 10
Correspondence
10 1 A.J. Greimas 1964-1970
10 2 Various (includes Leon Levi - Strauss, Northrop Frye, A.J. Greimas, Roman Jakobson) 1968-1982
10 3 Various 1966-1984
10 4 R. Toole Stott 1968-1971
10 5 G. Bucher 1969-1970
10 6 Georges Henri Riviere obituary 1985
10 7 Debord Circus financial record book 1965
10 8 Proposed circus performance for Berlin Festival 1977-1979
Box 1 /OS (2007.09)
1 1 "Rue de Carmes" (typescript story by David Gilmour) 1972
1 2 8 drawings
1 3 17 drawings
Box 1 (2008.10)
1 1 List of the files numbered below compiled by Bouissac - contains information re the conferences, workshops, seminars and colloquia/ background re the papers he delivered
1 2 “La semiologie du cirque”, Departement de Linguistique, Universite de Geneve, Switzerland, 1973
1 3 “Structures poetiques vs. structures narratives”, Ecole pratique des hautes etudes, Vleme section, A.J. Greimas’ seminar, Paris January, 1974
1 4 “La discursivite non linquistique”, Colloquium on Discourse Analysis, University of Toronto November, 1974
1 5 “Surrealism and Semiotics”, First Annual Conference of the Semiotic Society of America, Georgia Institute of Technology, Atlanta September, 1976
1 6 “Why circus horses have feathers: The truth of natural objects”, International Workshop on the Cognitive Viewpoint, Ghent University, Belgium March, 1977
1 7 “Les modalities dans le discours visual”, Ecole des hautes etudes en sciences socials, Vleme section, A.J. Greimas’ seminar, Paris February, 1978
1 8 “Syntaxe et semantique du chaos: une entrée clownesque de Charlie Cairoli,” Conference on ‘Forme e Pratiche della Festa,” Montecatini Terme, Italy October, 1978
1 9 “Syntax and Semantics of chaos; A clown act by Charlie Cairoli”, Seminar in Semiotics, University of Western Ontario, Department of Anthropology March, 1979
1 10 “Circus dogs in the semiotic square”, Seminar in Semiotics, University of Western Ontario, Department of French March, 1979
1 11 “Resultats theoriques et terminologiques de l’analyse du spectacle,” Colloque sur la terminologie semiotique et son developpement theorique, Academie des Sciences de Hongrie, Budapest, June-July 1979
1 12 “Semiotics and aesthetics”, Second Congress,” Second Congress of the International Association for Semiotic Studies, Vienna July, 1979
1 13–14 “The surrealist image”, Second Congress of the International Association for Semiotic Studies, Vienna July, 1979
1 15 “The semiotic account of sign processes in nature and culture”, International Workshop on the Systematics, History and Terminology of Semiotics, Berlin September, 1979
1 16 “The concept of semiotic operations”, Fourth Annual Meeting of the Semiotic Society of America, Bloomington, Indiana October, 1979
1 17 “Le jeu avec le feu”, Conference on Il Linguaggio del Gioco, Montecatini, Terme, Italy October, 1979
1 18 “The concept of distance in surrealist poetry and poetics”, Space, sign, subject in literature, The Arts and the Social Science, University of California at Davis March, 1980
1 19 “Behaviour in context: In what sense is a circus animal performing?” The ‘Clever Hans’ phenomenon, Conference of the New York Academy of Sciences, New York May, 1980
1 20 “La semiotique du cirque: Signes, systems, representations”, Centro Internazionale di Semiotica e linguistic, Advanced Seminar, University of Urbino, Italy July, 1981
1 21 “Figurative vs. objective semiotics,” Annual meeting of the Semiotic Society of America, Vanderbilt University, Nashville October, 1981
Box 2 (2008.10)
2 1 “Praxis vs. Semiosis: The fabrication of history,” Annual meeting of the German Semiotic Association, Hamburg, Germany October, 1981
2 2 “Meaningful gestures: The brain connection,” Annual meeting of the German Semiotic Association, Hamburg, Germany October, 1981
2 3 “Visages et voix masques des clowns”, International Colloquium Nel Senso Della Maschera, Montecatini Terme, Italy October, 1981
2 4 “The Semiotics of play and performance: Ethnological perspectives”, New York University, Department of Performance Studies December, 1981
2 5 “Tradition, speculation and cognition: A perspective investigation of semiotic terminology”, International Seminar: In Search of terminology, Central Insitute of Indian Languages, Mysore, India January, 1982
2 6 “The profanation of the sacred in circus clown performances”, International Symposium on Theater and Ritual, Wenner-Gren Foundation for Anthropological Research, New York, New York, August-September 1982
2 7 “Biological empiricism: The neurophysical pardadigm”, Session on Paradigms of Empirical Semiotics, Seventh Annual Meeting of the Semiotic Society of America, Buffalo, New York October, 1982
2 8 “Literature and interpretation”, Commentary on papers presented at a session of the fortieth Annual Meeting of the American Society for Aesthetics, Banff, Alberta October, 1982
2 9 “Celebration du corps de gloire: Le Funambule de Jean Genet”, Sixth Columbia University Colloquium on poetics: La Poetique du corps, New York November, 1982
Box 3 (2008.10)
3 1 “The hidden face of metaphors”, Workshop on metaphor, University of Toronto, Scarborough College March, 1983
3 2 “Le double dans les spectacles de cirque”, Scene, sign, spectacle: An International Symposium on the Theory and Practise of performance, University of Western Ontario, London April, 1983
3 3 “Anthropology of the circus: A Semiotic approach”, Seminar taught at the Fourth International Summer Institute for the Semiotic and Structural Studies, Indiana Univeristy, Bloomington May, 1983
3 4 “What is a bad performance?” The Concept of Performance, an International Colloquuium, Indiana Univeristy, Bloomington June, 1983
3 5 “The semiotics of performance: Terminological and methodological issues”, Seminar taught at the NATO Advanced Study Institute on Semiotics and International Scholarship: An International Language of Theory, Estoril, Portugal September, 1983
3 6 “The predictive power of semiotic theories”, Annual Meeting of the Semiotic Society of America, Snowbird, Utah October, 1983
3 7 “From information to meaning”, Symposium on Communication in the Post-industrial Era, Rochester Institute of Technology, Rochester, New York April, 1984
3 8 “The cost of signs”, Annual Meeting of the Semiotic Society of America, Bloomington, Indiana October, 1984
3 9 “Circus animals as actors: A Semiotic viewpoint”, British Theatre institute, London, England October, 1984
3 10 “The epistemological status of semiotics: Perspective for the future”, Wayne State University, English Department lectures on textual politics, Detroit April, 1985
3 11 “Mytho-Choreographic themes in Indian circus performances”, Colloquium on Dance of India: Culture, philosophy, and performance, University of Toronto April, 1985
3 12 “The straight, the tight, and the loose: The game of the rules in modern clown performances,” Colloquium on the Science of Buffoonery: Theory and History of the Commedia dell’Arte, Toronto November, 1985
3 13 “The anatomy of signs: The contribution of Neuroethology to the understanding of iconicity”, Issues in Iconicity: An Interdisciplinary Conference, University of British Columbia, Vancouver, February-March 1986
3 14 “The limits of comedy: How far can a circus clown go?”, Annual Meeting of the Association for the Anthropological Study of Play, Tempe, Arizona March, 1986
3 15 “The marketing of performance,” First International Conference on marketing and Semiotics, Northwestern University, Evanston, Illinois July, 1986
3 16 “The Semiotics of performance”, Seminar taught at the Eighth International Summer Institute for Semiotic and Structural Studies, Northwestern University, Evanston, Illinois, June-July 1986
3 17 “The cultural management of natural signs in the performing arts: Examples from the circus”, International Symposium: Die Natur der kultur, Ruhr-Universitat, Bochum, West Germany October, 1986
3 18 “A Semiotic typology of gags”, Annual Meeting of the Semiotic Society of America, San Francisco October, 1986
3 19 “Concepts of the sign as qualitative models”, Annual Meeting of the Semiotic Society of America, San Francisco October, 1986
3 20 “Tradition and modernity in contemporary Indian performances”, Graduate Center for South Asian studies. Monthly Seminar Program, University of Toronto November, 1986
Box 4 (2008.10)
4 1 “Une cavalcade de signes: syntaxe et rhetorique de la parade. Conference on Petrarch’s “Triumphs” : Alloegory and spectacle, University of Toronto May, 1987
4 2 “Erotic iconicity in poetry Andre Breton and Jean Genet”, International Colloquium on The Semitics of Eroticism, University of Toronto, Victoria College June, 1987
4 3 “La semiotique au Canada: un paysage accidente”, Secundo Congresso Internacional Latinoamericano de Semiotica. Universidad Nacionel de Rosario, Argentina October, 1987
4 4 “Incidents, accidents, failures: The concept of negative experience in public entertainment”, Second Indo-Canadian Symposium on Institution, Communicatoin and Social Interaction: The Legacy of Erving Goffman, Central Institute of Indian Languages, Mysore, India December, 1987
4 5 “Systematic transformations of the human face: A cross cultural study of clowns’ make-up”, Third European Symposium on Facial Exprression – Measurement and Meaning, Max Planck Institute, Ringberg Castle, Tegernsee, Federal Republic of Germany March, 1988
4 6 “Le masque du bouffon: sur un texte de Georges Bataille”, Association des Professeurs de Francais des Universites et Colleges Canadiens, Congres des Societes Savantes du Canada, University of Windsor May, 1988
4 7 “L’institution de la semiotique: strategies et tactiques epistemoloques”, Association Canadienne de Semiotique, Congres des SocietesSavantes du Canada, University of Windsor, May-June 1988
4 8 “The staging of risk: Prototypes of survival in circus performances”, Symposium on Culture and Evolution, Villa Vigon Loverno di Menaggio Como, Italy September, 1988
4 9 “Symbols in politics: The role of the circus in international relations”, Department of Political Science, University of Hawaii, Manoa, Hawaii April, 1989
4 10 “Iconicite linguistique et modeles connexionnistes”, Colloque Signification et Perception, 57eme Congres de l’Association Canadienne-Francaise pour l’Avancement des Sciences. Universite du Quebec a montreal May, 1989
4 11 “Dans quell sens peut-on dire que le cirque est un langage?” Association Canadienne de Semiologie des Societes Savantes du Canada. Universite Laval, Quebec June, 1989
4 12 “The symbolic appropriation of technological objects by the circus”, Colloquium on “Kultur-Evolution”. Akademie fur Politische Bildung. Tutzing, Federal Republic of Germany September, 1989
4 13 “Circus animals: Ecological and evolutionary perspectives”, Centre for Research of Human Resources and the Environment. Department of Education and Culture. University of Indonesia January, 1990
4 14 “Syntactic iconicity and connexionist models of language and cognition”, Meeting of the Japanese Association for Semiotic Studies, Aoyama Gakuin University, Sogo Kenkyusho {Research Centre} Tokyo, Japan January, 1990
4 15 “Semiotics in Canada”. Canadian Studies Center, University of Groningen December, 1990
4 16 “Semiotic modeling and normalization of common sense knowledge”. Conference on Expert Systems, Culture and Semiotics. University of Groningen, The Netherlands December, 1990
4 17 “The Lion’s anger: The performance of emotions in circus dramaturgy”. Annual Meeting of the Association for the Study of Play. Charleston, South Carolina March, 1991
4 18 “Lecture de l’image erotique: hteorie d’une pratique”, Colloquium “Lectures de l’image”. Universite de Lausanne, Switzerland April, 1991
4 19 “Prehistoric pictographs: The semiotic hypothesis”. Second Congress of the Australian Rock Art Research Association, Cairns, Australia, August-September 1992
Box 5 (2008.10)
5 1 “Why do we need semiotics?” Indira Gandhi National Centre for the Arts. New Delhi, India September, 1992
5 2 “New epistemological perspectives for the archeology of writing”. World Archeological Congress III, New Delhi, India December, 1994
5 3 “Future directions in the semiotics of the media: Epidemiological models of semiosis. Implications for a Semiotic theory of the media. An International Conference. University of Kassel, Germany March, 1995
5 4 “Why do we need semiotics? And “The notion of semiotic literacy”. University of Suzhou, China May, 1995
5 5 “Space as memory: Some semiotic implications.” International Conference on “Culture, Signs, Space”. Joint Meeting of the Dutch and German Semiotic Associations, Amsterdam August, 1996
5 6 “Can semiotics progress?” Thomas A. Sebeok Fellowship Lecture. Semiotic Society of America 21st Annual Meeting, Santa Barbara, California October, 1996
5 7 “Semiotics for literary scholars and beyond”. Centre for Comparative Literature and Culture, Peking University, Beijing, P.R. China April, 1997
5 8 “The Punakawans in the Wayang Orang of central Java”. Faculty of Human Sciences, Anthropological seminar, Keio, University Tokyo May, 1997
5 9 “Ontologies of signs”. Department of Philosophy, Nihon University, Tokyo May, 1997
5 10 “Space as memory and emotion”. Interfaculty Seminar, Keio University, Tokyo May, 1997
5 11 “Semiotics in the Post-academic age”. Keynote address, Annual Meeting of the Japanese Association for Semiotic Studies, University of Tokyo May, 1997
5 12 “Archaeology of performance”. University of Waterloo October, 1997
5 13 “Becoming a mask: Facial make-up and the transformation of identities”, Mind, Man and Mask: An International Seminar. Indira Gandhi National Centre for the Arts, New Delhi, India February, 1998
5 14 “Memes and Serendipity”, Keio University, Tokyo June, 1998
5 15 “Cocteau refondateur de mythes”. International Conference on Le siècle Cocteau/Cocteau’s Century. University of Toronto October, 1998
5 16–17 “Information, imitation, communication: An evolutionary perspective on the semiotics of gestures”. Conference on Gestures: Meaning and Use; Universidale Fernando Pessoa. Porto, Portugal April, 2000
5 18–19 “The meaning of hand signs in rock art research”. Third Congress of the Australian Rock Art Research Association. Alice Springs, Australia July, 2000
Box 6 (2008.10)
6 1–2 “Data, dates and narratives: Epistemological issues in the interpretation of prehistoric signs”. Colloquium on Paths to Prehistoric Ideational Culture. Sedish Research Institute in Istanbul December, 2000
6 3 “The sociological and epistemological status of semiotics: An assessment and a program” (Keynote paper). Fifth Congress of the Chinese National Linguistic and Semiotic Association, P.R. China May, 2002
6 4 “Bounded semiotics: From utopian to evolutionary models of communication” (Keynote paper). Fifth Workshop on Organizational Semiotics and Seventh International Workshop of the Language-Action Perspective on Communication Modeling. Delft, Holland June, 2002
6 5 “Semiotics as enlightenment: East and West – A critical approach”. Semiotics and the Global Meaning of east Asian Cultures. Third Seminar of the East Asian Semiotic Association. Hubei University, Wuhan, P.R. China 2002
6 6 “Forme et sens du pont dans le projet urbain”. International Association for the Semiotics of Space, Lyon, France July, 2004
6 7 “Static images as agencies: Performative, algorithmic and normative functions”. Ontogeny and Phylogeny of the Picture Sign. Eighth Congress of the International Association of Semiotic Studies, Lyon France, 2004
6 8 Papers by various authors/research material/notes
Box 1 (2010.07)
Correspondence/subject files
1 1 Correspondence 1962–1976
1 2 --- 1974–1977
1 3 --- 1978–1979
1 4 --- 1979–1980
1 5 --- 1981–1982
1 6RR Letters of recommendation 1972–1976
1 7 Mouton D’or Prize 1985–1988
1 8 Sebeok, Thomas A. 1987–1989
Box 1 (2011.10)
1 1 Copy edited manuscript of "Circus and Culture" (published 1976)  
1 2 Drafts, manuscripts, notes, and research material on various subjects, including circuses and semiotics 1976-1988
Correspondence/subject files
1 3 Correspondence 1977-1983
1 4 --- 1984-1985
1 5 --- 1986-1987
1 6 --- 1987
1 7 --- 1988
Box 2 (2011.10)
Correspondence/subject files
2 1 Correspondence 1989
2 2 --- 1990
2 3 --- 1990-1991
2 4 --- 1992
2 5 --- 1993